Felix Müller is a Hamburg-born and-based photographer, composer and creative mastermind behind the cinematic soul project The Offline. Müller can trace the origins of The Offline to his travels along the the Atlantic coastline of southern France with an analog camera, capturing beach life. Upon his return to Hamburg, he started writing compositions as the sonic counterpart to his visuals.
The German-born artist’s full-length debut, last year’s Timor Litzenberg co-produced La couleur de la mer was inspired by the work of Francois de Roubaix — and saw him creating a soundtrack to an imaginary film. The album’s material evoked images of manorial, fog-swept villas at the ocean’s edge, silhouetted sailing boats and cigar-chomping villains attempting to thwart the mission of the imaginary film’s hero. The album experimented with themes and atypical song structures, moving from dramatic cues to fragile romanticism while incorporating psychedelia, retro soul and hip-hop, inspired by and informed by his extensive record collection.
Müller’s forthcoming Les Cigales EP reportedly builds upon the head-nodding blend of hip-hop and 70s soul jazz that he developed on his full-length debut. The EP takes it sonic tunes from the structure of film and TV music from the 1960s and 1970s, channeling the influences of film composers like Francois de Rouabix and David Axelrod while also seemingly sitting between the chilled out, summery grooves of Surprise Chef and Robohands. As the EP unwinds, its narrative reflects a love story full of longing, melancholy and drama, connecting with the story of Cyptis and Protis — the founding myth of Marseilles — whose love broke convention and welcomed the arrival of foreigners on French soil.
“Fumée,” introduces the first part of Les Cigales‘ narrative, an effort that reflects upon life on the Mediterranean during the summer months. Anchored around an arrangement featuring a gorgeous and expressive Rhodes-driven melodic theme, a brooding horn line and squiggling wah wah pedaled funk guitar paired with a subtly reggae-like drum groove, “Fumée” features alternating light and dark sections.
The new single continues a run of material that seems to recall Bob James while setting up the EP’s narrative, introducing the soon-to-be star-crossed protagonists, as they hungrily search for one another, while situating the listener in and around Marseille.
“As some may know, Hamburg is not known for the best weather, especially the winters, with little daylight, cold winds and rain lashing down on your face,” Müller says. “Maybe that’s why this longing for light, warmth and the sea is always a big part of my music – by composing the songs, I can be in these places.”
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