Over the past few months, I’ve written a bit about Portland, OR-based rock act Blackwater Holylight, and as you may recall, the band which is comprised of founding member Allison “Sunny” Faris (vocals, bass) with Laura Hopkins (guitar, vocals), Cat Hoch (drums) and Sarah McKenna (synth) can actually trace it origins to when a previous band that Faris was in broke up, and she felt the n could to begin experimenting with what her own version of “heavy” should and could be both sonically and emotionally — all while celebrating vulnerability in all of its forms. Faris adds that because she had long been the only female in many of her bands, she wanted to see how songwriting and vulnerability could glow once they take the drivers seat within a band, and how it is was to work exclusively with women.
The band’s self-titled full-length debut was released earlier this year, and the album’s second single is the Led Zeppelin and Black Sabbath power chord-based dirge and strident, feminist anthem “Wave of Conscience,” that finds the band at their most expansive and forcefully self-assured — but while centered around ethereal harmonizing. Interestingly, the recently released video for “Wave of Conscience” is based around found and stock footage of black widow spiders, cartoons, animated movies, and other creepy crawlies attacking and fighting each other. Yes, it’s dark as fuck — and fittingly so.