Tag: music video

New Video: Rodes Rollins Releases Sultry and Self-Assured Visuals for “Nasty Woman”

Now, over the past 12-18 months or so, I’ve written a bit about Rodes Rollins, a Boulder, CO-born singer/songwriter, who spent a stint living abroad in Buenos Aires, Argentina and is now primarily based in New York. Rollins emerged into the national scene with “Young and Thriving,” the first single off her critically applauded debut EP Young Adult, an incredibly self-assured effort written as a portrait of an artist as a young woman, in which the narrator looks back at her most formative experiences with a nostalgic yet wizened flashback — with the perspective of someone, who now sees how her decisions for better or for worse, planned or serendipitous have influenced who she has become and where her life is at this moment.

“Nasty Woman,” Rollins’ latest single is a bold, self-assured, feminist anthem that according to Rollins is largely centered on empowerment and pride, while focusing on ” . . .the multi-dimensionality of what it means to be a woman in society — being who you are, as you are; and being proud of that. This song is not presented from only my singular perspective, or through just one medium. The very point of what I’m trying to express is that being a woman shouldn’t be a restrictive identity, but rather a broad and inclusive one.” Sonically, the song is based around a bluesy and reverb-y guitar line, propulsive drumming from Portugal, The Man‘s Kane Ritchotee  an infectious hook and Rollins’ sultry cooed vocals — and while sultry, the song lyrically features inclusive and intersectional lyrics.

Directed by Louis Browne, the recently released video for “Nasty Woman” is as sultry and self-assured as the song it accompanies. As Rollins says of the video treatment, “‘Nasty Woman’ is my own personal feminist anthem. Tonally and thematically it’s very different from my other material. It was really empowering and fun for me to write and record this one. I wanted that to come through in the visuals for the song too. So, we made an effort for the video to incorporate bold, bright colors and a strong energy. Performing in this video really gave me a platform to showcase the confidence when I sing ‘Nasty Woman.'”

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New Video: Lola Kirke Returns with Sultry and Expressive Visuals for “Sexy Song”

Lola Kirke is a British-born, New York-based singer/songwriter, musician and actress, best know for starring roles in Noah Bambauch’s Mistress America and the Amazon series Mozart in the Jungle, as well as a supporting role in David Fincher’s Gone Girl; but interestingly enough, she’s also the daughter of drummer Simon Kirke, who’s best known for stints in Bad Company and Free and Lorraine Kirke, the owner of Geminola, a vintage boutique known for supplying outfits for Sex and the City. Now as you may recall, last year I wrote about “Not Used,” off her self-titled EP, a song about learning to live with a lover’s absence and their lingering ghosts. 

Kirk’s full-length debut Heart Head West is slated for an August 10, 2018 release through Downtown Records, and the Wyndham Garnett-produced album, which was tracked live to tape, is a deeply personal album that Kirke says is “about basically everything I thought about in 2017 — time, loss, social injustice, sex, drinking, longing — essentially everything I’d talk about with a close friend for 40 minutes.” Heart Head West’s latest single “Sexy Song” is a slow-burning and meditative bit of honky tonk that’s reminiscent of Chris Issak and Roy Orbison, but with a feminine and self-assured sultriness at its core. 

Directed by Mara McKevitt, the intimate, recently released video for “Sexy Song” features expressive and sultry choreography by Elizabeth Sonenberg, and as Kirke told Harper’s Bazaar, “I think that understanding what the core and the truth of women’s sexual desire is really tricky. Is it something that’s just like a man’s? Is it totally different? is it something that is just a like man’s because men told us exactly how it should be or what they would like it to be?” 

New Video: Up-and-Coming French Electronic Duo Polo & Pan Release Gorgeous and Childlike Visuals for Breezy “Canopee”

Polo & Pan are a Paris-based electronic music production and DJ duo, comprised of Paul Armand “Polocorp” Delille, and Alexandre “Peter Pan” Grynszpan, both of whom are acclaimed artists in their own right. Grynszpan has developed a reputation for being an insatiable crate digger, who has been known to collect a wide and diverse array of records from musical gems of the early 20th century to contemporary electronica and electro pop to 70s Nepalese psych rock and so on. Unsurprisingly Grynszpan is one of the founders of Radiooooo, an online encyclopedic radio station that was launched back in 2013. Delille is best known for his work with MAD Agency creating workspaces for artists in industrial warehouses but also as a renowned DJ; in fact, both Grynszpan and Delille were resident DJs at Le Baron, and when they met, they discovered a common musical interest — creating a genre- and time-defying sound that manages to be dance floor friendly. 

The duo’s first release Rivolta found the duo meshing 30s Italian standards with 70s Giorgio Moroder-inspired disco, and their full-length debut Caravelle, which was released earlier this year will further cement the duo’s meshing of genres and time periods to create their difficult to pigeonhole yet wildly crowd pleasing sound. The album’s material draws from the sounds of South America, Tajikistan, China, Congo Africa and elsewhere — and the album’s latest single “Canopee” is a breezy and sultry song that draws from French chanteuse-styled pop, flamenco, thumping Italian disco and African percussion with an effortlessly seamless and slick yet soulful production.

Animated and directed by Bleu Garou, a.k.a. Chiara Luber, the recently released animated video is an exotic and vividly colorful visual that immediately brings The Jungle Book, The Little Prince and Babar to mind as it evokes a mischievous and childlike sense of wonder and awe, while being centered around an old-fashioned love story. 

New Video: Introducing the Swaggering Arena Rock Friendly Sounds of Scotland’s The Rah’s

The Rah’s are an up-and-coming Prestonpans, East Lothian, Scotland-based quintet, comprised of founding members Jack McLeod, Jordan McIntyre, Neale Gray and Andrew McLeod, along with newest member Lee Brown, who have cited Jimi Hendrix, Arctic Monkeys, The Beatles and The Rolling Stones — and while regionally, they’ve developed a reputation for an energetic live show, over the past few years they’ve been experimenting with their sound and songwriting approach with the result being their anthemic, 90s Brit Pop “Survival,” a massive power chord-based single that sounds inspired by the likes of Kasabian, The Hives, and Foo Fighters.

Filmed and edited by Carousel Films, the recently released video for “Survival” features the band performing over superimposed stock footage of political and social unrest, war, climate change and destruction — all of which echo our current world in an uncanny fashion.

New Video: United Ghosts’ Trippy Visuals for Their Shimmering 4AD Records-Inspired New Single

The Los Angeles-based dream pop duo United Ghosts, comprised of Sha Sabi, who came to Southern California after stints in New York and San Francisco; and German-born Axel Ray, who spent a 12 year stint in London before relocating to the States — although on some level, it’s a bit of a misnomer, as they’ve received attention for a classic 4AD Records-like sound centered around boy-girl harmonizing and draws from dream pop, psych rock, shoegaze and krautrock.

The duo’s 2013 full-length, self-titled debut and its follow up, Dear Electric Sun EP received airplay from BBC’s Steve Lamacq and Lauren Laverne, KCSN’s Nic Harcourt, KLOS’ Mark Sovel and XFM’s John Kennedy and a number of others. And after three successful UK and European Union tours, a number of Stateside dates that included CMJ and SXSW, followed by an L.A. residency, the duo of Ray and Sabi returned to the studio to work on their Mark Rains and Axel Ray co-produced sophomore album, Saturn Days, an album that thematically and lyrically explores modern life, love and disconnect in a world that’s equally dystopian and beautiful, in which hope is laced with paranoia and where dreaming your way out might be the only chance to survive.

Saturn Days’ latest single “Waves,” will further cement the duo’s reputation for crafting material 4AD Records-era dream pop, the prerequisite shimmering guitar chords, motorik grooves, enormous power chord-based soloing and dreamy boy-girl harmonies — but with a subtly modern touch,.

The recently released video for “Saturn Days” is comprised of performance footage of the members of United Ghosts with their live band shot by Arian Soheili with superimposed drone footage by Steve Payne, underwater footage by Alex V. and images of Saturn courtesy of NASA and the Saturn Cassini mission.

New Video: Blackwater Holylight Releases Dark and Creepy Visuals for Anthemic “Wave of Conscience”

Over the past few months, I’ve written a bit about Portland, OR-based rock act Blackwater Holylight, and as you may recall, the band which is comprised of founding member Allison “Sunny” Faris (vocals, bass) with Laura Hopkins (guitar, vocals), Cat Hoch (drums) and Sarah McKenna (synth) can actually trace it origins to when a previous band that Faris was in broke up, and she felt the n could to begin experimenting with what her own version of “heavy” should and could be both sonically and emotionally — all while celebrating vulnerability in all of its forms. Faris adds that because she had long been the only female in many of her bands, she wanted to see how songwriting and vulnerability could glow once they take the drivers seat within a band, and how it is was to work exclusively with women.

The band’s self-titled full-length debut was released earlier this year, and the album’s second single is the Led Zeppelin and Black Sabbath power chord-based dirge and strident, feminist anthem “Wave of Conscience,” that finds the band at their most expansive and forcefully self-assured — but while centered around ethereal harmonizing. Interestingly, the recently released video for “Wave of Conscience” is based around found and stock footage of black widow spiders, cartoons, animated movies, and other creepy crawlies attacking and fighting each other. Yes, it’s dark as fuck — and fittingly so.

New Video: JOVM Mainstays SOFI TUKKER Release Mischievous and Brightly Colored Visuals for Thumping “Good Time Girl” feat. Charlie Barker

I’ve written quite a bit about the acclaimed, New York-based electro pop duo SOFI TUKKER throughout the course of this site’s eight year history, and with the release of their debut EP Soft Animals and their full-length debut Treehouse, which was released earlier this year, the duo have quickly built a blogosphere dominating, internationally recognized profile, thanks in part to a thumping, tribal house sound that subtly drew from Latin, African rhythms and other music; in fact, album single “Best Friend,” was a smash hit that received a Grammy nod, and was featured in an ad campaign for the iPhone X.

Treehouse’s latest single “Good Time Girl” is a sultry and percussive classic house music-inspired track centered around thumping, tweeter and woofer rocking beats, arpeggiated synth, blasts of strummed guitar and bass and an infectious, club rocking hook — and over that, SOFI TUKKER”s Sophie Hawley Weld and Charlie Barker trade equally sultry and breathy vocals. Sonically speaking the song is a seamless synthesis of DFA Records and Giorgio Moroder with a fearlessly mischievous vibe; but as Hawley Weld and Halpern explain in press notes, “This is a really personal, tongue-in-cheek song about navigating this nebulous thing called a ‘casual relationship.'”

Directed by Freddie Frantos, the video for “Good Time Girl”  was released just ahead of the renowned, JOVM mainstays European, Summer festival run, and the video features the members of SOFI TUKKER goofing off and hanging out with Charlie Banker’s houseboat. And much like their previously released video, “Good Time Girl” will further cement the duo’s reputation for crafting playful, high energy visuals in which they wear neon bright clothing. 

New Video: Up-and-Coming Canadian Born Producer and Electronic Music Artist Bruno Belissimo Releases Surreal, Mischievous Visuals for Sultry Retro-futuristic “Boloña Baleárica”

Born the son of Italian immigrants who moved to Canada in the 70s, Bruno Belissimo is a Toronto, Ontario, Canada-born and -based electronic music producer, multi-instrumentalist and electronic music artist, who grew up in a rather creative environment — his father owned a movie rental store and directed independent sci-fi movies and his mother managed a small cafe in the  St. Clarens neighborhood, best known as an enclave of Italian immigrants. As the story goes Belissimo showed a predisposition for music at a very young age: at 8 he was the best vocalist of his Baptist Church’s The Little Lord Singers and as he got older he won a scholarship at Toronto’s Royal Conservancy of Music, where he studied upright bass and composition. As he got older, Belissimo got interested in electronic music, and began producing his first tracks, quickly established his own style and sound, centered around disco-inspired programming and deep grooves. 

“Boloña Baleárica,” Belissismo’s sultry, new single features a swaggering, retro-futuristic production consisting of shimmering, arpeggiated synths reminiscent of Giorgio Moroder, tribal drum programming and warm yet soulful blast of horns. Sonically, the song sounds mischievously anachronistic — it could have been released in 1982, 1992, 2002 or today. As the Canadian producer, electronic music artist and multi-instrmetnalist says of the track “Boloña Baleárica is an homage to the sweaty and sweltering city of Bologna burnt by the sun in the scorching summer season. High cliffs instead of hills, fresh fish instead of Ragù and the surrounding sea instead of the city. This is the perfect soundtrack for your holidays in Bologna.”

Directed by Maison Blame, the video follows Stefano, the body builder, who’s obsessed with his physical shape and is like 100% muscle; Anna, a tourist; and Bellissimo through a sultry and sweaty Italian vacation in beautiful Bologna. 

New Video: The Eerie Yet Cinematic Visuals for Belau’s “Breath”

With the release of their first single “Island of Promise,” the Budapest, Hungary-based electronic music production and artist duo Belau, comprised of Peter Kedves and Buzas Krisztian quickly received attention across their native Hungary for a buoyant, summery and dance floor friendly sound meant to evoke “cheerful places, filled with sunshine, where one can relax, unwind and find peace and harmony,” as the duo explain in press notes. In fact, the single landed at number 1 on Deezer Hungary, one of the country’s biggest streaming services, and since its release has amassed over 500,000 streams, has been featured in the HBO Hungary series Aranyélet and in an international Pepsi ad campaign shown in 33 countries. 

Building upon a growing profile, the duo’s 2016 full-length debut The Odyssey won the Hungarian Grammy for Best Electronic Music Album, and they followed that up with a period of intense touring over the next two years in which they played over 120 shows in 19 countries with stops at Eurosonic, Sziget, Reeperbahn, Untold, and SXSW. 

The duo’s latest single “Breath,” find the duo collaborating with vocalist Sophie Lindinger   in a sultry and dance floor friendly track in which Lindinger’s breathy vocals are paired with a buoyant and incredibly slick production centered around glitchy beats, finger snaps and a sinuous yet incredibly anthemic hook. Sonically speaking, the song reveals a duo that manages to balance an adventurous and forward-thinking sound with an accessible approach. 

Directed by Attila Damokos, the recently released video for “Breath’ is an incredibly cinematic video that follows a beautiful but very lonely woman, through a series of flashbacks — her dying her hair blonde, sitting in an old fashioned furnished apartment smoking cigarettes by herself and traveling by train through the Hungarian country. And while beautiful, it evokes an underlying ache at its core.