New Audio: Hot Pink Sauce Shares Woozy “Don’t You Wake Me”

Hastings, UK-based musicians Evi Vine and Steven Hill have worked together in several different projects together, including EVI VINE and Silver Moth, a collective founded by Mogwai‘s Stuart Braithwaite.

The duo’s latest project together Hot Pink Sauce released their debut single, the  A Storm in Heaven-era The Verve-meets-Slow Air-era Still Corners and Beach House-like “Feel.”

Hot Pink Sauce closes out the year with “Don’t You Wake Me,” a woozy bit of synth pop anchored around Evi Vine’s expressive delivery and primal drumbeats that sounds like a synthesis of Beach House, Stevie Nicks and Kate Bush that evokes the conflicting sensation of heartbreak, loss and resiliency, which comes in the aftermath of a bitter end of broken relationship.

New Video: JOVM Mainstay MAGON Shares Dreamily Introspective “Circles”

Prolific, JOVM mainstay MAGON closes out 2024 with his third album of the year and 10th album overall, the recently released World Peace. And in the lead-up to the album’s release, I wrote about two, previously released singles:

  • The Happy Mondays and The Stone Roses-era Madchester scene-like “Stoned Seclusion Blues” a track that saw the JOVM mainstay revealing another shift in sonic direction.
  • Falling In Love,” a dreamy psych folk ballad featuring strummed acoustic guitar, bursts of buzzing power chords and ethereal flutes paired with the JOVM’s mainstay’s introspective and thoughtful vocal turn.

The album’s latest single “Circles” is a dreamy, post punk-meets-Brothers In Arms-era Dire Straits like tune anchored around a gated-reverb beat, bluesy and shimmering arpeggios and a soulful horn solo. Thematically, the song sees the JOVM mainstay reflecting on the seemingly unending cycles and endless changes of life with a weary acceptance.

The accompanying video for “Circles” features animation sourced from John and Faith Hubley’s 1986 film The Cosmic Eye.

New Audio: Cape Town-Born, London-Based Sibling Duo Roi Turbo Share Two Funky Bops

Benjamin McCarthy and Conor McCarthy are Cape Town-born, London-based musicians, who have different musical backgrounds:

  • Benjamin McCarthy had more of background in electronic music
  • Connor McCarthy was in several alt-rock and alt-pop projects

Since the siblings were in high school, they wanted to collaborate on a musical project that was just the two of them. Their project together Roi Turbo sees the Cape Town-born, London-based musicians blending a mix of African and Western influences from the 70s, 80s an 90s, including Larry Levan, William Onyeabor, Air and Pino D’Angiò.

“We were listening to ‘70s and ‘80s African disco and funk records at the time, and the contrast between the synths and raw live elements of these records really inspired us,” the members of Roi Turbo explain. Over the years we bought as many synths, drums, guitars and microphones as we could get our hands on and would experiment for weeks on end until we got the sound we were going for. We wanted to create a project that encompassed all our niche tastes in music, fashion, automobiles and design, free of any pretentiousness, just quality music that gets you moving!”

Over the past month, the pair have released two singles:

  • “Dystopia,” features squiggling Nile Rodgers-like funk guitar, glistening and fluttering synth arpeggio and a strutting bass line paired with a motorik-like groove.
  • “Bazooka” is anchored around some phaser-drenched synths and squiggling keytar and a sinuous 80s-styled, two-step inducing groove.

The two singes bring to mind a slick synthesis of Zazou Bikaye‘s Mr. Manager and Synthesize the Soul: Astro-Atlantic Hypnotica from Cape Verde Islands 1973-1988, 80s synth funk while revealing a duo with an uncanny knack for funky grooves and remarkably catchy hooks.

New Video: Yemen Blues Shares Swaggering, Genre-Defying “Miss Ballad”

Founded back in 2010, Yemen Blues are:

  • Yemeni-born founder and audio guru Ravid Kalahani (vocals, gimbri).
  • Israeli-Uruguayan Rony Irwyn (percussion), whose work is deeply inspired by salsa and his ability to find strength in fragility
  • New York-based Shanir Ezra Blumenkranz (bass, oud), who’s a mainstay in the local avant-garde scene. He has worked on over 150 albums that routinely see him bringing the twin poles of extreme noise and simple melody together
  • Dan Mayo (drums), the last member to finalize the band’s lineup. He brings a hip-hop inspired thump and a metronomic sense of groove to the band’s work

With each of the members of Yemen Blues being spread across the world, the band specializes in a polyglot mélange of Bedouin folk, funk, blues, Arabian classical, psych rock, jazz, avant-garde rock and more.

The global outfit released their fifth album, Only Love Remains earlier this year. While we’re in the midst of dangerous political, religious and cultural polarization rooted in xenophobia and ignorance, the album sees the band attempting to create a color-blind, all-embracing celebration of gyrating togetherness anchored by love.

Only Love Remains‘ latest single “Miss Ballad” is a swaggering and expansive track that’s one-part desert blues, one-part slow-burning psych blues 

anchored around a scorching, slithering guitar line, industrial meets-gnawa-like percussion featuring Kalahani’s expressive vocal singing lyrics about self-love and self-acceptance — often in the face of cruelty and racism.

As the band’s Kalahani explains, the song was written about his daughter Eli, who lives in Finland with her artist mother. “In a world where others don’t always accept people who look different, Finland can be confusing for a mixed-race girl,” says Kahalani. “This song is to remind Eli that she is magic – her curls, her skin, her blend of cultures…everything about her. The title came from Shanir (Blumenkranz, Yemen Blues bassist/producer), who called me one morning and said he had a dream about a big awards event where we were receiving an award for a song called ‘Miss Ballad’. So I wrote this story about Eli around the title ‘Miss Ballad.’” 

The surreal, fever dream-like visual for “Miss Ballad” was directed by the band’s Blumenkranz and shot by the band with an iPhone in a German Airbnb between shows of a European tour. All costumes and objects in the video were bought in a local Japanese dollar store.