Throwback: Happy 80th Birthday, Neil Young!

JOVM’s William Ruben Helms celebrates Neil Young’s 80th birthday.

New Video: JOVM Mainstay MAGON Shares Dreamily Meditative “All My Days Are Hanging”

Wildly prolific, Israeli-born, Costa Rican-based singer/songwriter, musician and JOVM mainstay MAGON recently released his third album of this year and 13th — yes, y’all, 13th! — album overall Zoe Rainbow Days.

Zoe Rainbow Days’ latest single “All My Days Are Hanging” continues a run or mediative and introspective material that seemingly draws from psych folk, Sea Change-era Beck and others. And at its core, is a dreamy and lovingly detailed depiction of domesticity that feels nostalgic yet somehow punctuated with a realization of how fleeting everything is.

The accompanying video features footage from Len Lye‘s 1936 short film, The Birth of the Robot. The footage is restored and re-imaged as a visual companion to the song.

New Audio: Venice’s Glazyhaze Shares Breakneck “ROMEO”

Venice-based indie outfit Glazyhaze — Irene (vocal, guitar), Lorenzo (guitar), Francesco (drums, programming) and Vsevolod (bass, backing vocals) — quickly established a sound that draws from shoegaze, dream pop and alternative rock with the release of their full-length debut, 2023’s Just Fade Away.

Since the release of Just Fade Away, the band has toured across Europe and the UK, opening for the likes of Trentemøller, Hater, Film School and a lengthy list of others. Building up on a growing profile across Europe and the UK, the band released their Paolo Canaglia-produced sophomore album SONIC earlier this year.

Recorded between Northeast Italy and London, the Italian band’s sophomore album thematically explores the complexities of love through a journey of self-discovery and emotional contrasts. Sonically, the album sees the quartet embracing shoegaze, bedroom pop, post-punk and art rock influences. The band supported the album opening for Soft Cult on their European tour as well as a handful of dates with The Raveonettes, Slow Crush, Lucy Kruger and Clap Your Hands Say Yeah. And adding to a growing profile, the band has received airplay on KEXP, Rai Radio 2, FM4 and BBC Radio 6’s Steve Lamacq.

Clocking in at a 2:31, SONIC’s latest single, “ROMEO” is a breakneck gallop of a tune anchored around swirling, reverb and distortion-drenched guitar textures, a propulsive rhythm section that seemingly channels 120 Minutes-era MTV-era alt rock. Much like the period that the song and the band channels, “ROMEO” is underpinned by subtle yet noticeable tension between anger, sweetness and nostalgia.

The new single captures the powerlessness that often comes with loving someone who can’t love themselves — and are unwilling and/or incapable of change. As the band explains, “ROMEO” is a song for those who hide behind stubborn pride, who would be more willing to destroy everything rather than show vulnerability; for those who seemingly live with the appearance of control but burn inside and won’t readily admit it. They add that the song is most importantly, a farewell to the illusion — or delusion — that you can save someone who doesn’t want to be saved.

New Audio: Elanor Moss Shares Autumnal “Again, My Love”

London-based singer/songwriter Elanor Moss grew up in a very creative, devoutly Catholic family — and she can trace the origins of her career to playing music at church events. Homeschooled through early youth, her parents put an emphasis on nature, reading and music.

Eventually leaving the faith, Moss started writing her own original songs in York, where she studied English Literature and played open mics around the city. During her studies, she discovered Leonard Cohen, Joni Mitchell, Bob Dylan and The Beatles.

Shortly, after graduation, Moss met producer Oli Deakin, who offered to record her debut EP, 2022’s Citrus. Her work with Deakin took her to NYC, where she began forging a sense of community.

Between the release of Citrus EP and her sophomore EP, 2023’s Cosmic, Moss toured with Christian Lee Huston, Benjamin Francis Leftwich and LYR, and played one-off shoes with Cassandra Jenkins, CMAT and Sam Amidon. And adding to a growing profile, she played sets at Pitchfork London, Green Man Festival, Mosley Folk and a list of others.

The rising London-based artist recently signed to Merge Records, who recently released “Again, My Love,” the first bit of new material from Moss since 2023’s Cosmic EP — and it’s a preview of more new music in 2026. Featuring a gorgeous, autumnal arrangement of strummed acoustic guitar and muted horns, accompanied by Moss’ haunting delivery, “Again, My Love” finds the London-based artist contemplating life’s transitions and the heartache of loss while allowing room for growth, understanding and transformation.

“It’s a song that reflects on change, the nature of change being something that requires you to lose things, and that’s okay, and actually really good. I wrote it when I was really having a rough time,” Moss says. “I was living a troubadour existence for the past couple of years, flitting between different places, and the uncertainty of that way of living was really getting to me. I think that one is a song for me, that I was trying to make a bit more universal.”

New Audio: Ireland’s Crá Croí Shares Brooding and Anthemic “Radiation Romance”

Deriving their name from the Gaelic word for “heartache,” “vexation of spirit,” County Cork-based duo Crá Croí — RG (songwriting, production, mixing and mastering) and CD (vocals and visuals) — have employed a fiercely DIY ethos while establishing a sound that meshes elements of 1980s New Wave, post-punk and goth, featuring melancholic synths, dark melodies, angular guitars and sharp, hook-driven vocals.

The Irish duo’s work explores themes of nihilism, love and destruction, dystopian collapsed and nuclear annihilation, often wrapped in irony and paired with post-apocalyptic metaphors.

The County Cork-based duo intend to release a handful of singles with an album and select live shows played over the next year or two. According to the band gigs happen only when the setting is right, because for the duo “art comes first” and their integrity matters more than exposure for the sake of exposure.

Their latest single, the brooding “Radiation Romance” seemingly channels She Wants Revenge and Interpol: swirling and angular power chords are paired with eerie atmospheric synths, a relentless, motorik-like groove and rousingly anthemic hook and chorus that serves as a stormy bed for CD’s punchy, yet Paul Banks-like vocal. Thematically, the song focuses is a tongue in check take on the nuclear annihilation that would make Vincent Price proud.