JOVM’s William Ruben Helms celebrates Stone Gossard’s 60th birthday.
Throwback: Happy 57th Birthday, Kool G. Rap!
JOVM’s William Ruben Helms celebrates Kool G. Rap’s 57th birthday.
Throwback: Happy 78th Birthday, Brian May!
JOVM’s William Ruben Helms celebrates Dr. Brian May’s 78th birthday.
New Video: Rakim Teams Up with Dem Jointz and Detroit’s Lazarus on Hard-Hitting Anthem “Not To Be Defined”
The legendary God MC, Rakim will be releasing his fourth solo album, The Re-Up on August 29, 2025 through 1332 Records on all digital streaming platforms with physical copies — that’s right, vinyl, CDs and cassette tape — available right now.
The Re-Up‘s first single, the Dem Jointz-produced “Not To Be Defined,” is a collaboration with Detroit-based emcee and certified physician Lazarus, who was featured in the US Library of Congress for being the first artist to premiere a song from space. “Not To Be Defined” marks a first for the beloved, hip-hop legend, who has helped make the genre a global phenomenon — the first time that he has worked with a Detroit-based artist, ever.
Rakim and Lazarus deftly trade inspired, lyrically packed bars over Dem Jointz’s broodingly cinematic, thumping boom-bap Preemo-meets-Pete Rock-like production. While serving as a meeting of like-minds across different generations, “Not To Be Defined” is a forceful reminder of hip-hop’s artistry and power when true lyricists with something to say grab the mic. And for those, who think that they can’t find that real shit, it’s out there; you just have to make more of an effort to find it.
Directed by Matt Alonzo, the accompanying, slickly edited video features the two emcees on a Detroit rooftop and a studio, spitting bars. Fittingly, the video is no-filler, no bullshit — just real shit.
Throwback: Happy 96th Birthday, Screamin’ Jay Hawkins!
JOVM’s William Ruben Helms celebrates the 96th anniversary of the birth of Screamin’ Jay Hawkins.
Photography: Nighttime Trees, Grand Street and Bushwick Avenue, Bushwick, Brooklyn, NYC 7/12/25
Nighttime trees, Grand Street and Bushwick Avenue, Bushwick, Brooklyn, NYC.
Throwback: Happy 64th Birthday, G.U.R.U.!
JOVM’s William Ruben Helms celebrates the 64th anniversary of G.U.R.U.’s birth.
New Audio: South of France Teams Up with Little Trips and Grace DeVine on Sugary and Coquettish “Sugar Rush”
Led by Denver-based singer/songwriter, multi-instrumentalist, producer and creative mastermind Jeff Cormack, South of France is an indie pop project that sees Cormack and collaborators specializing in a groovy, beat-driven take on escapist, vacation pop.
Cormack’s South of France work has been featured in a number of smash-hit TV shows, including Bojack Horseman and Shameless while receiving praise from American Songwriter, NPR, Rolling Stone and others. And adding to a growing profile, Cormack and his collaborators have opened for a growing list of acclaimed acts including, Portugal. The Man, Young The Giant, Flaming Lips, Michigander, Tennis, Zella Day and others.
Cormack’s forthcoming South of France album My Spirit Animal, My Baggage is reportedly one-part solo album and one-part collaborative effort with a series of vocalists, emcees and musicians. I’ve managed to write about four album singles:
- “Universal Order,” a a heady yet accessible synthesis of psych pop, world music and hip-hop that featured The Reminders‘ Big Samir
- “Something That You Said” a lysergic, blissed out bit of Tame Impala-like pop that serves s a lush and woozy bed for Big Samir and CRL CRRLL to trade swaggering bars and dreamily soulful falsetto vocals
- “Weekend Lover” is a blissed-out lysergic tune featuring Little Trips‘ Greg Laut
- The woozy Currents-era Tame Impala-like “Little Thoughts,” arguably one of the more introspective singles of the album
Cormack’s latest South of France single, the Greg Laut co-produced “Sugar Rush” is a saccharine sweet, coquettish and breezy bop that features Grace DeVine’s ethereal cooing floating over a trippy and blissed-out, psych pop-influenced groove. “Sugar Rush” continues a remarkable run of summery and escapist pop that showcases Cormack’s unerring knack for funky grooves and catchy hooks.
New Video: she’s green Shares Shimmering and Bittersweet “Willow”
Minneapolis-based outfit she’s green — Zofia Smith (vocals), Liam Armstrong (guitar), Raimes Lucas (guitar), Teddy Nordvold (guitar) and Kevin Seeback (drums) — specialize in crafting dreamy soundscapes that transport the listener to scenes of soft summer rain and fields of swaying wheat, infused with raw emotional intensity.
With the release of their earliest singles “river” and “smile again,” the Minneapolis-based quintet quickly became a staple within the Midwestern alternative scene, while earning praise from Complex, Star Tribune and The Current. Their debut EP, 2023’s Wisteria saw the band establishing an honest and exploratory songwriting process and a reputation for being a force in the world of sonic surrealism. Adding to a growing profile, the rising Minnesotans have supported their material with tours throughout the Midwest and East Coast with the likes of Hotline TNT, Glixen, Friko and others.
Earlier this year, she’s green recently signed to New York-based Photo Finish Records, who will be releasing the band’s highly-anticipated Henry Stoehr-sophomore EP Chrysalis on August 15, 2025. The EP will feature the previously released Souvlaki-era Slowdive-like “Graze,” which I wrote about earlier this year.
The EP’s third and latest single “Willow” is a shimmering, rousing The Sundays-meets-A Storm in Heaven-like showcasing the band’s penchant for rousingly anthemic hooks and choruses paired with Zofia Smith’s dreamy and ethereal delivery floating over thunderous drumming and swirling and hazy, shoegazer guitar textures. While arguably being one of the more energetic songs on the new EP, “Willow” is underpinned by a bittersweet and uneasy longing over something that you’re slowly losing — and that you can’t possibly stop.
“‘Willow’ reflects on our dying relationship with the natural world—a relationship that’s not always loving, but formative nonetheless,” the band explains. “It’s an energetic song that we love playing live.”
The accompanying video features the band’s frontperson Zofia Smith wandering through a forest, looking towards the dappled light shining through the tree canopy. While there’s longing and sadness in there voice, the light on her face also suggest that there’s hope just on the other side. But as the video ends, the viewer’s viewpoint becomes increasingly blurry as she sings about uncertainty and melancholy.
New Video: Living Hour Shares Fuzzy and Simmering “Wheel”
Acclaimed Winnipeg-based indie quintet Living Hour — Sam Sarty (vocals, multi-instrumentalist), Gil Carroll (guitar), Adam Soloway (guitar, vocals), Brett Ticzon (bass, keys) and Issac Tate (drums) — will be releasing their Melina Duterte, a.k.a. Jay Som-produced fourth album Internal Drone Infinity through Keeled Scales and Paper Bag Records on October 17, 2025. Initially known for their lush fusion of dream pop and shoegaze, the Canadian quintet have continually evolved throughout their history, gradually merging folk-inflected slowcore, fuzzy indie pop and hazy noise rock into a sound that’s expansive and emotionally piercing.
Internal Drone Infinity was recorded during the stark, isolating cold of a Manitoba/Winnipeg November. Duterte flew in the day after performing on Saturday Night Live with Boygenius, and the energy of that whirlwind transition seeped into record’s intimate yet vast emotional core.
Drawing from Yo La Tengo, Magnolia Electric Co., The Weakerthans, Feeble Little Horse, Yuck and DIIV, Internal Drone Infinity sees Living Hour reportedly crafting a striking sonic atmosphere, full of icy, melodic vocals, grainy textures, twangy warmth, screeching distortion and immersive percussion. Thematically, the album explores the cyclical process of observation, documentation and projection. While being a raw, commanding expansion of their long-held dreamy sound, the album’s material also gives voice to the quiet strength and simmering rage of the overlooked.
Before I forget, drums on two album tracks, “Wheel” and “Texting” were recorded by The Weakerthans’ Jason Tait at his Winnipeg home studio.
The forthcoming album’s first single “Wheel” is angsty and fuzzy, 120 Minutes MTV-era alternative rock-like track, which features arguably some of the biggest and catchiest hooks and choruses they’ve written or recorded paired with the band’s unerring knack for breezy melodies. But just underneath the surface, the song is a tale of simmering and uneasy rage about being taken advantage of — and unnecessarily being put in danger.
“The story of ‘Wheel’ begins with buying a car off Facebook Marketplace in BC,” the band’s Sam Sarty explains. “Turns out the car was junk, but I had no choice but to drive it home to Winnipeg. It took 3 days. I was driving through the mountains, and the headlights were so dim, and for a stretch there was nowhere to turn off. It felt like a weird, horrific video game–navigating the road and dodging danger and trying not to die. I also felt so deeply betrayed by all the men involved in the whole thing.
“These men feel like a series of characters now. I felt so powerless in this weird system that prioritizes men and their opinions. In this song, I was able to imagine an alternate reality where I’m a vengeful spectator in these men’s lives. What if I had died on the road, and what if I came back and plagued them all with my powerful essence that they so easily dismissed, contorted and took advantage of in order to sell me a fucked up car?”
“I fantasized about how it would feel to ‘fall off the wheel’ and lean into this witchy, monstered realm of existence where men are de-centered. One where I would have no hesitation to put those men in the same danger they put me in.”
Filmed by Leigh Lugosi, the accompanying video for “Wheel” was shot on VHS and features the band performing the song in the studio, doing band hang out/photo shoot kind of stuff, as well as goofing off. And fittingly, it feels like it could have aired on 120 Minutes back in the day.