Tag: Afro Colombian music

New Video: Carolina Oliveros Shares Meditative “Oye Camina”

Colombina-born, New York-based singer/songwriter Carolina Oliveros is best known for being the frontperson of acclaimed act Combo Chimbita. Oliveros will be stepping out into the spotlight with her solo debut, Ya Rompimos el Silencio, which is slated for a November 6, 2026 release through Chulo Records.

Inspired by her journey of healing from childhood trauma, Ya Rompimos el Silencio is an act of reclaiming voice, body and memory. The album’s material follows the path forward towards truth, resilience, queer love, collective healing and liberation. Each song is both a personal testimony and an invitation for others to break their own silences.

Sonically, the album reflects Oliveros lifelong dialogue between worlds. Anchored in the Afro-Indigenous musical traditions of Colombia and the Caribbean, vocal harmonies serve as connective tissue marrying bullerengue, cumbia, tambora, rumba, bolero, dembo, salve and other ancestral rhythms with adventurous contemporary production. The result if a sound that’s simultaneously intimate and expansive, ritualistic and contemporary — and honors tradition while boldly pushing it forward. Throughout the album’s runtime, its songs move effortlessly between ceremony and celebration, contemplation and the dance floor, revealing that healing can be a defiant, joyful act.

While showcasing another dimension of Oliveros’ artistry, Ya Rompimos el Silencio is rooted in the belief that music carries memory across generations, that telling the truth can be liberating and transformative, and breaking silence is not an ending, it’s a decision to choose a freer way of living.

Ya Rompimos el Silencio‘s latest single “Oye Camina” feels both timeless and remarkably modern. Oliveros’ powerhouse and expressive vocal asks the listener to slow down and savor the feeling moments that define a life, because nothing lasts forever. Anchored around the refrain “Que se va la vida” (life slips away). the song’s narrator reflects on the raw, fleeting beauty of those things that just can’t be held on to and really matter — love, friendships, and the moments that leave a mark and continue to shape us long after they have passed. “‘Oye Camina’ is a reminder that life is constantly in motion and that our challenge is to live with presence, gratitude, and courage before it slips away,” says Olivero.

The accompanying video is an intimate and deeply personal visual that showcases what may arguably be Oliveros’ most explicit artistic and authentic expression of Queer love and Queer joy rooted in the accumulation of the small, seemingly mundane moments that truly make life worthwhile.

 

Currently comprised of Boricua (guitar, production), Chino (bass, backing vocals), Juan Sebastian Bastos (sound engineer), Makambille (vocals), Moniqui (percussion), Poncho (band leader, drums and backing vocals) and Shaka (MC, backing vocals), the Bogota, Columbia-based collective  Tribu Baharú specializes in Champeta criolla, an Afro-Colombian folk and dance music that draws from traditional Colombian folk music, Central African Soukous-Rhumba, Soweto Township Jive and other Caribbean musical genres including zouk, calypso, soca, compa and reggae, that originated in the Atlantic costal regions of the South American country; but over the past few years, the collective’s sound has evolved as the act has also been influenced by the soundsystem of Barranquilla and Cartagena.  And since the Bogota, Colombia-based collective’s formation in 2009, they have become arguably one of the most important Champeta criolla collectives out there today, as their sound has been championed by globally-minded DJs seeking deep, dance floor friendly, ass shaking grooves.

During the collective’s North American tour last year, they had some free time and stopped at legendary Washington, DC’s legendary Inner Ear/Bastille Studios to record a spontaneous afternoon session, which resulted in the limited release 7 inch 45RPM vinyl single “Made in Tribu Baharú”/”Pa’tras” that renowned, global funk label Electric Cowbell Records will be releasing on April 22, 2017 — Record Store Day.
“Made in Tribu Baharú” is an exuberant and breezy song with a looping, calypso and soca-like groove featuring shimmering guitar chords and Caribbean polyrhythms
paired with chanted call and response lyrics and a dance floor friendly hook. “Pa’tras” manages to sound as though it drew from soca, salsa and meringue as shimmering and looping guitar cords are paired with rolling polyrhythm and an mischievously morphing bridge with a surprising key and tempo change while possessing a similar dance floor friendly hook. And with the recording sessions that created both singles being rather spontaneous, the material possesses a spontaneous, on-the-fly improvised feel of a bunch of guys jamming and sustaining a tight groove.