Tag: And The Beat Goes On

New Video: Check Out the Roll Bounce-Inspired Video for Chicago-based Soul act The Main Squeeze’s New Single “Angelus”

Over the past couple of years, the Chicago-based neo-soul and funk quintet The Main Squeeze have become something got a mainstay act on this site as I’ve written about them on a handful of occasions. The quintet originally […]

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Comprised of long-time friends and collaborators, the Sydney, Australia-born, Los Angeles-based multi-instrumentalist production duo Intergalactix have a long-held reputation behind the scenes producing material for a number of renowned artists including Jason Mraz, Heart, Earth, Wind, and Fire, Kelis, Allen Stone, Ariana Grande, The Fugees‘ Pras MichelCool & Dre, fellow countrymen Jimmy Barnes and PNAU, as well as  Cash Money Records.

Last year, the production duo began to establish themselves as artists  with the release of their debut EP I.W.S.O.M, which featured the single “Tuesday.” Building upon an already growing national profile, the duo toured extensively to support the EP — and it included a set at Firefly Music Festival. (Interestingly, the festival may have had one of the biggest and most star-studded lineups of this past year’s festival season as Intergalactix played a bill that included Paul McCartney, Kings of Leon, Snoop Dogg, The Killers, Morrissey, and several others.)

Thursday marks the release of the Australian-born, Los Angeles-based duo’s sophomore EP S.T.S. – R.N.D.  and the EP’s latest single “Right Next Door” featuring Capital Cities‘ Spencer Ludwig will further cement Intergalactix’s reputation for sleek, retro-futuristic synth pop that channels The Gap Band‘s “You Dropped A Bomb On Me” and “Outstanding,Rick James and The TemptationsStanding On The TopThe WhispersAnd The Beat Goes On” and “Rock Steady,” and Cameo‘s “Word Up,”as well as more contemporary fare including Dam-Funk, Rene Lopez‘s most recent return to all things funk, Boulevards, ISHI, and a growing list of others.

Growing up listening to a ton of synth funk back in the 80s, it isn’t surprising that a number of contemporary artists have revived that sound — both eras specialize in slick production based around sinuous bass lines, shimmering arpeggio synths, four-on-the-floor drumming (or drum programming), anthemic hooks paired with an incredible sense of memorable melody and sensual vocals. You can’t help but recognize how sexy the song is — but it’s also a certified club banger, that should make you get up out of your seat and to the dance floor.

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New Video: Dam-Funk Brings Uplifting 80s-Inspired G Funk to the 21st Century with “We Continue”

Over the past couple of years, Dam-Funk has seen his profile grow exponentially for a sound that simultaneously channels late Parliament/George Clinton solo work, 80s synth-based funk and R&B, and Parliament-inspired G funk and for his collaborations […]