Tag: Animal Collective

 

Throughout this site’s eight-plus year history, I’ve written quite a bit about JOVM mainstay David Alexander, an internationally renowned Malmo, Sweden-born singer/songwriter, multi-instrumentalist, electronic producer and electronic music artist, best known for his solo electro pop/dream pop recording project Summer Heart. Over the past year, Alexander has released a single of the month series, 12 Songs of Summer, and according to the Swedish-born singer/songwriter, multi-instrumentalist, electronic music producer and electronic music artist the series allows him to “show people what I am currently working on instead do what I was doing two years ago, which can be the case if you release an album. It’s definitely a way of challenging myself, thinking less and having more fun creating music!”

The series last single “Touch” is a woozy bit of Teddy Riley and Timbaland-era R&B influenced synth pop centered around arpeggiated keys, wobbling bass, an infectious hook and Alexander’s tender falsetto — and reportedly influenced by Toro Y Moi and Animal Collective, the new single is swooning yet dance floor friendly bit of pop that feels and sounds mischievously anachronistic, as though it could have been released in 1989, 2009 or 2019. 

Alexander will be embarking on a 16 date Stateside tour with frequent tourmate Brothertiger that will begin with a February 21, 2019 stop at The Knitting Factory. Check out the rest of the tour dates below. 

 

Tour Dates

Feb 21 Brooklyn, NY – Knitting Factory
Feb 22 Washington DC – Songbyrd Vinyl Lounge
Feb 23 Norfolk, VA – TBA Productions
Feb 24 Greenville, SC – Radio Room
Feb 26 Atlanta, GA – 529 bar
Feb 27 New Orleans, LA – Gasa Gasa
Feb 28 Houston, TX – Continental Club
March 1 Austin, TX – Barracuda
March 2 Dallas, TX – RBC
March 3 Tulsa, OK – Chimera Lounge
March 5 Kansas City, MO – Riot Room
March 6, Chicago, IL – Beat Kitchen
March 7 Bloomington, IN – The Bishop
March 8 Columbus, OH – Spacebar
March 9 Pittsburgh, PA – Cattivo
March 10 Philadelphia, PA – PhilaMOCA

With Brothertiger

 

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New Video: Marfa, Texas’ Wilderman Releases Trippy, Random Generated Visuals for Polyrhythmic, Hook Driven New Single

Marfa, Texas is a small and extremely remote Western Texas town, a short distance from the American-Mexican border, and unsurprisingly the town is about as far as one can get  — both metaphorically and literally — from the costal tech capitals. Singer/songwriter Rob Gugnor and his partner Simone Rubi relocated to Marfa in 2013, where the y started a decidedly lo-fi cafe Do Your Thing, where the patient customer will reportedly be rewarded with some of the finest coffee in the Southwest; but perhaps more important to this site, Gugnor is known as the creative mastermind of the Marfa-based recording project Wilderman. 

Ironically, despite Gugnor’s  geographical and physical remove from the major tech capitals, his recently released Wilderman album Artifice deals with the increasing and confusing rift between lived experience and its digital approximation. As Gugnor explains at length in press notes:

“I started this record 5 years ago, seeking to explore the impact of technology on our psyche and the new human experience. Since beginning this process, I’ve found more value in the time away from screens, but I’m starting to view it as a luxury. Screen time is unavoidable now. Social media numbers are important. We can’t opt out of the game. In this time span, we’ve seen how information can be manipulated for our feeds. Digital perception has relativized everything to the point of insanity. Empathy is nearly impossible. K*vanaugh, Tr*mp, Milo Whatever His Name Was, digital bullying, flat-earthers. Life is now lived in the digital space. Identity and truth are shapeshifting and amorphous.

I would like to say that I found some hope in digging deep into the digital, but I’ve actually become complacent, and I think we all have. I was hoping to be a whistleblower, but it will mostly fall on deaf ears. We are in a stadium full of people, screaming to be heard. And yet everyone has headphones on and screens up, filtering through the noise to only consume the content they curate for themselves. Art is content. Tragedy is content.

But I still dream that we can remember ourselves, empathy, the human touch – it’s in the songs.

I hope that this album will somehow lead the listener back to a version of themselves that’s in the here and now, without comparison to others, without self-judgment.

It’s a mirror that can also be a gateway to another reality, the one we used to live in.”

Gungor and a backing band featuring some of Marfa’s best musicians — Wye Oak’s Andy Stack, The Brilliance’s John Arndt, Gungor’s Grammy-nominated brother Michael, Midlake’s McKenzie Smith Jeremy Harris, and Andrew McGuire, along with engineer Hugo Nicholson, who has worked with Radiohead, Father John Misty and Primal Scream decamped to Sonic Ranch, a studio in the Chihuahuan Desert, just outside the border town of Tornillo, to start the jam sessions that would eventually turn into the material on Artifice. Chosen in part, because important records by Animal Collective, Beach House, The Mountain Goats, Swans and others were recorded on their premises, the album sonically is influenced by the work of David Byrne and Talking Heads, Brian Eno, Paul Simon’s Graceland and Donald Judd’s permanently installed works. Unsurprisingly, Remain in Light and Graceland were used as a blueprint with live improvised material being recorded with the idea that Gugnor would later recombine and rearrange these sounds into fleshed out songs. It’s a decided and radical change in sound and songwriting approach from his 2013 Wilderman debut Learn to Feel, which was recorded completely in an analog fashion.  

The album’s latest single “Cog” is a funky, polyrhythmic, sinuous hook-driven jam centered around a looped, shimmering guitar line, a buoyant bass line, shimmering and sharply arpeggiated synths — and while recalling Fear of Music and Remain in Light-era Talking Heads, Peter Gabriel 3, Security and So-era Peter Gabriel, the song is rooted in the current sociopolitical moment, suggesting that technology has caused us to lose our humanity to the point that we’re cogs in a larger, economically driven machine that will destroy us all. But throughout the song’s narrator is demanding that we resist it, that we remember and honor the individual moving to the beat of their own drum.

The accompanying visuals are the result of a new training methodology for generative adversarial networks — in this case, a random number generator came up with imaginary celebrities that look like real ones. What’s real and what’s digitally generated? Is it your memory or a distortion? It’s trippy and disconcerting. 

Live Footage: Renowned Post Rock Duo El Ten Eleven Perform the Meditative Yet Cinematic “Phenomenal Problems” off Forthcoming Album

Comprised of Kristian Dunn (double-neck bass/guitar) and Tim Fogarty (drums), the Southern California-based post rock duo El Ten Eleven have developed a reputation for using a dizzying array of effect pedals and looping pedals to create a dense, complex, enormous and incredibly cinematic sound.  And since their formation back in 2002, the band has been steadfastly DIY in their approach, producing and recording their own records; however, with their forthcoming, seventh full-length album, and first for Topshelf Records, Banker’s Hill, the duo enlisted Sonny Dipierri, who has worked with Animal Collective and Dirty Projectors to produce the album, marking the first time that they’ve ever worked with an outside producer.

Slated for an August 10, 2018 release, the album reportedly finds the duo thematically explore the paradoxical beauty in anxiety, the importance of family and familial bonds, particularly in a world gone absolutely mad, and the fleeting possibility of satisfaction. Interestingly, the album’s first single “Phenomenal Problems” finds the duo deliberately walking a tightrope between an introspective and meditative nature and a widescreen, cinematic quality as the composition is centered around a propulsive boom bap-like beats and drumming, enormous, arena rock friendly power chord-based hooks within a twisting and turning song structure. And while the song will further cement their established reputation for crafting the densely layered and deceptively complex compositions, the new single is a subtle expansion of the duo’s sound and songwriting. 

This recently released live footage captures both the simpatico between Dunn and Fogarty while being a revealing and up-close-and-personal view of the musicians’ technical and musical prowess; after all for a duo, they manage to craft a sound that makes you think that there’s 4, 5 maybe even 6 musicians. 

Slum Sociable is an up-and-coming Melbourne, Australia-based electronic duo, who will be releasing their full-length debut on October 13, and as you’ll hear on the album’s first single “Castle,” the duo specializes in a sound that draws from and possesses elements of jazz, electronica, contemporary electro pop, hip-hop and electro soul paired with earnest and soulful vocals. And while some have compared the Aussie electronic duo’s sound to Animal Collective and Bonobo, there’s a subtle hint at J. Dilla, Portishead and Gnarls Barkley.