Tag: Ariel Pink

Stockholm, Sweden-based indie act Phogg quickly emerged into the Swedish psych rock scene with the release of last year’s full-length debut Slices, which helped the band establish a sound that’s been compared to Ariel Pink and Unknown Mortal Orchestra. And in their native Sweden, they’ve received airplay on Sweden’s P3, and praise from the likes of HYMN, Nordik Simit and Born Music Online among others.

Now, as you may recall, the Stockholm-based psych rock act’s sophomore album Mofeto: Mashine Adamkosh is slated for a fall release through Ouyee Bayou Reckords, and the album’s first single was the motorik groove-driven “Three Shirts.” The album’s second and latest single is “Pearls,” a mind altering and expansive track that’s one part explosive psych rock freak out and one part melodic and jangling guitar pop held together by a sinuous and propulsive groove. And unlike its predecessor, it may arguably be the most lysergic of their growing catalog to date.

 

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New Video: Up-and-Coming Swedish Psych Rock Act Phogg Releases a Surreal and Post Apocalyptic Visual for “Three Shirts”

With the release of last year’s full-length debut Slices, the Stockholm, Sweden-based indie act Phogg quickly emerged into the Swedish psych rock scene with a sound that’s been compared to the likes of Ariel Pink and Unknown Mortal Orchestra — and as a result. they’ve received airplay on Sweden’s P3, and praise from the likes of HYMN, Nordik Simit and Born Music Online among others. 

Building upon a growing national profile, the up-and-coming Swedish psych rock act’s sophomore album Mofeto: Mashine Adamkosh is slated for a fall release through Ouyee Bayou Records. Mofeto: Mashine Adamkosh’s trippy, first single “Three Shirts” is centered around a motorik groove reminiscent of Join the Dots-era TOY, Evil Heat-era Primal Scream and Flamingods’ forthcoming Levitation paired with jangling guitars, blasts of shimmering synths, a rousingly anthemic hook and some blazing guitar solos. Interestingly, the recently released video for “Three Shirts” is a surrealistic romp that owes a debt to 60s and 70s promotional videos, as it features the members the band in a post-apocalyptic quarry. It begins with the lead singer, showing up to an old computer with a cup of coffee, as though he’s going to work. We see the other bandmates riding around on motorcycles; at points his bandmates interrupt the frame or do some other odd thing to disrupt the goings on. There’s no rhyme or reason for anything — and yet it’s trippy and pretty hilarious. 

New Audio: Renowned Visual Artist Multi-instrumentalist Songwriter and Producer Jorge Elbrecht Releases Two Singles from Wildly Ambitious Concept Album

Throughout his career, visual artist, multi-instrumentalist, songwriter and producer Jorge Elbrecht has been a  prolific, restlessly creative and inventive presence in contemporary indie rock and indie pop.  As a member of artist collective Lansing-Dreiden, Elbrecht developed attention-grabbing interdisciplinary work. With Violens, Elbrecht received attention for crafting slick, anthemic 80s guitar and synth pop and since their demise, he’s collaborated with Ariel Pink, Tamaryn, No Joy, Ice Choir, Kirin J. Callinan and Frankie Rose, developing a reputation as a go-to studio and touring musician, songwriter and producer over the past few years. Interestingly, Elbrecht’s forthcoming full-length effort Here Lies is a wildly ambitious, concept album split into different subcategories featuring the work of several different recording projects that while disparate possess a subtle yet continuous through-line. 

Interestingly, the backstory behind the album and its material  is complicated and strange: According to press notes, much of the album was written over a decade period in which Elbrecht reportedly suffered some kind of psychotic break with reality in which he became increasingly reclusive and barely coherent. Somehow, he managed to prolifically write and record material with a number of collaborators but he didn’t see much of a reason to actually release them. The press notes have suggested that as a result of this psychotic break with reality, that his family, friends and supporters have one unified intention –“to continue playing Elbrecht’s music, keeping his tenacity, imagination and recorded daydreams alive.” 

Two singles from the album, slated for a February 28, 2018 release digitally and on limited release vinyl have been already released — the atmsopheric and slightly warped, analog synth pop of REMYNYS’ “Flesh to Ash,” which features contemplative lyrics, focusing on aging and mortality, sung with a spectral quality  and Gloss Coma’s album title track “Here Lies,” a collaboration with Tamyrn that manages to be like Violens’ version of slick and moody New Wave pop, complete with layers of arpeggiated synths and industrial-like clang and clatter. But through both songs, you can hear Elbrecht’s uncanny knack for crafting soaring and anthemic hooks within subtly disparate material. 

 

Now, over the course of this site’s seven-year history, I’ve personally spilled quite a bit of virtual ink about Brooklyn-based shoegazers and JOVM mainstay act Dead Leaf Echo, and over that period of time, the band has developed a reputation for being prolific — 2013’s full-length debut, Thought and Language found the band establishing a sound that owed a debt to 4AD Records-era shoegaze. Since then, their follow up efforts-2014’s  true.deep.sleeper EP, 2015’s split EP with die you die, the “Lemonheart“/”sparks.fly.from.a.kiss” 7 inch and this year’s Strawberry Skin EP found the band cementing their reputation for crafting shimmering shoegaze-like rock while simultaneously nodding at  RIDESwervedriver, The Verve and Slowdive and The Jesus and Mary Chain.

Strawberry Skin EP found the band continuing their ongoing collaboration with producer Monte Vallier, who has worked with Weekend and Wax Idols, as well as contributions from singer/songwriter, multi-instrumentalist and producer Jorge Elbrecht, who was a founding member of Violens and is currently in  No Joy and Ariel Pink’s backing band, and Guy Fixsen, who has worked with My Bloody Valentine and Wire, among a lengthy and impressive list of artists. And while further cementing their long-held reputation for crafting shimmering and anthemic shoegaze with a swooning and plaintive urgency,  the EP’s title track found the band gently expanding upon their sound, adding an abrasive and muscular quality underneath.

The band’s long-anticipated full-length effort Beyond.Desire is slated for an October 13, 2017 release through PaperCup Music, and the album’s first official single, “Temple,” thematically finds the band focusing on the process of maturation and growth beyond animal lust and physical need — with the single being an urgent and swooning declaration of love and devotion while sonically, furthering their reputation for crafting a shimmering and layered guitar-based sound, compete with an anthemic hook.

“Sunlessoul,” Beyond.Desire‘s second and latest single finds the band going the Morrissey route as they ironically pair an upbeat and rousing melody with lyrics that focus on loneliness and some of the other darker parts of the human condition. Sonically however, the song will further cement the band’s long-held reputation for shimmering and anthemic shoegaze, complete with a swooning Romanticism.

The band is currently on our to build up buzz for the new album, then to officially support it and it includes an October 13, 2017 stop at The Knitting Factory. Check out tour dates below.

Tour Dates 

10.13: Brooklyn, NY @ Knitting Factory (record release party)
10.27: Cleveland, OH @ Beachland Ballroom
11.2: Barnsville, OH @ Albert S George Youth Center
11.3: Chicago, IL @ Quenchers
11.4: Kalamazoo, MI @ Bell’s Brewery
11.5 Milwaukee, WI
11.7 Salt Lake City, UT @ Diabolical Records
11.8 San Fransisco, CA @ The Knockout
11.9: San Jose, CA @ TBA
11.10: San Diego, CA @ Whistle Stop
11.12: Los Angeles, CA @ Part Time Punks

Over the course of this site’s seven year history, I’ve written quite a bit about Brooklyn-based shoegazers and JOVM mainstay act Dead Leaf Echo, and in that same period, the members of the band have built a growing national profile, as the’ve played at some of the country’s biggest and best known festivals, and have opened for a lengthening and impressive array of renowned bands, including The Wedding PresentA Place to Bury Strangers, . . . And You Will Know Us By The Trail Of DeadThe Psychedelic FursChapterhouseUlrich SchnaussWeekendLoreleiThe Ocean BlueThe WarlocksBeach Fossils, and The Telescopes. And along with that, over the past few years, the Brooklyn-based JOVM mainstays have also developed a reputation for being rather prolific — starting with 2013’s 4AD Records-inspired full-length debut effort Thought and Language, Dead Leaf Echo promptly followed that up with 2014’s true.deep.sleeper EP, 2015’s split EP with die you die and a limited cassette run of the “Lemonheart“/”sparks.fly.from.a.kiss” 7 inch, which retained their towering, wall of sound-inspired production, while nodding at RIDESwervedriver, The Verve and Slowdive and The Jesus and Mary Chain among others.  Released earlier this year, the band’s Strawberry Skin EP found the band continuing their ongoing collaboration with producer Monte Vallier, who has worked with Weekend and Wax Idols, as well as contributions from singer/songwriter, multi-instrumentalist and producer Jorge Elbrecht, who was a founding member of Violens and is currently in  No Joy and Ariel Pink’s backing band, and Guy Fixsen, who has worked with My Bloody Valentine and Wire, among a lengthy and impressive list of artists. And while further cementing their long-held reputation for crafting shimmering and anthemic shoegaze with a swooning and plaintive urgency,  the EP’s title track found the band gently expanding upon their sound, adding an abrasive and muscular quality underneath.

Recorded at Mexican Summer’s Greenpoint, Brooklyn-based studio with Guy Fixsen and Jorge Elbrecht, Dead Leaf Echo’s long-anticipated, sophomore full-length effort, Beyond.Desire is slated for an October 13, 2017 release through PaperCup Music, finds the band continuing to refine the sound that they’ve recently dubbed “noveeau wave”, a moody and shimmering mix of shoegaze and layered guitar pop, and as you’ll hear on Beyond.Desire‘s first, official single “Temple,” the single continues in a similar vein as its predecessor, as featured layers of shimmering power chords paired with a rousingly anthemic hook. But interestingly enough, much like their previously released material, the album is a something of a concept album, as the material reportedly is based on themes of maturation and growth beyond pure, animal lust and physical need; in fact “Temple” is an urgent and swooning declaration of love and devotion.

The band will be embarking on a number of tour dates to build up buzz to support the new album, and then to support it and int includes an October 13, 2017 stop at The Knitting Factory.

Tour Dates 
9.15: New Orleans, LA @ Gasa Gasa
9.16: Hattiesburg, MI @ The Thirsty Hippo
10.7: Kingston, NY @ O Positive Festival
10.13: Brooklyn, NY @ Knitting Factory (record release party)
10.27: Cleveland, OH @ Beachland Ballroom
11.2: Barnsville, OH @ Albert S George Youth Center
11.3: Chicago, IL @ Quenchers
11.4: Kalamazoo, MI @ Bell’s Brewery
11.5 Milwaukee, WI
11.7 Salt Lake City, UT @ Diabolical Records
11.8 San Fransisco, CA @ The Knockout
11.9: San Jose, CA @ TBA
11.10: San Diego, CA @ Whistle Stop
11.12: Los Angeles, CA @ Part Time Punks

 

Featuring members of Swans, Dead Heavens, twelve am flowers and Valley Lodge, Twiggy Branches specializes in swaggering, sleazy and anthemic power chord-based glam rock that sounds indebted to T. Rex, Foo Fighters and others, as you’ll hear on the EPs first two tracks “Never Gonna Be Told” and “Miss Available” off their  latest EP Waste Not, Want More. As the band told me by email, the EP was tracked live in studio, recorded by Paul Kostabi, who has worked with White Zombie, mixed by Violens‘ and Ariel Pink‘s Jorge Elbrecht and mastered by Alan Douches — and as a result, both singles possess a forceful “you-were-there” sort of immediacy that’s rare for contemporary rock.

 

 

New Video: The Surreal and Psychedelic Visuals for HOTT MT’s “Tranceforming”

Earlier this year, I wrote about the Los Angeles, CA-based experimental pop Hour Of The Time Majesty Twelve (HOTT MT) — and you may recall that the duo, which is currently comprised of Spooki Tavi (guitar, vocals) and Ashi Dala (bass, vocals) have a developed a reputation for their former collaborative warehouse-based art space Non Plus Ultra, for crafting shimmering, psychedelic-leaning experimental pop, and for ambitious collaborations with The Flaming Lips, Ariel Pink, Erykah Badu and Ke$ha. Adding to a growing profile. the duo have opened for The Flaming Lips, Bat for Lashes, and Galaxie 500.
The duo’s sophomore full-length effort AU (Alternate Universe) is slated for a May 2017 release through the duo’s Mutation Records, and the album’s previous single “A Night in China Town” was a moody and dreamy song featuring shimmering synths, tinny and distorted Casio-like beats and angular guitar chords paired with a soaring hook while Spooki Tavi’s ethereal vocals floated over the mix. And while drawing from 60s psych pop and bubblegum pop and classic shoegazer rock, the song manages to also be reminiscent of Washington D.C.’s The Galaxy Electric but with a chillier air. AU (Alternate Universe)’s latest single “Tranceforming,” continues on a similar vein as its preceding single as you’ll hear a song that clearly draws from 60s psych pop and bubblegum pop — thanks in part to the use of what sounds like vintage, analog synths; but unlike the previous single, “Tranceforming” possesses a plaintive and visceral yearning, proving to be a subtle shading on a particular series of emotions.

Directed by the band’s Spooki Tavi, the recently released music video for “Tranceforming” builds upon a picture within a picture motif, as part of the video consists of its protagonist shoving a videocassette into the VCR — and the video is full of appropriately sugary and psychedelic imagery that at points features our very three dimensional protagonist in a 2 dimensional world. Pulling back to it’s viewer, the same protagonist is in a mind-altering trance.

New Video: The Surreal 120 Minutes-Inspired Visuals for Dead Leaf Echo’s Anthemic “Strawberry.Skin”

Now, if you’ve been frequenting this site throughout its almost seven years of existence, you’ve come across posts featuring the Brooklyn-based shoegazer rock and art collective Dead Leaf Echo. And over that same period of time, the members of the collective have seen a growing profile, as they’ve played at some of the country’s largest and best known festivals, have opened for a lengthy and impressive list of renowned, nationally touring bands including The Wedding Present, A Place to Bury Strangers, . . . And You Will Know Us By The Trail Of Dead, The Psychedelic Furs, Chapterhouse, Ulrich Schnauss, Weekend, Lorelei, The Ocean Blue, The Warlocks, Beach Fossils, and The Telescopes and have made appearances on KEXP‘s John in the Morning and on Nic Harcourt’s KCSN show.

With the release of 2013’s 4AD Records-inspired full-length debut effort Thought and Language and 2014’s true.deep.sleeper EP, the band quickly established themselves as one of the preeminent, contemporary shoegazer rock acts while being quite busy — last year, they quietly released a split EP with die you die, as well as a limited cassette run of the “Lemonheart”/”sparks.fly.from.a.kiss” 7 inch, which interestingly retained the well-known and beloved wall of sound and swooning urgency along the lines of RIDE, Swervedriver, The Verve and Slowdive while nodding at Primal Scream, The Jesus and Mary Chain and others.

Interestingly, the band’s latest effort Strawberry Skin was released last week through PaperCup Music and the EP found the band working with frequent collaborator and producer Monte Vallier, who has also worked with Weekend and Wax Idols — and along with Vallier, the album features contributions from Jorge Elbreht, who was a founding member of Violens and is currently working with No Joy and Ariel Pink’s backing band and Guy Fixsen, who has worked with My Bloody Valentine and Wire, among a lengthy and impressive list of artists. The EP’s latest single, EP title track “Strawberry Skin” will further cement the band’s reputation for crating shimmering and anthemic shoegaze with a swooning urgency; however, the song possesses a abrasive and muscular quality just underneath the surface — and it reveals a band subtly experimenting with their sound.

Directed by Emmanuella Zachariou, the recently released music video possesses a dream-like logic reminiscent of 120 Minutes-era MTV, complete with action going forward and in slow-motion as though the viewer is in a fever dream. The band is playing two shows to support the EP, so check out live dates below — and be on the lookout for the band’s long-anticipated sophomore effort, slated for release later this year.

New Video: The Nostalgic Visuals and 60s Psych Pop-Leaning Sounds of Hour Of The Time Majesty Twelve

Comprised of primary songwriter duo Spooki Tavi (guitar, vocals) and Ashi Dala (bass, vocals), the Los Angeles, CA-based experimental pop Hour Of The Time Majesty Twelve (HOTT MT) have built a profile for their collaborative warehouse, art space Non Plus Ultra, for crafting shimmering, psychedelic-leaning pop, and for ambitious collaborations with The Flaming Lips, Ariel Pink, Erykah Badu and Ke$ha. And adding to a growing profile, the Los Angeles-based experimental pop duo have opened for the aforementioned The Flaming Lips, Bat for Lashes, and Galaxie 500.

The duo’s sophomore full-length effort AU (Alternate Universe) is slated for a May 2017 release through the duo’s Mutation Records. “At Night in China Town” features the duo pairing shimmering synths, tinny and distorted Casio-like beats, angular guitar chords with Spooki Tavi’s ethereal vocals and a soaring hook in a moody yet mischievously anachronistic song that sounds as though it simultaneously draws from 60s psych pop and bubble gum pop, shoegazer rock — and in a similar fashion to Washington D.C.’s The Galaxy Electric but with a chillier air.

The recently released music video for “At Night in China Town” features footage shot at their warehouse art space Non Plus Ultra, which was recently shut down. And much like losing a favorite bar or a favorite music venue, there’s a palpable sense of friendships being made and possibly lost, of uncertainty as to what’s next and what everyone will do now that their place is gone; but along with that a hope that there may be someplace new that will leave some indelible memory on you. As the members of HOTT MT say of their recent loss ” “All of us at Non Plus Ultra have been together for years. Our ideals brought us together, and we built a space and a business on them. Non Plus Ultra showed us that we aren’t alone in our desires. There are so many people in this town who share our values. We’ve made and lost spaces before, but this time we’ve got an incredible support system.”

Although very little is currently known about them, the London-based indie rock act Le Clientele, their latest single “Strats and Precisions” as the band describes is a “Dire Straits, Ariel Pink inspired workout” and was recorded in Softhouse Studios using a Studer A827 tape recorder, which helps to give the proceedings a jangling, old-timey feel but with a subtly contemporary take.