Joey Vannucchi is an Indian Lakes, CA-bssed singer/songwriter and multi-instrumentalist whose solo recording project From Indian Lakes derives its name from the small community near Yosemite National Park where he grew up on 40 acres of land with virtually no electricity, aside from a sparely used generator. His latest effort Everything Feels Better Now can trace its origins to when Vannucchi recorded the skeletons of tracks for the album in the cheaply rented basement of a coffeeshop. He then traveled to Fairfax Studios in Los Angeles, where producer Kevin Augunus, who has worked with Delta Spirit and Cold War Kids and and engineer Gavin Paddock assisted Vannucchi in slowly stripping way tracks that needed to be replaced from the basement and home studio recordings and fleshing out material where necessary.

As for the completed album, it was released earlier this year to critical praise from the likes of Consequence of Sound and NPR Music for the “rawness of its emotions” and its “moody indie rock songs that look to the terse internal monologues of Now, Now and the atmospheric pop of Mew.” Vannucchi’s latest single “Blank Tapes” consists of lushly chiming and shimmering guitar chords, propulsive and rolling drumming and anthemic hook paired with Vannucchi’s plaintive falsetto vocals — and while the comparisons to Now, Now and Mew seem sensible to me, it doesn’t quite capture the swooning Romanticism at the core of the song or the fact that sonically speaking that this particular single manages to nod at both Silversun Pickups and classic shoegaze.

Directed by Joshua Hailing, the recently released video for “Blank Tapes” follows two young lovers and captures the ecstatic joy and heartbreaking agony of a relationship, and in some way the video is meant to be an allegory for more than the typical ups and downs of young love — hell, of any love, really. “I wanted to create an isolated world,” Hailing explains in press notes. “Everyone has their own ‘Sarah,” he continues. “They find themselves in this euphoric site with the idea of either someone, something or themselves. We become intoxicated with this image of how we wish things could be, and use it as a scapegoat to hide away from our own confusion, frustrations and denial.” And the video subtly reminds the viewer that love can often be a heartbreaking and confusing business, resulting in the endlessly lingering ghosts of our lives.