Tag: BBC Radio 6

Live Footage: Marta Ren and the Groovelets Performing an Acoustic Version of Album Track “Smiling Faces”

Perhaps best known for being the frontwoman of the renowned Portuguese breakbeat outfit The Bombazines with whom she recorded and released two full-length albums, as well as contributing her vocals to a number of nationally known acts across Portugal, the Porto, Portugal-born and based vocalist Marta Ren has been a part of her homeland’s music scene since the mid-1990s. However, Ren has long been inspired by the funk and soul sounds of the 60s and over the past couple of years, she decided that it was time for her to go solo and front her own soul and funk-based project under her own name, before eventually hooking up with her backing band The Groovelets.

Now, if you had been frequenting this site over the last few months of last year, you’d recall that Ren and the Groovelets’ debut effort Stop Look Listen was released to critical praise and received airplay from from BBC Radio 6′s Craig Charles, Radio France‘s Francis Viel. Adding to a growing international profile Acid Jazz Records‘ Eddie Piller has also championed Ren and her Groovelets. “So Long” Stop Look Listen’s barn-burning third single was a visceral bit of soul that balanced fury and sensuality with a decided late 60s/early 70s psychedelic feel — in some way nodding at Nancy Sinatra’s “These Boots Are Made For Walking” and James Bond soundtracks.

The Portuguese soul act recently recorded an acoustic rendition of the slow-burning and sensual album track “Smiling Faces” for French radio — and although the live, acoustic rendition leans slightly towards a hushed, jazz standard-like arrangement, the song which features a swaggering, Thelonious Monk-like bass line, some bluesy guitar playing, gentle drum tapping and some ethereal yet soaring organ while allowing room for Ren’s aching vocals, which simultaneously express the longing and profound loneliness of a deeply lovelorn narrator, who recognizes how difficult love can be, especially when they are incredibly unlucky in love — and others seem to constantly stumble upon it.

Now if you had been frequenting this site over the last few months of 2016, you’d recall that with the release of “Help Yourself” and several other singles the Welsh-born, London-based singer/songwriter and guitarist Sarah Howells, best known as Bryde quickly exploded into both the British and international scene as she received praise from NylonThe Line of Best Fit and Earmilk and airplay from BBC Radio 6BBC Radio WalesRadio X and Huw Stephens’ BBC Radio 1 show for a sound that’s been compared to the likes of Jeff BuckleySharon Van EttenBen Howard and London Grammar while thematically focusing on complex, ambivalent and hopelessly entangled relationships.

Howells’ previous single and her JOVM debut,  “Wouldn’t That Make You Feel Good” was a boozy and woozy dirge in which the Welsh-born, London-based singer/songwriter and guitarist’s aching vocals are paired with bluesy yet shoegazer-leaning power chords reminiscent of  PJ Harvey, in a song that built up into a cathartic and explosive bridge before gently fading out.  Howells’ latest single “Less” continues her successful collaboration with producer Bill Ryder-Jones and it’s a viscerally forceful 90s alt rock-leaning track featuring an alternating quiet, loud, quiet song structure with an anthemic and cathartic hook. And while still channeling PJ Harvey, the song also manages to nod at Liz Phair, Hole and others, complete with an unflinching honesty and vulnerability.

 

 

With the release of their self-titled full-length debut, the Welsh quintet Chain of Flowers have quickly established a growing national and international reputation for a dense, noisy and punishing shoegazer-like sound that’s been compared favorably to The Smiths, Joy Division, Eagulls, Iceage, Ceremony and The Cure — and as a result, the band has received extensive airplay on BBC Radio 6 and KEXP and have toured across the UK with The Fall, The Chameleons, Ceremony,  JOVM mainstays A Place to Bury Strangers, Nothing, Eagulls and others. Building upon 2016’s massive buzz, the members of the band will be releasing a 7″ through Blackest Ever Black Records sometime this month and next month, will be in Austin, TX playing a number of SXSW showcases celebrating and promoting both British and Welsh artists. In the meantime, “Crisis,” off their self-titled debut is a murky and pummeling shoegazer track in which thunderous and propulsive drumming is paired with towering layers of shimmering and swirling guitars fed through delay and reverb pedal and submerged, distorted vocals. Indeed, much like The Jesus and Mary Chain, the aforementioned A Place to Bury Strangers, Slowdive and even Grave Babies, the Welsh band’s sound is muscular yet enveloping, murky yet stunningly beautiful — and evokes a contemporary anxiousness and powerlessness.

 

 

 

 

Comprised of Björn Rudling (drums), Carl Vikberg (vocals, guitar), Johan Melander (guitar and keys) and Viktor Åström (bass), the Stockholm, Sweden-based indie rock quartet Chirping have quickly received international attention across the European Union; in fact, their previously released singles have received airplay on Steve Lamacq‘s BBC Radio 6 show, Tom Robinson’s Fresh On The Net, Gary Crowley‘s BBC London show and Frank Skinner’s Absolute Radio show.  Of course, with the forthcoming release of their EP Dancing With The Stars, slated for a March 4 release, the Stockholm-based quartet hope to expand their international profile. And with the release of the EP’s anthemic first single “Heist,” I suspect that the blogosphere will be hearing quite a bit about them over the next few months.

As for the single, you’ll hear Vikberg’s rich baritone, which to my ears bears an uncanny resemblance to Echo and the Bunnymen‘s young Ian McCulloch paired with a driving and propulsive rhythm section, angular guitar chords and an infectiously anthemic hook. Sonically, the song sounds as though it draws from the aforementioned Bunnymen, U2, Arctic Monkeys and others — but with a much-needed, warm, summery blast that evokes  swooning, passionate, urgent and confusing summer flings.

 

 

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