Tag: Beak>

With the release of their first two EPs, which have received airplay on BBC Radio 1 and BBC Radio 6, the Belfast, Northern Ireland-based indie act Junk Drawer — Stevie Lennox (guitar, synth, vocals), Jake Lennox (guitar, synths ass, drums, vocals), Brian Coney (guitar, bass) and Rory Dee (drums, bass, guitar, synths, piano, backing vocals) —  have firmly established a unique sound that draws from Krautrock, post-punk and psych rock while earning quite a bit of acclaim in their native Northern Ireland: they’re the first DIY act to ever win a Northern Ireland Music Prize for Best Single with last year’s critically applauded “Year of the Sofa.” They’re also responsible for spearheading the independent Northern Irish music community with the acclaimed Litany of Failures compilations, which have become something of an institution. And adding to a growing national and regional profile, the act have toured across the UK and Ireland, opening for the likes of Mclusky, Built to Spill, Jeffrey Lewis and And So I Watch You From Afar.

The Belfast-based quartet’s highly-anticipated Chris Ryan-produced full-length debut Ready For The House is slated for an April 24, 2020 release through Art for the Blind Records reportedly finds the rising act channeling Pavement, Silver Jews and Beak> with the album’s material veering between slacker rock, post-punk, kraurock and psych across seven songs that thematically touch upon malaise, self-worth, the transience of mental illness and the fragmented and distorted narrative that it brings with it.

The album’s first single “Temporary Day” is a decidedly krautrock-inspired track, centered around an off-kilter and propulsive motorik groove, droning synths, blasts of fuzzy guitars and Jake Lennox’s ironically detached vocals. And while nodding at Pavement, the song chronicles a struggle with sexual identity and eating disorders and the string of the constant internalization of these issues on mental health. “‘Temporary Day’ is about having a temporary day of relief from all the horrible feelings I usually have.” the band’s Jake Lennox says in press notes. “The fog ascends briefly & I can think clearly for a time. Also about my face not being puffy from burst blood vessels because I hadn’t thrown up in a day or two.”

New Video: The KVB Releases Dreamy Visuals for Shimmering “Violet Noon”

Initially formed back in 2010 as a solo recording project of its founding member, singer/songwriter and multi-instrumentalist Nicholas Wood, the British shoegazer act The KVB stated off with a number of limited cassette and vinyl releases that included “The Black Sun,” which was released through FLA Records and the Into the Night EP, which was released through Downwards Records. Vocalist, keyboardist and visual artist Kay Day joined Wood the following year, and the newly constituted duo released their full-length debut Always Then through Clan Destine Records. 

2013 was a busy year for the duo, as that year saw the release of their sophomore effort, Immaterial Visions, which was released through Cititrax that February. Wood and Day followed that up with a remix EP featuring contributions from Regis and Silent Servant that May — and a reissue of 2011’s limited edition cassette release Minus One through The Brian Jonestown Massacre’s Anton Newcombe’s label, A Recordings.

The following year, Wood and Day went to Newcombe’s Berlin studio to track what would eventually become the Out of Body EP, which A Records released later that year. Interestingly, those sessions marked a couple of firsts for the duo — the first time that they worked outside of their home studio and the first time that they worked with Joe Dilworth, a dummer known for his work with Stereolab and Cavern of Anti-Matter. The more experimental material they recorded the year, would up comprising 2015’s Mirror Being, which was released through Invada Records. 

2016’s Of Desire found the duo’s sound moving in a more experimental, electronic-leaning direction, as they recorded with vintage synths from Invada Records head and  Portishead and Beak> mastermind Geoff Barrow’s collection. Continuing at a busy pace, the duo’s Fixation/White Walls EP was release in 2017 and they released a re-masted, fifth anniversary edition of Always Then. Interestingly, last year’s Only Now Forever finds the duo returning to their DIY roots, with the duo recording in their Berlin apartment over the course of 2017. 

The album’s atmospheric, “Violet Noon” will further cement the duo’s reputation for pairing reverb-drenched shoegaze, 60s pop inspired boy-girl harmonies and minimalist  electronic production — but within a swooning and achingly hazy dream-like song.  “Influenced by Lee Hazlewood and Nancy Sinatra, ‘Violet Noon’ is a dark love song set against the backdrop of the apocalypse. While the world falls apart, all you can think of is the person you want to spend those last moments with,” The KVB say of the song and its accompanying video. “We shot the video last October, on the last unseasonably warm day of the year on the Jurassic coast in Dorset on the south coast of England. For us, the dreaminess of the video perfectly reflects the otherworldliness of this song, it feels like a hazy memory, timeless and romantic.”