Tag: Best Coast

Over the past couple of years of this site’s history, I’ve written a bit about the Brooklyn-based psych rock/indie rock trio  Sunflower Bean. Comprised of founding duo Nick Kivlen (guitar, vocals) and Jacob Faber (drums) with Julia Cumming (bass, lead vocals), the band can trace their origins back to when Kivlen and Faber were members of local indie rock act Turnip King together — and at the time, Kivlen and Faber had been spending a great deal of their time away from the band jamming together, before deciding that they should start their own project. Cumming, who was then a member of Supercute! with Rachel Trachtenburg, was recruited by Kivlen, who had known her through mutual friends.

The band quickly became a buzz-worthy act with a run of attention grabbing, critically applauded sets during 2014’s CMJ Festival, which they promptly followed with a series of shows across town; but with the release of that year’s Rock & Roll Heathen EP and 2015’s Show Me Your Seven Secrets EP, which featured singles “Tame Impala” and “2013.” the band quickly rose to national and international prominence. Adding to a growing profile, the Brooklyn-based psych rock trio toured across the US and the UK both as a headliner and as an opener for  Wolf AliceBest Coast and The Vaccines. Sunflower Bean completed a breakthrough run with the release of their  Matthew Molnar-produced debut effort Human Ceremony, which was released to critical praise back in 2016.

After spending the better part of 2016 with a roughly 200 date world tour, the members of the band initially planned to take a well-earned, extended break; however by mid-December. the trio were in Faber’s Long Island basement with song ideas that eventually became their highly-anticipated Jacob Portrait and Matt Molnar-produced  sophomore effort, Twentytwo in Blue, which is slated for a March 23, 2018 release through Mom + Pop Records, which is both 22 months after the release of their full-length debut — and coincidentally, when each member turns 22.

Now, if you’ve been frequenting this site throughout 2017, you may have come across the trio’s single “I Was A Fool,” a single that you may recall found the trio closely hewing to the late 60s psych rock and 70s classic rock that has long inspired their sound and aesthetic, but while gently pushing their sound in the direction of Fleetwood Mac. and others.  As the band’s Nick Kivlen explained in press notes at the time, “‘I Was A Fool’ is one of those songs that seemingly crept up from nowhere and into our practice space. it was a special moment between the three of us, Julia and I both improvised the lyrics. It feels far longer but it’s been nearly two years since ‘we’ve put new music into the world. I think this song is a good example of how we’ve grown as a band, while still staying true to the band that first played together back in high school.”

Interestingly, “Crisis Fest,” Twentytwo in Blue‘s first official single from the album finds the band tackling much more sobering topics with song directly discussing the uncertainty and politically volatile period in which it was written. “While writing this album, we often reflected back on the people we met while on tour. We felt a strong kinship with the audiences that came to see us all over the country, and we wanted to write a song for them — something to capture the anxieties of an uncertain future. ‘Crisis Fest’ is less about politics and more about the power of us, the young people in this country.” And as a result, the song which sonically finds the band touching upon glam rock — in particular, to my ears, a bit of Bay City Rollers‘ “Saturday Night” mixed with Ace Frehley’sBack in the New York Groove” as it’s an rousingly anthemic stomper of song, that’s indirectly a call to action that suggests that now it’s the time for young people to start getting the world right — or we won’t have a chance.

The members of the band will be embarking on a lengthy tour to support the album that includes a February 13, 2018 stop at Brooklyn Steel. Check out the rest of the tour dates below.

Tour dates

1/26 – Philadelphia, PA @ Everybody Hits
1/31 – Chicago, IL @ Metro ^
2/01 – Nashville, TN @ The Basement East ^
2/03 – Austin, TX @ Mohawk ^
2/05 – San Antonio, TX @ Paper Tiger ^
2/06 – Dallas, TX @ Granada ^
2/07 – Houston, TX @ White Oak Music Hall (Inside Downstairs) ^
2/09 – New Orleans, LA @ Republic New Orleans ^
2/10 – Athens, GA  @ 40 Watt ^
2/11 – Raleigh, NC @ Lincoln Theatre ^

2/13 – Brooklyn, NY @ Brooklyn Steel ^
2/14 – Washington, DC @ 9:30 Club ^

2/22 – London, UK @ The Jazz Cafe @
3/01 – Los Angeles, CA @ Moroccan Lounge
3/02 – San Francisco, CA @  Rickshaw Stop

3/24 – Nottingham, UK @ Rescue Rooms

3/26 – Norwich, UK @ Open Norwich

3/27 – Birmingham, UK @ Hare and Hounds

3/28 – Newcastle upon Tyne, UK @ Riverside

3/29 – Leeds, UK @ Wardrobe

3/30 – Manchester, UK @ Gorilla

3/31 – Liverpool, UK @ The Magnet

4/01 – Glasgow, UK @ Stereo

4/03 – Bristol, UK @ Thekla

4/05 – Brighton, UK @ Concorde 2

4/06 – London, UK @ Koko

4/09 – Paris, FR @ Point Ephemere

4/10 – Antwerp, Belgium @ TRIX VZW

4/11 – Amsterdam, Netherlands @ Paradiso

4/12 – Hamburg, Germany @ Molotow

4/13 – Copenhagen, Denmark @ Loppen

4/14 – Berlin, Germany @ Rosis

4/15 – Vienna, Austria @ Chelsea Club

4/17 – Lausanne, Switzerland @ Le Romandie

4/18 – Zurich, Switzerland @ Bogen F

4/19 – Cologne, Germany @ Blue Shell

5/20 – Gulf Shores, AL @ The Hangout Music Festival
^ – w/ Sleigh Bells

@ – supporting Jessie Ware

Now, if you’ve been frequenting this site over the past couple of years, you may have come across a post or two featuring Brooklyn-based psych rock/indie rock trio Sunflower Bean.  The trio which is comprised of Julia Cumming (bass, lead vocals) and founding duo Nick Kivlen (guitar, vocals) and Jacob Faber (drums) can trace their origins back to 20123 when Kivlen and Faber were members of Turnip King, and at the time, Kivlen and Faber had been spending a great deal of time practicing and jamming together, and decided that it was time to go out on their own. Cumming, who was then a member of of Supercute! with Rachel Trachtenburg, was recruited by Kivlen, who had known her through mutual friends. 

The band quickly rose to national attention after playing 8 critically applauded sets over the course of 4 days during 2014’s CMJ Festival, along with a series of shows across town; however, the act started to receive both national and international attention with the release of 2014’s Rock & Roll Heathen EP and 2015’s Show Me Your Seven Secrets EP, an EP that featured the critically applauded singles “Tame Impala” and “2013.” Adding to a growing profile, the Brooklyn-based trio toured the US and the UK as a headliner and as an opener for Wolf AliceBest Coast and The Vaccines. The Brooklyn-based trio then followed it up with their Matthew Molnar-produced debut effort Human Ceremony, which was released last year to critical praise.

After spending the better part of 2016 touring to support Human Ceremony, which included an impressive Burger Records Beach Bash 2 set, the trio have released their first new single in some time “I Was A Fool.” And while closely hewing to the period that has most influenced their sound and aesthetic — late 60s psych rock and 70s classic rock — the Brooklyn trio’s latest single not only finds them at their loosest and most self-assured, it finds them gently pushing their sound in the direction of breezy yet deliberately crafted 70s AM rock, with their latest track sounding as though it were influenced by Fleetwood Mac.  But underneath the song’s breeziness, the trio capture something that my colleagues, who have written about the song have missed — that while all-consuming love can be swooning and urgent, it can also be deeply ambivalent, if not profoundly helpless; after all, love is arguably one of the ridiculous, inexplicable, frustrating, and most wonderful things we’ll ever really know.

Interestingly as the band’s Nick Kivlen explains in press notes, “‘I Was A Fool’ is one of those songs that seemingly crept up from nowhere and into our practice space. it was a special moment between the three of us, Julia and I both improvised the lyrics. It feels far longer but it’s been nearly two years since ‘we’ve put new music into the world. I think this song is a good example of how we’ve grown as a band, while still staying true to the band that first played together back in high school.”

With the release of the new single, the band also announced that they signed to renowned indie label Mom + Pop Music, and they will be embarking on a lengthy UK tour before playing a series of North American tour dates, including a November 30 stop at Brooklyn’s newest venue Elsewhere. Check out the tour dates below.

 

Tour dates – North American shows in BOLD

11/08 – Bristol, UK @ 02 Bristol *
11/09 – Manchester, UK @ 02 Apollo *
11/11 – Glasgow, SCT @ Barrowlands *
11/12 – Glasgow, SCT @ Barrowlands *
11/13 – Newcastle, UK @ 02 Academy *
11/15 – Nottingham, UK @ Rock City *
11/16 – Birmingham, UK @ 02 Academy *
11/17 – Norwich, UK @ UEA *
11/18 – Leeds, UK @ 01 Academy *
11/20 – Brighton, UK @ Dome *
11/21 – Southampton, UK @ 02 Guildhall *
11/24 – London, UK @ Alexandra Palace *
11/27 – Belfast, North Ireland @ Ulster Hall *
11/28 – Dublin, Ireland @ Olympia *
11/30 – Brooklyn, NY @ Elsewhere

1/26 – Philadelphia, PA @ Everybody Hits
1/31 – Chicago, IL @ Metro ^
2/01 – Nashville, TN @ The Basement East ^
2/03 – Austin, TX @ Mohawk ^
2/05 – San Antonio, TX @ Paper Tiger ^
2/06 – Dallas, TX @ Granada ^
2/07 – Houston, TX @ White Oak Music Hall (Inside Downstairs) ^
2/09 – New Orleans, LA @ Republic New Orleans ^
2/10 – Athens, GA  @ 40 Watt ^
2/11 – Raleigh, NC @ Lincoln Theatre ^
2/14 – Washington, DC @ 9:30 Club ^
3/01 – Los Angeles, CA @ Moroccan Lounge
3/02 – San Francisco, CA @  Rickshaw Stop

* – w/ Wolf Alice
^ – w/ Sleigh Bells

 

Influenced by The Strokes, The Clash, Haim, Velvet Underground, Courtney Love, Charli XCX and Mazzy Star and comprised of siblings Marika Justad and Miro Justad, and Toby Kuhn, Seattle, WA-based trio Tangerine was formed back in 2012. And in a short period of time, the Seattle-based trio quickly rose to national and intentional prominence from the likes of NME, The Guardian, Vice Noisey, Rookie Mag and others for a sound that draws from 90s alt rock, 80s New Wave, indie rock, R&B and pop; in fact the band’s sound has been compared favorably to the likes of Best Coast, Camera Obscura and Speedy Ortiz — as shimmering guitar chords are paired with tight pop-leaning hooks.

The trio’s latest EP Sugar Teeth was released earlier this year through Swoon Records and the material is reportedly inspired by life on the road as a touring band and the artists they toured with, who coincidentally were major influences on the band — while exploring youthful rebellion, a chaotic and dysfunctional relationship and a wistful nostalgia over faded friendships. And the EP’s second and latest single “Tender” will continue to cement the band’s reputation for shimmering guitar-based surfer rock-leaning pop that sounds as though it draws from The Go-Gos  — complete with a similar bittersweet playfulness wrapped around infectiously pop-leaning hooks.

The band is currently on a rather extensive tour that includes several SXSW sets and a late April NYC area stop at Cake Shop. Check out tour dates below.

Tour Dates
3/16/2016 – Austin, TX @ SCRATCH HOUSE
3/18/2016 – Austin, TX @ Westin Hotel in Downtown Austin
3/20/2016 – Austin, TX @ Spider House (day party)
3/22/2016 – San Diego, CA @ The Hideout
3/24/2016 – Reno, NV @ Holland Project
3/25/2016 – Boise, ID @ Treefort Festival
4/2/2016 – Pullman, WA @ Washington State University
4/16/2016 – Spokane, WA @ Observatory
4/17/2016 – Boise, ID @ Neurolux
4/18/2016 – SLC, UT @ Kilby Court
4/20/2016 – Sioux Falls, SD @ Total Drag Records
4/21/2016 – Des Moines, IA @ Vaudeville Mews
4/22/2016 – Chicago, Ill @ Emporium
4/23/2016 – Detroit, MI @ UFO Factoy
4/24/2016 – Toronto, ON @ Smiling Buddha
4/26/2016 – Providence, RI @ Aurora
4/27/2016 – Boston, MA @ Middle East
4/28/2016 – New York, NY @ Cake Shop
4/30/2016 – Richmond, VA @ Hardywood Park Craft Brewery
5/1/2016 – Raleigh, NC @ Neptune’s
5/2/2016 – Ashevile, GA @ Tiger Moungain
5/4/2016 – Athens, GA @ Georgia Theater , Rooftop
5/5/2016 – New Orleans, LA @ Siberia
5/6/2016 – Houston, TX @ Walter’s
5/10/2016 – Los Angeles, CA @ TBA
5/11/2016 – San Francisco, CA @ Rickshaw Stop
5/12/2016 – Eureka, CA @ Shanty Tavern
5/13/2016 – Portland, OR @ The Know
05/27-30/2016 – George, WA @ Sasquatch Festival

 

 

 

 

New Video: The Hauntingly Gorgeous and Nostalgic Video for Line and Circle’s “Like A Statue”

If you’ve been frequenting JOVM over the past three or four months you may recall that I’ve written about the Los Angeles-based quintet Line and Circle. Comprised of Brian J. Cohen (vocals, rhythm guitar), Eric Neujahr (guitar), Jon Engelhard (bass […]