Tag: Black Moth Super Rainbow

Perhaps best known as the frontman of renowned indie rock act Black Moth Super Rainbow, TOBACCO has developed a reputation as a solo artist, who crafts abrasive yet anthemic electronic music that channels Daft Punk,  The Black KeysKraftwerk and Boys Noize, but from some industrial, dystopian and fucked up future — perhaps immediately post Trump? — in which rusty and forgotten machinery and instruments whirr, mash and grind together.

Last year saw the release of Sweatbox Dynasty, the long awaited follow up to Ultima II Massage and while album singles “Gods In Heat,” “Human Om” and “Dimensional Hum” further cemented his reputation for scuzzy and abrasive electronic music, underneath the murky surface was a breezy and dreamy melodicism that added a strange, zen-like calm to the proceedings. Interestingly, TOBACCO recently released a stand-alone single “Get Wet in the Bomb Shelter” and the new single manages to sound as though it was a forgotten Sweatbox Dynasty B side, as the song consists of cascading layers of whirring and buzzing synths, stuttering and propulsive, boom bap-like drums and a glistening melody — and much like the material on Sweatbox Dynasty, the song upon repeated listens reveals a subtle push in a new sonic direction.

 

 

New Video: JOVM Mainstay Tobacco Returns with Another Abrasive Yet Anthemic Bit of Electro Pop with Surreal Visuals

Sweatbox Dynasty, the long-awaited follow-up to Ultima II Massage was released earlier this year and you may remember that I wrote about Sweatbox Dynasty’s first two singles “Gods In Heat,” and “Human Om” and while furthering his burgeoning reputation for scuzzy and abrasive electronic music; however, just underneath the murky surface of both singles, there’s a breezy and dreamy melodicism that adds a strange sense of calm, as well as a darkly mischievous sense of humor. And the album’s third and latest single “Dimensional Hum” continues on a similar vein as the album’s preceding singles as a gorgeously, twinkling synth melody floats over layers of buzzing and grinding synths while vocals fed through vocoders and distortion slash and burn through some of the muck and grime.

Adding to the grimy, almost low-budget feel of the song, the recently released music video follows an escaped prisoner as he skareboards to freedom with a cheap, Halloween-themed wig as a disguise.

New Video: The Creepily Uneasy Visuals for Tobacco’s “Human Om”

Sweatbox Dynasty, the long-awaited follow-up to Ultima II Massage is slated for release this summer, and as you may remember I wrote about “Gods In Heat,” the first single off the album. I think that single will further cement his burgeoning reputation for crafting scuzzy, abrasive and anthemic electronic music as he pairs layers of abrasive industrial clang and clatter, skittering drum programming, surface-level analog tape hiss and sizzle, a chanted mantra and an infectious hook; but with a subtle dreamy element that nods towards psych rock. The album’s second and latest single “Human Om” pairs layers of buzzing, whirring synths, industrial clang and clatter, mathematically precise handclap-led drum programming and mantra-like lyrics fed through vocoder. Interestingly, the song displays a dreamy and breezy melodicism just underneath the murky surface and as a result it gives the song a darkly mischievous feel; but while radiating a strange sense of calm.

Directed by the artist himself, the recently released music video employs the use of distorted rubber masks of celebrities, politicians and other characters nodding over the song’s distorted beats and superimposed over a variety of scenes and scenarios — and it gives the video a nightmarish, surreal logic while it lulls the viewer into an uneasy hypnotic state.

Certainly, if you’ve been frequenting this site over the past year or so, you’d likely be familiar with electronic music artist and producer Tobacco, who is perhaps best known as the frontman of renowned indie act Black Moth Super Rainbow. As a solo artist, Tobacco has developed a reputation for crafting an abrasive yet anthemic sound — while seeming as though he wants to channel Daft Punk,  The Black Keys, Kraftwerk and Boys Noize — but from some dystopian future in which rusty, poorly maintained machinery and instruments whirr to grinding halt.

Sweatbox Dynasty, the long-awaited follow-up to Ultima II Massage is slated for release this summer, and earlier this year, I wrote about the album’s first single “Gods In Heat,” a single that I think will further cement his burgeoning reputation for crafting scuzzy, abrasive and anthemic electronic music as he pairs layers of abrasive industrial clang and clatter, skittering drum programming, surface-level analog tape hiss and sizzle, a chanted mantra and an infectious hook — but with a subtle dreamy element that nods towards psych rock. The album’s latest single “Human Om” pairs layers upon layers of buzzing and whirring industrial synths, mathematically precise handclap-led drum programming and chanted lyrics fed through vocoder with a dreamy psych rock-leaning melodicism that subtly lightens the murkiness.

 

 

 

Perhaps best known as the frontman of renowned indie act Black Moth Super Rainbow, Tobaccco has developed a reputation as an electronic music artist and producer, who has an uncanny ability for crafting an abrasive yet anthemic sound — as a fellow critic at Stereogum  described Tobacco’s sound as wanting to “channel Daft Punk and The Black Keys at the same time.”

Sweatbox Dynasty, the long-awaited follow-up to Ultima II Massage is slated for release this summer, and the album’s first single “Gods In Heat” will further cement Tobacco’s reputation for crafting scuzzy and anthemic electronic music as his production pairs layers of buzzing and abrasive synths, industrial clang and clatter, skittering drum programming, surface-level analog tape hiss and sizzle, a chanted mantra and an infectious hook — but if you’re familiar with the Pennsylvania-based producer’s work, the new single possesses a subtle elements of psych rock that lighten the murkiness ever so slightly.