Currently comprised of frontman and primary songwriter TOBACCO (born Thomas Fec), keyboardist The Seven Fields of Aphelion (born Maureen “Maux” Boyle), guitarist Ryan Graveface and bassist Pony Driver, the Pittsburgh, PA-based experimental electronic act Black Moth Super Rainbow can trace their origins back to two previous projects that featured BMSR’s TOBACCO — Allegheny White Fish, which was active from 1996-2000 and satanstompingcaterpillars, which was active from 2000-2002 and released three albums, including their last album under that name, The Most Wonderfulest Thing before the addition of three new members Father Hummingbird, The Seven Fields of Aphelion and Iffernaut. And with the addition of new members, the band renamed themselves Black Moth Super Rainbow in 2003.
Over the past decade both Black Moth Super Rainbow and TOBACCO have recorded material that explored the periphery of evil and extreme color, rapidly alternating between absurdly bright beauty and murderously sinister with the end result being a woozy, psychedelic uneasiness. TOBACCO (a.k.a Thomas Fec) throughout his career has been a rather mysterious figure; in fact, if you Google images of him, most of them have his face obscured by a mask, a ball cap or a hood. Interestingly though, he’s known for patient and thoughtful interviews where he breaks down his creative process and the ideas espoused throughout his work while never revealing much about his personal life or about him. And in that sense, he’s been periodically visible but opaque, emotional but unwilling to exploit self-mythology; however, Black Moth Super Rainbow’s Panic Blooms, the first album from the band in six years, finds TOBACCO reportedly writing what may arguably be the most raw and direct lyrics of his entire career, inspired in some way by the current sociopolitical climate. As a result, the material is an account of depression and human frailty paired with their unique sound featuring gorgeous yet warped melodies. . .
The album’s first single “Mr. No One” features shimmering and twinkling synths, boom-bap drums and heavily vocodered vocals and while the song initially seems as though it has a dreamy and ethereal air, the song possesses an underlying murky and sinister vibe, which the band has long been known for, giving the song a desperate yet hopeful ache, a pleasant reverie within a feverish, waking nightmare.
Black Moth Super Rainbow will be on tour to support their new effort, and it’ll include a June 2, 2018 stop at Music Hall of Williamsburg. Check out the rest of the tour dates below.
THU 5/31 WASHINGTON, DC Black Cat
FRI 6/1 PHILADELPHIA, PA Union Transfer
SAT 6/2 NEW YORK, NY Music Hall of Williamsburg
SUN 6/3 BOSTON, MA Brighton Music Hall
THU 6/14 CINCINNATI, OH Urban Artifact
FRI 6/15 DETROIT, MI El Club
SAT 6/16 CHICAGO, IL Metro
SUN 6/17 COLUMBUS, OH Skully’s Music Diner
FRI 8/10 PITTSBURGH, PA Mr. Smalls
SAT 8/11 LOUISVILLE, KY Headliners
SUN 8/12 ASHEVILLE, NC Orange Peel
TUE 8/14 AUSTIN, TX Mohawk
WED 8/15 HOUSTON, TX White Oak Music Hall
FRI 8/17 ATLANTA, GA Masquerade (Hell)
SAT 8/18 NASHVILLE, TN Mercy Lounge