Tag: blues

New Audio: George Thorogood and The Destroyers Share Rare and Previously Unreleased Live Recording of “Who Do You Love”

Delaware-based George Thorogood and the Destroyers — currently founding duo George Thorgood (vocals, guitar) and Jeff Simon (drums) along with Bill Blough (bass), Jim Suhler (rhythm guitar) and Buddy Leach (saxophone) — formed way back in 1973. And since their formation, the band has played more than 8,000 live shows, developing a reputation for being one of the most consistent — and consistently passionate — progenitors of blues-based rock.

The band initially honed their sound on stages across the Northeast, building a devoted, word-of-mouth following through high-energy performances, blistering grooves and of course, one of the baddest motherfuckers out there, George Thorogood.

Things began to blow up in the late 1970s, after the band relocated to Boston and signed with Rounder Records. Their self-titled 1977 full-length debut channeled the power and energy of their live shows. They followed up with their breakthrough effort, 1978’s Move It On Over. The band’s profile nationally and elsewhere continued to rise with a string of popular releases 1980’s More George Thorogood and the Destroyers, 1982’s Bad to the Bone and 1985’s Maverick. And yet, their true passion always remained playing live.

“George’s connection to unvarnished, primal rock and roll made the music relevant in a way that no one could have predicted,” writes Scott Billington, who spent over 40 years as Rounder Records’ Vice President of A&R. “And even though he went on to make many wonderful records…he’s the first to say that he’d rather be on stage than in a recording studio.”

With the band now in their fifth decade, Craft Recordings shines a spotlight on their high-octane concerts with The Baddest Show on Earth: Greatest Hits Live. Spanning 1978-2024, this new collection showcases some of the band’s most electrifying live performances — many making their debut on record, including their enduring crowd favorites “Who Do You Love,” “One Bourbon, One Scotch, One Beer,” “Bad to the Bone,” and “Move It On Over.”

Slated for a June 12, 2026 release, The Baddest Show on Earth will be available on vinyl LP featuring four previously unreleased tracks, while the expanded CD and standard/hi-res digital editions include eight previously unreleased performances. Both physical formats will feature new liner nots from Grammy Award-winning producer and blues musician Scott Billington.

There will be three vinyl variants for fans — Black, Translucent Yellow, which will be available exclusively at Barnes and Noble, and Blazing Red Smoke, which will be available exclusively through GeorgeThorogood.com and on tour. You can pre-order the album here, but in the meantime, Craft Recordings and the band shared a previously unreleased performance of “Who Do You Love,” which was recorded in Atlanta in 1980.

Speaking about The Baddest Show on Earth, Thorogood says, “When the lights go down, the downbeat hits and the audience erupts; all bets are off. The Destroyers are at their best when we play for the people, and these are some of our favorite—and rarest—performances from the past five decades. You wanted the baddest, you got it.”

Thorogood and the Destroyers’ rendition of Bo Diddley‘s “Who Do You Love” is one of my favorite versions of the song, and the live version captures the swaggering, badass swagger and sweaty voodoo-like rhythms of their recorded version — and just important how under appreciated Thorogood is as a guitar player.

Live Footage: Blue Moon Marquee and Northern Cree Performing “Rollin’ and Tumblin'” at JunoFest ’25

Over the course of four albums, 2016’s Gypsy Blues, 2019’s Bare Knuckles & Brawn, 2022’s Scream, Holler & Howl and last year’s New Orleans Sessions, the acclaimed Duncan, BC-based duo Blue Moon Marquee — A.W. Cardinal and Jasmine Colette — have firmly established a unique sound that meshes elements of the blues, jazz, jump jive, folk, country, swing and Indigenous soul — without anything sounding out of step. Thematically their work often touches on the underbelly of society, woven with elements of Indigenous storytelling and poetic cadence.

For a lot of folks the traditional powwow music of Turtle Island may not immediately come to mind as sonically syncing up with the aching wail of Mississippi Delta blues. That is until you remember their shared rhythmic structure — a steady, simple, heavy and propulsive pulse that seems older than time itself.

Blue Moon Marquee’s AW Cardinal and Jasmine Colette were reminded of this connection while watching the documentary Rumble: The Indians Who Rocked the World, which featured a segment with Tuscarora/Taino activist and singer/songwriter Pura Fé singing along to a recording by legendary bluesman Charley Patton. The clip helped the band’s Cardinal connect the dots between his Woodland Cree heritage and his love of the blues.

At last year’s Juno Awards ceremonies in Halifax, NS, the duo and Northern Cree‘s Joel Wood celebrated wins for Scream, Holler & Howl and Sing. Pray. Love., respectively and agreed to collaborate. The result is the recently released Get Your Feathers Ready, a unique collaboration between Blue Moon Marquee and the 9-time Grammy Award-nominated powwow and Round Dance group.

After the two acclaimed groups got together to run through songs during an afternoon near Maskwacis, AB, the album’s material was recorded in a breakneck eight-hour recording session the following day, live off the floor.

For Blue Moon Marquee’s Cardinal, the recording sessions were both a dream and a homecoming: He’s from the same region of Canada as Northern Cree — Treaty Six Territory, which comprises large portions of Alberta and Saskatchewan — and he’s a longtime fan. Cardinal, who grew up in Rocky Mountain House, AB carefully guarded his Indigenous identity to avoid trouble, but the new album is the result of a steady transformation and proud acknowledgment of his identity. “Over the years, through music and meeting Northern Cree, it’s given me strength and pride in who I am and that side of my culture,” Cardinal says. 

“As a child I attended powwows but lived in town—I wasn’t immersed in the culture,” Cardinal says. “So to be able to be part of something like this is an incredibly soul-nourishing opportunity. It was one of the most fulfilling musical and spiritual experiences I’ve ever had. I’ve devoted my life to music, and the best way for me to get in touch with my roots is through song—Get Your Feathers Ready is the sound of that full circle moment.”

For both groups making music together and bridging the slim gap between two long-running and profoundly spiritual traditions as providing fertile ground for transformation — to help one see themself, not just as an individual, but part of a human lineage that extends millennia and held together by the timeless and ancient alchemy of the drum.

Album single “Rollin’ & Tumblin'” perfectly encapsulates the album’s timeless groove and deeply spiritual sound and approach in a way that not just makes inherent sense but is profoundly moving.

The live footage was shot at Vancouver’s Hollywood Theatre during their JunoFest ’25 set earlier this year.