Tag: Brothertiger

Over the past few years, I’ve written a lot about JOVM Mainstay David Alexander, an internationally renowned Malmo, Sweden-born singer/songwriter, multi-instrumentalist, electronic producer and electronic music artist, best known for his solo electro pop/dream pop recording project Summer Heart. Now, as you may recall, the Swedish-born singer/songwriter, multi-instrumentalist, electronic producer and electronic music artist has released a batch of singles in a single-of-the-month series that he has dubbed 12 Songs of Summer. According to Alexander, the series allows him to “show people what I am currently working on instead of what I was doing two years ago, which can be the case if you release an album. It’s definitely a way of challenging myself, thinking less and having more fun creating music!”

Just as Alexander is about to embark on a 16 date East Coast tour with New York-based electronic music artist and producer Brothertiger, the acclaimed Swedish artist released the last track of the series, the woozy and percussive “Buckle Up.” Centered around an ethereal melody, thumping beats, lush vocal harmonies and a sinuous groove, the track evokes swooning and youthful and somewhat uncertain love.

I was working with my friend Chris in his bedroom in Greenpoint, Brooklyn at that point. We had bought smoothies from Brooklyn Standard and were just fooling around” Alexander says of the song’s creation. “I’m normally a Logic Pro guy, but we started this new track in Ableton Live and called it ‘Groovie,’ wanting to make it exactly what the name suggests. I just couldn’t make it happen in Ableton but we wrote the track and bounced a rough demo of it anyway. I had it on repeat in my headphones for quite a while before I knew where I wanted to take it. I put all the stems we had recorded into Logic and started messing around with them. The track changed quite drastically and became a bit more up-tempo. The lyrics are about falling in love with someone that doesn’t fit your criteria – someone you didn’t expect to fall in love with.”

As for the tour, it begins tomorrow night at The Knitting Factory. For the rest of the dates, check them out below.

 

L I V E

(East Coast of America with Brothertiger)

 

Feb 21 Brooklyn, NY – Knitting Factory

Feb 22 Washington DC – Songbyrd Vinyl Lounge

Feb 23 Norfolk, VA – Charlie’s American Café

Feb 24 Greenville, SC – Radio Room

Feb 26 Atlanta, GA – 529 bar

Feb 27 New Orleans, LA – Gasa Gasa

Feb 28 Houston, TX – Continental Club

March 1 Austin, TX – Barracuda

March 2 Dallas, TX – RBC

March 3 Tulsa, OK – Chimera Lounge

March 5 Kansas City, MO – Riot Room

March 6 Chicago, IL – Beat Kitchen

March 7 Bloomington, IN – The Bishop

March 8 Columbus, OH – Spacebar

March 9 Pittsburgh, PA – Cattivo

March 10 Philadelphia, PA – PhilaMOCA

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Throughout this site’s eight-plus year history, I’ve written quite a bit about JOVM mainstay David Alexander, an internationally renowned Malmo, Sweden-born singer/songwriter, multi-instrumentalist, electronic producer and electronic music artist, best known for his solo electro pop/dream pop recording project Summer Heart. Over the past year, Alexander has released a single of the month series, 12 Songs of Summer, and according to the Swedish-born singer/songwriter, multi-instrumentalist, electronic music producer and electronic music artist the series allows him to “show people what I am currently working on instead do what I was doing two years ago, which can be the case if you release an album. It’s definitely a way of challenging myself, thinking less and having more fun creating music!”

The series last single “Touch” is a woozy bit of Teddy Riley and Timbaland-era R&B influenced synth pop centered around arpeggiated keys, wobbling bass, an infectious hook and Alexander’s tender falsetto — and reportedly influenced by Toro Y Moi and Animal Collective, the new single is swooning yet dance floor friendly bit of pop that feels and sounds mischievously anachronistic, as though it could have been released in 1989, 2009 or 2019. 

Alexander will be embarking on a 16 date Stateside tour with frequent tourmate Brothertiger that will begin with a February 21, 2019 stop at The Knitting Factory. Check out the rest of the tour dates below. 

 

Tour Dates

Feb 21 Brooklyn, NY – Knitting Factory
Feb 22 Washington DC – Songbyrd Vinyl Lounge
Feb 23 Norfolk, VA – TBA Productions
Feb 24 Greenville, SC – Radio Room
Feb 26 Atlanta, GA – 529 bar
Feb 27 New Orleans, LA – Gasa Gasa
Feb 28 Houston, TX – Continental Club
March 1 Austin, TX – Barracuda
March 2 Dallas, TX – RBC
March 3 Tulsa, OK – Chimera Lounge
March 5 Kansas City, MO – Riot Room
March 6, Chicago, IL – Beat Kitchen
March 7 Bloomington, IN – The Bishop
March 8 Columbus, OH – Spacebar
March 9 Pittsburgh, PA – Cattivo
March 10 Philadelphia, PA – PhilaMOCA

With Brothertiger

 

Rue Snider is a Brooklyn-based folk singer/songwriter, who since his debut in 2012 has developed a reputation for writing material with an unvarnished honesty, a relentless touring schedule of more than 100 shows a year, opening for the likes of Lydia Loveless, Squirrel Nut Zippers‘ Tom Maxwell, Superhuman Happiness, Benjamin Scheuer, Blue Healer, Donna Missal and The Silos‘ Walter Salas-Humara, and for collaborating with the likes of Jon Estes, who’s played with Ruby Amanfu and Steelism, Rubblebucket‘s David Cole, Derrek C. Philips and others. Adding to a growing profile, “Speak My Mind,” the EP title track of his most recent Andrija Tokic-produced EP, Speak My Mind was featured as song 80 of the politically charged, 1,000 Days, 1,000 Songs project.

Interestingly, Snider was impressed by Brooklyn-based producer and electronic music artist Brothertiger‘s re-imainging of Tears for FearsSongs from the Big Chair and asked  him to remix the EP’s sole love song, “Moving Me,” and Brothertiger turns the sparsely arranged, singer/songwriter ballad into a decidedly 80s synth pop-inspired track featuring shimmering arpeggiated synths and big, gated reverb-based beats over which Snider’s plaintive vocals float ethereally — and while further cementing the Brooklyn-based producer’s reputation for a sound that’s reminiscent of JOVM mainstays Washed Out and Moonbabies, Brothertigter retains the song’s swooning Romanticism and honesty.

 

 

 

 

 

The new single releasing November 3 is called “Moving Me (Brothertiger Remix).” The original version was part of a very political EP. We took the one love song from that package and had Brothertiger give it a chill wave makeover. Brothertiger’s reimagining of “Songs From the Big Chair” by Tears for Fears is what made us want to work with him.

 

 

 

 

 

If you’ve been frequenting this site over the past couple of months, you may recall that I’ve written about Brothertiger, the solo recording project of Brooklyn-based electronic musician and producer John Jagos. The project can trace its origins to when Jagos was a sophomore at Ohio State University. His debut EP, Vision Tunnels was released to critical praise from No Fear of Pop and Pitchfork. Building upon the early buzz he received, Jagos wrote and recorded his debut full-length Golden Years, which was released through Mush Records in 2012.

Future Splendors, the follow-up effort to Golden Years was a change in sonic direction as the material was reportedly his darkest and moodiest effort to date — and it was his first effort that he supported with a tour. Lagos’ forthcoming third, full-length effort Out of Touch is slated for a December 4 release and with the release of the album’s first single, album title track “Out of Touch” and its latest single “Beyond The Infinite,” Jagos is set to firmly put himself on the national map for an 80s synth-pop based sound that channels the likes of Tears for Fears as well as, contemporary artists such as St. Lucia and Washed Out.

In particular, “Beyond The Infinite” consists of layers of propulsive and cascading synths paired with four-on-the-floor drumming and rousingly anthemic hooks with soulful vocals in a song that’s plaintive yet remarkably cinematic. Much like the album’s previous single “Out of Touch,” the album’s latest single is informed by the Jagos’ desire to create an auditory journey through a metaphorical jungle of emotional states — tribulation, despair, fatigue, serenity, joy, tranquility, etc. In this case, the song focuses on the sensation of making a connection with someone and discovering that person has been deceitful and has betrayed you. And as a result, at the core of such a breezy, pop confection is the sort of heartache that should feel profoundly familiar.