Tag: Budos Band

Video by William Ruben Helms

New Video: Dunham Records Releases Slow-Burning and Heartfelt Single from Posthumously Released Final Charles Bradley Album

Throughout a significant portion of this site’s 8 year history, I’ve written quite a bit about JOVM mainstay, Charles Bradley, the late, Brooklyn-based soul singer, who led a remarkable life, overcoming difficult and at times unimaginable adversity to achieve success and international acclaim late in his life — thanks in part to the release of documentary Charles Bradley: Soul of America, three full-length albums 2011’s No Time For Dreaming, 2013’s Victim of Love and 2016’s Changes, and a powerful, heartfelt live show.  Interestingly throughout his short recording career, Bradley wound up playing a larger than life role in pop culture: Bradley was a prominent figure in the Daptone Records live documentary, Living on Soul filmed during the Daptone Records Soul Revue shows back in 2014 at the legendary Apollo Theater; performed on Netflix’s Luke Cage; was the signing voice of Minstrel Krampus on American Dad; and he had tracks featured on a number of films and TV shows, including the title tracks for Netflix’s Big Mouth, HBO’s Barry and more.

And honestly, although those successes came late in his life, none of them should be surprising because what drew so many fans, critics and others towards him was the fact that understood that the great pain and tribulations of his life were a cry for  universal love, brotherhood and empathy. He preached it passionately and constantly — and as many would say, it seemed that he believed that if he loved harder, more passionately, and just more — if we all just loved each other a bit more — we could make the world a much better place. Certainly, in a seemingly dark and cynical world in which humanity is inching towards its annihilation, we could use more Charles Bradleys, more Sharon Joneses, too.

November 5, 2018 would have been Charles Bradley’s 70th birthday and in celebration of the man, his life and his music, Dunham Records will posthumously release his fourth and final album Black Velvet on November 9, 2018.  Featuring 10 tracks lovingly curated by his friends, bandmates and family, the album chronologically spans Bradley’s recording career — but instead of a greatest hits-like anthology or a rehashing of say, several different versions of known and beloved songs, the album focuses on deeper, mostly unreleased cuts recorded during the sessions from each of Bradley’s three albums. The album will include highly sought-after and beloved covers including his takes on Nirvana’s “Stay Away,” Neil Young’s “Heart of Gold,” Rodriguez’s “I’ll Slip Away,” and an alternate full-band electric version of “Victim of Love,” among others.

Of course, in many ways, the album documents the friendship and collaboration shared between Bradley and longtime collaborator, producer and co-writer Tommy Brenneck. As Brenneck explains, Black Velvet’s first single “I Feel A Change” was recorded during the Victim of Love sessions. “Horns and organ were recorded later adding a haunting beauty to the otherwise a cappella intro. The lyrics are 100% Charles. Personal yet abstract. Directly from the heart. He truly loved the expression ‘going through changes’ and this was a few years before we would record our rendition of Sabbath’s ‘Changes’ with the Budos. Sadly Charles never got to hear the finished version of this beautiful song.”

“I Feel a Change” is classic Charles Bradley — the Screaming Eagle of Soul’s imitable vocals passionately expressing desire, frustration and heartache within a turn of a phrase, pleading in a deeply confessional fashion to you. Of course, Bradley’s vocals are paired with a slow-burning, sensual arrangement that feels eerily spectral yet urgent and necessary. The man may not be with us but his spirit is forcefully vital and with us, just when we need it the most. Long live Charles Edward Bradley, y’all! Long live Charles Edward Bradley!

Directed by Jeff Broadway and Cory Bailey, the directorial and production team behind Living on Soul, the recently released video for “I Feel A Change” is centered around intimate behind the scenes footage of Bradley in speechless awe in an old European church, sewing his elaborate costumes, recording in the studio and performing on stage. The video captures the great soul singer in the fullness of his life and talent and is a powerful reminder of someone who radiated love and goodness to any and all comers.

 

Video by William Ruben Helms

New Video: Charles Bradley Reflects on His Life in the Gorgeous and Cinematic Video for “Good To Be Back Home”

Interestingly, Changes’ third full-single “Good To Be Back Home” has Bradley at his most pensive, as he reflects on the emotional and spiritual whirlwind of his life over the past 6 years, a period that has seen him become an internationally recognized artist playing in front of adoring crowds all over the world and the death of his mother among other things. And as a result the song manages to be one of the more ambivalent songs Bradley has ever released as the song is both a triumphant and weary — triumphant in the fact that the song’s narrator can admit pride over being able to perform in front of adoring crowds but wearying in the fact that he’s hurt over the death of his mother, and there’s the subtle implication that no matter how successful you could be, you still somehow wind up alone. Perhaps Thomas Wolfe was right, you could never go back home again, as there’s a point in which you’ve changed way too much — or things have changed to the point that it doesn’t resemble anything you remember. Sonically speaking, the song continues along the path of its preceding singles as the single leans towards psychedelic soul — in particular think of The Temptations “Papa Was A Rolling Stone,” James Brown’s “The Payback” and others as it’s a slow-burning and moody song.

The recently released music video is shot in a gorgeous and cinematic black and white and splits its time between footage of Charles Bradley and the Extraordaires performing on stage in front of adoring crowds, giving hugs to fans, pensively walking through his Brooklyn neighborhood and hanging out at home. The video arguably gives the most complete picture of Bradley as a public figure and everyday person.