Tag: Chad Valley

Born Elizabeth Lowell Boland, Lowell is Calgary, Alberta, Canada-born singer/songwriter and up-and-coming pop artist, who spent time living in Carcross, Yukon Territories, near a mountain that once offered passage to gold hunters — and was also once a preying haven for wolves; the up-and-coming pop artist has also spent time living in Massachusetts, Ottawa, Georgia and Calgary, before splitting her time between Toronto and London, UK.

Early within her career, she won the attention of Martin Terefe, who has worked with KT Tunstall, James Blunt and Jason Mraz; Sacha Skarbek, who has worked with Lana Del Rey, Adele and Miley Cyrus; James Bryan, who has worked with Nelly Furtado and The Philosopher Kings; and Paul Herman, who has worked with Dido.  The quartet of songwriters and producers invited them to London’s Kensaltown Studios to write with them; however, what they all worked on wasn’t in sync with Lowell’s vision, so they scrapped what they had and started over again with the end result being her I Killed Sara V. EP and her full-length debut, We Loved Her Dearly, which was released on renowned indie label Arts & Crafts Records. Both efforts received attention for songs, which openly focused on topics like sexual abuse, rape, abortion, women’s rights, the lack of LGBTQ rights, as well as our cultural ignorance about (and simultaneous) obsession with homosexuality.

Ultimately, Lowell’s first efforts were fueled by the need to empower her and her listeners to challenge gender conventions and inspire freedom from social limitations, rules and misogynists’ abuse of power, and to celebrate and uphold individuality — and while those are understandably heavy and urgent subjects, the up-and-coming pop artist pairs that with accessible, downright radio friendly melodies and upbeat vibes. Much like Fela Kuti and others, she’s used music as a weapon — suggesting as they did, you can challenge social norms and speak truth to power while dancing. Interestingly, Lowell remained friends with Terefe et. al. and it lead to her working with Terefe as a member of his band Apparatjik, and to her mini album If You Can Solve This Jumble. Following that, it lead to four days of writing and recording with A-ha’s Magne Furuholmen, Coldplay‘s Guy Berryman, Mew‘s Jonas Bjerre and Terefe, who she joined onstage at 2012’s Roskilde Festival.

After the release of her full-length debut, Lowell took up residency in her own studio space, where she began writing for other artists, including Icona Pop, Dragonette, Netsky, Grandtheft and Bulow, and where she also spent time working at writing, producing and practicing her craft, as well as guitar and piano (which she is classically trained), so that she could be ready for a self-financed UK tour, where she was backed by a drummer. Since then, she’s played showcases at Canadian Music Week, CMJ, Sled Island, and performed at David Lynch’s Club Silencio in Paris, headlined in Oslo and Copenhagen, opened for Chad Valley in Berlin, Padova and London; and opened for The Raveonettes in Barcelona, Bilbao and Madrid.

Lowell’s sophomore effort Lone Wolf was recently released on Friday, and the album’s material focus on the power an influence of youth — particular as a teenager, but from a more mature viewpoint; from someone, looking back on their own youth as an adult, who isn’t too far removed from it. And as a result, the album thematically focuses on self-discovery while retaining the upbeat, anthemic and dance floor friendly production that has won her attention.  In fact, the album’s first single “War Face” is an infectious and soulful track centered around an arrangement featuring bluesy guitar, handclaps, a propulsive battle rhythm and an infectious shout worthy hook that brings to mind The Black Keys and Alice Merton, among others.

 

 

 

 

 

 

Electronic music artist, multi-instrumentalist and producer Grant Eadie and his solo recording project Manatee Commune has received regional attention across the Pacific Northwest and a growing national profile for a carefully and organically molded electronic sound that pairs natural overtones extracted from field recordings with slick and nuanced electronic production.

Eadie’s soon-to-be released EP, Thistle, slated for a February 26 release marks two new developments in the young producer, multi-instrumentalist and electronic music artist’s career — it’s his first release through renowned Brooklyn-based label Bastard Jazz Recordings, the label home of Illa J, Lord Echo and several others; and the effort is the result of Eadie radically changing his songwriting, production and recording process as he  opened his studio and gear to friends, collaborators and loved ones, gaining inspiration from the energy of each of those interactions. As Eadie explains in press notes “Learning how to share my creative process with my friends completely revolutionized the last of year of music for me. Inviting those I trusted and loved into my studio to spend even just an hour talking or jamming opened fountains of inventive energy for me, especially from the ones who lacked any musical knowledge. I soon found myself incredibly inspired by the originality of even the smallest interactions with people, and so I pointed my field mic at anyone who had a story, a melody, or a stumbling beat they had been absentmindedly drumming, all in the hopes of capturing their individuality and framing it with my ever expanding insight into audio production.”

Thistle’s first single “Clay” pairs a stuttering yet breezy and coquettish production consisting of twinkling and chiming percussion, a looped flute sample, layers of shimmering synths and swirling electronics with Marina Price’s flirtatious and sultry vocals to craft a song that reminds me quite a bit of Sylvan Esso — but bouncier and slightly more dance floor friendly. Considering the Arctic weather we’re soon to have in New York, “Clay” is a brief yet lush and necessary blast of summer.

Catch Eadie live throughout March and April as he tours the Pacific Northwest with Blackbird Blackbird and Chad Valley. Check out tour dates below.

Tour Dates 

3.3 Bellingham, WA Wild Buffalo (EP Release Party)
3.10 Portland OR, Mississippi Studios ^
3.11 Seattle WA, Nectar Lounge ^
4.19 Tucson, AZ Club Congress *
4.20 San Diego, CA The Hideout *
4.21 Los Angeles, CA The Echoplex *
4.22 Santa Cruz, CA The Catalyst *
4.23 San Francisco, CA Social Hall *
4.30 Vancouver, BC Alexander *
^ with YPPAH
* with Blackbird Blackbird & Chad Valley

 

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