Tag: Chance the Rapper

New Audio: Brooklyn’s Hot Hand Band Takes on Chance the Rapper’s “No Problem”

Hot Hand Band is an emerging Brooklyn-based brass ensemble featuring multi-instrumentalist Kevin Moehringer, Kevin Raczka (drums), Dave Hassell (bass) and a cast of collaborators. Since the band’s formation back in 2016, they’ve honed their sound, playing at local restaurants and bars across town. eventually bringing their sound, which meshes New Orleans brass, jazz, funk, hip-hop and more across the world. 

Building upon a growing profile, the Brooklyn-based brass ensemble will be releasing their full-length debut through Swoon City Music during the early party of this year. The member of Hot Hand Band begin the year with a swaggering mash-up of Grammy Award-winning rapper Chance the Rapper’s “No Problem” and Bone Thugs-N-Harmony “Crossroads.” ““A few of our friends were involved in the production and performance of Chance the Rapper’s ‘No Problem,'” the band’s Kevin Moehringer says in press notes. “It’s a Grammy-Award-winning song, and for good reason! Chance is an inspiring artist and we felt like this song would translate well to the brass band format.”

Directed by Johannes Felscher, the recently released video is an in-studio performance that features Travis Antoine (trumpet), Coleman Bartels (drums), Reginald Chapman (sousaphone), Andrew McGovern (trumpet) and Kevin Moehringer (trombone) playing the song at Swoon City Music’s Refuge Recording Studio in Carroll Gardens, Brooklyn. 

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Casey Meehan is a Chicago area mainstay best known for his work with Chicago Mixtape, a weekly curated playlist of the best music shows happening in and around the Chicagoland area. Over the past month or so, I’ve written about Meehan’s latest music project Sy Somebody, and as you mayrecall the project can trace its origins to a a conversation he had with Father John Misty‘s David Vandervelde. Vandervelde introduced Meehan to his bandmate Eli Thompson and the trio began discussing the possibility of making a record together.

As the story goes, Meehan eventually began sending demos to Vandervelde. Those demos thematically contemplated the mysteries and complexities of the human condition within the larger cosmos — but written as though an omnipotent, unseen person or narrator was in control. Writing material in such a fashion, actually inspired Meehan to name the project Sy Somebody.

Meehan, Vandervelde and Thompson then recruited an All-Star cast of collaborators including Jeremy Enigk‘s and The Intelligence‘s Kaanan Tupper, Richard Swift’s The Weepies’, Everest’s and Pedro The Lion’s Frank Lenz, Bobby Bare Jr.’s Mr. Jimmy, The O’My’s, and Chance the Rapper‘s Maceo Haymes and Chance’s Social Experiment’s and Santah‘s Vivian McConnel to flesh out the material that eventually coalesced into the project’s soon-to-be full-length debut Life is Cruel, Let’s Be Friends, which is slated for release on Friday.

Zookeeper,Life is Cruel, Let’s Be Friends‘ second single was a grunge-like track, centered around fuzzy power chords, a propulsive rhythm and Meehan’s world-weary delivery, rooted in the frustrations and pressures of adult life. “Idle Minds,” Life is Cruel, Let’s Be Friends’ third single was a disco-tinged affair featuring The O’My’s Maceo Vidal-Haymes that recalled The Rolling Stones‘ “Emotional Rescue,” but while deceptively capturing the neurotic obsessions of a lonely and anxious man, who endlessly replays his mistakes in his mind — with the realization that he’s always been at fault. “Ready To Go” is the shimmering final single off the soon-to-be released album, centered around atmospheric synths, layers of shimmering and distorted power chords, dramatic drumming and Meehan’s plaintive vocals expressing a desire to escape — whether it’s someplace tropical, in your rosy, nostalgia-tinged memories or to another planet. Being a human is often a weird and shitty experience, and if you haven’t felt the desperate desire to get off the spinning wheel of insanity, desperation and bullshit, maybe you need to talk to someone.

Casey Meehan is a Chicago area mainstay best known for his work with Chicago Mixtape, a weekly curated playlist of the best music shows happening in and around the Chicagoland area. Interestingly, his latest music project Sy Somebody can trace its origins to a conversation he had with Father John Misty‘s David Vandervelde. Vandervelde introduced Meehan to his bandmate Eli Thompson and the trio began discussing the possibility of making a record together.

As the story goes, eventually Meehan began sending demos to Vandervelde. Those demos thematically contemplating the mysterious and complexities of the human and cosmic condition — but written as though an omnipotent, mysterious person was in control, which inspired him to name the project Sy Somebody. Meehan, Vandervelde and Thompson then recruited an All-Star cast of collaborators that included Jeremy Enigk‘s and The Intelligence‘s Kaanan Tupper, Richard Swift’s The Weepies’, Everest’s and Pedro The Lion’s Frank Lenz, Bobby Bare Jr.’s Mr. Jimmy, The O’My’s, and Chance the Rapper‘s Maceo Haymes and Chance’s Social Experiment’s and Santah‘s Vivian McConnel to flesh out the material that eventually coalesced into the project’s full-length debut Life is Cruel, Let’s Be Friends, which is slated for a January 31, 2019 release.

The album’s latest single “Zookeeper” is a grunge-inspired track, centered around fuzzy power chords, a steady propulsive rhythm and Meehan’s world weary delivery rooted in the frustrations and pressures of daily adult life. And while recalling Pavement and others, it’s basically a desperate and exhausted trip to the bar to drink and forget — at least for a little while. (We’ve all been there!)

New Audio: Introducing the Sleek Dance Floor Friendly Sounds of Chicago’s DRAMA

Na’el Shehade is a Chicago-born and-based, Palestinian-American producer and DJ, who inherited an entrepreneurial drive from his late father, who immigrated from Palestine to the States in the 70s to build a better life. Shehade fell in love with DJ culture as a kid and as an adult took up music production and engineering. The Chicago-born and-based producer and DJ’s interest and passion led to a diverse and eclectic array of professional opportunities, including early studio work with Chance the Rapper and Kanye West and music projects for MTV and Bravo. 

Shehade’s collaborator Via Rosa grew up in a rather musical household: her parents played in a reggae band and toured as a family, homeschooling Rosa into her early teens. Although her music listening was limited primarily to oldies, Sade, Brazilian music and Afrobeat, a teenaged Rosa kept poetry journals — and by high school, she started writing songs and making beats. After relocating to Chicago in 2010, Via Roa connected with THEMPeople, a collective at the center of her adopted hometown’s sprawling hip-hop scene. 

Interestingly, the Chicago-based duo’s collaboration together, DRAMA can trace its origins to a chance meeting between them back in 2014. And since its formation, the duo have bootstrapped a subtle yet rapid rise on their own terms, centered around a sound that meshes Shehade’s Chicago house-infused production and Rosa’s soulful delivery, inspired by jazz, hip-hop and Bossa nova while managing to blur the lines between R&B, dance pop, heartbreak and bliss. Along with that, the duo have had a long-held history of a proud and bold DIY ethos, self-releasing several EPs and making multiple tours — on their own terms. 

DRAMA’s highly-anticipated full-length debut Dance Without Me is slated for a February 14, 2020 release through Ghostly International. Thematically, the album’s material reportedly finds the duo recasting romantic tragedy as moonlit self-acceptance while the material pairs  Rosa’s candid lyrics focused on expressionistic narratives about the intricacies of interpersonal relationships with sleek, dance floor friendly production. Instead of wallowing alone in their blues and heartache, the material features characters who sashay and strut, knowing their self-worth while being vulnerable. This album is dedicated to the people watching their friend’s love-lives grow and happen around them, and not having anyone,” Rosa says in press notes. 

“Gimme Gimme,” Dance Without Me’s second and latest single is a sleek and slickly produced club banger, centered around shimmering synth arpeggios, thumping beats, Via Rosa’s effortlessly soulful vocals, twinkling hi-hats and a euphoric hook. And while seemingly being a sultry synthesis of Between Two Selves-era Octo Octa and classic, Larry Levan-era house, the track finds its love-sick narrator wobbling between aching vulnerability and proud, self-reliance, as she searches for a sign that it’s okay to love again. 

“The idea was to have a conversation with my myself about what kind of man I’m looking for,” Rosa explains in press notes. “In the chorus I repeat the line ‘I need you to stand and deliver. Cause I need a man that’s not gonna give me any any…’ The end I purposely left blank so listeners could insert what they don’t want from their next lover. Oddly enough the song was inspired by the closing scene in the movie Grease where Sandy sings to Danny ‘You better shape up cause I need a man.’ Only in my world, I’m Sandy, my heart is Danny and I’m telling my heart to shape up and give me what I want.”