Tag: Chris Brown

Live Footage: Luke James with Nu Deco Ensemble, Samoht and Sensei Bueno Perform a Gorgeous Re-Imagining of “shine on”

Luke James (born Luke James Boyd) is a New Orleans-born singer/songwriter and actor, whose musical career started in earnest as a background vocalist for Tyrese, along with a classmate Quentin Spears. While with Tyrese, James and Spears met acclaimed production outfit The Underdogs, who worked with and mentored the duo, who performed, wrote and recorded as Luke & Q.

Through his connection with The Underdogs, the legendary Clive Davis signed James to J Records, where he wrote material for Chris Brown, Britney Spears and Justin Bieber. But by 2011, he released his debut mixtape, #Luke, which featured the critically acclaimed single “I Want You.” “I Want You” eventually earned James a Best R&B Performance Grammy nomination. He followed that up with his sophomore mixtape 2012’s Whispers in the Dark and his 2014 self-titled, full-length debut.

Since the release of his full-length debut, James released “Drip,” which was later remixed by A$AP Ferg and his critically applauded, breakthrough sophomore album, last year’s to feel love/d. The album which featured guest spots from BJ The Chicago Kid, Ro James, Big K.R.I.T., Kirk Franklin and Samoht, and production by Danja, Cobaine Ivory, Guitarboy, and Sir Dylan received a Best R&B Album Grammy nomination. The album helped James earn his third Grammy nomination while being the only independent release album in the category to land a nomination.

As an actor, James played Johnny Gill in BET’s 2017 TV biopic The New Edition Story. He has appeared in the Regina Hall and Will Packer film Little. He played Noah Brooks in FOX’s Star and he’s appeared in HBO’s smash hit series Insecure, as well as BET’s The Bobby Brown Story. Last year, he was in the third season of Showtime’s The Chi.

The multiple Grammy nominee will star in the Broadway play, Thoughts of a Colored Man, which will open at The John Golden Theatre on October 31, 2021 and run through March 2022. The limited engagement will be the first new play to open on Broadway in almost two years, as a result of pandemic-related shutdowns. The play explores a single day in Brooklyn with seven Black men discovering the extraordinary together through a blend of spoken word, slam poetry, rhythm and humor.

Adding to a busy year, James teamed up with Sam Hyken, Jacomo Bairos and their Miami-based 30 member orchestra Nu Deco Ensemble on A Live Sensation, a live re-imagining of his Grammy nominated sophomore album to feel love/d.

Slated for release on Friday, A Live Sensation was recorded at the Adrienne Arsht Center for the Performing Arts of Miami-Dade County and was originally broadcast exclusively on BET as a benefit concert for the NAACP’s Backing the B.A.R. Initiative, with donations and funds going towards Black-owned bars and restaurants hurt as a result of pandemic-related shutdowns.

A Live Sensation will feature nine tracks from the live performance, which sees James blend his soulful vocals with Nu Deco Ensemble’s orchestral sound. The album features guest spots from Sensei Bueno and Samoht.

“‘A Live Sensation’ is a raw orchestral expression inspired by the verb: love. It is a live recorded offering to the world, taken from a film inspired by love,” Luke James says of the new album. Nu Deco Ensemble co-founder and conductor, and collaborator Jacomo Bairos adds “It feels cosmically aligned to once again collaborate with our friend – the sensational and truly creative Luke James. We all recognized his unbelievable talent as well his generous and collaborative spirit when we first met years ago, so to have him return to collaborate on a project that highlights his unique vision through his GRAMMY nominated album on such a dynamic and creative project simply means the world to us. We are blessed to share this moment together, bringing more beautiful and meaningful music experiences to such a wide audience.” 

A Live Sensation‘s latest single is a re-imagining of to fee love/d‘s “shine on,” that pairs James’, Samoht’s and Sensei Bueno’s soulful and achingly vulnerable vocals with a breathtakingly gorgeous arrangement of soaring strings, shimmering guitar and twinkling Rhodes. The end result is a song that sounds enormous yet deeply intimate, while yearning heavenward with a rare, but profound sincerity.

Live Footage: H.E.R. Performs “Slide” for Vevo

Born Gabriella Wilson, the Grammy Award-winning singer/songwriter and guitarist, best known as H.E.R. (an acronym for Having Everything Revealed). Wilson first gained attention when she participated in Radio Disney’s Next Big Thing contest in 2009. By 2014, she had signed with RCA Records and released her debut single “Something to Prove” under her birth name. 

Back in 2016, Wilson re-emerged with her current solo project, H.E.R., releasing her debut EP H.E.R. Volume 1, a seven song collection of slow-burning, post-breakup material, which managed to sound both vulnerable and self-assured. RCA Records initially released the effort that September to limited promotion — but the album effort eventually landed at #28 on Billboard’s R&B/hip-hop charts thanks in part to social media co-signs from Alicia Keys and Bryson Tiller, as well as an attention grabbing cover of Drake’s “Jungle.” Wilson followed-up with 2017’s  similarly styled H.E.R. Volume 2, which debuted at #22 on Billboard’s R&B/hip-hop charts. 

Continuing the rapidly growing buzz surrounding her, the EPs were soon combined and released as H.E.R. with six additional tracks, including “Best Part,” a #32 R&B/hip-hop hit, previously heard on Daniel Caesar’s Freudian. 

Last year H.E.R. teamed up with pop superstar Khalid for “This Way,” which appeared on the Superfly Soundtrack. That August, Wilson released her third EP, I Used to Know Her: The Prelude, which landed at the top of R&B/hip-hop charts, thanks to the success of “Could’ve Been,” a duet with Bryson Tiller. By the end of the year, Wilson received five Grammy nominations — Album of the year and Best R&B album for H.E.R., Best R&B Performance for “Best Part,” Best R&B Song for “Focus,” and Best New Artist, winning Grammies for Best R&B Album and Performance. 

Since the Grammy Awards, she has collaborated with a diverse and eclectic array of artists including Chris Brown on “Come Together,” Jess Glynne on “Thursday,” Ed Sheehan on “I Don’t Want Your Money” and YBN Cordae on “Racks,” “21” and “Slide.” Some of that material was released on the compilation album I Used to Know Her while others were released as stand-alone singles or the albums of her collaborators. She’s also been nominated for five more Grammy Awards at the forthcoming 62nd Annual Grammy Awards, including Best Album and and Record with I Used to Know Her and Song of the Year for “Hard Place.”  

Recently Vevo invited the Grammy Award singer/songwriter and guitarist for a live session that included the two-step inducing “Slide” Featuring a shimmering and strutting neo-soul/classic soul arrangement and an infectious hook, the song is a perfect vehicle for Wilson’s sultry and self-assured vocals and some ambitious yet accessible songwriting. 

New Audio: Acclaimed Duo Silk City Team Up with Dua Lipa on a Sultry Classic Chicago House-Inspired Banger

Born Thomas Wesley Pentz, Diplo is a prolific and acclaimed Los Angeles-based producer, DJ and electronic music artist. As a solo artist, he’s managed to see a fair degree of commercial success with 2013’s Revolution EP, which debuted at #68 on the US Billboard 200 — and the EP’s title track was later featured in a Hyundai ad campaign and on the WWE 2K16 soundtrack. Diplo is also known as the co-founder and lead member of the electronic dancehall project Major Lazer, and one-half of electronic music production and artist duo Jack U with Skrillex. And as a producer, the Los Angeles-based producer, DJ and electronic music artist has collaborated with M.I.A., Gwen Stefani, Die Antwoord, Britney Spears, Madonna, Shakira, Beyonce, No Doubt, Justin Bieber, Usher, Snoop Dogg, Trippie Redd, Chris Brown, CL, and G-Dragon. 

Mark Ronson is a London-born and-based multi-instrumentalist, DJ, singer/songwriter and producer and although his debut effort, 2003’s Here Comes the Fuzz failed to make the charts, his sophomore effort, 2007’s Version landed at number 2 on the UK charts, thanks to the fact that the album had three Top 10 singles — and as a result, he won a Brit Award for Best British Male Solo Artist. Building upon a growing profile, 2010’s Record Collection peaked at #2 on the UK Charts.

Ronson also won Grammy Awards for Producer of the Year, Non Classical, Best Pop Album and Record of the Year for his work on Amy Winehouse’s “Rehab” and Back to Black. He also produced “Cold Shoulder,” off Adele’s critically applauded and commercially successful debut 19. And unless you’ve been living in a remote Tibetan monastery in the Himalayas, Ronson’s first UK and US #1 single was his collaboration with Bruno Mars “Uptown Funk,” and as a result of the single’s massive commercial success, Ronson won the Brit Award for British Single of the Year, as well as Grammy Awards for Record of the Year and Best Pop Duo/Group Performance. The London-born and-based producer, DJ, multi-instrumetanlist and singer/songwriter’s fourth full-length album Uptown Special was his first #1 album in the UK and peaked at #5.

Ronson’s and Diplo’s collaboration together Silk City can trace its origins to the duo’s long-time friendship, a friendship that dates back to the early 2000s. Their debut single “Only Can Get Better,” featuring Daniel Merriweather was released earlier this year, ahead of their Governor’s Ball set, and they’ve already made several other appearances across the international festival circuit with sets at Bestival and Treasure Island Music Festival among others.  The duo’s second single “Feel About You,” a collaboration with Mapei was a slickly produced and soulful track with arpeggiated synths that subtly nods at Robin S’s “Show Me Love” — but with a clean, hyper modern sheen. The acclaimed duo’s latest single “Electricity” find them collaborating with multi-Brit Award-winning Albanian-British singer/songwriter and model Dua Lipa, and The xx’s Romy Madley-Croft and Diana Gordon, who co-wrote and contributed lyrics and melodies, and much like it’s predecessors, “Electricity” is a slickly produced, anthemic banger. However, the piano-led, hook-driven track draws from classic Chicago house, complete with an irresistible sensual ecstasy at its core.

Directed by production duo Bradley and Pablo, the recently released video for “Electricity” is set during the Blackout of 2003 and stars Dua Lipa, who hosts a loft party that contains so much sexual energy that it keeps the lights on in the apartment. Of course, two of the guests — guess who, y’all? — wind up being stuck in an elevator and completely missing the party. 
 

 

If you’ve been frequenting this site over the past year, you may have stumbled across a post on recent JOVM mainstay, Copenhagen-born, London-based vocalist and electro pop artist Marie Dahlstrøm— and in fact, you might recall that I’ve recently written about her collaborative project with Canadian producer Mwahs — Hans Island. However, Dahlstrom, a three-time Scandinavian Soul Award winner has developed a reputation as an up-and-coming solo artist, who has received attention across both Scandinavia and the European Union for her silky smooth, effortlessly soulful vocals with covers of Phil Collins, Chris Brown and Rihanna, as well as her debut EP, Feelings. 

2016 looks to be a big year for the Danish-born, London-based artist as the follow-up to Feelings is slated to be released later this year. Now you might recall that early last year I wrote about  the EP’s first single “Look the Other Way.” Produced by DK The Punisher, who’s best known for his work with Justin Beiber on Beibers’s “All That Matters, the track had Dahlstrøm teaming up with Brighton, UK-based vocalist Sophie Faith in a song that thematically nodded at Brandy and Monica’s 1998 duet/battle “The Boy Is Mine” as the single has Dahlstrøm and Faith alternating vocal responsibilities on each verse and teaming up on the chorus, as the song’s dueling narrators openly question the state of their romantic relationships with the love interest at the center of the song. Sonically speaking, the song paired Faith’s equally effortless soulful vocals and Dahlstrøm’s cooing with icily cascading and twinkling synths and hip-hop influenced beats.

Produced by Joe Garrett, who has worked on Zayn Malik‘s “Pillowtalk,” the EP’s second single and latest single “Crashing Down” is a gauzy, Quiet Storm-inspired yet contemporary track that paris Dahlstrøm’s silky smooth vocals with swirling electronics, Mary J. Blige What’s the 411? inspired hip-hop soul beats and stuttering percussion. As Dahlstrøm explained in press notes the song “is about the feeling of always searching, instead of being present in the moment. It’s about giving in and realizing that you’re exactly where you need to be.” Truer words have yet to be spoken this year at least, and the fact that the Copenhagen-born, London-based artist’s material is presumably based around lived-in experience sets her apart from countless soulless and prepackaged contemporary pop artists.

 

 

After the release of covers of the work of Phil Collins, Chris Brown, and Rihanna and her Feelings EP, Danish-born, London-based singer/songwriter Marie Dahlstrøm received international attention across most of the European Union, and is arguably […]

A Q&A with Adele Nichols, a.k.a. Axons

Chicago-based songwriter and producer Adele Nichols started her latest project Axons, after a moment of profound and frightening loss – the sort of loss that would be initially difficult to comprehend for those who take their […]