Tag: Coalmine Records

New Video: JOVM Mainstay Koncept Releases a Hazy Visual for Upbeat Banger “Watch The Sky Fall 2”

Over the past few years I’ve written quite a bit about the acclaimed, Queens-born emcee and JOVM mainstay Koncept. Born Keith Michael Whitehead, the JOVM artist has led a rather remarkable life: working at Fat Beats Records, he co-founded The Brown Bag AllStars with his coworkers Soul Khan, Cold Codeine, J57 and The Audible Doctor in 2007. The collective’s 2009 debut mixtape The Brown Tape was released through Coalmine Records while the members of the act were working at Fat Beats — and they followed that up with an attention-grabbing appearance at that year’s Brooklyn Hip Hop Festival.

Building on a growing profile, the members of The Brown Bag All Stars released two EPs in 2010 — The Traveller and The Down Under Remixes. Whitehead’s full-length debut Awaken, which was also released that year, featured guest spots from Soul Khan, JOVM mainstay Homeboy Sandman, Royce da 5’9″ and Sene with production from J57 and Marco Polo — and the album established the Queens-born emcee as a solo artist in his own right. As a result of the attention he received from his debut, Koncept received an endorsement by Red Bull that helped financed his 2015 critically acclaimed J57-produced The Fuel EP.

After the release of The Fuel, Koncept went to Seoul, South Korea for a two-week tour sponsored by Miller Genuine Draft and Jameson. Those tour dates developed into more shows and bookings — and eventually a partnership with Sony Music Asia, who released his sophomore effort 14 Hours Ahead, an effort that was thematically centered around envisioning your future and dreams, growing and believing in yourself every step of the way — and then manifesting those dreams into reality. Since then, Koncept has also developed a reputation for being a go-to collaborator, who has worked with Rick Ross, Travis Scott, Ty Dolla $ign, Macklemore, Wiz Khalifa, The Roots, Joey Bada$$, Green Day, A$AP Mob, Ghostface Killah and Joell Ortiz.

Released last summer, the Queens-based latest effort Champagne Konny comes after spending two years on the road — with the bulk of it in Asia, including a sold-out tour with Scoop Deville. While on the road, the Queens-based JOVM mainstay discovered a new perceptive on his life and career, which has influenced the emcee and his work. “Watch The Sky Fall 2” is a bold remix of Awaken’s lead single “Watch The Sky Fall,” which retains Royce da 5’9″‘s guest verse while being inspired by where it all started — with a newfound zest and desire for life. Featuring a new verse from Koncept, Royce da 5’9″‘s imitable flow paired with a Wrist.the.Greatest and Keitel Jr. co-production centered around shimmering and squiggling synths and tweeter and woofer rocking boom bap beats. And while sonically bringing Too Short to mind, the song has an upbeat and almost defiantly positive message: when your life seems to be falling apart, and you’re feeling broken, scared ad as though you’re about to go down for the count, you have to hold on and try to push forward. 

Filmed and edited by Juliette Carton, the recently released video for “Watch The Sky Fall 2” is a hazy yet intimate visual that quickly cuts from scenes of Koncept in what appears to be a shower and a pensive Koncept holding an umbrella in the forest — as though the umbrella would protect him from a universe in which the sky seems to be against him. 

New Audio: Monophonics Release a Swooning and Shimmering Ballad

Since their formation, the Bay Area-based soul outfit Monophonics — Austin Bohlman (drums), Ian McDonald (guitar, backing vocals), Ryan Scott (trumpet, backing vocals, percussion), Max Ramey (bass) and Kelly Finnigan (lead vocals, keys) –have developed an approach that continues in the classic and beloved tradition of Stax Records, Muscle Shoals, Daptone Records and Dunham Records: much like their influences, the Bay Area soul outfit’s material is centered by an incredibly cinematic sound that draws heavily from classic soul, heavy funk, psych rock  recorded on vintage analog recording gear. This is paired with a healthy amount of old-fashion woodshedding, crafting and McDonald’s and Finnigan’s late night overdubs and studio work. “We’re from the same school as the producers from the studios we love. We use the tools that we have to make the best records we can,” the band says in press notes. 

Monophonics’ third full-length album It’s Only Us is slated for a March 13, 2020 release though Colemine Records. While the album will further cement their long-held reputation for being an act that’s keen to creating and playing a heavier and edgier version of classic soul, and for arguably being one of the Bay Area’s best classic soul-inspired acts, the album reportedly is a reflection of what the band sees as the current, troubling direction of our world. Thematically, the album touches upon much-needed messages of unity in a fractious and divisive world, strength, resilience and acceptance. Also, sonically, It’s Only Us reportedly finds the rising soul act gently refining their signature sound with a healthy dose of new and warmer textures. 

Last year, I wrote about “Chances,” It’s Only Us’ lush and uptempo bit of two-step inducing soul that sounds like a crate digger’s dream of stumbling across some obscure and dusty Northern soul or classic American soul from the mid 60s. But at its core, the song warned empathetic lovers to think twice about giving that straying lover another chance, making the song an aching and age-old tale of the difficulties of saying goodbye to a no-good lover — even when it’s absolutely necessary.  It’s Only Us’ second and latest single, album title track “It’s Only Us” is a lush and swooning track, centered around an achingly gorgeous brass line, shimmering keys and guitars, a sinuous bass line and Finnigan’s soulful and vulnerable crooning — and while being both subtly psychedelic and cinematic in a way that recalls Curtis Mayfield, Issac Hayes and others, the song, as the band’s Kelly Finnigan explains “is about the first time you tell someone you love them. It’s that moment in life so many of us have had where we make ourselves our most vulnerable. While on the outside, it has the qualities of a traditional love song, underneath it is an anthem for humanity. Right now, we are witnessing a time where so many people feel polarized and there is a divisive mood in the country. inside the story is a message of unity, trust and acceptance that goes beyond falling in love.” 

New Audio: Koncept Teams up with Royce da 5’9″ and Wrist.the.Greatest on an Uplifting Banger

Born Keith Michael Whitehead, Koncept is an acclaimed Queens-born emcee, who has led a remarkable life: while working at Fat Beats Records, he co-founded The Brown Bag AllStars with co-founders Soul Khan, Cold Codeine, J57 and The Audible Doctor in 2007. The collective’s 2009 debut mixtape The Brown Tape was released through Coalmine Records while the members of the act were working at Fat Beats — and they followed that up with an attention-grabbing appearance at that year’s Brooklyn Hip Hop Festival.

Building on a growing profile, the members of The Brown Bag All Stars released two EPs in 2010 — The Traveller and The Down Under Remixes. Adding to a busy year, Koncept released his debut EP Playing Life. 2011 saw the release of the first of their annual end-of-year A Year In Review compilations and Brown Bag Season Vol. 1, which featured guest spots from DJ Brace and Marco Polo. While the collective was beginning to receive a larger profile, Koncept’s 2012 full-length debut Awaken, which featured guest appearances from Soul Khan, JOVM mainstay Homeboy Sandman, Royce da 5’9″ and Sene with production from J57 and Marco Polo established the Queens-born emcee as a solo artist in his own right; in fact, as a result of the attention from his debut, Koncept received an endorsement by Red Bull that financed his 2015 critically acclaimed J57-produced The Fuel EP.

After the release of The Fuel, Koncept went to Seoul, South Korea for a two-week tour sponsored by Miller Genuine Draft and Jameson — and those performances developing into more shows and bookings, and eventually a partnership with Sony Music Asia, who released his sophomore effort 14 Hours Ahead, an effort that thematically centered around envisioning your future and dreams, growing and believing in yourself every step of the way, and manifesting them into reality. So far, adding to a growing profile, the Queens-born emcee has also collaborated with the likes of Rick Ross, Travis Scott, Ty Dolla $ign, Macklemore, Wiz Khalifa, The Roots, Joey Bada$$, Green Day, A$AP Mob, Ghostface Killah and Joell Ortiz.

Earlier this year, the Queens-born JOVM mainstay released a one-off Ray Hill produced single “Countdown,” which found him effortlessly changing his flow and cadences several times throughout an eerie production consisting of chiming synths and stuttering, boom bap beats. And while employing some mischievous wordplay and rhyme scenes, the song finds the emcee and his narrator being both reflective and introspective, as he recalls his missteps, those who counted him out and his desire to keep moving towards the bigger and better things he’s just beginning to see at the end of the proverbial tunnel. The song serves as a reminder that achieving your dreams requires you to sacrifice, bust your ass and believe in yourself even when things aren’t going as well as you’d hoped. And perhaps more important, there’s no such thing as overnight success.

Slated for release later this summer, the Queens-based emcee’s forthcoming Champagne Konny comes after spending two years on the road — with the bulk of it in Asia, including a sold-out tour with Scoop Deville. And while on the road, Koncept discovered a new perspective on his life and his career, which have deeply influenced his work. Interestingly, “Watch the Sky Fall,” which featured Royce da 5’9″ was the lead single off Koncept’s debut album Awaken and it’s remix, “Watch The Sky Fall 2” is a bold remix, inspired by tapping into where it all started — but with a zest and desire for a new life; in fact, the track features a new verse from Koncept, Royce da 5’9″‘s imitable flow paired with a thumping, tweeter and woofer rocking production by Wrist.the.Greatest and Keitel, Jr. reminiscent of Too Short. Throughout, the song features a defiantly positive message: when your life seems to be falling apart, and you’re feeling broken and about to go down for the count, hold on, get up and push forward. 

New Audio: Acclaimed Emcee Koncept Releases a Reflective Banger

Born Keith Michael Whitehead, Koncept is an acclaimed Queens-born emcee, who has led a remarkable life: while working at Fat Beats Records, he co-founded The Brown Bag AllStars with co-founders Soul Khan, Cold Codeine, J57 and The Audible Doctor in 2007. The collective have some rather humble origins — initially, Koncept, Soul Khan and Cold Codeine were writing verses and freestyling over beats made by J57 and The Audible Doctor at Jesse Shatkin’s studio. The collective’s 2009 debut mixtape The Brown Tape was released through Coalmine Records while the members of the act were working at Fat Beats — and they followed that up with an attention-grabbing appearance at that year’s Brooklyn Hip Hop Festival. 

Building on a growing profile, the members of The Brown Bag All Stars released two EPs in 2010 — The Traveller and The Down Under Remixes. Adding to a busy year, Koncept released his debut EP Playing Life. 2011 saw the release of the first of their annual end-of-year A Year In Review compilations and Brown Bag Season Vol. 1, which featured guest spots from DJ Brace and Marco Polo. While the collective was beginning to receive a larger profile, Koncept’s 2012 full-length debut Awaken, which featured guest appearances from Soul Khan, JOVM mainstay Homeboy Sandman, Royce da 5’9″ and Sene with production from J57 and Marco Polo established the Queens-born emcee as a solo artist in his own right; in fact, as a result of the attention from his debut, Koncept received an endorsement by Red Bull that financed his 2015 critically acclaimed J57-produced The Fuel EP. After the release of The Fuel, Koncept went to Seoul, South Korea for a two-week tour sponsored by Miller Genuine Draft and Jameson — and those performances developing into more shows and bookings, and eventually a partnership with Sony Music Asia, who released his sophomore effort 14 Hours Ahead, an effort that thematically centered around envisioning your future and dreams, growing and believing in yourself every step of the way, and manifesting them into reality. So far, adding to a growing profile, the Queens-born emcee has also collaborated with the likes of Rick Ross, Travis Scott, Ty Dolla $ign, Macklemore, Wiz Khalifa, The Roots, Joey Bada$$, Green Day, A$AP Mob, Ghostface Killah and Joell Ortiz. 

Koncept’s third full-length album is slated for release next summer but in the meantime, he has released a one-off single, the Ray Hill-produced “Countdown.” Centered around an eerie production consisting of chiming synths and stuttering and boom bap beats, the track finds the Queens-born emcee, effortlessly changing his flow and cadences multiple times throughout while employing some mischievous wordplay and rhyme schemes; but the song finds him being both reflective and introspective, and while recalling many of his missteps and those who counted him out, he expresses a desire to keep moving forward towards the bigger and better things he’s just beginning to see right now. The song serves as a reminder that achieving your dreams requires you to sacrifice, bust your ass and believe in yourself even when things aren’t going as well as you’d hoped. And perhaps more important, there’s no such thing as overnight success. 

Several years in the making, the highly-anticipated and long-awaited collaborative album from the late and beloved Brooklyn-based emcee Sean Price and acclaimed Philadelphia-based producer Small Professor86 Witness is slated for a February 8, 2019 release through Coalmine Records and Duck Down Records. The album’s latest single “John Gotti” is centered by a moody and noir-ish  RZA-like production featuring tweeter and woofer rocking boom bap beats, twinkling and arpeggiated keys that’s roomy enough for an All-Star squad of ringers that includes AG Da Coroner, JOVM mainstay Guilty Simpson and Your Old Droog and Sean Price to spit rhymes full of wildly inventive wordplay, complex rhyme schemes, amazing pop cultural references that include 80s movies, old-school cartoons, childhood games — and murderous intent. Simply put — this is some pure street shit without silly shtick or gimmicks.

 

DJ Devastate was a Helsingborg, Sweden-born producer, turntablist, and DJ, who collaborated with an impressive array of artists including El Da Sensei, Max I Million, DJ Create, Wildchild and MED, Chuck D and others with material being released Stateside on Coalmine Records and in his native Sweden through Counterweight Records. Earlier this year, the up-and-coming Swedish-born DJ, turntablist, and producer suddenly and tragically died at the age of 35.

Celebrating his life and his work, Coalmine Records and Counterweight Records teamed up to release a two LP compilation of some of each label’s favorite tracks In Recollection: A Dual Label Anthology. The Counterweight Records side has eight tracks including the Create & Devastate produced “I Rap Black” by Chuck D., Bishop Lamont and Mykill Miers; the Devastate-produced “Riddim Up On Em” and Baby Blak’s “Moves 2 Make;” and his remix of Chapee and Max I Million’s “Feel It.” The Coalmine side has five tracks, including the Devastate-produced “Show Stoppa” by El Da Sensei; the Max I Million remix of C.L. Smooth and Skyzoo’s “Perfect Timing,” which features Devastate’s turntablism; J57′s remix of “Show Stoppa;” Create & Devastate’s “Most Confident;” and the compilation’s latest single, the fifth on the Coalmine side, the posthumously released “Crime After Crime,” which features Illa Ghee spitting gritty and menacing bars over a Devastate beat centered around chopped up Biggie samples of “Suicidal Thoughts” and “Sky’s the Limit” bolstered by thumping 808s and Devastate’s scratching.

Sometimes compilations are typically sad affairs — especially in light of the tragic, too soon death of an up-and-coming artist, this particular track and the compilation is a reminder of the Swedish DJ, turnbalist and producer’s immense talent and what the hip-hop world will sorely miss.