Tag: Creatives Rebuild New York

Announcements: Shoutouts to Patreon Patrons, Creatives Rebuild New York and Asian Arts Initiative

Last year, I announced that JOVM had to go on a forced, indefinite hiatus. But for a significant portion of the year, before the hiatus, I could barely financially manage to keep the site going. At one point, over a decade of music, arts and culture coverage were lost in the ether — for a little while. 

So, as you can imagine, I had to figure out what I could do and what was next for JOVM. But thankfully, through some luck and the support of a friend, who will remain anonymous upon request, for their generosity and support, JOVM’s return would have been impossible. Thank you!

There are also a list of other folks that I must thank for their support. 

The Patreon Patrons, who have supported me through over the course of the past few years:

Sash

Alice Northover

Bella Fox

Jenny MacRostie

Janene Otten 

Also I have to thank the following for their donations: 

Melanie Rodriguez 

Kitty 

I must thank my pal and colleague Adam Bernard for chatting with me about JOVM and the site’s hiatus. You can check out the interview, in which I talk about how important it is to support independent journalists here: https://adambernard.blogspot.com/2025/09/saving-one-mans-movement-convo-with.html

I have to thank the helpful, hardworking and dedicated folks at Creatives Rebuild New York. I’m proud, gratified and humbled to have been included in their 18-month Guaranteed Income for Artists program. Understandably, being included was also deeply vindicating. Someone out there thought my work — this very work! — was worth supporting financially. Obviously, the funds from it have managed to keep this labor of love going during one of the most uncertain periods in recent human history, while lessening some of the normal financial pressures of being an American artist, creator and journalist. 

I also found out about Asian Arts Initiative’s Sound Type Workshop through Creatives Rebuild New York. So, I just can’t thank those folks enough. And I’ll forever be in their debt. 

I must thank the folks at the Asian Arts Initiative in Philadelphia for selecting me for the Sound Type Music Writer Workshop. Being a part of the inaugural cohort was an honor. 

I also have to thank my man John Morrison, Philly’s preeminent music journalist for the support and encouragement. 

Now, I must remind y’all, that The Joy of Violent Movement is a completely independent and completely D.I.Y. media outlet. Over the course of this site’s 15+ year history, I’ve used my fiercely independent stance to cover music with an eclectic and global perspective that a lot of other publications just don’t have — and will likely never have. 

To that end, I could use your support to continue to keep bringing you my unique global perspective on music. There are a number of ways that you can support this work. 

I’ve been told that some people would prefer to make a one-time donation because it’s easy and less of an obligation. So, if you’re able to make a one-time donation, there’s a donation box below. 

Make a one-time donation

Choose an amount

$5.00
$15.00
$100.00

Or enter a custom amount

$

Your contribution is appreciated.

Donate

If you’re willing and able to support more regularly, please feel free to check out my Patreonhttps://www.patreon.com/TheJoyofViolentMovement

Anything you can give is very much appreciated. It can and does make a real difference, y’all. 

I know that a lot of folks are struggling to make ends meet in an uncertain and tumultuous economic climate. So there are other, non-financial ways in which you can support this work. 

You can follow me on the following social platforms:

X/Twitter: @yankee32879 and @joyofviolent 

Instagram: @william_ruben_helms

Threads: @william_ruben_helms

Bluesky: @williamrubenhelms.bsky.social

Facebook: https://www.facebook.com/TheJoyofViolentMovement

As always, if there are posts that you dig, share them with your friends. The more eyeballs on my work, the better.

Announcements: Shoutouts to Patreon Patrons, Creatives RebuIld New York, Asian Arts Initiative and More

Last year, I announced that JOVM had to go on a forced, indefinite hiatus. But for a significant portion of the year, before the hiatus, I could barely financially manage to keep the site going. At one point, over a decade of music, arts and culture coverage were lost in the ether — for a little while.

So, as you can imagine, I had to figure out what I could do and what was next for JOVM. But thankfully, through some luck and the support of a friend, who will remain anonymous upon request, for their generosity and support, JOVM’s return would have been impossible. Thank you!

There are also a list of other folks that I must thank for their support.

The Patreon Patrons, who have supported me through over the course of the past few years:

Sash

Alice Northover

Bella Fox

Jenny MacRostie

Janene Otten 

Also I have to thank the following for their donations:

Melanie Rodriguez

Kitty

I must thank my pal and colleague Adam Bernard for chatting with me about JOVM and the site’s hiatus. You can check out the interview, in which I talk about how important it is to support independent journalists here: https://adambernard.blogspot.com/2025/09/saving-one-mans-movement-convo-with.html

I have to thank the helpful, hardworking and dedicated folks at Creatives Rebuild New York. I’m proud, gratified and humbled to have been included in their 18-month Guaranteed Income for Artists program. Understandably, being included was also deeply vindicating. Someone out there thought my work — this very work! — was worth supporting financially. Obviously, the funds from it have managed to keep this labor of love going during one of the most uncertain periods in recent human history, while lessening some of the normal financial pressures of being an American artist, creator and journalist. 

I also found out about Asian Arts Initiative’s Sound Type Workshop through Creatives Rebuild New York. So, I just can’t thank those folks enough. And I’ll forever be in their debt. 

I must thank the folks at the Asian Arts Initiative in Philadelphia for selecting me for the Sound Type Music Writer Workshop. Being a part of the inaugural cohort was an honor. 

I also have to thank my man John Morrison, Philly’s preeminent music journalist for the support and encouragement. 

Now, I must remind y’all, that The Joy of Violent Movement is a completely independent and completely D.I.Y. media outlet. Over the course of this site’s 15+ year history, I’ve used my fiercely independent stance to cover music with an eclectic and global perspective that a lot of other publications just don’t have — and will likely never have. 

To that end, I could use your support to continue to keep bringing you my unique global perspective on music. There are a number of ways that you can support this work. 

I’ve been told that some people would prefer to make a one-time donation because it’s easy and less of an obligation. So, if you’re able to make a one-time donation, there’s a donation box below. 

Make a one-time donation

Choose an amount

$5.00
$15.00
$100.00

Or enter a custom amount

$

Your contribution is appreciated.

Donate

If you’re willing and able to support more regularly, please feel free to check out my Patreonhttps://www.patreon.com/TheJoyofViolentMovement

Anything you can give is very much appreciated. It can and does make a real difference, y’all. 

I know that a lot of folks are struggling to make ends meet in an uncertain and tumultuous economic climate. So there are other, non-financial ways in which you can support this work. 

You can follow me on the following social platforms:

X/Twitter: @yankee32879 and @joyofviolent 

Instagram: @william_ruben_helms

Threads: @william_ruben_helms

Bluesky: @williamrubenhelms.bsky.social

Facebook: https://www.facebook.com/TheJoyofViolentMovement

As always, if there are posts that you dig, share them with your friends. The more eyeballs on my work, the better.

News/Announcements: Shoutouts to Patreon Patrons, Creatives Rebuild New York and Asian Art Initiative

Earlier this year, I announced that JOVM had to go on a forced, indefinite hiatus. For a significant portion of this year, I just couldn’t financially manage all the various subscription fees to keep this site going. 

In the two months prior to the hiatus, my business plan was pulled and the site was broken and essentially disappeared. Over a decade worth of music, arts and culture coverage were lost in the ether — seemingly forever or until I could figure out subscription fees. It also meant that whatever money I was making through ad revenue, disappeared, too. 

So, it meant taking some time to figure out what I could do and what was next. With all the unexpected free time I had without JOVM-related work, I admittedly went through a bunch of different emotions. For the first handful of days, I felt extremely depressed. Getting out of bed, showering and putting on clothes was difficult.

By the third or fourth day, I realized that I needed to do something different or I’d fall into a very deep hole. I wound up going on several long walks with my Canon R6 Mark II in hand. It kept me busy. Hell, it kept my mind busy on something else. And initially at least, it didn’t matter if the photos would be shared anywhere or not. But I did wind up sharing them on Instagram — because that’s what you do, right?

Now, remember JOVM has been a daily part of my life for over 15 years. And it’s been a daily part of some of your lives for much of that period, too. Being able to return to this work — for me and for you, dear reader — has been a great joy. 

As always, there are some folks that I need to thank. 

First, the Patreon Patrons, who have supported me through over the course of the past few years:

Sash

Alice Northover

Bella Fox

Jenny MacRostie

Janene Otten 

I must thank my pal and colleague Adam Bernard for chatting with me about JOVM and the site’s hiatus last month. You can check out the interview, in which I talk about how important it is to support independent journalists here: https://adambernard.blogspot.com/2025/09/saving-one-mans-movement-convo-with.html

I have to thank the helpful, hardworking and dedicated folks at Creatives Rebuild New York. I’m proud, gratified and humbled to have been included in their 18-month Guaranteed Income for Artists program. Understandably, being included was also deeply vindicating. Someone out there thought my work — this very work! — was worth supporting financially. Obviously, the funds from it have managed to keep this labor of love going during one of the most uncertain periods in recent human history, while lessening some of the normal financial pressures of being an American artist, creator and journalist. 

I also found out about Asian Arts Initiative’s Sound Type Workshop through Creatives Rebuild New York. So, I just can’t thank those folks enough. And I’ll forever be in their debt. 

I must thank the folks at the Asian Arts Initiative in Philadelphia for selecting me for the Sound Type Music Writer Workshop. Being a part of the inaugural cohort was an honor. 

I also have to thank my man John Morrison, Philly’s preeminent music journalist for the support and encouragement. 

Last but not least, I have to thank a friend, who will remain anonymous upon their request for their generosity and support. JOVM’s return would be impossible without you and I can’t thank you enough. 

Now, I must remind y’all, that The Joy of Violent Movement is a completely independent and completely D.I.Y. media outlet. Over the course of this site’s 15+ year history, I’ve used my fiercely independent stance to cover music with an eclectic and global perspective that a lot of other publications just don’t have — and will likely never have. 

To that end, I could use your support to continue to keep bringing you my unique global perspective on music. There are a number of ways that you can support this work. 

I’ve been told that some people would prefer to make a one-time donation because it’s easy and less of an obligation. So, if you’re able to make a one-time donation, there’s a donation box below. 

Make a one-time donation

Choose an amount

$5.00
$15.00
$100.00

Or enter a custom amount

$

Your contribution is appreciated.

Donate

If you’re willing and able to support more regularly, please feel free to check out my Patreonhttps://www.patreon.com/TheJoyofViolentMovement

Anything you can give is very much appreciated. It can and does make a real difference, y’all. 

I know that a lot of folks are struggling to make ends meet in an uncertain and tumultuous economic climate. So there are other, non-financial ways in which you can support this work. 

You can follow me on the following social platforms:

X/Twitter: @yankee32879 and @joyofviolent 

Instagram: @william_ruben_helms

Threads: @william_ruben_helms

Bluesky: @williamrubenhelms.bsky.social

Facebook: https://www.facebook.com/TheJoyofViolentMovement

As always, if there are posts that you dig, share them with your friends. The more eyeballs on my work, the better.

News/Announcements: Shoutouts to Patreon Patrons, Creatives Rebuild New York and Asian Arts Initiative

Earlier this year, I announced that JOVM had to go on a forced, indefinite hiatus. For a significant portion of this year, I just couldn’t financially manage all the various subscription fees to keep this site going as I had been — and as I would prefer. 

In the two months prior to the hiatus, my business plan was pulled and the site was broken and essentially disappeared. Over a decade worth of music, arts and culture coverage were lost in the ether — seemingly forever or until I could figure out subscription fees. It also meant that whatever money I was making through ad revenue, disappeared, too.

So, it meant taking some time to figure out what I could do and what was next. With all the unexpected free time I had without JOVM-related work, I admittedly went through a bunch of different emotions. For the first handful of days, I felt extremely depressed. Getting out of bed, showering and putting on clothes was difficult.

By the third or fourth day, I realized that I needed to do something different or I’d fall into a very deep hole. I wound up going on several long walks with my Canon R6 Mark II in hand. It kept me busy. Hell, it kept my mind busy on something else. And initially at least, it didn’t matter if the photos would be shared anywhere or not. But I did wind up sharing them on Instagram — because that’s what you do, right?

Now, remember JOVM has been a daily part of my life for over 15 years. And it’s been a daily part of some of your lives for much of that period, too. Being able to return to this work — for you, dear reader — has been a great joy. 

As always, there are some folks that I need to thank. 

First, the Patreon Patrons, who have supported me through over the course of the past few years:

Sash

Alice Northover

Bella Fox

Jenny MacRostie

Janene Otten 

I must thank my pal and colleague Adam Bernard for chatting with me about JOVM and the site’s hiatus last month. You can check out the interview, in which I talk about how important it is to support independent journalists here: https://adambernard.blogspot.com/2025/09/saving-one-mans-movement-convo-with.html

I have to thank the helpful, hardworking and dedicated folks at Creatives Rebuild New York. I’m proud, gratified and humbled to have been included in their 18-month Guaranteed Income for Artists program. Understandably, being included was also deeply vindicating. Someone out there thought my work — this very work! — was worth supporting financially. Obviously, the funds from it have managed to keep this labor of love going during one of the most uncertain periods in recent human history, while lessening some of the normal financial pressures of being an American artist, creator and journalist. 

I also found out about Asian Arts Initiative’s Sound Type Workshop through Creatives Rebuild New York. So, I just can’t thank those folks enough. And I’ll forever be in their debt. 

I must thank the folks at the Asian Arts Initiative in Philadelphia for selecting me for the Sound Type Music Writer Workshop. Being a part of the inaugural cohort was an honor. 

I also have to thank my man John Morrison, Philly’s preeminent music journalist for the support and encouragement. 

Last but not least, I have to thank a friend, who will remain anonymous upon their request for their generosity and support. 

Now, I must remind y’all, that The Joy of Violent Movement is a completely independent and completely D.I.Y. media outlet. Over the course of this site’s 15+ year history, I’ve used my fiercely independent stance to cover music with an eclectic and global perspective that a lot of other publications just don’t have — and will likely never have. 

To that end, I could use your support to continue to keep bringing you my unique global perspective on music. There are a number of ways that you can support this work. 

I’ve been told that some people would prefer to make a one-time donation because it’s easy and less of an obligation. So, if you’re able to make a one-time donation, there’s a donation box below. 

Make a one-time donation

Choose an amount

$5.00
$15.00
$100.00

Or enter a custom amount

$

Your contribution is appreciated.

Donate

If you’re willing and able to support more regularly, please feel free to check out my Patreonhttps://www.patreon.com/TheJoyofViolentMovement

Anything you can give is very much appreciated. It can and does make a real difference, y’all. 

I know that a lot of folks are struggling to make ends meet in an uncertain and tumultuous economic climate. So there are other, non-financial ways in which you can support this work. 

You can follow me on the following social platforms:

X/Twitter: @yankee32879 and @joyofviolent 

Instagram: @william_ruben_helms

Threads: @william_ruben_helms

Bluesky: @williamrubenhelms.bsky.social

Facebook: https://www.facebook.com/TheJoyofViolentMovement

As always, if there are posts that you dig, share them with your friends. The more eyeballs on my work, the better.

News/Announcements: Shoutouts to Patreon Patrons, Creatives Rebuild New York and Asian Arts Initiative

2025 has been one of the more embittering and frustrating years in recent memory. Earlier this year, I thought I had landed a dream job: I was going to be working for a well-regarded, French-based label and distributor, doing work closely related — and aligned — with my work here on JOVM. Remote work, which would allow me to travel. A stipend to go to festivals. Amazing benefits. Generous vacation time. And the sort of payday that would make my life and existence much more comfortable. The fucking dream! 

Understandably, me and my dearest ones were thrilled. A lot of hard work and sacrifice finally paid off! Unfortunately, it all turned out to be smoke and mirrors, a fucking scam that resulted in my bank account being overdrawn.  Sigh. 

I haven’t been able to get any kind of regular work in almost a year — whether freelance, part-time or full-time. Trying to land work is more difficult than ever before: ATS. A.I. 20% of all listings being ghost jobs. Companies not knowing what they’re doing during the hiring process or changing their minds halfway through. 10,000 people applying to every open position within a few hours of the posting going live. And add the occasional networking event that doesn’t lead to much. 

Although I’ve been able to get by here and there with a little help from my friends, as the song says, and from scrounging, scraping and scheming, I’m financially tapped out. Honestly, over the past six weeks or so, I’ve seriously considered giving up; of just walking away and closing up shop. Things have frankly felt extraordinarily difficult in a way that I haven’t experienced before. Nor does it help that we’re simultaneously sliding into a fascistic, autocratic dictatorship and into World War III. Everything is awesome, ain’t it? 

Right now, I have a couple of (hopefully) simple asks of y’all, dear friends: 

  • If you’ve got leads for full-time, part-time, temporary or even project-based editorial, writing and/or photography work, please feel free to reach out. Remote work or work here in the five boroughs would be ideal. So if you follow me on social media, and you know of anything, holler at me through the DMs. And if you know of me IRL, feel free to send a text or email. 
  • If you’re able to give a donation, please free to donate. There’s a donation box on this page.
  • If you’re able to regularly support JOVM through Patreon, please do so. That will be much appreciated, too. Anything you can give is much appreciated, especially in light of — well, (waving hands) everything. 

 

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JOVM recently celebrated its 15th anniversary. Yeah, 15 y’all.

When I started this site, I believed that I wouldn’t get a fair shot to do what I’ve done with this site on another outlet.

Growing up in Corona, Queens I was surrounded by a wildly eclectic, dynamic. global-minded environment. That environment has been a major influence on my life and my work. Look, there’s a lot of music out there. And some of it is awesome, criminally under-rated and not getting the attention it should. 

I’ve managed carved out a unique path for myself — and in the blogosphere through a lot of hard work. Because music media — and generally the media world — is an incredibly homogeneous space, the coverage that you see as a consumer and fan tends to come from a startling similar perspective. Look at the editorial staff at your favorite music magazine, blog or website. Tell me what you see. And when you do see some degree of diversity, it was after many years of fighting, complaining and cajoling — and worse yet, it’s usually in a very limited fashion. It explains why you’ll see the same coverage of the same batches of artists, genres and styles with little difference and less variety. 

With this current administration, things are going to get bad, then worse for marginalized communities, for artists and the arts, for small, independent media outlets, small businesses and for so many others. And all of this happened while large corporations and media outlets have happily bent their knees and lick boots out of fear and greed. 

So it’ll be imperative upon all of you who are financially able and willing to support the work and efforts of artists, creators, writers and thinkers in marginalized groups: Yes, folks of color — especially women. LGBTQ+ folks. Nonbinary folks. Indigenous folks. Latinos and latinas. Asians. Immigrants. And on and on. This is in addition to those folks who are suffering through the incalculable tragedies of climate change-driven disaster and other calamities. 

If you dig their work or you dig a specific cause, and you’re able to support financially, please give to their Patreon, their GoFundMe, OnlyFans or whatever they’re using for donations and tips. Trust me, every single dollar counts, is useful and appreciated. You’ll feel good supporting the blood, sweat and tears of decent, hardworking folks who could really use it, while teaching greedy, craven and spineless assholes some key lessons. A win in my books.

I understand that things are tough for folks. A lot of people are struggling to survive with their dignity intact. If you’re unable to give money, the other way you can support is to amplify these voices. Tell your friends about these artists, influencers, thinkers and causes, and get them to follow them, too. Extra eyeballs to the work really matters — sometimes, it’s someone else who could support through cash. Other times, it’s someone who will faithfully read or follow that person’s work. Or they’ll happily proselytize your causes and your work to others. 

All work — including creative work — is impossible without money. After all, time is money. Effort is money. Then add all the expenses it takes to actually work. So, if you’ve been frequenting this site over the past handful of years, there are a handful of folks I want to thank once again for their support. Without them, I wouldn’t have been able to keep this going. 

Sash

Alice Northover

Bella Fox

Jenny MacRostie

Janene Otten 

So if you’re able and willing, please feel free to check out the Patreon page: https://www.patreon.com/TheJoyofViolentMovement

Additionally, I have to thank the helpful, hardworking and dedicated folks at Creatives Rebuild New York. I’m proud, gratified and humbled to have been included in their 18-month Guaranteed Income for Artists program. Understandably, being included was also deeply vindicating. Someone out there thought my work — this very work! — was worth supporting financially. Obviously, the funds from it have managed to keep this labor of love going during one of the most uncertain periods in recent human history, while lessening some of the normal financial pressures of being an American artist, creator and journalist. 

I also found out about Asian Arts Initiative’s Sound Type Workshop through Creatives Rebuild New York. So, I just can’t thank those folks enough. And I’ll forever be in their debt. 

I must thank the folks at the Asian Arts Initiative in Philadelphia for selecting me for the Sound Type Music Writer Workshop. Being a part of the inaugural cohort was an honor. 

Of course, there are other ways you can support. 

You can also support by checking the JOVM shop. I sell prints in various sizes. I also have bumper stickers. Check it out: https://www.joyofviolentmovement.com/shop  (Er, this is down right now. Sigh.)

You can also support my following me on the following platforms:

Instagram: https://www.instagram.com/william_ruben_helms 

Twitter: https://www.twitter.com/yankee32879 and https://www.twitter.com/joyofviolent 

Facebook: https://www.facebook.com/TheJoyofViolentMovement

And you can hire me for headshots, portraits and events. Seriously, I’m available for that, too. You can click here: https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1# or you can contact me directly.

Lastly, I’m an Eargasm Earplugs Earinflunecer. Buy a pair, protect your hearing and save 10% by clicking on this code: https://lnkd.in/ewX8ezKZ. I do get a percentage of each sale from that discount code.

News/Announcements: Shoutouts to Patreon Patrons, Creatives Rebuild NY and Asian Arts Initiative

JOVM will turn 15 this year. 15 y’all! When I started this thing, I felt as though I had no real choice but to go out on my own. I didn’t feel — or believe — that I’d get a fair shot to do what I’ve wanted to do with this site with another outlet. 

As I’ve mentioned throughout this site’s history: I’ve long felt a desire to create something inspired and informed by the wildly eclectic, dynamic, global sort of environment I grew up immersed in as a Black boy from Corona, Queens. I didn’t regularly see the environment and music I heard around me represented in the music magazines and sites that I followed and loved to read. I always felt that was odd and a significant weakness because — well, there’s quite a bit of amazing music out there that’s just not getting the love and attention it should be receiving whether nationally or internationally. 

With this site, I’ve managed to carve out a unique path for myself — and in the blogosphere. Because music media — and generally the media world — is an incredibly homogeneous space, the coverage that you see as a consumer and fan tends to come from a startling similar perspective. Look at the editorial staff at your favorite music magazine, blog or website. Tell me what you see. And when you do see some degree of diversity, it was after many years of fighting, complaining and cajoling — and worse yet, it’s usually in a very limited fashion. It explains why you’ll see the same coverage of the same batches of artists, genres and styles with little difference and less variety. 

I’m going to be frank here: With this current administration, things are going to be extremely difficult for marginalized communities, for artists and the arts, for small, independent media outlets, small businesses and for countless others. We’re already seeing large corporations and media outlets bending the knee to fascists out of greed and fear. So it’ll be imperative upon all of you who are financially able and willing to support the work and efforts of artists, creators, writers and thinkers in marginalized groups: Yes, folks of color — especially women. LGBTQ+ folks. Indigenous folks. Latinos and latinas. Asians. Immigrants. And on and on. This is in addition to those folks who are suffering through the incalculable tragedies of climate change-driven disaster and other calamities. 

If you dig their work or you dig a specific cause, and you’re able to support financially, please give to their Patreon, their GoFundMe, OnlyFans or whatever they’re using for donations and tips. Trust me, every single dollar counts, is useful and appreciated. You’ll feel good supporting the blood, sweat and tears of decent, hardworking folks who could really use it, while teaching greedy, craven and spineless assholes some key lessons. A win in my books.

I understand that things are tough for folks. A lot of people are struggling to survive with their dignity intact. If you’re unable to give money, the other way you can support is to amplify these voices. Tell your friends about these artists, influencers, thinkers and causes, and get them to follow them, too. Extra eyeballs to the work really matters — sometimes, it’s someone else who could support through cash. Other times, it’s someone who will faithfully read or follow that person’s work. Or they’ll happily proselytize your causes and your work to others. 

To that end, with your support, I can keep this going. Now, as you know, I’ve said this many times: All work — including creative work — is impossible without money. After all, time is money. Effort is money. Then add all the expenses it takes to actually work. So, if you’ve been frequenting this site over the past handful of years, there are a handful of folks I want to thank once again for their support:  

Sash

Alice Northover

Bella Fox

Jenny MacRostie

Janene Otten 

All of those folks have been generous Patreon patrons. Every and any amount really helps keeps this sort of journalism and criticism alive and ongoing. So if you’re able and willing, please feel free to check out the Patreon page: https://www.patreon.com/TheJoyofViolentMovement

Additionally, I have to thank the helpful, hardworking and dedicated folks at Creatives Rebuild New York. I’m proud, gratified and humbled to have been included in their 18-month Guaranteed Income for Artists program. Understandably, being included was also deeply vindicating. Someone out there thought my work — this very work! — was worth supporting financially. Obviously, the funds from it have managed to keep this labor of love going during one of the most uncertain periods in recent human history, while lessening some of the normal financial pressures of being an American artist, creator and journalist. 

I also found out about Asian Arts Initiative’s Sound Type Workshop through Creatives Rebuild New York. So, I just can’t thank those folks enough. And I’ll forever be in their debt. 

I must thank the folks at the Asian Arts Initiative in Philadelphia for selecting me for the Sound Type Music Writer Workshop. Being a part of the inaugural cohort was an honor. 

Of course, there are other ways you can support. 

You can also support by checking the JOVM shop. I sell prints in various sizes. I also have bumper stickers. Check it out: https://www.joyofviolentmovement.com/shop 

You can also support my following me on the following platforms:

Instagram: https://www.instagram.com/william_ruben_helms 

Twitter: https://www.twitter.com/yankee32879 and https://www.twitter.com/joyofviolent 

Facebook: https://www.facebook.com/TheJoyofViolentMovement

And you can hire me for headshots, portraits and events. Seriously, I’m available for that, too. You can contact me through Photobooker:  https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1# or you can contact me directly through the Contact Us link or through my social media accounts.

News/Announcements: Shoutouts to Patreon Patrons, Creatives Rebuild New York and Asian Arts Initiative

JOVM will turn 15 this year. 15 y’all! When I started this thing, I felt as though I had no real choice but to go out on my own. I didn’t feel — or believe — that I’d get a fair shot to do what I’ve wanted to do with this site with another outlet. 

As I’ve mentioned throughout this site’s history: I’ve long felt a desire to create something inspired and informed by the wildly eclectic, dynamic, global sort of environment I grew up immersed in as a Black boy from Corona, Queens. I didn’t regularly see the environment and music I heard around me represented in the music magazines and sites that I followed and loved to read. I always felt that was odd and a significant weakness because — well, there’s quite a bit of amazing music out there that’s just not getting the love and attention it should be receiving whether nationally or internationally. 

With this site, I’ve managed to carve out a unique path for myself — and in the blogosphere. Because music media — and generally the media world — is an incredibly homogeneous space, the coverage that you see as a consumer and fan tends to come from a startling similar perspective. Look at the editorial staff at your favorite music magazine, blog or website. Tell me what you see. And when you do see some degree of diversity, it was after many years of fighting, complaining and cajoling — and worse yet, it’s usually in a very limited fashion. It explains why you’ll see the same coverage of the same batches of artists, genres and styles with little difference and less variety. 

I’m going to be frank here: With this current administration, things are going to be extremely difficult for marginalized communities, for artists and the arts, for small, independent media outlets, small businesses and for countless others. We’re already seeing large corporations and media outlets bending the knee to fascists out of greed and fear. So it’ll be imperative upon all of you who are financially able and willing to support the work and efforts of artists, creators, writers and thinkers in marginalized groups: Yes, folks of color — especially women. LGBTQ+ folks. Indigenous folks. Latinos and latinas. Asians. Immigrants. And on and on. This is in addition to those folks who are suffering through the incalculable tragedies of climate change-driven disaster and other calamities. 

If you dig their work or you dig a specific cause, and you’re able to support financially, please give to their Patreon, their GoFundMe, OnlyFans or whatever they’re using for donations and tips. Trust me, every single dollar counts, is useful and appreciated. You’ll feel good supporting the blood, sweat and tears of decent, hardworking folks who could really use it, while teaching greedy, craven and spineless assholes some key lessons. A win in my books.

I understand that things are tough for folks. A lot of people are struggling to survive with their dignity intact. If you’re unable to give money, the other way you can support is to amplify these voices. Tell your friends about these artists, influencers, thinkers and causes, and get them to follow them, too. Extra eyeballs to the work really matters — sometimes, it’s someone else who could support through cash. Other times, it’s someone who will faithfully read or follow that person’s work. Or they’ll happily proselytize your causes and your work to others. 

To that end, with your support, I can keep this going. Now, as you know, I’ve said this many times: All work — including creative work — is impossible without money. After all, time is money. Effort is money. Then add all the expenses it takes to actually work. So, if you’ve been frequenting this site over the past handful of years, there are a handful of folks I want to thank once again for their support:  

Sash

Alice Northover

Bella Fox

Jenny MacRostie

Janene Otten 

All of those folks have been generous Patreon patrons. Every and any amount really helps keeps this sort of journalism and criticism alive and ongoing. So if you’re able and willing, please feel free to check out the Patreon page: https://www.patreon.com/TheJoyofViolentMovement

Additionally, I have to thank the helpful, hardworking and dedicated folks at Creatives Rebuild New York. I’m proud, gratified and humbled to have been included in their 18-month Guaranteed Income for Artists program. Understandably, being included was also deeply vindicating. Someone out there thought my work — this very work! — was worth supporting financially. Obviously, the funds from it have managed to keep this labor of love going during one of the most uncertain periods in recent human history, while lessening some of the normal financial pressures of being an American artist, creator and journalist. 

I also found out about Asian Arts Initiative’s Sound Type Workshop through Creatives Rebuild New York. So, I just can’t thank those folks enough. And I’ll forever be in their debt. 

I must thank the folks at the Asian Arts Initiative in Philadelphia for selecting me for the Sound Type Music Writer Workshop. Being a part of the inaugural cohort was an honor. 

Of course, there are other ways you can support. 

You can also support by checking the JOVM shop. I sell prints in various sizes. I also have bumper stickers. Check it out: https://www.joyofviolentmovement.com/shop 

You can also support my following me on the following platforms:

Instagram: https://www.instagram.com/william_ruben_helms 

Twitter: https://www.twitter.com/yankee32879 and https://www.twitter.com/joyofviolent 

Facebook: https://www.facebook.com/TheJoyofViolentMovement

And you can hire me for headshots, portraits and events. Seriously, I’m available for that, too. You can click here: https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1# or you can contact me directly.

News/Announcements: Shoutouts to Patreon Patrons, Creatives Rebuild New York and Asian Arts Initiative

JOVM will turn 15 this year. 15 y’all! When I started this thing, I felt as though I had no real choice but to go out on my own. I didn’t feel — or believe — that I’d get a fair shot to do what I’ve wanted to do with this site with another outlet.

As I’ve mentioned throughout this site’s history: I’ve long felt a desire to create something inspired and informed by the wildly eclectic, dynamic, global sort of environment I grew up immersed in as a Black boy from Corona, Queens. I didn’t regularly see the environment and music I heard around me represented in the music magazines and sites that I followed and loved to read. I always felt that was odd and a significant weakness because — well, there’s quite a bit of amazing music out there that’s just not getting the love and attention it should be receiving whether nationally or internationally.

With this site, I’ve managed to carve out a unique path for myself — and in the blogosphere. Because music media — and generally the media world — is an incredibly homogeneous space, the coverage that you see as a consumer and fan tends to come from a startling similar perspective. Look at the editorial staff at your favorite music magazine, blog or website. Tell me what you see. And when you do see some degree of diversity, it was after many years of fighting, complaining and cajoling — and worse yet, it’s usually in a very limited fashion. It explains why you’ll see the same coverage of the same batches of artists, genres and styles with little difference and less variety.

I’m going to be frank here: With this current administration, things are going to be extremely difficult for marginalized communities, for artists and the arts, for small, independent media outlets and for countless others. It’ll be imperative upon all of you to support the work and efforts of artists, creators, thinkers and writers of color –especially women, within the LGBTQIA+ community, the First Nations, immigrants and countless others. This is in addition to those folks who are suffering through the incalculable tragedies of climate change-driven disaster and other calamities.

If you dig their work or you dig a specific cause, and you’re able to support financially, please give to their Patreon, their GoFundMe, OnlyFans or whatever they’re using for donations and tips. Trust me, every single dollar counts, is useful and appreciated.

I understand that things are tough for folks. A lot of people are struggling to survive with their dignity intact. If you’re unable to give money, the other way you can support is to amplify these voices. Tell your friends about these artists, influencers, thinkers and causes, and get them to follow them, too. Extra eyeballs to the work really matters — sometimes, it’s someone else who could support through cash. Other times, it’s someone who will faithfully read or follow that person’s work. Or they’ll happily proselytize your causes and your work to others.

So to that end, with your support, I can keep this going. Now, as you know, I’ve said this many times: All work — including creative work — is impossible without money. After all, time is money. Effort is money. Then add all the expenses it takes to actually work. 

Unsurprisingly, this site and the work that makes it possible is impossible without money. It’s a simple — and often frustrating — fact of life. So, if you’ve been frequenting this site over the past handful of years, there are a handful of folks I want to thank once again for their support:  

Sash

Alice Northover

Bella Fox

Jenny MacRostie

Janene Otten 

All of those folks have been generous Patreon patrons. Every and any amount really helps keeps this sort of journalism and criticism alive and ongoing. So if you’re able and willing, please feel free to check out the Patreon page: https://www.patreon.com/TheJoyofViolentMovement

Additionally, I have to thank the helpful, hardworking and dedicated folks at Creatives Rebuild New York. I’m proud, gratified and humbled to have been included in their 18-month Guaranteed Income for Artists program. Understandably, being included was also deeply vindicating. Someone out there thought my work — this very work! — was worth supporting financially. Obviously, the funds from it have managed to keep this labor of love going during one of the most uncertain periods in recent human history, while lessening some of the normal financial pressures of being an American artist, creator and journalist. 

I also found out about Asian Arts Initiative’s Sound Type Workshop through Creatives Rebuild New York. So, I just can’t thank those folks enough. And I’ll forever be in their debt. 

I must thank the folks at the Asian Arts Initiative in Philadelphia for selecting me for the Sound Type Music Writer Workshop. Being a part of the inaugural cohort was an honor.

Of course, there are other ways you can support. 

You can also support by checking the JOVM shop. I sell prints in various sizes. I also have bumper stickers. Check it out: https://www.joyofviolentmovement.com/shop 

You can also support my following me on the following platforms:

Instagram: https://www.instagram.com/william_ruben_helms 

Twitter: https://www.twitter.com/yankee32879 and https://www.twitter.com/joyofviolent 

Facebook: https://www.facebook.com/TheJoyofViolentMovement

And you can hire me for headshots, portraits and events. Seriously, I’m available for that, too. You can click here: https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1# or you can contact me directly.

News/Announcements: Shoutouts to Patreon Patrons, Creatives Rebuild New York and Asian Arts Initiative

This site turned 14 this past year. 14 years of anything — especially a job — is a very long time. In the blogosphere, that’s roughly 22 lifetimes. Now, when I started JOVM, I was felt as though I had no real choice but to go out on my own. I didn’t feel — or believe — that I’d get a fair shot to do what this site has become with another outlet. 

I’ve long felt a desire to create something similar to the wildly eclectic, dynamic, global sort of environment I grew up immersed in as a young, Black boy from Corona, Queens. And I didn’t regularly see the environment I grew up in represented in the music magazines and sites that I loved to read. To me, that’s a real weakness because — well, there’s amazing music out there that’s not getting the love that it should both nationally and internationally. 

When I started JOVM, I couldn’t have imagined covering the things I’v covered, and the things I’ve experienced and seen to have ever happened. 

With this site, I’ve managed to carve out a unique path for myself — and in the blogosphere. Because music media — and generally the media world — is an incredibly homogeneous space, the coverage that you see as a consumer and fan tends to come from a similar perspective. If you don’t believe me, look at the editorial staff at your favorite music magazine or website. It explains why certain artists, genres and styles are covered over others. But it also explains why you see the exact same coverage of the same artists, genres and styles, too. 

And with your support, I can keep this thing going. Now, as you know, I’ve said this many times: All work — including creative work — is impossible without money. After all, time is money. Effort is money. Then add all the expenses it takes to actually work. 

Unsurprisingly, this site and the work that makes it possible is impossible without money. It’s a simple — and often frustrating — fact of life. So, if you’ve been frequenting this site over the past handful of years, there are a handful of folks I want to thank once again for their support:  

Sash

Alice Northover

Bella Fox

Jenny MacRostie

Janene Otten 

All of those folks have been generous Patreon patrons. Every and any amount really helps keeps this sort of journalism and criticism alive and ongoing. So if you’re able and willing, please feel free to check out the Patreon page: https://www.patreon.com/TheJoyofViolentMovement

Additionally, I have to thank the helpful, hardworking and dedicated folks at Creatives Rebuild New York. I’m proud, gratified and humbled to have been included in their 18-month Guaranteed Income for Artists program. Understandably, being included was also deeply vindicating. Someone out there thought my work — this very work! — was worth supporting financially. Obviously, the funds from it have managed to keep this labor of love going during one of the most uncertain periods in recent human history, while lessening some of the normal financial pressures of being an American artist, creator and journalist. 

I also found out about Asian Arts Initiative’s Sound Type Workshop through Creatives Rebuild New York. So, I just can’t thank those folks enough. And I’ll forever be in their debt. 

I must thank the folks at the Asian Arts Initiative in Philadelphia for selecting me for the Sound Type Music Writer Workshop. I’m planning on being back in Philly in a few weeks and I’m looking forward to seeing the AAI team and the rest of the cohort again — although sadly, it’ll be the last time this year. 

Of course, there are other ways you can support. 

You can also support by checking the JOVM shop. I sell prints in various sizes. I also have bumper stickers. Check it out: https://www.joyofviolentmovement.com/shop 

You can also support my following me on the following platforms:

Instagram: https://www.instagram.com/william_ruben_helms 

Twitter: https://www.twitter.com/yankee32879 and https://www.twitter.com/joyofviolent 

Facebook: https://www.facebook.com/TheJoyofViolentMovement

And you can hire me for headshots, portraits and events. Seriously, I’m available for that, too. You can click here: https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1# or you can contact me directly.

News/Announcements: Shoutouts to Patreon Patrons, Creatives Rebuild New York and Asian arts Initiative

This site turned 14 earlier this year. 14 years of anything — especially a job — is a very long time. In the blogosphere, that’s roughly 22 lifetimes. Now, when I started JOVM, I was felt as though I had no real choice but to go out on my own. I didn’t feel — or believe — that I’d get a fair shot to do what this site has become with another outlet. 

I’ve long felt a desire to create something similar to the wildly eclectic, dynamic, global sort of environment I grew up immersed in as a young, Black boy from Corona, Queens. And I didn’t regularly see the environment I grew up in represented in the music magazines and sites that I loved to read. To me, that’s a real weakness because — well, there’s amazing music out there that’s not getting the love that it should both nationally and internationally. 

When I started JOVM, I couldn’t have imagined covering the things I’v covered, and the things I’ve experienced and seen to have ever happened. 

With this site, I’ve managed to carve out a unique path for myself — and in the blogosphere. Because music media — and generally the media world — is an incredibly homogeneous space, the coverage that you see as a consumer and fan tends to come from a similar perspective. If you don’t believe me, look at the editorial staff at your favorite music magazine or website. It explains why certain artists, genres and styles are covered over others. But it also explains why you see the exact same coverage of the same artists, genres and styles, too. 

I’m looking forward to what year 14 holds for JOVM. And hopefully with your support, I can keep this thing going. Now, as you know, I’ve said this many times: All work — including creative work — is impossible without money. After all, time is money. Effort is money. Then add all the expenses it takes to actually work. 

Unsurprisingly, this site and the work that makes it possible is impossible without money. It’s a simple — and often frustrating — fact of life. So, if you’ve been frequenting this site over the past handful of years, there are a handful of folks I want to thank once again for their support:  

Sash

Alice Northover

Bella Fox

Jenny MacRostie

Janene Otten 

All of those folks have been generous Patreon patrons. Every and any amount really helps keeps this sort of journalism and criticism alive and ongoing. So if you’re able and willing, please feel free to check out the Patreon page: https://www.patreon.com/TheJoyofViolentMovement

Additionally, I have to thank the helpful, hardworking and dedicated folks at Creatives Rebuild New York. I’m proud, gratified and humbled to have been included in their 18-month Guaranteed Income for Artists program. Understandably, being included was also deeply vindicating. Someone out there thought my work — this very work! — was worth supporting financially. Obviously, the funds from it have managed to keep this labor of love going during one of the most uncertain periods in recent human history, while lessening some of the normal financial pressures of being an American artist, creator and journalist. 

I also found out about Asian Arts Initiative’s Sound Type Workshop through Creatives Rebuild New York. So, I just can’t thank those folks enough. And I’ll forever be in their debt. 

I must thank the folks at the Asian Arts Initiative in Philadelphia for selecting me for the Sound Type Music Writer Workshop. I’m planning on being back in Philly in a few weeks and I’m looking forward to seeing the AAI team and the rest of the cohort again — although sadly, it’ll be the last time this year. 

Of course, there are other ways you can support. 

You can also support by checking the JOVM shop. I sell prints in various sizes. I also have bumper stickers. Check it out: https://www.joyofviolentmovement.com/shop 

You can also support my following me on the following platforms:

Instagram: https://www.instagram.com/william_ruben_helms 

Twitter: https://www.twitter.com/yankee32879 and https://www.twitter.com/joyofviolent 

Facebook: https://www.facebook.com/TheJoyofViolentMovement

And you can hire me for headshots, portraits and events. Seriously, I’m available for that, too. You can click here: https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1# or you can contact me directly.

News/Announcements: Shoutouts to Patreon Patrons, Creatives Rebuild New York and Asian Arts Initiative

This site turned 14 earlier this year. 14 years of anything — especially a job — is a very long time. In the blogosphere, that’s roughly 22 lifetimes. Now, when I started JOVM, I was felt as though I had no real choice but to go out on my own. I didn’t feel — or believe — that I’d get a fair shot to do what this site has become with another outlet. 

I’ve long felt a desire to create something similar to the wildly eclectic, dynamic, global sort of environment I grew up immersed in as a young, Black boy from Corona, Queens. And I didn’t regularly see the environment I grew up in represented in the music magazines and sites that I loved to read. To me, that’s a real weakness because — well, there’s amazing music out there that’s not getting the love that it should both nationally and internationally. 

When I started JOVM, I couldn’t have imagined covering the things I’v covered, and the things I’ve experienced and seen to have ever happened. 

With this site, I’ve managed to carve out a unique path for myself — and in the blogosphere. Because music media — and generally the media world — is an incredibly homogeneous space, the coverage that you see as a consumer and fan tends to come from a similar perspective. If you don’t believe me, look at the editorial staff at your favorite music magazine or website. It explains why certain artists, genres and styles are covered over others. But it also explains why you see the exact same coverage of the same artists, genres and styles, too. 

I’m looking forward to what year 14 holds for JOVM. And hopefully with your support, I can keep this thing going. Now, as you know, I’ve said this many times: All work — including creative work — is impossible without money. After all, time is money. Effort is money. Then add all the expenses it takes to actually work. 

Unsurprisingly, this site and the work that makes it possible is impossible without money. It’s a simple — and often frustrating — fact of life. So, if you’ve been frequenting this site over the past handful of years, there are a handful of folks I want to thank once again for their support:  

Sash

Alice Northover

Bella Fox

Jenny MacRostie

Janene Otten 

All of those folks have been generous Patreon patrons. Every and any amount really helps keeps this sort of journalism and criticism alive and ongoing. So if you’re able and willing, please feel free to check out the Patreon page: https://www.patreon.com/TheJoyofViolentMovement

Additionally, I have to thank the helpful, hardworking and dedicated folks at Creatives Rebuild New York. I’m proud, gratified and humbled to have been included in their 18-month Guaranteed Income for Artists program. Understandably, being included was also deeply vindicating. Someone out there thought my work — this very work! — was worth supporting financially. Obviously, the funds from it have managed to keep this labor of love going during one of the most uncertain periods in recent human history, while lessening some of the normal financial pressures of being an American artist, creator and journalist. 

I also found out about Asian Arts Initiative’s Sound Type Workshop through Creatives Rebuild New York. So, I just can’t thank those folks enough. And I’ll forever be in their debt. 

I must thank the folks at the Asian Arts Initiative in Philadelphia for selecting me for the Sound Type Music Writer Workshop. I’m planning on being back in Philly in a few weeks and I’m looking forward to seeing the AAI team and the rest of the cohort again — although sadly, it’ll be the last time this year.

Of course, there are other ways you can support. 

You can also support by checking the JOVM shop. I sell prints in various sizes. I also have bumper stickers. Check it out: https://www.joyofviolentmovement.com/shop 

You can also support my following me on the following platforms:

Instagram: https://www.instagram.com/william_ruben_helms 

Twitter: https://www.twitter.com/yankee32879 and https://www.twitter.com/joyofviolent 

Facebook: https://www.facebook.com/TheJoyofViolentMovement

And you can hire me for headshots, portraits and events. Seriously, I’m available for that, too. You can click here: https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1# or you can contact me directly.

News/Announcements: Shoutouts to Patreon Patrons, Creatives Rebuild New York and Asian Arts Initiative

I’m currently in Rouyn-Noranda, Quebec for the 22nd annual FME Festival. Y’all should expect photos and other coverage over the course of the upcoming days and weeks, along with my regular coverage here. But in the meantime, the show must continue as much as possible. So let’s get to it, right?

Earlier this site, turned 14. 14 years of anything — especially a job — is an exceedingly long time. In the blogosphere, that’s roughly 22 lifetimes. Now, when I started JOVM, I was felt as though I had no real choice but to go out on my own. I didn’t feel — or believe — that I’d get a fair shot to do what this site has become with another outlet. 

I’ve long felt a desire to create something similar to the wildly eclectic, dynamic, global sort of environment I grew up immersed in as a young, Black boy from Corona, Queens. And I didn’t regularly see the environment I grew up in represented in the music magazines and sites that I loved to read. To me, that’s a real weakness because — well, there’s amazing music out there that’s not getting the love that it should both nationally and internationally. 

When I started JOVM, I couldn’t have imagined covering the things I’v covered, and the things I’ve experienced and seen to have ever happened. 

With this site, I’ve managed to carve out a unique path for myself — and in the blogosphere. Because music media — and generally the media world — is an incredibly homogeneous space, the coverage that you see as a consumer and fan tends to come from a similar perspective. If you don’t believe me, look at the editorial staff at your favorite music magazine or website. It explains why certain artists, genres and styles are covered over others. But it also explains why you see the exact same coverage of the same artists, genres and styles, too. 

I’m looking forward to what year 14 holds for JOVM. And hopefully with your support, I can keep this thing going. Now, as you know, I’ve said this many times: All work — including creative work — is impossible without money. After all, time is money. Effort is money. Then add all the expenses it takes to actually work. 

Unsurprisingly, this site and the work that makes it possible is impossible without money. It’s a simple — and often frustrating — fact of life. So, if you’ve been frequenting this site over the past handful of years, there are a handful of folks I want to thank once again for their support:  

Sash

Alice Northover

Bella Fox

Jenny MacRostie

Janene Otten 

All of those folks have been generous Patreon patrons. Every and any amount really helps keeps this sort of journalism and criticism alive and ongoing. So if you’re able and willing, please feel free to check out the Patreon page: https://www.patreon.com/TheJoyofViolentMovement

Additionally, I have to thank the helpful, hardworking and dedicated folks at Creatives Rebuild New York. I’m proud, gratified and humbled to have been included in their 18-month Guaranteed Income for Artists program. Understandably, being included was also deeply vindicating. Someone out there thought my work — this very work! — was worth supporting financially. Obviously, the funds from it have managed to keep this labor of love going during one of the most uncertain periods in recent human history, while lessening some of the normal financial pressures of being an American artist, creator and journalist. 

I also found out about Asian Arts Initiative’s Sound Type Workshop through Creatives Rebuild New York. So, I just can’t thank those folks enough. And I’ll forever be in their debt. 

I must thank the folks at the Asian Arts Initiative in Philadelphia for selecting me for the Sound Type Music Writer Workshop. I’ll be back in Philly in a few days and I’m looking forward to seeing the AAI team and the rest of the cohort again. 

Of course, there are other ways you can support. 

You can also support by checking the JOVM shop. I sell prints in various sizes. I also have bumper stickers. Check it out: https://www.joyofviolentmovement.com/shop 

You can also support my following me on the following platforms:

Instagram: https://www.instagram.com/william_ruben_helms 

Twitter: https://www.twitter.com/yankee32879 and https://www.twitter.com/joyofviolent 

Facebook: https://www.facebook.com/TheJoyofViolentMovement

And you can hire me for headshots, portraits and events. Seriously, I’m available for that, too. You can click here: https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1# or you can contact me directly.

News/Announcements: Shoutouts to Patreon Patrons, Creatives Rebuild New York, Asian Arts Initiative and More

This site turned 14 last month. 14 years of anything — especially a job — is an exceedingly long time. In the blogosphere, that’s roughly 22 lifetimes. Now, when I started JOVM, I was felt as though I had no real choice but to go out on my own. I didn’t feel — or believe — that I’d get a fair shot to do what this site has become with another outlet. 

I’ve long felt a desire to create something similar to the wildly eclectic, dynamic, global sort of environment I grew up immersed in as a young, Black boy from Corona, Queens. And I didn’t regularly see the environment I grew up in represented in the music magazines and sites that I loved to read. To me, that’s a real weakness because — well, there’s amazing music out there that’s not getting the love that it should both nationally and internationally. 

When I started JOVM, I couldn’t have imagined covering the things I’v covered, and the things I’ve experienced and seen to have ever happened.

With this site, I’ve managed to carve out a unique path for myself — and in the blogosphere. Because music media — and generally the media world — is an incredibly homogeneous space, the coverage that you see as a consumer and fan tends to come from a similar perspective. If you don’t believe me, look at the editorial staff at your favorite music magazine or website. It explains why certain artists, genres and styles are covered over others. But it also explains why you see the exact same coverage of the same artists, genres and styles, too. 

I’m looking forward to what year 14 holds for JOVM. And hopefully with your support, I can keep this thing going. Now, as you know, I’ve said this many times: All work — including creative work — is impossible without money. After all, time is money. Effort is money. Then add all the expenses it takes to actually work. 

Unsurprisingly, this site and the work that makes it possible is impossible without money. It’s a simple — and often frustrating — fact of life. So, if you’ve been frequenting this site over the past handful of years, there are a handful of folks I want to thank once again for their support:  

Sash

Alice Northover

Bella Fox

Jenny MacRostie

Janene Otten 

All of those folks have been generous Patreon patrons. Every and any amount really helps keeps this sort of journalism and criticism alive and ongoing. So if you’re able and willing, please feel free to check out the Patreon page: https://www.patreon.com/TheJoyofViolentMovement

Additionally, I have to thank the helpful, hardworking and dedicated folks at Creatives Rebuild New York. I’m proud, gratified and humbled to have been included in their 18-month Guaranteed Income for Artists program. Understandably, being included was also deeply vindicating. Someone out there thought my work — this very work! — was worth supporting financially. Obviously, the funds from it have managed to keep this labor of love going during one of the most uncertain periods in recent human history, while lessening some of the normal financial pressures of being an American artist, creator and journalist. 

I also found out about Asian Arts Initiative’s Sound Type Workshop through Creatives Rebuild New York. So, I just can’t thank those folks enough. And I’ll forever be in their debt. 

I must thank the folks at the Asian Arts Initiative in Philadelphia for selecting me for the Sound Type Music Writer Workshop. I’ll be back in Philly in a few days and I’m looking forward to seeing the AAI team and the rest of the cohort again.

Of course, there are other ways you can support. 

You can also support by checking the JOVM shop. I sell prints in various sizes. I also have bumper stickers. Check it out: https://www.joyofviolentmovement.com/shop 

You can also support my following me on the following platforms:

Instagram: https://www.instagram.com/william_ruben_helms 

Twitter: https://www.twitter.com/yankee32879 and https://www.twitter.com/joyofviolent 

Facebook: https://www.facebook.com/TheJoyofViolentMovement

And you can hire me for headshots, portraits and events. Seriously, I’m available for that, too. You can click here: https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1# or you can contact me directly.