Tag: Crystal Fighters

New Video: Acclaimed Singer-Songwriter Alice Phoebe Lou Releases a Trippy 70s Inspired Single from Forthcoming Sophomore Album

Over the past year, I’ve written a bit about the Cape Town, South Africa-born, Berlin, Germany-based singer/songwriter and multi-instrumentalist Alice Phoebe Lou. And as you may recall, Lou grew up in a rather creative home — her parents were documentary filmmakers, who took the budding artist to piano lessons as a child. As a teenager, the Cape Town-born, Berlin-based singer/songwriter and multi-instrumentalist taught herself guitar. The summer she turned 16, Lou went to Paris to visit her aunt. Armed with an acoustic guitar, the young artist met a number of that city’s buskers and street performers — with some of them teaching her poi dancing. 

Upon completing her schooling, Lou returned to Europe, first landing in  Amsterdam, where she made money as a poi dancer. She then relocated to Berlin, where she became a well-regarded busker and developed a reputation for a fiercely independent, punk rock-like DIY approach to her career. With the release of 2014’s self-released debut EP, Lou began receiving international attention, eventually spending the following year performing at a number of TED events in London and Berlin. Building upon a rapidly growing international profile, Lou released her full-length debut Orbit in 2016. The album garnered a nomination for Best Female Artist at that year’s German Critics’ Choice Awards and a set at the 27th Annual Conference for the Professional Business Women of California, which featured keynote speakers Venus Williams, Judy Smith, and Memory Banda. She ended the year, touring on bills with Sixto Rodriguez, Boy & Bear, Allen Stone and Crystal Fighters, as well as three, sold-out multimedia events at the Berlin Planetarium. Those Berlin Planetarium shows were so much in demand that she added two additional planetarium shows to her 2017 itinerary. 

Besides touring, the Cape Town-born, Berlin-based singer/songwriter and multi-instrumentalist has had the live version of “She” amassed over 4 million views on YouTube and was featured in the major motion picture Bombshell: The Heady Lamar Story — all before the studio version of the single was even recorded or released. Additionally, Lou spent time working on her much-anticipated, Noah Georgeson-produced sophomore effort Paper Castles, which is slated for a March 8, 2019 release. And as Lou explains, the album is “about nostalgia, about growing into a woman, about the pain and beauty of the past, about feeling small and insignificant but finding that to be powerful and beautiful, about acknowledging that childhood is over but bringing some of it with you.”

The album’s first single is a slow-burning, 70s AM rock and 70s soul-like “Something Holy.” Centered around a shimmering guitar line, hushed drumming, a sinuous hook, a psychedelic tinged bridge and Lou’s aching vocals, the song is a deeply introspective and unvarnished look into the narrator’s complicated relationships with sex, love, men and herself. As Lou says, the song reflects “the moment that I managed to get over the main hurdle of my past traumas with sex, with men and with my own deeper understanding of intimacy and what it means to be intimate.” Sonically speaking, the song reminds me quite a bit of Amber Arcades’ European Heartbreak. 

Made by Manners Studio is a heady mix of brightly colored, cinematically shot footage of young people brooding and looking bored in a stylish chamber room, animation and Lou earnestly performing the song. 

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New Video: Acclaimed German Synth Pop Artist Roosevelt Releases a Breezy and Nostalgic, Club Banger

Over the past few months, I’ve written a bit about the Viersen, Germany-born, Cologne, Germany-based singer/songwriter, multi-instrumentalist, electronic music artist and electronic music producer, Marius Lauber, who writes, records and performs Roosevelt. Now, as you may recall its the release of Elliot,” the lead single and EP title track of his 2013 debut EP Elliot, Lauber received praise from the likes of Pitchfork, who named the track one of their “Best New Tracks.” 2015 saw the release of the double A side single “Night Moves”/”Hold On,” which was released through Greco-Roman Records and further cemented his reputation for crafting  material with warm, synth-led Euro-disco sound. Building upon a growing profile, Lauber’s 2016 full-length debut featured standout tracks  “Colours” and “Moving On,” and has led to attention-grabbing tours with the likes of Hot Chip, Totally Enormous Extinct Dinosaurs, Crystal Fighters, as well a remixes of singles by Glass Animals, Jax Jones,Truls, Sundara Karma, Luca Vasta and Kakkmaddafakka and others.
Building upon a growing international profile, Lauber’s recently released sophomore Roosevelt album Young Romance finds the acclaimed German singer/songwriter and multi-instrumentalist, electronic music artist and electronic music producer making a decided move away from the slickly produced EDM of his previously released material to a warmer, hook-driven, guitar and synth-based sound, complete with a wistful escapism. Thematically, Young Romance fittingly focuses on — well, young romance, including the trials, tribulations and frustrations of falling in and out of love, and of desperately trying to find some semblance of home and life while on the road. As Lauber says of the writing process for the album “I ended up processing a lot of emotions that I felt during my youth. Faded relationships that haunted me for years, being on the road for what seemed like forever and the constant search for a place to call home.”

Album single “Forgive,” featured Lauber collaborating with Ernest Green, a.k.a. Washed Out, who contributes his ethereal and imitable vocals to a shimmering, disco-like production centered by a Chic-era Nile Rodgers groove, African percussion and an infectious hook that sounds as though it could have been a Paracosm B-side.  “Shadows,” continues in a similar, breezy yet disco-inspired vein, as it’s centered around a buoyant two-step friendly groove, arpeggiated synths, Lauber’s plaintive vocals, an incredibly tight, infectious hook that recalls Miami Horror, Washed Out and Random Access Memories-era Daft Punk to mind — but somehow even lighter. Young Romance’s latest single “Under The Sun” will further cement Lauber’s reputation for crafting hook-laden, and breezy pop centered around the German singer/songwriter, multi-instrumentalist and producer’s yearning vocals, thumping beats, a sinuous disco-inspired bass line, twinkling keys and ethereal electronics — and while continuing to nod at the likes of Miami Horror, Washed Out, Random Access Memories-era Daft Punk and St. Lucia, the song much like its predecessor reveals an ambitious songwriter and producer, who has put a unique and urgent take on a familiar and beloved sound.

The recently released video for “Under The Sun” is a cinematic and fittingly nostalgic visual that features Lauber yearning singing the song and playing guitar on the beach, reflecting on a past relationship. 

New Video: Acclaimed German Electro Pop Artist Roosevelt Releases Summery 80s-Inspired Visuals for Buoyant Single “Shadows”

Marius Lauber is a Viersen, Germany-born, Cologne, Germany-based singer/songwriter, multi-instrumentalist, electronic music artist and electronic music producer, who writes records and performs with his solo recording project Roosevelt. Now as you may recall, with the […]

 

Marius Lauber is a Viersen, Germany-born, Cologne, Germany-based singer/songwriter, multi-instrumentalist, electronic music artist and electronic music producer, who writes records and performs with his solo recording project Roosevelt. With the release of “Elliot,” the lead single and EP title track of his 2013 debut EP Elliot, Lauber received praise from the likes of Pitchfork, who named the track one of their “Best New Tracks.” 2015 saw the release of the double A side single “Night Moves”/”Hold On,” which was released through Greco-Roman Records and further cemented his reputation for crafting  material with warm, synth-led Euro-disco sound.

Lauber’s 2016 self-titled, full-length debut featured standout tracks “Colours” and “Moving On,” and has led to tours with the likes of Hot Chip, Totally Enormous Extinct Dinosaurs, Crystal Fighters, as well a remixes of Glass Animals, Jax Jones, Truls, Sundara Karma, Luca Vasta and Kakkmaddafakka and others. Interestingly, Lauber’s highly-anticipated Roosevelt sophomore album Young Romance is slated for a September 28, 2018 and the album reportedly finds the German singer/songwriter, multi-instrumentalist, electronic music artist and electronic music producer moving away from the dance floor friendly sound of his previously recorded work and leaning heavily towards hook-driven guitar and synth-based pop while balancing escapism and wistfulness throughout. Thematically, the album covers the trials, tribulations and frustrations of falling in and out of love, finding some semblance of home and life on the road. As Lauber says of the writing process “I ended up progressing a lot of emotions that I felt during my youth. Faded relationships that haunted me for years, being on the road for what seemed like forever and the constant search for a place to call home.”

Young Romance‘s second and latest single “Forgive” finds the up-and-coming German collaborating with Washed Out‘s Ernest Green, who contributes his imitable, ethereal vocals to a shimmering production centered by a disco-like groove, Chic-era Nile Rodgers funk guitar, subtle hints at African percussion and an infectious hook. Sonically speaking, the song feels like it could have easily been on Green’s lush Paracosm as it manages to be swooning and earnest while retaining dance floor friendly vibes. Interestingly, the collaboration can trace its origins to when Green followed Lauber on Instagram, and as Lauber says in press notes “I was so happy to find out he was a fan. He has always been a massive influence and this track was written around the vocal stems he sent back within days — a real collaborative effort.”

 

 

 

 

New Video: Berlin’s Alice Phoebe Lou and Olmo Team Up for a Sparse and Atmospheric Blues Duet

Earlier this year, I wrote about the Cape Town, South Africa-born, Berlin, Germany-based singer/songwriter and multi-instrumentalist Alice Phoebe Lou, and as you may recall, Lou has developed a reputation for a fiercely independent, punk rock-like DIY approach to her ethereal folk music. And although her parents were documentary filmmakers, Lou took piano lessons as a child and as a teenager, taught herself to play guitar. When she turned 16, Lou spent a summer vacation visiting her aunt Paris, where armed with an acoustic guitar, she met a number of buskers and other street performers — some who taught her poi dancing.

Upon graduation, Lou went to Europe — first landing in Amsterdam, where she made money as a poi dancer, before relocating to Berlin, where she became a well-known and well-regarded busker, performing interpretations of popular songs and her own original material, and eventually developing her own unique sound.  With the release of her 2014 self-released debut EP Momentum, the Cape Town-born, Berlin-based singer/songwriter and multi-instrumentalist began receiving international attention — and as a result, she spent the following year performing at a number of TED events in London and Berlin.

Building upon a rapidly growing profile, Lou released her critically applauded, 2016 full-length debut Orbit, which saw her garner a nomination for Best Female Artist at that year’s German Critics’ Choice Awards, as well as a set at the 27th Annual Conference for the Professional Business Women of California, which featured keynote speakers Venus Williams, Judy Smith, and Memory Banda. Lou spent much of that year on the road, touring to support her debut effort, sharing bills with Sixto Rodriguez, Boy & Bear, Allen Stone and Crystal Fighters. Additionally, the Cape Town-born, Berlin-based singer/songwriter played three, sold-out multimedia events at the Berlin Planetarium — and by demand, she added two additional planetarium shows to her 2017 tour itinerary.

Along with the Berlin Planetarium shows, Lou recorded a live version of “She” with the live performance video, shot during two different Berlin area shows going viral, receiving more than 2.5 million YouTube streams, and the song was featured in the major motion picture Bombshell: The Hedy Lamar Story;  in fact, the song was shortlisted for an Oscar for Best Original Song. Adding to an incredible run of critical success, Lou released her latest EP, Sola at the end of last year.

Lou released a studio version of “She” back in February, which coincided with a number of international tour dates to build up buzz for her highly-anticipated sophomore album.  But before that, the Cape Town-born, Berlin-based singer/songwriter and multi-instrumentalist collaborating with the Bologna, Italy-born, Berlin-based blues singer/songwriter and multi-instrumetnlist Franceso Lo Giudice, best known as Olmo. Much like Lou, Olmo spent his summers going to a different city or two with a lap slide guitar, busking and soaking up the local vibes. Upon finishing his studies at the University of Bristol, Lo Giudice got heavily into production — so much so that he left a band he started Amoa Mass, relocated to Berlin and started his solo project, which meshes the blues with electronic music. Interestingly enough, Lou and Lo Giudice’s collaboration can trace its origins to when they met while busking in Berlin, and their latest song together “Devil’s Sweetheart” was reportedly written and crafted within an hour — and the song is a sparse, atmospheric yet cinematic track centered around a looping twangy, blues guitar line, a moody string arrangement, and the duo’s uncanny harmonies. Sonically, the song brings to mind Daughn Gibson’s dusty, old-timey sample-based take on country and the work of the legendary T. Bone Burnett.

The gorgeous and moodily shot video for “Devil’s Sweetheart” features some spectacular aerial performances by Valia Beauvieux and Dennis Macaofrom the Berlin based circus crew Birdmilk Collective.

Live Footage: Alice Phoebe Lou Performing the Oscar-Shortlisted Song “She” in Berlin

Alice Phoebe Lou is a Cape Town, South Africa-born, Berlin, Germany-based singer/songwriter and multi-instrumentalist, who has developed a reputation for a fiercely independent, almost punk rock-like DIY approach to her ethereal indie folk music. Although her parents were documentary filmmakers, Lou took piano lessons as a child and then as a teenager, taught herself to play guitar. As the story goes, when the Cape Town-born, Berlin-based singer/songwriter and multi-instrumentalist was 16, she spent a summer vacation visiting her aunt in Paris. Armed with an acoustic guitar, the young singer/songwriter met a number of buskers and other street performers — some who taught her poi dancing.

Upon graduation, Lou went to Europe — first landing in Amsterdam, where she made money as a poi dancer, before relocating to Berlin, where she became a popular busker, performing interpretations of popular songs and her own original material, and eventually developing her own unique sound.  With the release of her 2014 self-released debut EP Momentum, the Cape Town-born, Berlin-based singer/songwriter and multi-instrumentalist began receiving international attention — and as a result, she spent the following year performing at a number of TED events in London and Berlin, as well as Exponential Medicine.

Building upon a rapidly growing profile, Lou released her critically applauded, 2016 full-length debut Orbit, which saw her garner a nomination for Best Female Artist at that year’s German Critics’ Choice Awards, as well as a set at the 27th Annual Conference for the Professional Business Women of California, which featured keynote speakers Venus Williams, Judy Smith, and Memory Banda. Additionally, Lou spent much of 2016 on the road, touring to support her debut effort, sharing bills with Sixto Rodriguez, Boy & Bear, Allen Stone and Crystal Fighters. During the course of that year, she played three multimedia sold out events at the Berlin Planetarium — and by demand, she added two additional planetarium shows to her 2017 tour itinerary.

Along with the Berlin Planetarium shows, Lou saw a live version of “She” with the live performance video, shot during two different Berlin area shows going viral — and as of this post, the video has received over 2.5 million YouTube streams. Interestingly, the song is also featured in the major motion picture Bombshell: The Hedy Lamarr Story , with the song recently being shortlisted for an Oscar for Best Original Song. Adding to an incredible run of critical success, Lou released her latest EP, Sola at the end of last year.

As for “She,” the song will further cement the Cape Town-born, Berlin-based artist’s reputation for her ethereal and tender soprano — but in this case, paired around what may be the most shoegazer rock-like arrangement, she’s ever produced as the song features looping and shimmering guitar chords, thundering and tribal-like drumming,  gently swirling electronics and an anthemic hook. And while at points the song is reminiscent of the likes of Wolf Alice, Lightfoils and others, it possesses a restless longing at its core.

A studio version of “She” is slated for a February 23, 2018 release, and after the single’s release, Lou will embark on a international tour that will include a Stateside run. And a new album is currently in the works, too.

 
 

Now, if you’ve been frequenting JOVM for some time — especially over the past few months, you may be familiar with the Brooklyn-based sextet Starlight Girls. Over the last five years or so, the band have developed a reputation for a unique brand of  “noir-ish indie pop.” After releasing a well-received, self-produced EP, the band was opening for a diverse array of acts including Sharon Jones and the Dap Kings, Kate Nash, La Sera, Lucius, Tilly and the Wall, St. Lucia and Crystal Fighters, which expanded their profile nationally. Building on a growing profile, the band followed that up with a 7 inch single “7 x 3” which was produced by Xiu Xiu’s Jamie Stewart. Interestingly, that particular single was something of a sonic left turn, as that single bore a resemblance to Sneaker Pimps and Portishead.

Produced by band members, Christina B and Shaw Walters, Starlight Girls long-awaited full-length debut, Fantasm was released last week. Much like the album’s previous single “Lodestar,” the album’s latest single “Fancy” is a shimmering and dance-floor leaning track consisting of what sounds like a horn sample, angular guitar chords, shimmering synths, four-on-the-floor drums to create a moody and seductive song that sounds as though it draws from Siouxsie and the Banshees and Blondie

New Audio: Starlight Girls Slinkily Seductive, Western Leaning, New Single “Hero”

Since their formation back in 2010, the Brooklyn-based sextet, Starlight Girls have developed a reputation for a unique brand of “noir-ish indie pop” and a live set that employs the use of video projections. After releasing a well-received, self-produced […]

New Audio: Starlight Girls Newest Single “Intrigue” Channels Siouxsie and the Banshees

Comprised of founder, keyboardist and vocalist, Christina B, Shaw Walters (guitar),Sara Mundy (backing vocals, keyboards), Tysen Arveson (bass) Josh Davis (drums) and Isabel Alvarez (backing vocals, keyboards), the Brooklyn-based sextet of Starlight Girls have developed a reputation for […]