Brooklyn-based indie rock act Starlight Girls can trace their origins back to 2011, when Christina Bernard (vocals), an Ohio-born megachurch chorister turned rocker; Shaw Walters (guitar), a San Francisco-born, guitar savant and tech wizard met and decided to start a band. They find their bandmates Sara Mundy (keys) and Isabel Alvarez (backing vocals), two Long Island-born theater junkies, Tysen Arveson (bass), a Seattle-born, Hawaii-raised art freak and Josh Davis (drums), a University of Michigan educated jazz drummer through Craigslist.
The band initially emerged into the public eye through a wildly successful April Fool’s prank: they record an impression of acclaimed artist Joanna Newsom covering one of their songs and a handful of blogs take the bait, covering the song with rapturous praise. As a result, they quickly became a buzz worthy band, eventually releasing an EP that they support with a handful of national tours — even opening for Sharon Jones and the Dap Kings. Building upon a growing profile, the Brooklyn-based at played one of Europe’s biggest festivals, which they followed up with their noisy and attention-grabbing Jamie Stewart-produced 7 x 3 EP.
2016 saw the release of their enigmatic and cinematic, full-length debut Fantasm, which they supported through tours with an eclectic array of artists including Kate Nash, St. Lucia, Tilly and the Wall, Nick Waterhouse, Total Slacker, Crystal Fighters and Lucius. Since then, the members of the band have ventured outside of music and outside of Brooklyn in a variety of different creative projects: Christina Bernard has delved into film and directing, directing a self-penned short film shot in California, which will be released later this year. Shaw Walters has become a rising star in the tech world, traveling around the world creating holographic augmented reality projects for performers and artists, including a mixed-reality collaboration with acclaimed artist Marina Abramović, The Life, which has become a lightning rod for alt-right conspiracy theorists. The rest of the band has continued to solider on as musicians, during what may be the most difficult time for artists and creatives in recent memory.
Interestingly the band’s Christina Bernard-produced EP Entitled was recorded at Upstate New York-based Marcata Recording— and the material reportedly is a dark yet upbeat come-on to an unknowable future while evoking a sexy freak-out from the edge of oblivion. That sounds and feels familiar, doesn’t it? Hinting at Ennio Morricone film scores, shoegaze, art rock, goth rock, psych rock and Fleetwood Mac, the EP’s expansive first single “Get Right” further establishes the band’s cinematic and kaleidoscopic sound — but while arguably being the sexiest song they’ve released to date.
Directed by the band’s Christina Bernard, the recently released video for “Get Right” was shot on a commune in rural North Carolina and is a feverishly surreal and psychedelic spoof on 90s karaoke videos that seems — to me, at least — to nod at Dario Argento films, as it’s part lysergic freak out, and part sensual slow dance into the dark recesses of the psyche.