Tag: Deerhunter

Comprised of Gresham Cash (vocals, guitar), Wes Gregory (drummer) and Connor Sabula (bass), the Athens, GA-based indie rock/psych rock trio Oak House formed in 2014 and since their formation they’ve developed a growing reputation for a sound that possesses elements of melodic indie rock, grunge rock, psych rock and prog rock paired with contemplative and visceral lyrics that explore and investigate life’s inevitable conflicts — and for high energy live shows.

The Athens, GA-based trio’s forthcoming sophomore full-length album Hot or Mood was recorded at Chase Park Transduction with Drew Vandenberg, who’s worked with of Montreal, Toro y Moi, Kishi Bashi, Deerhunter and Mothers and the album reportedly represents a cohesive sample of their live sound — a sound that has been described as tumultuous, melodic, raucous infectious and immersive.  The album’s latest single “Cut That Out” is rapidly shifting and angular song with propulsive, rolling drumming, droning synths, buzzing guitar chords and a throbbing bass line that seems to capture the narrator’s rapidly vacillating thoughts and emotions, and with an unshakable anxiousness. As the band’s Gresham Cash explains in press notes ” I wanted to craft a picture of dreams by using frenetic, shifting imagery with a blend of hopeful nostalgia muddied by sadness, depression, suicidal thoughts, etc. Also, I felt that anxiety, depression and suicide are things that not only influence us directly, but also, those around us; hence, the chorus, ‘We’re all responsible for someone else.’ The ending is the feeling of the dream unraveling combined with the feeling that you are living within someone else’s dream: unsettling to say the least. Your only defense against the confusion and discomfort is like swatting at an irksome fly that keeps buzzing in your ears: ‘Cut that out.’”

 

 

New Audio: Amber Run’s Brooding and Anthemic Single

Initially comprised of founding members Joe Keogh, Tom Sperring and Will Jones, along with Felix Archer, and Henry Wyatt, the Nottingham, UK-based indie rock band Amber Run can trace its origins to when its founding trio of Keogh, Sperring and Jones, who had been friends since attending Dr. Challoner’s Grammar School in Buckinghamshire started an alt rock band together. Keogh, Sperring and Jones met Archer and Wyatt while they were all studying Humanities and Law at the University of Nottingham. Keogh had started a solo recording project that started to receive some attention; but as the as the story goes, the members of the then-quintet started to jam together one day and recognized that they had an undeniable simpatico — and the members of the band decided to quit school in their sophomore year, to fully focus on music.

Within their first few shows, they captured the attention of BBC’s Dean Jackson, who featured the band on the BBC Introducing Stage at 2013’s Reading Festival, which eventually resulted in the band signing to RCA Records, who released the band’s first three EPs, Noah, Spark and Pilot and their full-length debut, 5am; however, by the following year, the members of the band had been dropped by their label. Instead of giving up in frustration, the members of the band had come to the same conclusion: the songs they had been working on were worth pursuing and that they needed to write and record an album, despite not having a label and being in the midst of severe of financial troubles. And naturally, that meant the band taking matters into their own hands. But by February 2016, the band found themselves at one of their lowest points as a band — they were in a creative rut, Archer had left the band and the band was close to closing up shop.

Produced by Ben Allen, who has worked with Bombay Bicycle Club, Deerhunter, Washed Out and CeeLo Green, Amber Run’s follow-up For A Moment, I Was Lost is slated for release on Friday through renowned indie label Dine Alone Records and the album is influenced by the band’s own torment, fear, anger, betrayal and learning how to progress past ill-feelings to personal and artistic growth — while trying to write and record the best and most authentic material possible. And as you’ll hear on the album’s second and latest single “Perfect,” the band’s sound manages to be their most brooding — and while nodding at The Stills, Foals, Brit Pop and New Wave, the newly-consittued British quartet pairs that brooding air with a soaring, anthemic hook. What the song reveals is that they can pair real life emotions with a cathartic, adrenaline rush of arena rock.

Frequently compared to RIDE, Smashing Pumpkins, Dinosaur, Jr. and Deerhunter, the critically praised Chicago, IL-based quartet Pink Frost originally formed under the name Apteka — and as Apteka, the quartet recorded their debut effort Gargoyle Days on analog tape before releasing the album back in 2011 to critical praise; the album landed on Time Out Chicago‘s Best of 2011 List, as well as several others. After changing their name to Pink Frost, the quartet’s 2014 sophomore effort, Sundowning was released to critical praise from nationally renowned media outlets including Pitchfork, SPIN Magazine, Noisey, Magnet Magazine, and Chicago Reader. And adding to a growing national profile, material from Sundowning appeared in The Lookalike and TV series such as The Vampire Diaries and CSI: Miami, among others.

The Chicago-based quartet will be releasing a painstakingly remixed and remastered update of the original analog masters, which reportedly will not only pack much more punch, but will also be representative of the band’s live sound. Of course, with new artwork reflecting the band’s change of name, the band intends for the re-release of their debut to be a metaphorical and literal rebirth. (Interestingly, the members of Pink Frost have been incredibly busy of late as they’ve also been busily recording the follow-up to Sundowning and Traitors EP with Gregoire Yeche at Steve Albini’s Electrical Audio Studios.)

The re-released album’s second and latest single “Where Days Go” is an power-chord based song with enormous, anthemic hooks that sounds as though it were inspired by 90s alt rock and shoegaze. I’m reminded quite a bit of The Posies‘ “Ontario,” Foo FightersThis Is A Call” and The Black Angels‘ “Telephone” as “Where Days Go” possesses a similar forcefulness and mosh-pit ready feel while being incredibly radio friendly.

 

New Video: The Nostalgic, Old-Timey Video for Younghusband’s “Better Times”

Comprised of Euan Hinshelwood (vocals/guitars/keys), Adam Beach (guitars/keys), Joe Chilton (bass/guitars) and Pete Baker (drums/percussion/keys), the London-based, indie rock quartet Younghusband can trace their origins to when Hinshelwood started the band as a solo lo-fi, recording project. When founding […]

New Audio: The Dreamy, 60s Inspired Sound of Younghusband’s “Better Times”

Comprised of Euan Hinshelwood (vocals/guitars/keys), Adam Beach (guitars/keys), Joe Chilton (bass/guitars) and Pete Baker (drums/percussion/keys), the London-based, indie rock quartet Younghusband can trace their origins to when Hinshelwood started the band as a solo lo-fi, recording […]