Live footage of Tunde Adebimpe + Thee Black Boltz performing “Somebody New” on “The Tonight Show Starring Jimmy Fallon.”
Tag: electro pop
New Video: Bucharest’s Alessiah Shares Sultry “Made You Cry”
Alessiah is a young, emerging and remarkably prolific Bucharest-based artist, who quickly established a sound that blends elements of pop, dance pop and electronica while showcasing a songwriter, who has a singular focus on writing songs that are rooted in the raw emotions and unvarnished honesty of a young woman at the beginning of her life’s journey.
Using art to overcome her own shyness, she is determine to create music full of positivity and to become a role model that girls — and young women — can be inspired by.
The Romanian-born and-based artist’s highly-anticipated full-length debut, Obscentra is slated for an August 28, 2025 release. The album’s first single “Made You Cry” pairs Alessiah’s sultry vocal delivery with an uneasy and haunting production.
The song’s lyrics blur the line between devotion, humiliation and control, revealing a songwriter, who’s not only remarkably self-assured and mature beyond her relative youth, but who also is a astute observer of human nature. The song’s narrator points out that love is often a confusing and beguiling push and pull mix of longing, lust and humiliation with a seemingly lived-in fashion. “This song captures the emotions we don’t always want to admit to. It’s about love, but not in the way we usually define it,” the emerging Romanian artist explains.
The accompanying video for “Made You Cry” continues a run of visuals filmed in diverse, exotic and often far-flung locations, including Japan, Zanzibar, Nigeria, Spain, Italy, Greece, Hong Kong and even Dubai. And from the new video, we’re catching a budding, global pop star in the making.
New Audio: London’s Le Bon Jams Shares Euphoric, Club Banger “What U Need”
Le Bon Jams is a London-based dance pop/electronic dance pop quartet features an acclaimed collection of British music scene veterans, including: Last year was a breakthrough year for the collective, which blends live instrumentation and […]
New Audio: Us and I Share Shimmering and Melancholy “Crushed”
Formed back in 2018 in Bangalore and currently based in Düsseldorf, the emerging synth pop duo Us and I — Bidisha Kesh (vocals) and Guarav Govilkar (production) — features members who come from very different backgrounds and who bonded over having similar musical sensibilities: When the pair started to work together, they quickly realized that they shared a unique way of crafting songs with deeply personal lyrics paired with the melancholia of the orange and yellow colors leaking from their synthesizers.
The duo then spent the next two years developing and honing a sound they felt acted as a bridge between the synth-driven work of Chromatics and the slow-burning, dream pop of Beach House — with subtle nods to darkwave and post-punk. Thematically, the duo’s material generally draws from everyday life and the relationships around them.
The duo’s debut EP, 2021’s Loveless thematically focused on a deeply universal subject, love — in particular, a past love, and how the nostalgia and grief of that past love can hit us like a wave hitting the shore. Since the release of Loveless EP, the duo relocated to Düsseldorf — for work and for potentially better opportunities for their music.
Their latest single, the bittersweet and hook-driven “Crushed” features Kesh’s achingly expressive delivery ethereally floating over shimmering synth arpeggios and stomping beats. Interestingly, “Crushed” strikes me as a subtle refinement of their sound that still sees them channeling Beach House and Still Corners — but with a decidedly 80s tinge.
“‘Crushed’ thrusts you in a crystal capsule where the lull of a bittersweet spell and the deluge of impeccable love caresses your every bone,” the Düsseldorf-based duo say. “And yet when the virulent pain of this beautiful guise emerges again, you seek to escape this perfect dream, lest you’re crushed to death.”
New Video: TV on the Radio’s Tunde Adebimpe Shares Dance Floor-Friendly “Somebody New”
Tunde Adebimpe, the frontman of the critically acclaimed Brooklyn-based band TV On The Radio will be releasing his long-awaited, highly-anticipated solo debut Thee Black Boltz Friday (!) through Sub Pop Records.
The Adebimpe and Wilder Zoby co-produced album features additional production and contributions from TV On The Radio’s Jaleel Bunton and Japhet Landis and more. The album’s material will not only showcase Adebimpe imitable voice and visionary soundscapes, but is a nod to his propensity to write and sing about the human condition — in all its form, under all its stressor, both big and small.
Thee Black Boltz isn’t a TV On The Radio album. But for Adebimpe, in a lot of ways, the excitement of doing something on his own for the first time ignited a similar creative spark as during the early TVOTR days. The songwriting process is the same, he says, but with his bandmates, Adebimpe always knew that have didn’t have to complete his musical ideas. “I’ve been doing this thing with this group of people for so long, that I can just have a vague sketch of a concept and I know Jaleel or Kyp will have five brilliant ideas on where it can go,” he says. “But for Thee Black Boltz, I didn’t have that scaffolding to hang on. That was both terrifying and exhilarating.”
The album’s title is Adebimpe’s response to the macro unease of a post-pandemic world careening towards violent authoritarianism and the immense grief that has come from deeply personal losses, specifically the sudden passing of his younger sister while making it. In many ways, Thee Black Boltz is the TVOTR frontman’s desperate grasping of small moments of joy amidst the dissonance, chaos and sadness in any way he could. And understandably, the album was a way of processing everything in his life. “It was my way of building a rock or a platform for myself in the middle of this fucking ocean,” he says.
As he writes in his notebook, “The sparks of inspiration/motivation / hope that flash up in the midst of (and sometimes as a result of) deep grief, depression or despair. Sort of like electrons building up in storm clouds clashing until they fire off lightning and illuminate a way out, if only for a second.”
“Also,” he adds. “it’s a good name for a cool metal band, and I think that most people would describe me as akin to a very cool metal band.”
Earlier this year, I wrote about the Jahpet Landis-produced “Drop,” a meditative and deeply introspective song featuring looped beatboxing, shimmering and strummed bursts of guitar, whistling and skittering beats serving as a dreamy and subtly uneasy bed for Adebimpe’s plaintive delivery questioning the purpose of it all, when things seem so brutally nonsensical.
Thee Black Boltz‘s fourth and latest single “Somebody New” is a dance floor friendly synth-driven bop that recalls 80s synth pop — i.e., Nu Shooz “I Can’t Wait,” Depeche Mode‘s “I Can’t Get Enough,” Yaz‘s “Situation” and the like — but while rooted in modern thematic concerns.
The Adebimpe-directed video for “Somebody New” is a feverishly trippy and surreal bit of time travel back to the days of Soul Train and American Bandstand as we see the TVOR frontman performing the song in a crowded room of beautiful young people dancing — and a glammed out Gritty-styled puppet.
“I’m positive I fell asleep on a couch with the TV on sometime in 1982 and fever dreamt this exact thing,” Adebimpe says of the new video.
Throwback: Happy 52nd Birthday, Pharrell Williams!
JOVM’s William Ruben Helms celebrates Pharrell Williams’ 52nd birthday.
New Audio: L’Eclair Teams Up With Phoebe Coco and A Ghost Column on Dance Floor Friendly “ODESSOS”
With recorded output that includes 2018’s full-length debut, Polymood, 2019’s Sauropoda, 2020’s Noshtta EP and 2021’s Confusions, the acclaimed Swiss-based group L’Eclair, founded and led by Bulgarian-born siblings Stef and Yavov Lilov established themselves as masters of a mind-bending, spacey grooves. Along with two live sessions for KEXP, which amassed over 900,000 views combined, the Swiss-based group have built up an international following, while landing on the playlists of adventurous listeners and DJs seeking deep grooves,.
L’Eclair’s fourth album Cloud Drifter is slated for a June 20, 2025 release through Innovative Leisure. Meticulously crafted over the last four years, Cloud Drifter makes a decided departure from the group’s signature instrumental music, with the album’s material featuring vocal contributions from a wide array of frequent collaborators they’ve worked with over the past few years, including Pink Slifu, Girl Named GOLDEN, Gelli Haha, A Ghost Column, and more. Having toured with The Cinematic Orchestra and W.I.T.CH. — including writing and recording W.I.T.C.H.’s 2023 effort Zango and The Cinematic Orchestra’s forthcoming album this year, and production work with Varnish La Piscine and Maston, the Lilov brothers have assembled a vast network of likeminded musicians. And across the entire album, they keenly curate a cohesive vision incorporating many disparate contributions.
Cloud Drifter‘s first single, “ODESSOS,” features Phoebe Coco‘s and A Ghost Column’s ethereal vocals paired with twinkling and oscillating synths and a dub-inspired motorik groove. Arguably one of the most club friendly songs the Swiss outfit has ever released, the new single is a bold, sonic left turn that retains their long-held penchant for crafting mind-bending grooves. And unlike their previously released material, “ODESSOS” manages to convey the freewheeling, improvisation-driven and infectious energy of their live shows.
Throwback: Happy Belated 39th Birthday, Lady Gaga!
JOVM’s William Ruben Helms belatedly celebrates Lady Gaga’s 39th birthday.
New Audio: Total Fucking Darkness Shares a Sardonic and Uneasy Banger
Besides being an awesome band name, Total Fucking Darkness features:
- Stars‘ Torquil Campbell
- Young Galaxy‘s Stephen Ramsey
- English studio genius and synth player Tom McFall, whose engineering credits include R.E.M., Bloc Party, Twin Shadow and Regina Spektor
Earlier this year, the trio shared “Desolation Boys,” a slick yet chaotic synthesis of Tweekend-era Crystal Method and Come With Us-era Chemical Brothers-like big beat, LCD Soundsystem and deep house with glistening synth arpeggios delivered with a nihilistic, tongue-in-cheek absurdity.
Created in the final hours of a manic, 72-hour writing spree with McFall flying in from London, “Desolation Boys” encapsulates the band’s volatile energy. The song is anchored around spontaneous, stream-of-consciousness-like lyrics and a raw vocal take where Campbell can be faintly heard yelling “go fuck yourself,” mid-chorus. Who is he yelling at? Himself, perhaps?
The song reflects the band’s ongoing exploration of themes like the futility of existence, the exciting pointlessness of class war and the rejection of everything that doesn’t BANG.
The trio returns with “Take It Easy,” a relentlessly pulsing and unsettling track that pairs propulsive dance floor friendly energy with a tongue-in-cheek and irreverent sense of despair. The song finds the trio daring listeners to embrace the void rather than resist it; to readily acknowledge that the world and everything you know is on fire and there may be little you can do about it. As the old saying goes “Might as well laugh, ’cause it hurts too much to cry.”
The irony of the song’s title isn’t an accident. The song is anchored around a platitudinous phrase used as a bitingly sardonic weapon in an our hellish, at times, Kafka-esque moment.
Written in real-time, “Take It Easy” was born from pure instinct. The trio’s Torquil Campbell wrote the lyrics while listening to the track for the first time, which baffles his bandmates Stephen Ramsey and Tom McFall. And there are sheep. Yeah, sheep.
“There are sheep involved in the track. It’s not the first song I’ve heard with sheep in it this year,” Total Fucking Darkness’ Ramsey says. “If you think about it, songs with sheep in them are an incredibly good sign, because there’s never been a bad song that mentions, or actually features sheep. Think about it.”
New Audio: Martin Oh Shares Breezy and Euphoric “Neverland”
Martin Oh is a rising singer/songwriter, multi-instrumentalist and producer, who recently released his SOHN co-produced debut EP Better Place. The EP is features shimming, euphoric electro pop that specifically designed to get you dancing — and to set hearts on fire.
Better Place EP’s latest single “Neverland” is a slickly produced breezy bop that recalls a mix of 80s pop, St. Lucia and Rush Midnight, anchored around earnest lyricism and the rising artist’s knack for remarkably catchy hooks. Simply put, it’s a much-needed reminder of joy and fun in our dark, uncertain times.