Over the past couple of years of this site’s eight-plus year history, I’ve written a bit about Maarten Devoldere, a Belgian singer/songwriter and multi-instrumentalist, known for being the frontman of the internationally acclaimed acts Balthazar and JOVM mainstays Warhaus. Warhaus was a bit of a sonic departure from Devoldere’s work with Balthazar, as the project’s sound was atmospheric, jazz-inspired art rock the brought to mind The Church, Sting’s The Dream of the Blue Turtles and Nothing Like the Sun, Edith Piaf, and Leonard Cohen — all while paired with Devoldere’s urbane, decadent, novelistic lyrics.
Unsurprisingly, Warhaus’ debut We Fucked a Flame Into Being derived its title from a line in DH Lawerence’s seminal, erotic novel Lady Chatterley’s Lover — and the album’s material thematically focused on lust, desire and the inscrutably of random encounters with a deeply personal almost confessional nature. However, Warhaus’ self-titled, sophomore album found the material thematically moving away from sin, lust and decadence and towards sincere, honest, hard-fought and harder-won love, as much of the material was inspired by Devoldere’s romantic relationship with backing vocalist Sylvie Kreusch. Reportedly, the recording sessions for the self-titled album were also a much more spontaneous affair, heavily influenced by Dr. John‘s The Night Tripper period — with the material leaning even more towards jazz while hinting at voodoo rhythms.
While Devoldere was busy with Warhaus, at one point writing much of the project’s sophomore album in a remote retreat in Kyrgyzstan, his Balthazar songwriting partner, co-frontman and longtime friend Jinte Deprez remained in Ghent, holing himself in the studio, where he indulged his love of old-school R&B, eventually releasing a solo album as J. Bernardt. During Balthazar’s hiatus, the band’s songwriting duo found the ability to indulge their whims and follow their creative muses in different directions — while receiving boy commercial and critical success to be liberating. But it also created an undeniable urge between the two to write together again, propelled by a broader artistic horizon and their mutual respect for real other’s work.
When the members of Balthazar reconvened, they did so without any particular plan, just a desire to better their previously released work and to further the band’s story. Interestingly, the duo of Devoldere and Deprez agreed that the material should have an overall less serious, less melancholy feel, leaning towards a looser, refreshed sound — while retaining the hook driven quality that they’ve long been known for. And the end result is the band’s forthcoming full-length Fever, which is slated for a January 25, 2019 release through Play It Again Sam Records. Now, as you may recall, the album’s first single, album title track “Fever” was a slinky and sultry track, centered around a strutting bass riff, stomping percussion, a swooping string motif, a sinuous hook, a twinkling bridge and Devoldere’s plaintive baritone. Interestingly, the single finds the band crafting swaggering and infectious pop that’s accessible, carefree, and flirty.
Fever’s second and latest single “Entertainment” continues in a similar vein as its predecessor as its remarkably upbeat and downright playful but centered around a swaggering and strutting vibe and an anthemic hook — and while sonically the song at points nods at The Rolling Stones’ “Sympathy for the Devil,” as the Jinte Deprez-led song features Afro pop-like polyrhythmic percussion, a buoyant bass line and a strutting guitar line while Devoldere contributes equally playful harmonies. As the band explains “‘Entertainment’ was written at the end of the album recordings as one of the last songs, functioning as the loose, uplifting tune, celebrating a carefree take in the entertainment business. We wrote an ambitious album but tried not to take ourselves too seriously, sure it’s an outspoken singalong chorus, but there’s a rambling playfulness to it which we love.” And much like its predecessor, the new single is a razor sharp take on how much the entertainment business manages to influence every aspect of our lives — and how so many people get into the entertainment business to get laid. And much like its predecessor, the song reveals an incredibly smart band crafting a truly unique sound and aesthetic.
Directed by Wouter Bouvijn, the recently released video captures the band jamming in their performance — and having a helluva time doing so further emphasizing the song’s breezy and playful nature. Interestingly, the video features the band’s newest member Tijs Delbeke, who joins as a replacement for Patricia Vanneste, who left the band.