Panteon is the recording project of Brooklyn-based Yvonne Ambree, an accomplished singer/songwriter, vocalist and musician, who has toured and worked with a wide range of artists including Sleigh Bells, Little Boots, Lulu Gainsbourg, Eli “Paperboy” Reed, and legendary soul singers, such as Syl Johnson, Ann Sexton and Gwen McCrae. Ambree is also known as one-half of the critically acclaimed duo Take Berlin, whose debut EP Lionize was named one of the “Top 10 EPs of 2013” by The Huffington Post, UK. 

Ambree’s debut as Panteon, Travel Log 1 EP is slated for a January 19, 2018 release, and the material on the EP is reportedly inspired by her travels across Europe and The Americas with each track being an ode to the experience of a particular locale she had been in, making the EP, a soundtrack for traveling, whether it be on the road, through the sea or through the air; but throughout the EP, Ambree weaves narratives of discovery and identity (which, unsurprisingly come up while traveling to some far off place).  Recorded in Berlin, Brooklyn’s Bunker Studio and Manhattan’s Sear Sound and mixed by renowned producer Howie Beck, who has worked with Feist, Jamie Lidell and Chilly Gonzales while featuring some of the New York area’s most notable session musicians including Snarky Puppy’s Jay Jennings contributing flugelhorn to EP single “Ballyvaughan,” and Grant Zubritsky, who has played in the backing band of Nick Murphy, formerly known as Chet Faker and MS MR, contributing bass on the EP’s latest single “White Jaguar,” a track written as a ode to the Kogi of Colombia, an indigenous civilization, who still live in the exact same fashion as they did 400 years ago, and consider themselves as guardians of the Earth. 
The ethereal song feels like a pleasant but half-remembered reverie bubbling up from the surface of the songwriter’s and listener’s subconscious as the song features a shimmering arrangement featuring strummed acoustic guitars, a sinuous bass line, soaring keys and propulsive drumming paired with Ambree’s gorgeous vocals — and while leaning towards the dreamy, retro-futuristic psychedelia of JOVM mainstays Pavo Pavo, the song captures the sense of awe over experiencing something you can never experience back at home. 

The recently released visuals for the song features gymnasts and dancers performing — but from old grainy negatives, which emphasizes the dreamy nature of the song, while adding to its aching nostalgia.