M for Montreal — M pour Montreal in French — is an annual conference, which takes place over the course of four days in late November in Canada’s second largest city. Since the inaugural conference back in 2005, M for Montreal has quickly expanded to feature a selection of over 100 emerging, buzz-worthy and/or breakout acts from across Quebec, the rest of Canada and internationally playing in showcases in Montreal’s top venues.
The annual conference also welcomes over 300 music industry professionals from Canada and internationally to Montreal for professional programming and networking tailored specifically for folks in the industry. This year, conference delegates will be able to attend a full slate of panels and workshops that address some of the most pressing issues, trends and talking points in the music industry today, including copyright in the Metaverse, the impact of international A&R, and the industry’s relationship with mental health, among others. The conference will also feature keynote sessions led by some of the music industry’s major players. including a keynote led by Sub Pop Records‘ CEO Megan Jasper.
The 17th edition also marks the return of additional activities and events for delegates to take part in throughout the conferences run. Past favorites like Music PEI Brunch Club, Artist Lab, co-presented by TuneCore and QUB musique and M for Marathon presented by SiriusXM all return this year. Of course networking is key, and there will be a variety of professional networking opportunities, including in-person mixers for delegates while in Montreal — and through the virtual M for Mixer platform. Additionally, partner delegates from Wales and the Czech Republic will be in town to present activities specifically for Pro badge holders.
Over the past few weeks, M for Montreal’s organizers announced the full lineup for the 17th edition, which will take place November 16, 2022-November 19, 2022. You might recall that back in September, the conference announced the lineup for its 2022 Official Selection series. The Official Selection series spotlights 29 of Canada’s most exciting, buzz-worthy acts. Up from last year’s total of 20 from last year’s lineup, this year’s Official Selection fully embraces the conference’s long-held values of equity and inclusivity, while featuring artists from a diverse spectrum of identities, backgrounds and genres.
M for Montreal recently shared the full lineup for its M for Marathon portion of its program, which will feature over 100 acts playing showcases in Montreal’s best — and most renowned — venues.
Your boy was invited back to cover the 17th edition of M for Montreal as a festival delegate. It’s my first international trip since the 15th edition of M for Montreal back in 2019. I’m honored and flattered by the opportunity. And understandably, I’m excited and looking forward to traveling again to meeting new people, networking, covering new, buzz-worthy acts — and most importantly poutine and smoked meat sandwiches.
Seriously though, I have to thank M for Montreal’s hardworking team, and their fantastic US publicity partner Marauder Group for the opportunity. Y’all best believe that I will take full advantage.
,M for Montreal’s team also just shared a playlist featuring songs from the Official Selection artists. Out of the 29 artists, I’m looking forward to catching:
Of course, you should expect to see lengthy coverage of the festival here on this site in the upcoming weeks. There will also be quite a bit of posts across all of my social media profiles detailing the entire trip. So if you haven’t been following me before, here’s a good chance now:
Badges for the 17th edition are on sale — and are still available in three tiers:
Pro badges, which gives you access to all the showcases, networking events, cocktails. workshops, keynotes and so on. Currently, only the late bird badge is available — and the late bird badge doesn’t give you access to the virtual M for Mixer.
Melomaniac, which gives you access all of the showcases of the Official Selection series and M for Montreal, as well as all of the conferences and workshops.
Edu, which is specifically for students and offers access to all of M for Montreal’s panels and workshops, and 50% off the Melomaniac badge. (All students have to present a valid student ID when they pick up their badge.)
Co-founded by three New York music industry vets and longtime friends, Lorimer Beacon‘s founder and head Mike Bell, Kanine Records‘ founder and label head Lio Kanine and Kepler Events‘ and Dedstrange Records co-founder Steven Matrick, The New Colossus Festival over the course of the past couple of years have featured a few hundred handpicked, emerging indie bands and artists from across Canada, the UK, the European Union, Australia, Singapore, Hong Kong and the States.
By design the festival normally takes place about a week or so before SXSW; the festival’s co-founders have long viewed New Colossus as a pre-SXSW stopover that will give its lineups an opportunity to organically gain exposure, while filling a critical void in the city’s festival circuit.
Obviously, because of the COVID-19 pandemic, New Colossus wasn’t able to happen as scheduled but last year, New Colossus and 18th Ward Brewing hosted a live, outdoor concert series featuring local and regional acts at the brewery’s Bushwick location.
I’m looking forward to an insane four days of live music from a handful of JOVM mainstays and for some new discoveries. You can check out the lengthy New Colossus Spotify playlist, which features curated tracks by the artists performing this year. But personally, I’m looking forward to the following acts:
Matte Projects is a creative production company that focuses on the conception, production and promotion of music-related events, perhaps more famously known here in New York for creating the Full Moon Festival six years ago, a carefully curated festival and dance party, largely inspired by Thailand’s world-renowned full moon parties. And although it’s been a couple of years since JOVM has covered the Full Moon Festival, its sixth year marks a return to Governor’s Island for two days of partying, art installations, and dancing from early afternoon to late in the night with one of the most enviably gorgeous views of Lower Manhattan and the Statue of Liberty around – and under this month’s blue moon, no less.
Although I’m a music blogger and journalist first and foremost, I fucking love food – I mean, who doesn’t right? – and when I covered the festival back in 2014, one of the best food highlights was The Brooklyn Star’s fried chicken waffle cone. Picture a waffle cone stuffed with popcorn fried chicken on top, mashed potatoes and coleslaw and topped with your choice of honey sriracha sauce (which was frankly the best thing I’ve ever had) or a ranch-based sauce.
Two years later and I’m still talking about it; that’s how fucking good it was – and I might kill someone to have another one.
(Photo Caption: Brooklyn’s fried chicken waffle cone may be the reason the terrorists hate us. And the person who came up with it is a genius.)
This year will continue the festival’s reputation for culinary delight as Matcha Bar, Mile End, Best Pizza, Pokito, Pig and Khao, Clean Shave Ice and Chalk Point Kitchen will all host pop-up stands throughout the festival. I’m starting to salivate over the possibility of some pork belly Adobo, pastrami sandwiches, pizza – well, all the food, really. And whatever weight you put on, you can sweat it off dancing all night.
Full Moon Festival’s sixth edition may arguably have one of the most musically diverse lineups in its history and some of the must see sets will include the following:
Day 1, August 20, 2016
Led by its creative mastermind, producer and electronic music artist Aaron Jerome, SBTRKT(pronounced as “Subtract”) has developed an internationally renowned reputation for remixing the work of M.I.A., Radiohead, Modeselektor, Basement Jaxx, Mark Ronson and Underworld, and for releasing two critically applauded full-length albums, a few EPs and a number of singles – all of which have either received airplay or have been playlisted by BBC Radio 1 and BBC Radio 6. Interestingly, throughout his recording and performing career Jerome has preferred to be as anonymous as humanly possible and during live shows he’s been known to perform wearing modern interpretations of native and indigenous society ceremonial masks designed by A Hidden Place, as well as performing with frequent collaborator Sampha.
Earlier this year, Jerome announced a new project that he described as a “non album,” a collection of songs specifically designed to be an ongoing listening experience, while bringing new music to fans in a faster fashion than the traditional album cycle.
Born Terrence Thornton, Norfolk, VA-based emcee Pusha Tis perhaps best known as one-half of critically applauded and commercially successful hip-hop duo Clipse, with his brother Gene “No Malice” Thornton. And with the help of their friend, Norfolk, VA-born producer, multi-instrumentalist and eventual mega-hit artist Pharrell Williams, the duo quickly exploded into the national scene with the release of their 1997 full-length debut Exclusive Audio Footage. And as a result, Pusha T has made a number of guest spots over the years including on Kelis’ “Good Stuff,” Nivea’s “Run Away (I Wanna Be With You),” all while recording three more albums as a member of Clipse, including the duo’s critically applauded and commercially successful third album Hell Hath No Fury. After the duo’s fourth album, they announced that Clipse would be on hiatus while each individual member would pursue solo projects and other creative endeavors.
In 2010 Pusha T was signed to Kanye West’s GOOD Music and made guest appearances on a number of labelmates’ releases including “Runaway” off West’s My Beautiful Dark Twisted Fantasy and West’s GOOD Fridays singles series and as a solo artist Thornton has collaborated with an increasingly lengthy list of artists and producers including Swizz Beatz’s Monster Mondays series, Lloyd Banks’ H.F.M. 2 (Hunger For More 2), Future, Tyler the Creator, Jay Z and others. Interestingly, over the last few years Thornton has been incredibly prolific, releasing a handful of mixtapes and his solo debut, My Name Is My Name. Adding to a growing profile, last year Kanye West personally appointed Pusha T to take over the reins at GOOD Music. And we should be expecting a full-length in the near future.
Born Nkosinathi Maphumulo, the internationally acclaimed, eThekwini, South Africa-born and Johannesburg, South Africa-based producer and DJ Black Coffee can trace the origins of his recording and performing career to when he majored in Jazz Studies at Technikon Natal. While as a student there, he worked as a backup singer for Madale Kunene before forming an Afro-pop act S.H.A.N.A (short for Simply Hot and Naturally African) with classmates Mnqobi Mdabe (Shota) and Thandukwazi Sikhosana (Demor). The somewhat short lived act was signed to Melt 2000; however, his DJ and production career explored when he was selected as one of two South African participants during 2003’s Red Bull Music Academy – and with an increased buzz around him, he released “Happiness,” which was featured on the DJs at Work compilation; in fact, by the release of his sophomore effort, Have Another One, Black Coffee had become a household name in South African electronic circles for a propulsive, forceful tribal sound and for putting on locally-based artists and producers, all of whom have started to receive attention across Africa, Europe and elsewhere.
Adding to a rapidly growing international profile, Black Coffee has played at some of the world’s biggest and most renowned clubs and stages including Southport Weekender, Panorama Bar, Circo Loco and Boiler Room and has made appearnaces at a number of music festivals including SummerStage, ADE and Red Bull Music Academy in his hometown of Johannesburg, Coachella, Ultra Music Fesitval and others. I’ve seen the brother do his thing live and he’s arguably one of the best electronic music arists, producers and DJs in the entire world. And as much as I want to see some of the other acts on the bill – i.e., Marcus Marr, Santigold and others – I think that Black Coffee may well be worth the price of admission.
Day 2, August 21, 2016
Largely influenced by James Brown, Aretha Franklin, Devo, reggae, Fela Kuti and a ton of Nigerian music, Philadelphia, PA-born singer/songwriter and producer Santi White is best known under the monikers Santogold (which she performed under between 2003-2009) and Santigold has throughout the course of three full-length albums Santogold, Master of My Make-Believe and her most recent effort, 99¢ has developed a reputation for a sound that has at times been compared favorably to the likes of M.I.A. as her work sonically manages to blur, mesh and completely destroy genre lines as you’ll hear elements of techno, house music, dub, reggae, alt rock and others while ironically commenting on our sociopolitical zeitgeist. Interesting, as the result of a growing national and international profile, White has collaborated with an equally impressive list of artists and producers including Diplo, Jonnie “Most” Davis, Yeah Yeah Yeahs’ Karen O., Switch, Q-Tip, TV on the Radio’s Dave Sitek, has opened for the likes of Jay Z and Kanye West during their co-headlining tour, Beastie Boys, Red Hot Chili Peppers, the aforementioned M.I.A., Bjork and has a number of singles make prominent appearances in ad campaigns, including a 2013 campaign for Honda Civic among others.
Comprised of Matthew Correia (drums), Spencer Dunham (bass), Miles Michaud (vocals, guitar) and Pedrum Siadatian (guitar), Los Angeles-based indie rock sensations Allah-Lascan trace their origins to when three of the four band members worked at renowned record store Amoeba Music. Formed back in 2008, the Southern California-based have received both local and national attention for a sound that draws entirely from the 60s and includes elements of folk rock, psych rock, surfer rock and garage rock – while firmly establishing themselves as part of a burgeoning retro/garage rock scene that includes The Mystery Lights, The Black Angels, Raccoon Fighter and others.
London, UK-based producer, electronic music artist, multi-instrumentalist and DJ Dhas received international attention over the last few years for a number of critically acclaimed singles released through renowned dance pop/electro pop label; in fact, “Brown Sauce” was mentioned in Pitchfork’s Tracks while “The Music,” appeared in the major motion picture Pusher and landed at number 3 on Spin Magazine’s Best Dance singles in 2013. And if you were frequenting this site over the course of 2015 you might recall that Marr collaborated with internationally acclaimed indie pop artist Chet Faker on an EP that featured the slickly produced Daft Punk and Off the Wall-era Michael Jackson leaning track “The Trouble With Us.”
Now if you’ve been frequenting this site over the course of its six-year history, you’d know that the New York-based neo-disco/electronic dance music/funk collective ESCORThave been mainstay artists. And over that same period of time, the collective founded by producers Eugene Cho and Dan Balls featuring frontperson Adeline Michele as members of a core group of five that frequently expands to 17 for live shows has received local and national attention for an incredible live show of funky, danceable tunes, their two full-length albums and for their frontperson’s incredible stage presence, cementing their reputation as a must-see live act.
Tickets are still available — and for a two day festival out on gorgeous Governor’s Island, the tickets are pretty affordable. [Purchase Tickets]
JOVM will be there to cover the festival. Expect some live tweeting, a lot of Instagram and more. And if you weren’t following me, here are the socials:
The JOVM previews 2016’s Northside Festival, along with brief bios and music from some of the artists performing — including Brian Wilson, Kasey Musgraves, Conor Oberst, Wolf Parade, Psychic Ills, Diarrhea Planet, The Giraffes, Bambara, Blak Emoji and Boulevards.
The 2nd Annual SOURCE360 Festival Preview Created last year by Northstar Group and The SOURCE founder, L. Londell McMillan, The SOURCE360 Festival had set up shop in Downtown Brooklyn with an important mission: “to spread […]