Tag: Holly

New Video: Denmark’s Twin Dive Releases a Surreal Visual for Mosh Pit Friendly Single “Holly”

Over the course of this past year, I’ve written a bit Aarhus, Denmark-based indie rock act Twin Dive. And as you may recall, the Danish alt rock act formed back in 2018 when its founding duo of Robert Jancevich (vocals, guitar) and Ragnar “Raggi” Gudmunds (drums)  met and bonded over a mutual passion for all things rock ‘n’ roll. Since then, the band has split their time between the studio and live gigs honing and polishing their sound while releasing material that has been compared favorably to Foo Fighters, The Hives and others. During that same period, Charlotte Mortensen (bass) joined the band, helping the band bolster their sound. 

Building upon a growing profile in their native Denmark and across Scandinavia, the band played at this year’s Spot Festival, which caught the attention of Drowned in Sound, who picked the band as one of the best acts of the festival — and they just recently finished a tour of Finland with Finnish act Ursus Factory. Earlier this year, I wrote about the grungy “Animal,” a track that recalls 120 Minutes-era alt rock — i.e., Alice in Chains, Stone Temple Pilots and the like — while thematically, the song was about knowing and taming one’s inner animal. 

The rapidly rising Danish trio’s latest single “Holly” continues a run of grungy, power chord-driven material that draws from 120 Minutes-era alt rock. In fact, because of an arrangement centered around heavily pedal effected and jagged power chords, thunderous drumming and howled vocals the band’s latest single may arguably be the most indebted to Bleach and In Utero-era Nirvana of their entire catalog — but at its core. the song explores the unending battle between our sense of self and our ego in a way that’s partially ironic. 

Directed by Mark Vesterlund, the recently released and incredibly cinematic video is a surreal fever dream featuring a troupe of older Asian women doing traditional dances to the song — and while it’s an odd juxtaposition, the visual is meant to leave the interpretation of its message and meaning to the  viewer. 

New Video: Sarah P. Returns with a Surreal and Symbolic Video for Disco-Influenced “Maenads”

Earlier this year, I wrote about the Athens, Greece-based artist and activist Sarah P. and as you may recall, although she’s perhaps best known as a former member of international acclaimed electronic music production and electronic music duo Keep Shelly in Athens, Sarah P has developed a reputation as a solo artist and collaborator who released her critically applauded full-length debut Who Am I back in 2017 — and she has worked with the likes of Sasha, Mmoths, The New Division, Plastic Flowers, Holly, Hiras, The Bilinda Butchers and a lengthy list of others. 

Sarah’s P’s much-anticipated follow-up to Who Am I, the Maenads EP is a collection of songs celebrating both feminine power (particularly its magic, strength and imperfect perfection) and the artist’s Greek heritage. “Lotus Eaters,” a moody and atmospheric track with four-on-the-floor drumming, shimmering synths, a propulsive and sinuous bass line and Sarah P’s ethereal crooning — and sonically speaking, the track immediately brought to mind Siouxsie and the Banshees, The Cure, Kate Bush and the early 80s 4AD Records roster while arguably being the most sensual song I’ve come across within the early part of this year.

Maenads’ latest single, title track “Maenads” is a propulsive, disco-influenced track built around shimmering and arpeggiated synths, a funky bass line and thumping beats — and unlike its predecessor, the song manages to remind me a bit of Niki & the Dove and several others. Interestingly, the song as Sarah P explains in press note is about nights that are empty of feelings. 

Shot in Berlin, the video is a surreal fever dream that stars Sarah P. and Sabina Smith-Moreland as a bird that meat to symbolize mental illness. The video shows the importance of coming to terms with own struggles while not letting them overtake one’s life. “I’ve been struggling with depression and anxiety for a long time, but I’m convinced that it’s possible to control one’s mental health, rather than living a life controlled by mental illness,” Sarah shares.

“Mental illness never truly goes away, but learning more about it can help understand what’s going on inside your body and mind and therefore, control it better.

“For the last part of the Maenads trilogy, I decided to film in Berlin – where it all started for me. This video is perhaps my least “ethereal” work-to-date – with “ethereal” being a word that’s often used to describe my work. Berlin isn’t ethereal – it’s boxy and well structured in its chaos. Berlin’s light is very different compared to the light in Athens; in Berlin, the light is moody and arrogant – especially during the winter, where it makes rare appearances. Maenads was filmed at Theaterhaus Berlin – a space that felt homely and brought me closer to my drama school years. I had the pleasure to work with photographer and visual artist Colette Pomerleau and dancer Sabina Smith-Moreland. For the coloring of the video, I worked once again with David Hofmann who previously colored the other two parts of the Maenadstrilogy. Although the concept and set are meant to symbolize my life in Berlin, my “Greek Maenads” (Clio “Lil Cli” Arvaniti, Dora Pantazopoulou, Rania Ainiti, Marianna Pagrakioti) make a special appearance on Maenads TV. The additional visuals were filmed & edited by George Geranios, on a rooftop in Athens – the concrete jungle. Lastly, Apostolia Gogara is responsible for the fantastic hair and makeup of the additional visuals.”

New Video: Former Keep Shelly in Athens Frontwoman Releases a Sensual Take on 4AD Records-era Synth Pop

Perhaps best known as one-half of the internaitonally acclaimed electronic music production and electronic music artist duo Keep Shelly in Athens, the Athens, Greece-based artist and activist Sarah P. released a critically applauded full-length debut album Who Am I back in 2017. Interestingly, the vocalist who has collaborated with Sasha, Mmoths, The New Division, Plastic Flowers, Holly, Hiras, The Bilinda Butchers and a lengthy list of others is releasing the much-anticipated follow up to Who Am I, the Maenads EP, a collection of songs to celebrate both feminine power (particularly its magic, strength and imperfect perfection) and the artist’s Greek heritage. 

Maenads’ latest single, the atmospheric and moody “Lotus Eaters” features four-on-the-floor drumming, shimming synths, a propulsive and sinuous bass line paired with Sarah P.’s ethereal crooning. In some way, sonically speaking the song will bring to mind Siouxsie and the Banshees, The Cure, Kate Bush and the early 80s 4AD Records roster while arguably being the most sensual song I’ve come across within the early part of this year. 

Filmed by George Geranios and featuring a concept by Sarah P., the cinematically shot visuals for “Lotus Eaters” stars a gorgeous collection of women appearing in some surreal and dreamlike scenarios. 

Over the past few years renowned indie labels Slumberland Records and Fortuna POP! Records have collaborated on a number of releases — as Slumberland Records has released the work of Fortuna POP! artists across North America; and Fortuna POP! releasing the work of Slumberland Records’ artists elsewhere. And August 26, the two labels continue their fruitful collaboration with the release of the Continental Drift compilation, which features 8 songs from four of this year’s most buzz worthy indie rock/pop acts across both North America and Europe — and naturally, both labels believe the bands on the compilation are set to be breakout stars.

Comprised of members of Literature, Little Big League and Pet Milk, the members of Philadelphia, PA-based act Mercury Girls have received quite a bit of buzz with the release of “Arianna” for a jangling post-punk sound, complete with a soaring and anthemic hook and a gorgeous harmonies; and while, their latest single “Holly,” which is featured on the Continental Drift compilation will further cement their burgeoning reputation for shimmering and jangling post-punk that sounds deeply indebted to The Smiths — while also possibly reminding some listeners of the likes of Veronica Falls and several others.

The members of Mercury Girls will be hitting the road throughout October and November with Balance and Composure and Foxing and it includes a November stop at Warsaw. Check out tour dates below.

Tour Dates:
 
(All dates w/ Balance & Composure and Foxing)

 

Thu-Oct-13 – Richmond, VA – – Broadberry
Fri-Oct-14 – Chapel Hill, NC – Cat’s Cradle
Sat-Oct-15 – Atlanta, GA – Masquerade – Hell
Sun-Oct-16 – Jacksonville, FL – 1904 Music Hall
Tue-Oct-18 – Lake Park, FL – Kelsey Theatre
Wed-Oct-19 – Orlando, FL – The Social
Fri-Oct-21 – Houston, TX – White Oak Music Hall
Sat-Oct-22 – Austin, TX – Mohawk
Sun-Oct-23 – Dallas, TX – Club Dada (So What?! Music Festival)
Tue-Oct-25 – Phoenix, AZ – The Nile
Thu-Oct-27 – San Diego, CA – Observatory North Park
Fri-Oct-28 – Los Angeles, CA – Regent
Sat-Oct-29 – Santa Cruz, CA – The Catalyst Atrium
Sun-Oct-30 – San Francisco, CA – Great American Music Hall
Tue-Nov-01 – Portland, OR – Hawthorne Theatre
Wed-Nov-02 – Seattle, WA – Crocodile
Fri-Nov-04 – Salt Lake City, UT – Complex
Sat-Nov-05 – Denver, CO – Marquis
Sun-Nov-06 – Lawrence, KS – Granada
Thu-Nov-10 – Cleveland, OH – Beachland Ballroom
Fri-Nov-11 – Detroit, MI – St. Andrews
Sat-Nov-12 – Toronto, ON – Opera House
Mon-Nov-14 – Boston, MA – Royale
Tue-Nov-15 – Portland, ME – Port City Music Hall
Wed-Nov-16 – New Haven, CT – College Street Music Hall
Thu-Nov-17 – Brooklyn, NY – Warsaw
Fri-Nov-18 – Philadelphia, PA – Union Transfer
Sat-Nov-19 – Baltimore, MD – Baltimore Soundstage