New Video: Sarah P. Returns with a Surreal and Symbolic Video for Disco-Influenced “Maenads”

Earlier this year, I wrote about the Athens, Greece-based artist and activist Sarah P. and as you may recall, although she’s perhaps best known as a former member of international acclaimed electronic music production and electronic music duo Keep Shelly in Athens, Sarah P has developed a reputation as a solo artist and collaborator who released her critically applauded full-length debut Who Am I back in 2017 — and she has worked with the likes of Sasha, Mmoths, The New Division, Plastic Flowers, Holly, Hiras, The Bilinda Butchers and a lengthy list of others.

Sarah’s P’s much-anticipated follow-up to Who Am I, the Maenads EP is a collection of songs celebrating both feminine power (particularly its magic, strength and imperfect perfection) and the artist’s Greek heritage. “Lotus Eaters,” a moody and atmospheric track with four-on-the-floor drumming, shimmering synths, a propulsive and sinuous bass line and Sarah P’s ethereal crooning — and sonically speaking, the track immediately brought to mind Siouxsie and the Banshees, The Cure, Kate Bush and the early 80s 4AD Records roster while arguably being the most sensual song I’ve come across within the early part of this year.

Maenads‘ latest single, title track “Maenads” is a propulsive, disco-influenced track built around shimmering and arpeggiated synths, a funky bass line and thumping beats — and unlike its predecessor, the song manages to remind me a bit of Niki & the Dove and several others. Interestingly, the song as Sarah P explains in press note is about nights that are empty of feelings.

Shot in Berlin, the video is a surreal fever dream that stars Sarah P. and Sabina Smith-Moreland as a bird that meat to symbolize mental illness. The video shows the importance of coming to terms with own struggles while not letting them overtake one’s life. “I’ve been struggling with depression and anxiety for a long time, but I’m convinced that it’s possible to control one’s mental health, rather than living a life controlled by mental illness,” Sarah shares.

“Mental illness never truly goes away, but learning more about it can help understand what’s going on inside your body and mind and therefore, control it better.

“For the last part of the Maenads trilogy, I decided to film in Berlin – where it all started for me. This video is perhaps my least “ethereal” work-to-date – with “ethereal” being a word that’s often used to describe my work. Berlin isn’t ethereal – it’s boxy and well structured in its chaos. Berlin’s light is very different compared to the light in Athens; in Berlin, the light is moody and arrogant – especially during the winter, where it makes rare appearances. Maenads was filmed at Theaterhaus Berlin – a space that felt homely and brought me closer to my drama school years. I had the pleasure to work with photographer and visual artist Colette Pomerleau and dancer Sabina Smith-Moreland. For the coloring of the video, I worked once again with David Hofmann who previously colored the other two parts of the Maenads trilogy. Although the concept and set are meant to symbolize my life in Berlin, my “Greek Maenads” (Clio “Lil Cli” Arvaniti, Dora Pantazopoulou, Rania Ainiti, Marianna Pagrakioti) make a special appearance on Maenads TV. The additional visuals were filmed & edited by George Geranios, on a rooftop in Athens – the concrete jungle. Lastly, Apostolia Gogara is responsible for the fantastic hair and makeup of the additional visuals.”

 

 

 

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