Over the course of this past year, I’ve written a bit Aarhus, Denmark-based indie rock act Twin Dive. And as you may recall, the Danish alt rock act formed back in 2018 when its founding duo of Robert Jancevich (vocals, guitar) and Ragnar “Raggi” Gudmunds (drums) met and bonded over a mutual passion for all things rock ‘n’ roll. Since then, the band has split their time between the studio and live gigs honing and polishing their sound while releasing material that has been compared favorably to Foo Fighters, The Hives and others. During that same period, Charlotte Mortensen (bass) joined the band, helping the band bolster their sound.
Building upon a growing profile in their native Denmark and across Scandinavia, the band played at this year’s Spot Festival, which caught the attention of Drowned in Sound, who picked the band as one of the best acts of the festival — and they just recently finished a tour of Finland with Finnish act Ursus Factory. Earlier this year, I wrote about the grungy “Animal,” a track that recalls 120 Minutes-era alt rock — i.e., Alice in Chains, Stone Temple Pilots and the like — while thematically, the song was about knowing and taming one’s inner animal.
The rapidly rising Danish trio’s latest single “Holly” continues a run of grungy, power chord-driven material that draws from 120 Minutes-era alt rock. In fact, because of an arrangement centered around heavily pedal effected and jagged power chords, thunderous drumming and howled vocals the band’s latest single may arguably be the most indebted to Bleach and In Utero-era Nirvana of their entire catalog — but at its core. the song explores the unending battle between our sense of self and our ego in a way that’s partially ironic.
Directed by Mark Vesterlund, the recently released and incredibly cinematic video is a surreal fever dream featuring a troupe of older Asian women doing traditional dances to the song — and while it’s an odd juxtaposition, the visual is meant to leave the interpretation of its message and meaning to the viewer.