Tag: Ian Curtis

 

Picture One is the solo, synth pop recording project of Atlanta-based singer/songwriter, multi-instrumentalist and producer Thomas Barnwell. Slated for an April 3, 2020 release, Barnwell’s forthcoming self-produced, Picture One album Across The Depths of Seven Lakes is centered around self-aware 80s synth pop vibes and hook-driven analog synth melodies, chilly post-punk and New Wave soundscapes and Barnwell’s Ian Curtis-like vocals — but unlike his previously released material, the forthcoming album may arguably be the most pop-leaning and accessible he’s written to date. Thematically, Across The Depths of Seven Lakes navigates transcendence, resolve, magic and creativity and the turbulent waters of love and loss.

The album’s first single is the slow-burning, brooding and cinematic “Cycle of Belief.” Centered around, explosive, industrial-like beats, shimmering synth arpeggios and Barnwell’s detached baritone, “Cycle of Belief” simultaneously sounds inspired by early 80s Depeche Mode and Tears for Fears, and as though it could easily be on the Stranger Things soundtrack.

New Audio: Nottingham, UK’s Hurtsfall Releases a Joy Division-Inspired Single

Featuring current and former members of acts like The Death Notes, In Isolation, Gossamer Veil, Dick Venom & the Terrortones, The Midnight Circus, Every New Dead Ghost, Arcane Winter and Tenpole Tudor, the Nottingham, UK-based post-punk act Hurtsfall — founding members Mike Sinclair (bass), Jamie Laws (keys) and Dave Perkins (drums), along with Sam Harrison-Emm (vocals) — can trace its origins back to 2017, when its founding members started a new band. The emerging British act solidified their lineup when they found Harrison-Emm after a lengthy and exhaustive audition process in 2018.

Since the band has solidified their lineup, the members of Hurtsfall have established their own sound, which pairs goth overtones with synth pop sensibilities while developing a following centered around an energetic live show. So far, the le Nottingham-based band has opened for Strange Circuits, one of the first acts to sign with Wax Trax! Records — and building upon a growing profile, the band’s recently released their latest single “12 Long Years.” Centered around angular and propulsive bass chords, forceful yet mathematically precise drumming, shimmering and atmospheric synth flourishes and Harrison-Emm’s Ian Curtis-like baritone, “12 Long Years” will immediately recalls Joy Division, as well as more contemporary acts like ACTORS and others — and while murky and brooding, the track manages to be dance floor friendly.  

Loudmammoth is a Newcastle-upon-Tyne-based shoegaze act — currently comprised of Sophie, Will, Liam and Declan — that can trace its origins back to August 2018, when its founding members bonded over a mutual appreciation of shoegaze, DIY recording and Ian Curtis. With the release of their self-produced debut single “Enough,” the Northeastern English band caught the attention of Scottish indie label Last Night From Glasgow, who signed the act seven weeks later.

Building upon a growing profile, the members of Loudmammoth released their second single “Let Go” last summer, which they followed up with a sold out hometown show at Newcastle’s The Cumberland Arms with labelmates L-Space and Stephen Solo. The single helped the band land praise from The Crack Magazine, who described the band as “purveyors of the very finest jangle,” while receiving airplay on BBC 6 Music‘s The Tom Robinson Show and a feature on the BBC Introducing Mixtape.

Since the release of “Let Go,” the band has been rather busy:  they’ve spent the past few months in intensive writing sessions  — and in that same period of time, they’ve gone through a slight lineup change. Interestingly enough, those past few months of intense writing have helped to produce the rising British act’s latest single, the shimmering one part jangle pop, one part shoegaze, one part dream pop number “In Blue.” Centered around shimmering and jangling guitars, Sophie’s ethereal vocals and a soaring hook, the track — to my ears, at least — brings The Sundays and Slowdive to mind, complete with an unfussy yet clean production and a yearning ache at its core.

Comprised of Paul Bancell (vocals, guitar), Ben Saginaw (bass) and Chris Samuels (synths, samples, drum machines), Detroit-based trio Ritual Howls have developed a reputation for a sound that possesses elements of industrial electronica, goth, rockabilly, and others — although when you hear “Scatter The Scars,” the latest single off the trio’s third full-length album Into the Water, the dark and foreboding single manages to sound as though it drew from Joy Division and Ministry as a throbbing bass line is paired with industrial clang and clatter, bursts of shimmering and twangy guitar chords, swirling and atmospheric synths and a  driving motorik groove with Bancell’s Ian Curtis-like vocals. The lyrically barbed song stings like a series of hurled rebukes, doubts and accusations from a lover– and  just underneath the surface the song evokes the sense of paranoia, self-doubt, uncertainty and fear that can naturally come about during those moments in which a relationship feels in doubt and there’s a part of you that can’t quit tell if it’s your perception of events based on past heartaches, if it’s reality or some completely fucked up combination of both. And interestingly enough, the trio manages to pair that tense and paranoid feeling to what may arguably be their most unintentionally club friendly song they’ve released to date.

The Detroit-based trio are currently embarking on a tour with POP1280 and YOU and it includes a couple of NYC area stops. Check out tour dates below.

 

Ritual Howls Live Dates:
06.24 Chicago, IL @ Burlington Bar *
06.25 Indianapolis, IN @ State Street Pub *
06.26 Cleveland, OH @ Mahall’s *
06.27 Columbus. OH @ Summit *
06.28 Brooklyn, NY @ Alphaville ^
08.02 Bloomington, IN @ The Bishop
08.12 New York, NY @ Mercury Lounge
* w/ YOU.

^ w/ Pop. 1280, YOU.