Tag: Juno Award

Megan Nash is a Mortlach, Saskatchewan, Canada-born and-based, Juno Award-nominated, singer/songwriter, whose work has long been influenced by the endless skies, endless dust and howling winds of the Canadian prairies. With 2017’s sophomore album Seeker, Nash and her backing band The Best of Intentions — Dana Rempel (bass), Darnell Stewart (guitar) and Tannerr Wilhelm Hale (drums) — crafted a lush soundscape that thematically touched upon heartache, grief, dreams and desire, while revealing herself as the titular seeker, with the suitcase or backpack they never really empty, whose reach often exceeds their grasp.

In the years since Seeker‘s release, Nash life has taken some tumultuously turns, which have inspired and informed the material she’s been working on. According to the rising Canadian artist, the music she has written over the past few years was written “in the cracks of a foundation — in moments of reflection during years of whirlwind romance, gut wrenching heartbreak, reviving friendships and life-saving dog love.” The end result, which began with the release of “Artifact,” late last year, finds Nash at her most vulnerable and honest.

Nash’s latest single “Quiet” is brooding, hook-driven 80s New Wave-inspired anthem (think Pat Benetar, Kate Bush and the like), centered around glistening synths, a motorik-like groove and shimmering guitars that seems to seethe with the slow-burning frustration of awkward and uneasy silences between lovers, who may be on the verge of a crossroads — while literally at a crossroad. As Nash explains the song is about being deserted by a partner in Saskatchewan’s southern plains. “What an unforgiving horizon Saskatchewan has. It can really draw out a goodbye,” Nash explains. “‘Quiet’ was born out of heartbreak and I hope it serves as an anthem for the lonely, the one left behind.”

‘Quiet’, Megan’s latest track, is about lost love; being deserted by a partner in the southern plains of Saskatchewan, Canada. “What an unforgiving horizon Saskatchewan has. It can really draw out a goodbye,” says Megan. “‘Quiet’ was born out of heartbreak and I hope it serves as an anthem for the lonely, the one left behind.”
When on stage, Megan is joined by her performing outfit The Best of Intentions. Despite its antithesis to the heartbreak at the root of the track, ‘Quiet’ is one of their favourite tracks to play live. “The lyrics are personal and heavy for me yet I want to dance when we play it on stage. It contains two truths – life is pain and life is a party,” she says. The music video bubbles with energy being a how-to-guide on keeping fit on tour. The video shows the group performing their spritely keep-fit in colourful spandex – a revival of 80s jazzercize.

Doubleheader is a collaborative project between Arthur Comeau, a musician and producer, who has released material as Radio Radio, Nom de Plume and under his own name — and multi-instrumentalist, producer and arranger Jean Massicotte, who has worked with Patrick WilsonJean LeloupLhasaArthur HAlejandra Ribera and a lengthy list of others. Interestingly, Doubleheader finds the acclaimed musicians and producers blending a wild mix of ideas, genres and sounds, including beatmaking, DJing, hip-hop, worldbeat, pop and others — as a way of showing the world what pop music can feel and sound like in the 2020s and beyond, continuing a larger push towards a genre-less world. Importantly, the duo’s sound and approach is specifically crafted to be a reflection of the world we should be aspiring to right now — a multicultural world that celebrates diversity in all of its forms.

The Montreal-based act’s 10 song, full-length debut Slim Wall finds the duo collaborating with an equally accomplished collection of Canadian vocalists including 2020 Juno Award-winning artist Dominque Fils-Aimé, 2019 AFRIMA Award-winning artist AfrotroniX, 2020 Juno Award-winner Djely TapaSamito, EIDHZ, Quentin Hatfield and TEKE: TEKE’s Maya Kuroki to create material that eschews genre and language constraints in an interesting yet accessible fashion.

Late last year, I wrote about “Djanto,” which featured achingly plaintive and evocative vocals from acclaimed Malian-Canadian artist Djely Tapa artist over shimmering acoustic guitar, skittering beats, twinkling synth arpeggios and a soaring hook to create a club-banging track with elements of reggaeton and Afropop.  Underneath the euphoric, club friendliness though, the song is actually centered by a thoughtful and much-needed message: we have to take care of our only home — and that taking care of nature involves protecting both animal and human life.

Slim Wall‘s latest single “Criddora,” is a strutting and laid back, sun-kissed jam centered around skittering beats, reggae-like riddims, shimmering and reverb-drenched squiggling guitar blasts paired with Samito’s achingly plaintive vocals, which to my ears, manage to evoke longing and desperate loneliness within a turn of a phrase. Because of our forced confinement and isolation, the song’s ache feels so deeply familiar to me — as it should to you.

“‘Criadora’ is a reggaeton with a deep luso blues flavour and laid back beats and guitars,” the rising Montreal-based duo explain in press notes. “The song tells the story of a tortured man in a state of near-madness searching for relief. Exploring social isolation and stereotyping, Samito offers insight into the perceived discrepancy between what is said about him and what he believes is true.”

Doubleheader is a new collaborative project between Arthur Comeau, a musician and producer, who has released material as Radio Radio, Nom de Plume and under his own name — and multi-instrumentalist, producer and arranger Jean Massicotte, who has worked with Patrick Wilson, Jean Leloup, Lhasa, Arthur H, Alejandra Ribera and a lengthy list of others. Doubleheader finds the acclaimed musicians and producers blending a wild mix of ideas, genres and sounds — including beatmaking, DJinng, hip-hop, worldbeat, pop and others — as aa way of showing the world what pop music can feel and sound like in the 2020s and beyond, continuing artist’s push towards a genre-defying and genre-less world. But more Importantly, their sound and approach is specifically crafted to be a reflection of the world we should be aspiring to — a multicultural world that celebrates diversity in all of its forms.

The Montreal-based act’s 10 song, full-length debut Slim Wall finds the duo collaborating with an equally accomplished collection of Canadian vocalists including 2020 Juno Award-winning artist Dominque Fils-Aimé, 2019 AFRIMA Award-winning artist AfrotroniX, 2020 Juno Award-winner Djely Tapa, Samito, EIDHZ, Quentin Hatfield and TEKE: TEKE’s Maya Kuroki to create material that eschews genre and language constraints in an interesting yet accessible fashion.

Acclaimed Malian-Canadian artist Djely Tapa contributes achingly plaintive and evocative vocals to Slim Wall single “Djanto,’ a track which pairs shimmering acoustic guitar with skittering beats, twinkling synth arpeggios and a soaring hook in a slickly produced club banger that finds the members of Doubleheader meshing elements of reggaeton and Afro pop. But underneath the club friendly, tweeter and woofer rocking thump, the song is centered by a thoughtful and important message: taking care of nature involves protecting both animal and human life.


New Video: Toronto’s Gillian Stone Releases a Psychedelic Visual for Introspective New Single

Gillian Stone is a Vancouver Island-born, Toronto-based singer/songwriter and multi-instrumentalist, who has collaborated on projects by FORCES’ Alli Sunshine, The Fern Tips, Völur and Althea Thauberger — and she’s appeared in music videos for Clear Mortifee, Robert DeLong, Alli Sunshine and Juno Award nominate Tara Kannangara. As a solo artist, Stone’s work uses vulnerability as a way to create a safe space to explore the dichotomy of beauty and discomfort, thematically touching on recovery, the juxtaposition of femininity and imperfection, turbulent feelings and recovery.

Heavily influenced by her background in jazz and ethnomusicology, Stone has managed to have a rather varied creative and professional life: Fascinated by her Icelandic heritage, Stone explored and studied the popular music of Iceland and the icelandic Diaspora in Canada as part of her graduate work in ethnomusicology. The Vancouver-born, Toronto-based artist has studied Javanese and Balinese gamelan; performed with Russell Hartenberger and NEXUS (the principal percussionists of the Steve Reich ensemble) and with Brazilian cavaquinho virtuoso Henrique Cazes. Her upbringing on Vancouver Island led her to Coast Salish hip-hop and the Cascadian bioregion scene. Overall, Stone uses an interdisciplinary approach to explore disparate genres to produce a singular sound.

Stone’s latest single is the atmospheric and dramatic, Michael Peter Olsen-co-produced “Bridges.” Centered around strummed guitar strummed guitar, dramatic drumming and Stone’s achingly vulnerable vocals, the PJ Harvey and Shana Falana-like “Bridges” finds the Vancouver-born, Toronto-based artist telling a story of dissolution, shame and self-flagellation with a bold and unvarnished honesty. “‘Bridges’ is the soundscape of recovery,” Stone says in press notes. “I wrote this song in 2009 after a summer of self-imposed turbulence. I don’t remember exactly when or how I wrote, but it stayed with me and became predictive. For over a decade, I’ve returned to it as a space to a safely express shame. Now it’s morphing into a reminder, a call for self-temperance. I’m still discovering what it means.”

Stone goes on to add the song was co-produced by Micheal Peter Olsen during a cold winter in Olsen’s Toronto-based studio Uncomfortable Silence. “‘Bridges’ follows a journey of dysregulated emotions exacerbated by alcohol abuse,” Stone says. “The e-cello movement is meant to evoke the feeling of losing one’s mind. This is a post=rock night song that ends with a promise of the sun.”

Directed by Emily Harrison, the recently released video for “Bridges” features Stone in the woods and uses mirrors and kaleidoscopic effects to create something both trippy yet introspective. Harrison calls the video “a psychedelic dream inspired by French New Wave film.”

New Video: City and Colour’s Achingly Lonely Visual for “Astronaut”

Throughout the course of 2019, I’ve written quite a bit about the St. Catherines, Ontario, Canada-born singer/songwriter and guitarist, Dallas Green, the creative mastermind behind the acclaimed and commercially successful folk rock/alt country solo-recording City and Colour. Interestingly, Green may arguably be one of the most successful Canadian artists of his generation: he’s won 3 Juno Awards, including two Songwriter of the Year Awards — and in Canada he has 3 Double Platinum-certified albums, 1 Platinum-certified album and 1 Gold-certified album.

Now, as you may recall, Green’s sixth album, the Jacquire King-produced A Pill for Loneliness is slated for an October 4, 2019 release through the acclaimed Canadian singer/songwriter’s Dine Alone Records imprint, Still Records. The album’s first single “Astronaut,” which marks the first bit of new material from Green in over 4 years, and the track manages to be one part slow-burning, honky tonk ballad and one part towering and anthemic hook-driven Slowdive and The Verve shoegaze, centered around a lonely life on the road, far from friends, family and loved ones. “I always think of the relationships in my life that have been fractured because I ended up doing what I do for a living,” Green says of the new single. “I’m always gone, wandering around and singing songs. However, it weighs on my family and friends. I’m asking for ‘one more year.’ I left home at 21 to go play my guitar. It’s lonely, but it’s because I yearn to wander, I’m aware of how lucky I am.”

Directed by Maxxis, the recently released video stars City and Colour’s Green alone in an empty movie theater as space and aeronautical imagery is projected on the big screen — although briefly the astronaut becomes real. The video manages to evoke the aching loneliness at the core of the song: after all, what can be lonelier than an empty movie theater, with your thoughts, regrets and dreams? 

Green will be embarking on an extensive North American tour that will feature back-to-back nights in Nashville, San Francisco, Los Angeles, Boston and New York. One night in each of those cities will take place in a seated theater, featuring Green playing an intimate solo show with stripped down versions of songs across his catalog with Ben Rogers, the first artist to sign onto Green’s new label.  The second night will feature Green and his touring band playing in general admission rock and indie rock venues with Ruby Waters opening. You can check out the tour dates below.

Throughout the course of this year,  I’ve written quite a bit about the St. Catherines, Ontario, Canada-born singer/songwriter and guitarist, Dallas Green and his acclaimed, commercially successful folk rock/alt country-solo recording project City and Colour. And as you may recall, Green may arguably be one of the most commercially successful Canadian artists of his generation — he’s won 3 Juno Awards, including two Songwriter of the Year Awards — and in Canada he has 3 Double Platinum-certified albums, 1 Platinum-certified album and 1 Gold-certified album.

Slated for an October 11, 2019 release through his newly minted Dine Alone Records imprint, Still Records, Green’s sixth album, the Jacquire King-produced A Pill for Loneliness features the honky tonk-ballad meets towering, anthemic hook-driven shoegazer rock “Astronaut” and the aching and plaintive “Strangers.” The album’s third and latests ingle “Living in Lighting” borrows its title from John Steinbeck’s East of Eden and is a gorgeous slow-burn of a song with a cinematic air — and much like its predecessors, the song focuses on a troubled relationship with a sort of novelistic attention to psychological detail of its characters.

Green will be embarking on an extensive North American tour that will feature back-to-back nights in Nashville, San Francisco, Los Angeles, Boston and New York. One night in each of those cities will take place in a seated theater, featuring Green playing an intimate solo show with stripped down versions of songs across his catalog with Ben Rogers, the first artist to sign onto Green’s new label.  The second night will feature Green and his touring band playing in general admission rock and indie rock venues with Ruby Waters opening. You can check out the tour dates below.

For this tour, Green has partnered with PLUS1. $1 from every ticket sold in Canada and the States will be donated to charitable foundations — Crisis Text Line here in the States and MusiCounts and Indpsire in Canada. Since launching in 2013, Crisis Text Line has provided free, 24/7 confidential support for those in crisis across the country, exchanging over 100 million messages from folks across the country. If you or someone you know needs help, have them text 741714 in the US to connect with a trained Crisis Counselor.

TOUR DATES
Festival Dates
Aug 17 – Elora, ON @ Riverfest
U.S. Tour Dates
Sep 20 – Tacoma, WA @ WAMU Theatre (w/ ALICE IN CHAINS)
Oct 09 – Nashville, TN @ The Basement East**
Oct 10 – Nashville, TN @ James K. Polk Theater (Solo)*
Oct 14 – San Francisco, CA @ Palace of Fine Arts (Solo)*
Oct 15 – San Francisco, CA @ The Fillmore**
Oct 16 – Los Angeles, CA @ Ace Hotel (Solo)*
Oct 17 – Los Angeles, CA @ The Fonda Theatre**
Oct 21 – Boston, MA @ Royale**
Oct 22 – Boston, MA @ Berklee Performance Center (Solo)*
Oct 24 – New York City, NY @ Webster Hall**
Oct 25 – New York City, NY @ Town Hall (Solo)*
Canadian Tour Dates
Nov 08 – Victoria, BC @ Save On Foods Memorial Centre^
Nov 09 – Vancouver, BC @ Pacific Coliseum^
Nov 10 – Kelowna, BC @ Prospera Place^
Nov 12 – Calgary, AB @ Scotiabank Saddledome^
Nov 13 – Edmonton, AB @ Rogers Place^
Nov 15 – Regina, SK @ Brandt Centre^
Nov 16 – Winnipeg, MB @ Bell MTS Place^
Nov 19 – Sudbury, ON @ Sudbury Arena^
Nov 22 – Toronto, ON @ Scotiabank Arena^
Nov 25 – Ottawa, ON @ Canadian Tire Centre^
Nov 26 – Kingston, ON @ Leon’s Centre^
Nov 29 – Halifax, NS @ Scotiabank Centre^
* = w/Ben Rogers
** = w/Ruby Waters
^ = w/Jacob Banks and Ben Rogers

New Video: City and Colour Releases an Intimate Visual for Plaintive “Strangers”

Throughout the first half of this year, I’ve written a bit about the St. Catherines, Ontario, Canada-born singer/songwriter and guitarist, Dallas Green and his acclaimed, commercially successful folk rock/alt country-solo recording project City and Colour. Green can trace the origins of his music career to when he was eight and started playing piano. By the time he turned 14, he was writing songs. Professionally, his career started in earnest as a member of Helicon Blue, but in his native Canada, he’s known for being a founding member of Canadian post-hardcore act Alexisonfire with whom he wrote and recorded four Platinum-certified albums and an EP — 2001’s self-titled album, 2004’s Watch Out!, 2006’s Crisis and 2009’s Old Crows/Young Cardinals and 2010’s Dog’s Blood EP — before officially breaking up in 2011.

City and Colour, Green’s solo recording project can trace its origins back to 2005 when he began releasing early versions of songs for fans to download. Many of those songs were written when Green turned 16 — and he complied those songs and rewrote many of those songs, eventually releasing them as his 2005 City and Colour debut, Sometimes.

2008’s City and Colour sophomore album, the folk-influenced Bring Me Your Love featured a wider arrangement of instrumentation, including harmonica, banjo, drums and lap steel and found Green collaboration with The Tragically Hip’s Gordon Downie and Attack in Black‘s Matt Sullivan. The album’s lead single “Waiting . . . ” peaked at #32 on the Canadian Hot 100. Building upon a growing profile on both sides of the border, Green and his backing band went on their first American tour, opening for Tegan and Sara and Girl in a Coma. The following year, Green went on a Stateside headlining tour with William Elliott Whitmore. 

January 2010 saw Green on another headlining Stateside tour to support Bring Me Your Love with opening act Lissie, which he followed with a UK tour opening for Pink and Butch Waters, with a handful of headlining dates. He ended that year collaboration with Polaris Music Prize-nominated artist Shad on a remix of one of “Listen” off TSOL, and an original song “Live Forever.”

2011’s Little Hell featured Green’s highest charting single, “Fragile Bird,” which reached #1 on the Canadian rock/Alternative Charts. That August, Alexisonfire formally broke up with a statement from the band’s George Pettit saying that Green had been planning to leave the band to focus on his solo work, as balancing the two projects became too difficult.

In 2014 Green collaborated with multi-Grammy nominated and winning pop artist Pink in You + Me and the duo’s full-length debut, rose ave. debuted at #4 on the US Top 200 Charts, #1 in Canada and #2 in Australia, eventually being certified Platinum and culminating in appearances on The Ellen DeGeneres Show and Jimmy Kimmel Live!

Green’s most recent full-length album 2015’s If I Should Go Before You debuted at #16 on the US Billboard 200 and #1 in his native Canada, marking his third consecutive chart-topping album in his homeland.  As far as other accolades, Green has won 3 Juno Awards, including two Songwriter of the Year Awards — and in Canada he has 3 Double Platinum-certified albums, 1 Platinum-certified album and 1 Gold-certified album, which may arguably make him one of the most commercially successful, Canadian artists of his generation.

His forthcoming sixth, Jacquire King-produced full-length album is slated for release this Fall through the acclaimed Canadian singer/songwriter’s newly minted Dine Alone Records imprint, Still Records. The as of yet-unnamed album’s latest single “Strangers” is interestingly enough, its first official radio single and it manages to continue in a similar vein as its predecessor “Astronaut” — a mesh of honky tonk country and towering shoegaze, centered around an enormous, arena friendly hook, Green’s plaintive vocals and a haunting refrain in which Green pleads “Don’t wake when when this is over/just let me drift amidst my dreams.” “‘Strangers’ is about how you will never truly know another human being,” says Green. “You’ll never really understand what it’s like to be inside someone else’s brain or heart. So, we need to appreciate the differences. If we do, maybe we can live better with one another.”

Directed by Michael Maxxis and Chris Verene, and shot on what appears to be a mix of digital cameras and Super 8 Film, the recently released, intimate video for “Strangers” throws the viewer into the lives of a beautiful Black family, a young mixed race couple, a white family, a young white couple, as one of them is preparing to surrender himself to authorities and a lesbian couple. And while each of these situations features incredibly unique individuals, the video captures profoundly universal moments — the loving and tender moments, the tearful and uneasy departures, the embittering fights about money and bills, the petty jealousies, the break ups and make ups that countless families and couples experience on a regular basis. 

Earlier this month, I wrote about the St. Catherines, Ontario, Canada-born singer/songwriter and guitarist, Dallas Green and his acclaimed, commercially successful folk rock/alt country-solo recording project City and Colour. Green started playing piano when he turned eight and was writing music when he turned 14. Initially beginning his music career as a member of Helicon Blue, Green was a founding member of Canadian post-hardcore act Alexisonfire with whom he wrote and recorded four Platinum-certified albums and an EP — 2001’s self-titled album, 2004’s Watch Out!, 2006’s Crisis and 2009’s Old Crows/Young Cardinals and 2010’s Dog’s Blood EP — before officially breaking up in 2011.

City and Colour, Green’s solo recording project can trace its origins back to 2005 when he began releasing early versions of songs for fans to download. Many of those songs were written when Green turned 16 — and he complied those songs and rewrote many of those songs, eventually releasing them as his 2005 City and Colour debut, Sometimes.

2008’s City and Colour sophomore album, the folk-influenced Bring Me Your Love featured a wider arrangement of instrumentation, including harmonica, banjo, drums and lap steel and found Green collaboration with The Tragically Hip’s Gordon Downie and Attack in Black‘s Matt Sullivan. The album’s lead single “Waiting . . . ” peaked at #32 on the Canadian Hot 100. Building upon a growing profile on both sides of the border, Green and his backing band went on their first American tour, opening for Tegan and Sara and Girl in a Coma. The following year, Green went on a Stateside headlining tour with William Elliott Whitmore. 

January 2010 saw Green on another headlining Stateside tour to support Bring Me Your Love with opening act Lissie, which he followed with a UK tour opening for Pink and Butch Waters, with a handful of headlining dates. He ended that year collaboration with Polaris Music Prize-nominated artist Shad on a remix of one of “Listen” off TSOL, and an original song “Live Forever.

2011’s Little Hell featured Green’s highest charting single, “Fragile Bird,” which reached #1 on the Canadian rock/Alternative Charts. That August, Alexisonfire formally broke up with a statement from the band’s George Pettit saying that Green had been planning to leave the band to focus on his solo work, as balancing the two projects became too difficult.

In 2014 Green collaborated with multi-Grammy nominated and winning pop artist Pink in You + Me and the duo’s full-length debut, rose ave. debuted at #4 on the US Top 200 Charts, #1 in Canada and #2 in Australia, eventually being certified Platinum and culminating in appearances on The Ellen DeGeneres Show and Jimmy Kimmel Live!

Green’s most recent full-length album 2015’s If I Should Go Before You debuted at #16 on the US Billboard 200 and #1 in his native Canada, marking his third consecutive chart-topping album in his homeland.  As far as other accolades, Green has won 3 Juno Awards, including two Songwriter of the Year Awards — and in Canada he has 3 Double Platinum-certified albums, 1 Platinum-certified album and 1 Gold-certified album, which may arguably make him one of the most commercially successful, Canadian artists of his generation.

His forthcoming sixth, Jacquire King-producedfull-length album is slated for release this Fall through the acclaimed Canadian singer/songwriter’s newly minted Dine Alone Records imprint, Still Records. Now, as you may recall, the album’s first single “Astronaut” was one part, honky-tonk ballad about a lonely life on the road, far from friend and family, playing your sad, beer and whiskey-soaked songs on the road, one part, towering and anthemic hook-driven shoegaze that recalls Slowdive and The Verve.  “I always think of the relationships in my life that have been fractured because I ended up doing what I do for a living,” Green says of the new single. “I’m always gone, wandering around and singing songs. However, it weighs on my family and friends. I’m asking for ‘one more year.’ I left home at 21 to go play my guitar. It’s lonely, but it’s because I yearn to wander, I’m aware of how lucky I am. “

The as of yet-unnamed album’s latest single “Strangers” is interestingly enough, its first official radio single and it manages to continue in a similar vein as its predecessor — a mesh of honky tonk country and towering shoegaze, centered around an enormous, arena friendly hook, Green’s plaintive vocals and a haunting refrain in which Green pleads “Don’t wake when when this is over/just let me drift amidst my dreams.” “‘Strangers’ is about how you will never truly know another human being,” says Green. “You’ll never really understand what it’s like to be inside someone else’s brain or heart. So, we need to appreciate the differences. If we do, maybe we can live better with one another.”

Earlier this month Green announced festival dates and a North American tour that will feature back-to-back nights in Nashville, San Francisco, Los Angeles, Boston and New York. One night in each of those cities will take place in a seated theater, featuring Green playing an intimate solo show with stripped down versions of songs across his catalog with Ben Rogers, the first artist to sign onto Green’s new label.  The second night will feature Green and his touring band playing in general admission rock and indie rock venues with Ruby Waters opening. You can check out the tour dates below.

For this tour, Green has partnered with PLUS1. $1 from every ticket sold in Canada and the States will be donated to charitable foundations — Crisis Text Line here in the States and MusiCounts and Indpsire in Canada. Since launching in 2013, Crisis Text Line has provided free, 24/7 confidential support for those in crisis across the country, exchanging over 100 million messages from folks across the country. If you or someone you know needs help, have them text 741714 in the US to connect with a trained Crisis Counselor.

TOUR DATES
Festival Dates
Jun 27 – Lansing, MI @ Common Ground Festival (Solo)
Jun 29 – Peterborough, ON @ Peterborough Musicfest (Solo)
Aug 3 – Montreal, QC @ Osheaga Festival
Aug 5 – St. John’s, NL @ George Street Music Festival
Aug 4 – Saint John, NB @ Area 506 Festival
Aug 17 – Elora, ON @ Riverfest
U.S. Tour Dates
Sep 20 – Tacoma, WA @ WAMU Theatre (w/ ALICE IN CHAINS)
Oct 09 – Nashville, TN @ The Basement East**
Oct 10 – Nashville, TN @ James K. Polk Theater (Solo)*
Oct 14 – San Francisco, CA @ Palace of Fine Arts (Solo)*
Oct 15 – San Francisco, CA @ The Fillmore**
Oct 16 – Los Angeles, CA @ Ace Hotel (Solo)*
Oct 17 – Los Angeles, CA @ The Fonda Theatre**
Oct 21 – Boston, MA @ Royale**
Oct 22 – Boston, MA @ Berklee Performance Center (Solo)*
Oct 24 – New York City, NY @ Webster Hall**
Oct 25 – New York City, NY @ Town Hall (Solo)*
Canadian Tour Dates
Nov 08 – Victoria, BC @ Save On Foods Memorial Centre^
Nov 09 – Vancouver, BC @ Pacific Coliseum^
Nov 10 – Kelowna, BC @ Prospera Place^
Nov 12 – Calgary, AB @ Scotiabank Saddledome^
Nov 13 – Edmonton, AB @ Rogers Place^
Nov 15 – Regina, SK @ Brandt Centre^
Nov 16 – Winnipeg, MB @ Bell MTS Place^
Nov 19 – Sudbury, ON @ Sudbury Arena^
Nov 22 – Toronto, ON @ Scotiabank Arena^
Nov 25 – Ottawa, ON @ Canadian Tire Centre^
Nov 26 – Kingston, ON @ Leon’s Centre^
Nov 29 – Halifax, NS @ Scotiabank Centre^
* = w/Ben Rogers
** = w/Ruby Waters
^ = w/Jacob Banks and Ben Rogers

Dallas Green is a St. Catherines, Ontario, Canada-born singer/songwriter and guitarist, who started playing piano when he was eight and writing music when he was 14. Initially beginning his music career as a member of Helicon Blue, Green was a founding member of Canadian post-hardcore act Alexisonfire with whom he wrote and recorded four Platinum-certified albums and an EP — 2001’s self-titled album, 2004’s Watch Out!, 2006’s Crisis and 2009’s Old Crows/Young Cardinals and 2010’s Dog’s Blood EP — before officially breaking up in 2011.

Interestingly, Green’s critically acclaimed and commercially successful folk rock/alt-country solo recording project City and Colour, can trace its origins back to 2005 when he began releasing early versions of songs for fans to download. Many of those songs were written when Green turned 16 — and he complied those songs and rewrote many of those songs, eventually releasing them as his 2005 City and Colour debut, Sometimes.

2008’s City and Colour sophomore album, the folk-influenced Bring Me Your Love featured a wider arrangement of instrumentation, including harmonica, banjo, drums and lap steel and found Green collaboration with The Tragically Hip’s Gordon Downie and Attack in Black‘s Matt Sullivan. The album’s lead single “Waiting . . . ” peaked at #32 on the Canadian Hot 100. Building upon a growing profile on both sides of the border, Green and his backing band went on their first American tour, opening for Tegan and Sara and Girl in a Coma. The following year, Green went on a Stateside headlining tour with William Elliott Whitmore. 

January 2010 saw Green on another headlining Stateside tour to support Bring Me Your Love with opening act Lissie, which he followed with a UK tour opening for Pink and Butch Waters, with a handful of headlining dates. He ended that year collaboration with Polaris Prize-nominated artist Shad on a remix of one of “Listen” off TSOL, and an original song “Live Forever.

2011’s Little Hell features Green’s highest charting single, “Fragile Bird,” which reached #1 on the Canadian rock/Alternative Charts. That August, Alexisonfire formally broke up with a statement from the band’s George Pettit saying that Green had been planning to leave the band to focus on his solo work, as balancing the two projects became too difficult.

In 2014 Green collaborated with multi-Grammy nominated and winning pop artist Pink in You + Me and the duo’s full-length debut, rose ave. debuted at #4 on the US Top 200 Charts, #1 in Canada and #2 in Australia, eventually being certified Platinum and culminating in appearances on The Ellen DeGeneres Show and Jimmy Kimmel Live!

Green’s most recent full-length album 2015’s If I Should Go Before You debuted at #16 on the US Billboard 200 and #1 in his native Canada, marking his third consecutive chart-topping album in his homeland.  As far as other accolades, Green has won 3 Juno Awards, including two Songwriter of the Year Awards — and in Canada he has 3 Double Platinum-certified albums, 1 Platinum-certified album and 1 Gold-certified album, which may arguably make him one of the most commercially successful, Canadian artists of his generation.

His forthcoming sixth, full-length album is slated for release this Fall through the acclaimed Canadian singer/songwriter’s newly minted Dine Alone Records imprint, Still Records — and the album’s first single the Jacquire King-produced “Astronaut,” is the first batch of new material from Green in over four years. Interestingly, the single is one part, honky-tonk ballad about a lonely life on the road, far from friend and family, playing your sad, beer and whiskey-soaked songs on the road, one part, towering and anthemic hook-driven shoegaze that recalls Slowdive and The Verve.  “I always think of the relationships in my life that have been fractured because I ended up doing what I do for a living,” Green says of the new single. “I’m always gone, wandering around and singing songs. However, it weighs on my family and friends. I’m asking for ‘one more year.’ I left home at 21 to go play my guitar. It’s lonely, but it’s because I yearn to wander, I’m aware of how lucky I am. “

Along with the new single, Green announced festival dates and a North American tour that will feature back-to-back nights in Nashville, San Francisco, Los Angeles, Boston and New York. One night in each of those cities will take place in a seated theater, featuring Green playing an intimate solo show with stripped down versions of songs across his catalog with Ben Rogers, the first artist to sign onto Green’s new label.  The second night will feature Green and his touring band playing in general admission rock and indie rock venues with Ruby Waters opening. You can check out the tour dates below.

For this tour, Green has partnered with PLUS1. $1 from every ticket sold in Canada and the States will be donated to charitable foundations — Crisis Text Line here in the States and MusiCounts and Indpsire in Canada. Since launching in 2013, Crisis Text Line has provided free, 24/7 confidential support for those in crisis across the country, exchanging over 100 million messages from folks across the country. If you or someone you know needs help, have them text 741714 in the US to connect with a trained Crisis Counselor.

TOUR DATES
Festival Dates
Jun 27 – Lansing, MI @ Common Ground Festival (Solo)
Jun 29 – Peterborough, ON @ Peterborough Musicfest (Solo)
Aug 3 – Montreal, QC @ Osheaga Festival
Aug 5 – St. John’s, NL @ George Street Music Festival
Aug 4 – Saint John, NB @ Area 506 Festival
Aug 17 – Elora, ON @ Riverfest
U.S. Tour Dates
Sep 20 – Tacoma, WA @ WAMU Theatre (w/ ALICE IN CHAINS)
Oct 09 – Nashville, TN @ The Basement East**
Oct 10 – Nashville, TN @ James K. Polk Theater (Solo)*
Oct 14 – San Francisco, CA @ Palace of Fine Arts (Solo)*
Oct 15 – San Francisco, CA @ The Fillmore**
Oct 16 – Los Angeles, CA @ Ace Hotel (Solo)*
Oct 17 – Los Angeles, CA @ The Fonda Theatre**
Oct 21 – Boston, MA @ Royale**
Oct 22 – Boston, MA @ Berklee Performance Center (Solo)*
Oct 24 – New York City, NY @ Webster Hall**
Oct 25 – New York City, NY @ Town Hall (Solo)*
Canadian Tour Dates
Nov 08 – Victoria, BC @ Save On Foods Memorial Centre^
Nov 09 – Vancouver, BC @ Pacific Coliseum^
Nov 10 – Kelowna, BC @ Prospera Place^
Nov 12 – Calgary, AB @ Scotiabank Saddledome^
Nov 13 – Edmonton, AB @ Rogers Place^
Nov 15 – Regina, SK @ Brandt Centre^
Nov 16 – Winnipeg, MB @ Bell MTS Place^
Nov 19 – Sudbury, ON @ Sudbury Arena^
Nov 22 – Toronto, ON @ Scotiabank Arena^
Nov 25 – Ottawa, ON @ Canadian Tire Centre^
Nov 26 – Kingston, ON @ Leon’s Centre^
Nov 29 – Halifax, NS @ Scotiabank Centre^
* = w/Ben Rogers
** = w/Ruby Waters
^ = w/Jacob Banks and Ben Rogers