Tag: Kendrick Lamar

Throwback: Happy Black History Month: Dr. Dre/Happy 56th Birthday Dr. Dre!

February 18, 2021 is the 18th day of Black History Month. The month has been rushing by — but throughout this past month, I’ve been featuring Black artists across a wide and eclectic array of genres and styes. Hopefully, this may be a bit of a primer on the Black experience and on Black music.

Of course, I hope that these posts will serve as a reminder of these very important facts:

Black culture is American culture — and Black music is American music.
America’s greatest and beloved contributions to the world are Black music styles — the blues, jazz, rock ‘n’ roll and hip-hop.
Black art matters.
Black lives matter — all of them, all of the time.

Coincidentally, today is Dr. Dre’s 56th birthday. Born Andre Young, the Compton-born Dr. Dre has been a wildly successful emcee, producer, record label executive and entrepreneur. Generations have been influenced by and loved his music as a member of NWA and as a solo artist — and he’s been instrumental in introducing the world to some of our most beloved artists, including Snoop Dogg, Kendrick Lamar and countless others.

Happy birthday. Dr. Dre! May there be many, many more.

Live Footage: JOVM Mainstay Thundercat Performs “Them Changes” at Adult Swim Festival with Ariana Grande, JD Beck, and DOMi

Throughout the course of this site’s decade-plus history, I’ve mangled to spill quite a bit of virtual ink covering the critically applauded, Grammy Award-wining singer/songwriter, bassist and JOVM mainstay artist Stephen “Thundercat” Bruner. Bruner has long been a cornerstone of the Brainfeeder Records universe, releasing an incredibly prolific amount of critically applauded material including 2011’s Golden Age of Apocalypse, 2013’s Apocalypse, 2015’s The Beyond/Where Giants Roam EP, 2017’s Drunk and this year’s It Is What It Is. Along with that, Bruner has established himself as a highly sought-after collaborator, contributing to Kamasi Washington’s aptly titled, critically applauded 2015 effort, The Epic and to Kendrick Lamar‘s 2016 commercial and critical smash hit, the Grammy Award winning To Pimp A Butterfly. He also worked with Flying Lotus to compose an original score for a 2018 episode of Donald Glover’s Golden Globe and Emmy Award-winning TV series Atlanta.

Because of the pandemic, concerts and festivals as we remember and love them aren’t possible -and as a result, this year’s Adult Swim Festival was a virtual event — but still chock full of awesome music, comedians and never-before-seen Adult Swim exclusives. Recently, the critically acclaimed JOVM mainstay played a stomping and strutting rendition of one of my favorite songs off 2015’s The Beyond/Where Giants Roam EP “Them Changes” with Ariana Grande, and JD Beck and DOMi that also features an extensive acid jazz fusion break.

“It feels like Ariana and I are forever connected through Mac [Miller] and this is part of the healing process,” Thundercat says.

Thundercat · Dragonball Durag (Remix) [feat. Guapdad 4000 & Smino]

Throughout the course of this site’s almost 10 year history  I’ve managed to spill quite a bit of virtual ink covering the critically applauded, Grammy Award-wining singer/songwriter, bassist and JOVM mainstay artist Stephen “Thundercat” Bruner. Bruner has long been a Brainfeeder Records cornerstone, releasing critically applauded material including  Golden Age of Apocalypse, 2013’s Apocalypse, 2015’s The Beyond/Where Giants Roam EP and 2017’s Drunk while also establishing himself as a highly sough-after collaborator, contributing to Kamasi Washington’s aptly titled 2015 effort, The Epic and to Kendrick Lamar‘s 2016 commercial and critical smash hit, the Grammy Award winning To Pimp A Butterfly. And in 2018, he teamed up with Flying Lotus to compose an original score for an episode of Donald Glover’s Golden Globe and Emmy Award-winning TV series Atlanta.

Drunk, Bruner’s most recent album was conceived and written as an epic journey into the bizarre, hilarious and sometimes dark mind of the Grammy Award-winning singer/songwriter and bassist, but importantly, the album represented a major career transition — from virtuoso bassist and collaborator, to globally recognized star while further cementing his reputation for arguably being one of the past decade’s most unique, genre-defying voices. Thundercat’s fourth full-length album, the Flying Lotus-produced It Is What It Is was released earlier this year through Brainfeeder Records. Much like its immediate predecessor, the album features a who’s who list of collaborators and guest spots from the likes of Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, The Internet‘s Steve Lacy, Slave‘s Steve Arrington, BADBADNOTGOOD, Louis Cole and Zack Fox among others.

“This album is about love, loss, life and the ups and downs that come with that,” Bruner says in press notes. “It’s a bit tongue-in-cheek, but at different points in life you come across places that you don’t necessarily understand… some things just aren’t meant to be understood.”

It Is What It Is‘ second single, “Dragonball Durag” is a mid-tempo strut of a song centered around Bruner’s chunky and wobbling bass lines and his velvety falsetto — and while recalling Quiet Storm-era funky soul, the song is mischievous and funny song that details its creator’s sense of humor and obsession with Dragon Ball Z and the confidence boosting power of the durag.

“I have a Dragon Ball tattoo… it runs everything. There is a saying that Dragon Ball is life,” Bruner explains. As for the durag: “There are two types of people in the world, the guy with the durag and the guy who doesn’t know what a durag is. The durag is a superpower, to turn your swag on… it does something, it changes you. If you have one in the wardrobe, think about wearing it tonight, and it may pop off because you never know what’s going to happen.”

Thundercat’s fourth album was released to widespread critical applause earlier this year and continuing the momentum as best as he could in light of pandemic-related lockdowns, the JOVM recently released a remix of “Dragonball Durag,” that features St. Louis emcee and vocalist Smino and Los Angeles-based emcee, vocalist, creative and like-minded anime fanatic Guapdad 4000. Smino is the co-founder of the Zero Fatigue collective, which features Bari, Monte Booker, Jay2 and Rayvn Layne — and he’s a member of of Ghetto Sage with Saba and Noname. Gaupdad 4000 and Smino are also members of hip-hop supergroup Zoink Gang with JID and Buddy. So all of these brothers are insanely busy. As far as the remix, it’s a straightforward take on the song that with the addition of Guapdad and Smino’s verses, add a new and ridiculous context to the song.  The swag is more, the fuckboi assholery is more and it’s fucking hilarious.

 

 

 

New Single: Bordeaux France’s Yudimah Releases an Uplifting Anthem

Yudimah is a Bordeaux, France-born and-based emcee, singer, beatmaker, pianist and engineer. Influenced by Kanye West, Ryan Leslie, Masego, Anderson .Paak and others, the French artist taught himself English inn order to reach the widest possible audience for his uplifting and conscious lyrics. 

The French emcee, singer, beatmaker, pianist and engineer’s latest effort Light Soul EP was released a few days ago. The EP’s latest single, the self-produced “Catchin’ The Vibe” is an upbeat track centered a slick and self-assured production featuring skittering, twitter and woofer beats, thumping 808s and an infectious hook reminiscent of Kendrick Lamar’s “Alright.” And at its core is a positive message that encourages the listener to live in the current moment, despite a society (and world) full of distraction and bullshit. 

Harvey Causon · Extended Present

Harvey Causon is a rising Bristol, UK-based singer/songwriter, multi-intrumentalist and producer. With the release of “London Stock,” “Worn You,” and “Artifice,” Causon exploded into the national scene, receiving attention across the blogosphere and airplay from BBC 1’s Annie Mac and Huw Stephens for a sound that seems to be the result of constant and uneasy paradoxes: rough field recordings within polished, modern productions featuring a mix of analog and synthetic. Inspired by Mount Kimbie, FKA Twigs, Kendrick Lamar, and Delia Derbyshre, among others, his work aesthetically meshes R&B, jazz and skittering electronica, while featuring catchy hooks and his soulful and melodious vocals.

Lyrically, his work reveals a thoughtful and novelistic approach with material touching upon philosophy, quantum physics and architecture. And as a result, Causon has become a highly sought-after collaborator.

Building upon a growing profile, Causon’s forthcoming EP Fourth Wall is slated for a June 26, 2020 release. So far, three singles have been released from the EP — “Half Hour Verve,” “Blind Eye,” and the EP title track “Fourth Wall.” The EP’s fourth and final single “Extended Present” further cements the EP’s overall sound: warm, singer/songwriter soul-inspired electronica featuring twinkling keys, atmospheric electronics, skittering beats and Causon’s soulful vocals. Sonically, “Extended Present” may bring comparisons to Bonobo, Amnesiac-era RadioheadGravity Pairs-era Beacon, and Hiatus Kaiyote among others.

Harvey Causon · Fourth Wall

“‘Extended Present’ is a song about spacetime and gravity inspired by theories of theoretical physicist Carlo Rovelli,” Causon explains in press notes. “The almost chimerical realisation that time is merely a construct, nonlinear and that gravity and time are interwoven into the fabric of the universe. It was really interesting to work with different people across the globe recording the strings from isolation.”

 

 

New Video: JOVM Mainstay Thundercat Releases a Hilarious Visual for Shimmering and Funky Jam “Dragonball Durag”

Throughout the course of this site’s almost 10 year history  I’ve managed to spill quite a bit of virtual ink covering the critically applauded, Grammy Award-wining singer/songwriter, bassist and JOVM mainstay artist Stephen “Thundercat” Bruner. Bruner has long been a Brainfeeder Records cornerstone, releasing critically applauded material including  Golden Age of Apocalypse, 2013’s Apocalypse, 2015’s The Beyond/Where Giants Roam EP and 2017’s Drunk while also establishing himself as a highly sough-after collaborator, contributing to Kamasi Washington’s aptly titled 2015 effort, The Epic and to Kendrick Lamar‘s 2016 commercial and critical smash hit, the Grammy Award winning To Pimp A Butterfly. And in 2018, he teamed up with Flying Lotus to compose an original score for an episode of Donald Glover’s Golden Globeand Emmy Award-winning TV series Atlanta.

Drunk, Bruner’s most recent album was conceived and written as an epic journey into the bizarre, hilarious and sometimes dark mind of the Grammy Award-winning singer/songwriter and bassist, but importantly, the album represented a major career transition — from virtuoso bassist and collaborator, to globally recognized star while further cementing his reputation for arguably being one of the past decade’s most unique, genre-defying voices. Thundercat’s fourth full-length album, the Flying Lotus-produced It Is What It Is is slated for an April 3, 2020 release through Brainfeeder Records. Much like its immediate predecessor, the album features a who’s who list of collaborators and guest spots from the likes of Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, The Internet‘s Steve Lacy, Slave‘s Steve Arrington, BADBADNOTGOOD, Louis Cole and Zack Fox among others.

“This album is about love, loss, life and the ups and downs that come with that,” Bruner says in press notes. “It’s a bit tongue-in-cheek, but at different points in life you come across places that you don’t necessarily understand… some things just aren’t meant to be understood.”

Earlier this year, I wrote about “Black Qualls,” It Is What It Is‘ first single, which found Bruner teaming up with Slave’s Steve Arrington and The Internet’s Steve Lacy on a strutting and strolling pimp bop, centered around Bruner’s sinuous bass lines, four-on-the-floor drumming and an infectious hook. The end result is a song that manages to be classic Thundercat while sounding as though it could have been on Slave’s Just a Touch of Love. The album’s second and latest single “Dragonball Durag” is a mid-tempo strut of a song centered around Bruner’s chunky and wobbling bass lines and his velvety falsetto — and while recalling Quiet Storm-era funky soul, the song is mischievous and funny song that details its creator’s sense of humor and obsession with Dragon Ball Z and the confidence boosting power of the durag.

“I have a Dragon Ball tattoo… it runs everything. There is a saying that Dragon Ball is life,” Bruner explains. As for the durag: “There are two types of people in the world, the guy with the durag and the guy who doesn’t know what a durag is. The durag is a superpower, to turn your swag on… it does something, it changes you. If you have one in the wardrobe, think about wearing it tonight, and it may pop off because you never know what’s going to happen.”

Directed by Zack Fox, the recently released video features cameos from HAIM, Kali Uchis, and Quinta Brunson and stars Bruner, as a desperate and impossibly horny loser, who stumbles upon the titular durag, and when he puts it on, he unleashes his newfound mojo and attempts to charms the ladies in a hilariously awkward and creepy fashion. And although he constantly gets rejected, he never lets it dull his spirit or his hopes.  

Live Footage: Rising South African Rapper Yugen Blakrok Performing “Ochre (Emerald Mix)” and “Picture Box” for La Bouclette TV

La Bouclette TV is a new French-based music media outlet founded by and carried by the efforts of a team of passionate people — cameramen, editors, sound engineers and journalists, who aim to produce authentic live footage with a polished aesthetic that highlight both emerging and established artists. Last year, the La Bouclette team invited rising Johannesburg, South Africa-based rapper Yugen Blakrok to perform some material off her most recent effort, the critically applauded Anima Mysterium, an effort that named one of the best hip-hop albums of 2019 by a number of media outlets. 

Over the past decade, the rising South African emcee has been a vital and hardworking member of the South African hip-hop scene for the past decade, gaining recognition through a number of features and live shows, and for a sound that mixed sci-fi  and trip hop inspired soundscapes with boom-bap beats and melodic melodies paired with Blakrok’s Lauryn Hill-like flow. She caught the attention of indie label Iapetus Records, home of artists like Robo, Hymphatic Thabs and Fifi the Raiblaster, who signed her in 2009. And as soon as she signed to the label, she teamed up with Sampletologists Kanif the Jhatmaster, starting a successful collaboration that began with a number of attention-grabbing singles and her full-length debut, 2013’s Return of Astro-Goth, an effort that was released to critical applause internationally and was championed by Chuck D and Sage Francis. 

Building upon a growing profile, Return of Astro-Goth received helped Blakrok receive three SA Hip-Hop Award nominations in 2014 — Best Lyricist, Best Newcomer and Best Female Artist categories. Since then she has toured across the European Union several times, opening for MC Lyte during her German and Swiss tour dates; Pete Rock and CL Smooth during their Denmark tour; Edo G during his Austrian tour; and Kemp (a.k.a. Little Ugly Mane) during his Czech Republic tour. In her native South Africa, she’s shared stages with Public Enemy, Sage Francis and Jeru the Damaja. She’s also been featured on several international collaborations, most notably on Kendrick Lamar’s curated Black Panther soundtrack, in which she contributed an attention-grabbing verse alongside Vince Staples and Kendrick Lamar. 

Filmed while the rising South African emcee was in Paris for last year’s MAMA Festival, the Bouclette TV session features the emcee performing the atmospheric, Portishead-like album tracks “Ochre (Emerald Mix) and “Picture Box” in a warm and intimate setting. And throughout the session, Blakrok firmly cements her reparation for dexterous and sensual flows within mesmerizing and moody soundscapes. 

Throughout the course of this site’s almost 10 year history  I’ve managed to spill quite a bit of virtual ink covering the critically applauded, Grammy Award-wining singer/songwriter, bassist and JOVM mainstay artist Stephen “Thundercat” Bruner. Bruner has long been a Brainfeeder Records cornerstone, releasing critically applauded material including  Golden Age of Apocalypse, 2013’s Apocalypse, 2015’s The Beyond/Where Giants Roam EP and 2017’s Drunk while also establishing himself as a highly sough-after collaborator, contributing to Kamasi Washington’s aptly titled 2015 effort, The Epic and to Kendrick Lamar‘s 2016 commercial and critical smash hit, the Grammy Award winning To Pimp A Butterfly. And in 2018, he teamed up with Flying Lotus to compose an original score for an episode of Donald Glover’s Golden Globe and Emmy Award-winning TV series Atlanta.

Drunk, Bruner’s most recent album was conceived and written as an epic journey into the bizarre, hilarious and sometimes dark mind of the Grammy Award-winning singer/songwriter and bassist, but importantly, the album represented a major career transition — from virtuoso bassist and collaborator, to globally recognized star while further cementing his reputation for arguably being one of the past decade’s most unique, genre-defying voices. Thundercat’s fourth full-length album, the Flying Lotus-produced It Is What It Is is slated for an April 3, 2020 release through Brainfeeder Records. Much like its immediate predecessor, the album features a who’s who list of collaborators and guest spots from the likes of Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, The Internet‘s Steve Lacy, Slave‘s Steve Arrington, BADBADNOTGOOD, Louis Cole and Zack Fox among others.

“This album is about love, loss, life and the ups and downs that come with that,” Bruner says in press notes. “It’s a bit tongue-in-cheek, but at different points in life you come across places that you don’t necessarily understand… some things just aren’t meant to be understood.”

Earlier this year, I wrote about “Black Qualls,” It Is What It Is‘ first single, which found Bruner teaming up with Slave’s Steve Arrington and The Internet’s Steve Lacy on a strutting and strolling pimp bop, centered around Bruner’s sinuous bass lines, four-on-the-floor drumming and an infectious hook. The end result is a song that manages to be classic Thundercat while sounding as though it could have been on Slave’s Just a Touch of Love. The album’s second and latest single “Dragonball Durag” is a mid-tempo strut of a song centered around Bruner’s chunky and wobbling bass lines and his velvety falsetto — and while recalling Quiet Storm-era funky soul, the song is mischievous and funny song that details its creator’s sense of humor and obsession with Dragon Ball Z and the confidence boosting power of the durag.

“I have a Dragon Ball tattoo… it runs everything. There is a saying that Dragon Ball is life,” Bruner explains. As for the durag: “There are two types of people in the world, the guy with the durag and the guy who doesn’t know what a durag is. The durag is a superpower, to turn your swag on… it does something, it changes you. If you have one in the wardrobe, think about wearing it tonight, and it may pop off because you never know what’s going to happen.”

The JOVM mainstay will be embarking on a lengthy international tour that includes a March 24, 2020 stop at Webster Hall. Check out the tour dates below. 

Tour Dates:

2/28     Vancouver, BC – Vogue Theatre

2/29     Portland, OR – PDX Jazz Festival 

3/02     Seattle, WA – Showbox SoDo

3/03     Arcata, CA – Van Duzer Theatre

3/04     Chico, CA – Senator Theatre

3/06     Oakland, CA – Fox Theater

3/07     Los Angeles, CA – The Wiltern

3/08     Santa Ana, CA – The Observatory North Park

3/10     Phoenix, AZ – The Van Buren

3/12     Denver, CO – Ogden Theatre

3/13     Omaha, NE – Slowdown

3/14     Minneapolis, MN – The Fillmore

3/15     Chicago, IL – Riviera Theatre

3/17     Detroit, MI – Majestic Theatre

3/18     Toronto, ON – Queen Elizabeth Theatre

3/19     Montreal, QC – Corona Theatre

3/21     Boston, MA – House of Blues

3/22     Philadelphia, PA – The Fillmore

3/24     New York, NY – Webster Hall

3/28     Silver Spring, MD – The Fillmore Silver Spring

3/29     Knoxville, TN – Big Ears Festival

3/31     Nashville, TN – Marathon Music Works

4/1       Asheville, NC – The Orange Peel

4/2       Atlanta, GA – Variety Playhouse

4/9       London, UK – Roundhouse

4/11     Manchester, UK – Academy

4/14     Amsterdam, NL – Paradiso

4/15     Paris, FR – Elysée Montmartre

4/17     Berlin, DE – Astra

Throughout the course of this site’s nearly 10 year history — we turn 10 in June — I’ve managed to spill quite a bit of virtual ink covering the critically applauded, Grammy Award-wining singer/songwriter, bassist and JOVM mainstay artist Stephen “Thundercat” Bruner. Bruner has long been a Brainfeeder Records cornerstone, releasing critically applauded material including  Golden Age of Apocalypse, 2013’s Apocalypse, 2015’s The Beyond/Where Giants Roam EP and 2017’s Drunk while also establishing himself as a highly sough-after collaborator, contributing to Kamasi Washington’s aptly titled 2015 effort, The Epic and to Kendrick Lamar‘s 2016 commercial and critical smash hit, the Grammy Award winning To Pimp A Butterfly. And in 2018, he teamed up with Flying Lotus to compose an original score for an episode of Donald Glover’s Golden Globe and Emmy Award-winning TV series Atlanta.

Drunk, Bruner’s most recent album was conceived and written as an epic journey into the bizarre, hilarious and sometimes dark mind of the Grammy Award-winning singer/songwriter and bassist, but importantly, the album represented a major career transition — from virtuoso bassist and collaborator, to globally recognized star while further cementing his reputation for arguably being one of the past decade’s most unique, genre-defying voices. Thundercat’s fourth full-length album, the Flying Lotus-produced It Is What It Is is slated for an April 3, 2020 release through Brainfeeder Records. Much like its immediate predecessor, the album features a who’s who list of collaborators and guest spots from the likes of Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, The Internet‘s Steve Lacy, Slave‘s Steve Arrington, BADBADNOTGOOD, Louis Cole and Zack Fox among others.

“This album is about love, loss, life and the ups and downs that come with that,” Bruner says in press notes. “It’s a bit tongue-in-cheek, but at different points in life you come across places that you don’t necessarily understand… some things just aren’t meant to be understood.”

“Black Qualls,” It Is What It Is‘ first single finds Bruner teaming up with Slave’s Steve Arrington and The Internet’s Steve Lacy on a strutting and strolling pimp bop, centered around Bruner’s imitable and dexterous bass lines, four-on-the-floor drumming and a sinuous hook. And as result, the song manages to be a bit of classic Thundercat that finds the JOVM mainstay lovingly highlighting his influences in a mischievously anachronistic fashion: in some way, it sounds as though it could have been on Slave’s Just a Touch of Love and any of Thundercat’s albums simultaneously. But importantly, the song touches on something deeply personal and familiar to me — what it means and feels to be, as the great Nina Simone once sang “young, gifted and Black.” And as Bruner adds, “What it feels like to be in this position right now… the weird ins and outs, we’re talking about those feelings… Part of me knew this [track] was where Steve [Arrington] left us.”

The song emerged from writing sessions with Lacy, whom Thundercat describes as “the physical incarnate of Ohio Players in one person: he is genuinely one funky ass dude.”

The JOVM mainstay will be embarking on a lengthy international tour that includes a March 24, 2020 stop at Webster Hall. Check out the tour dates below. 

Tour Dates:

2/28     Vancouver, BC – Vogue Theatre

2/29     Portland, OR – PDX Jazz Festival 

3/02     Seattle, WA – Showbox SoDo

3/03     Arcata, CA – Van Duzer Theatre

3/04     Chico, CA – Senator Theatre

3/06     Oakland, CA – Fox Theater

3/07     Los Angeles, CA – The Wiltern

3/08     Santa Ana, CA – The Observatory North Park

3/10     Phoenix, AZ – The Van Buren

3/12     Denver, CO – Ogden Theatre

3/13     Omaha, NE – Slowdown

3/14     Minneapolis, MN – The Fillmore

3/15     Chicago, IL – Riviera Theatre

3/17     Detroit, MI – Majestic Theatre

3/18     Toronto, ON – Queen Elizabeth Theatre

3/19     Montreal, QC – Corona Theatre

3/21     Boston, MA – House of Blues

3/22     Philadelphia, PA – The Fillmore

3/24     New York, NY – Webster Hall

3/28     Silver Spring, MD – The Fillmore Silver Spring

3/29     Knoxville, TN – Big Ears Festival

3/31     Nashville, TN – Marathon Music Works

4/1       Asheville, NC – The Orange Peel

4/2       Atlanta, GA – Variety Playhouse

4/9       London, UK – Roundhouse

4/11     Manchester, UK – Academy

4/14     Amsterdam, NL – Paradiso

4/15     Paris, FR – Elysée Montmartre

4/17     Berlin, DE – Astra