Tag: Lauren Laverne

 

Over the past 18 months or so, the rapidly rising, enigmatic and mysterious Brighton, UK-based indie artist Nancy has received attention across the blogosphere from the likes of StereogumNME and DIY and airplay on BBC Radio 1 from personalities like Annie Mac, Huw Stephens and Jack Saunders and BBC Radio 6 personalities Iggy Pop, Lauren Laverne and Steve Lamacq.

Earlier this year, the rising Brighton-based artist re-emerged with the release of attention-grabbing single “When I’m With You (I Feel Love).” Building upon a growing profile in his native England, Nancy’s latest single is a the scuzzy power chord stomper “Clic Clac.” Clocking in at 107 seconds and centered around distorted power chords, rapid fire drumming, distorted vocals and a mosh pit friendly hook, the track finds Nancy seemingly drawing from ’77 era punk and glam rock simultaneously. “‘Clic Clac’ is an ode to anxiety, it is much quicker and shorter than anything I’ve written, it’s a head-rush,” the rising Brighton-based artist explains in press notes. “The soundtrack to my ‘quarter life crisis’…or maybe I should just call it a crisis at this point. You’re going to need to strap seatbelts to your ears, cause I’m about to take them for the ride of their life”.

 

 

 

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Liam Brown is a rapidly rising British singer/songwriter, multi-instrumentalist, producer and electro pop artist, who has been making waves across the blogosphere and elsewhere with his solo recording project pizzagirl.  With the release of last year’s An Extended Play EP, Brown was championed by Huw Stephens, Annie Mac and Lauren Laverne, and received praise from DIY, Highsnobiety, Wonderland, The Line of Best Fit and others for an 80s synth pop inspired sound.

Building upon a growing profile, the release of his sophomore EP, season 2 further cemented Brown’s reputation for crafting swooning and shimmering synth pop — but this year may be Brown’s breakthrough year: his highly anticipated full-length debut first timer is slated for release later this year through through Heist or Hit Records, the label home of the Her’s, Baywaves and Honey Moon among others.

Earlier this year, I wrote about first timer‘s second single “ball’s gonna keep on rollin,”a hook-driven synth pop bop with shimmering synths, explosive blasts of horns, dramatic drum rolls and Brown’s pop star vocals. The album’s latest single “yesterday” is a slow-burning  ballad-ice track centered around shimmering keys, boom bap-like beats,  and Brown’s plaintive vocals. Arguably, the album’s most melancholy and wistful track, “yesterday” touches upon the rapid passing of time, and the lingering ghosts of the past — particularly those of romantic relationships and lovers. And while achingly sad, the track possesses an underlying sense of hope.

New Video: JOVM Mainstay pizzagirl Releases a Feverish 80s Movie-Inspired Visual for “ball’s gonna keep on rollin”

Over the past year, Liam Brown, a rapidly rising singer/songwriter, multi-instrumentalist, producer and electro pop artist, best known as pizzagirl became one of this site’s many mainstay artists. With the release of last year’s An Extended Play EP, Brown was championed by Huw Stephens, Annie Mac and Lauren Laverne, and received praise from DIY, Highsnobiety, Wonderland, The Line of Best Fit and others for an 80s synth pop inspired sound. 

Building upon a growing profile, the release of his sophomore EP, season 2 further cemented Brown’s reputation for crafting swooning and shimmering synth pop. This year may be the biggest year of the JOVM mainstay’s career to date, as his highly-anticipated, full-length debut first timer is slated for an October 11, 2019 release through Heist or Hit Records, the label home of the Her’s, Baywaves and Honey Moon among others.

first timer‘s second and latest single “ball’s gonna keep on rollin” is a hook-driven, 80s synth pop bop with shimmering synths, explosive blasts of horns, dramatic drum rolls and Brown’s pop star vocals. And while sounding as though it could have been part of the soundtrack of Stranger Things, the track details the journey of a showbiz wannabe — from wide-eyed, hungry and humble origins to buzz-worthy artist to superstar to broke, washed up and bitter former star. In many ways, the success that the song’s protagonist desperately wanted to attain was his worst nightmare.“It’s a Twilight Zone-type of tale of hunting for the big ‘success’ whatever that may be,” Brown explains in press notes. “Anyways, just remember that if the grind is getting you down, that ball’s gonna keep on rollin.”

Directed by Tom Chetwode-Barton, the recently released, feverish video for “ball’s gonna keep on rollin” is set at a bowling alley and features an epic battle between rivals and an incredibly awkward and self-aware performance before we see that the entire visual is a chloroform induced dream. “The sequel to my first timer anthology series takes place in the smoky lanes of that bowling alley you used to go to years ago!” Brown says in press notes. “A made for TV, Rocky-esque sports battle of the millennium, starring corruption, redemption, Denise and introducing Pizzagirl like you’ve never seen her before! See you in there x!”

The video’s director Tom Chetwode-Barton adds “For this video Pizzagirl had loads of really strong references ranging from The Big Lebowski to Twin Peaks, so we took this and really ran with it – we wanted to create something camp, psychedelic and sort of nightmarish using tropes from all our favourite 80’s films, with a bit of slapstick thrown in for good measure.”

Over the last few months of last year, Liam Brown, an up-and-coming songwriter, multi-instrumentalist, producer and electro pop artist, best known as pizzagirl quickly became a mainstay on this site. And as you may recall, with the release of last year’s An Extended Play EP, Brown was championed by Huw Stephens, Annie Mac and Lauren Laverne, and received praise from DIY, Highsnobiety, Wonderland, The Line of Best Fit and others for an 80s synth pop inspired sound. Brown also opened for the acclaimed — and all too tragic — British indie act Her’s, during one of their last UK tours.

Building upon a growing profile, the release of his sophomore EP, season 2 further cemented Brown’s reputation for crafting swooningly heartfelt, shimmering synth pop with a decidedly anachronistic sound and feel. But 2019 may be the JOVM mainstay’s biggest year to date, as his highly-anticipated full-length debut, first timer is slated for an October 11, 2019 release through Heist or Hit Records, the label home of the aforementioned Her’s, Baywaves and Honey Moon among others.

first timer‘s second and latest single “ball’s gonna keep on rollin” is a hook-driven, 80s synth pop bop with shimmering synths, explosive blasts of horns, dramatic drum rolls and Brown’s pop star vocals — and while sounding as though it could be part of the soundtrack of Stranger Things, the track details the journey of a showbiz wannabe — from wide-eyed, hungry and humble origins to buzz-worthy artist to superstar to broke, washed up and bitter former star. In many ways, the success that the song’s protagonist desperately wanted to attain was his worst nightmare.

“It’s a Twilight Zone-type of tale of hunting for the big ‘success’ whatever that may be,” Brown explains in press notes. “Anyways, just remember that if the grind is getting you down, that ball’s gonna keep on rollin.”

 

 

 

 

 

New Video: JOVM Mainstays Flamingods Release a Lysergic and Feverish Visual for “Olympia”

Over the better part of this year, I’ve written a bit about the acclaimed multi-continental-based psych rock act Flamingods, and as as you may recall, the band’s Bahraini-born founder and frontman, Kamal Rasool has traveled widely to collect rare and unique instruments from Tanzania, The Amazon and elsewhere. When Rasool relocated to London to study music, he recruited a few friends from Bahrain and London to start a band, including the members of the band’s current lineup — Karthik Poduval, Sam Rowe and Charles Prest. Their first live show together was a highly praised, attention-grabbing set during 2010’s ATP Festival, which quickly led to a national profile.

Building upon a growing profile, the members of Flamingods quickly released two EPs, 2010’s Sun and 2011’s Away. 2013’s full-length debut Sun was a reimagining of the material off the EP of the same name that featured “Quesso,” a collaboration with Ponytail‘s Dustin Wong on lead guitar. Around the time of Sun’s release, the British government enacted new visa laws, which forced Rasool to return to Bahrain after finishing school. He then moved to Dubai, where he worked for an independent magazine and coffee shop. And although at that point, the members of the band were rising on different continents and unable to play together, they managed to find a way to continue working on new material, which would eventually become their critically applauded sophomore album, Hyperborea, an album that established a globe-spanning take on psychedelia that the band has dubbed “Exotic Psychedelia.”

During the release of Hyperborea, Prest relocated to Dubai to work closely with Rasool. Shortly after Prest’s relocation, the band began working on their third full-length album, 2016’s Majesty, an album that was largely inspired by the likes of Les Baxter, Tito Puente, Arthur Lyman and others. The album was released to generally mixed reviews, but it was championed by BBC Radio 6‘s Gilles Peterson and Lauren Laverne, who both invited the band to record live sessions. With Rasool and Prest able to return to the UK, the band was finally able to extensively across the UK and the European Union to support the album, including sets at Green Man Festival, End of the Road Festival, and Fusion Festival.

In February 2017, the band signed with Moshi Moshi Records,who released that year’s Kewali EP. The band toured to support the effort, which included their SXSW debut. The band also released a remix album of  Majesty that featured remixes of album material by Ibibio Sound Machine, Meridian Brothers and Oasis‘ Andy Bell. They also released a Dan Carey-produced live version of “Hyperborea.”

The band’s fourth album Levitation was released earlier this year, and the album was largely inspired by the disco, funk and psychedelic sounds out of the Middle East and South Asia in the ’70s — but filtered through mysticism, positivity and sun-drenched imagery. More importantly, the Levitation recording sessions found the band living and working together on the same continent for the first time in about four years. And as a result. the album’s material may arguably be the most unified effort they’ve written and released to date. 

The album’s first single “Marigold” was a trippy bit of psych rock centered around a motorik groove, shimmering and arpeggiated synths delivered with a Brit Pop-like swagger. Interestingly, the album’s second single, album opening track “Paradise Drive” continues in a fairly similar vein as its predecessor, complete with a motorik groove, shimmering and arpeggiated synths — but the song may arguably bear the most uncanny resemblance to Evil Heat-era Primal Scream of the entire album.  Interestingly, the album’s latest single is the breezy, Sgt. Pepper-like “Olympia.” Centered around fluttering synths, fuzzy and distorted guitars, a propulsive rhythm section and Rasool’s dreamy vocals the track is a seamless and brightly colored synthesis of 60s psychedelia and Brit Pop. 

Directed by Andrea Mae, the recently released video for “Olympia” is a lysergic fever dream, featuring the members of the band having wild visions while in a sauna. “For this video, I was inspired by the ghosts that haunt each of us human beings. I chose to have one of these as a central character of the narrative and to give it a place filled with light, positivity, or perhaps a touch of humour,” Mae explains. “The sauna was an addition to this concept because it is purifying place, a room where you are in company and in a state of peace. I wanted something that looked like a modern day psychedelic cartoon, but mixed with some vintage, experimental footage to try and create a hybrid that looks part 60’s and part now.”​

New Video: Acclaimed Multi-Continental Pysch Rock Act Flamingods Release a Lysergic Animated Visual for Motorik Groove-Driven Single “Paradise Drive”

Growing up in the Kingdom of Bahrain, Kamal Rasool, the founding member of acclaimed multi-continental-based psych rock act Flamingods has traveled widely to collect rate and unique instruments from Tanzania, the Amazon and elsewhere. When Rasool relocated to London to study music, he recruited a few friends from Bahrain and London to start a band, including the members of the band’s current lineup — Karthik Poduval, Sam Rowe and Charles Prest.  Interestingly, their first live show together was an attention-grabbing show at the 2010 ATP Festival, which quickly led to a national profile.

Building upon a growing profile, the members of Flamingods quickly released two EPs, 2010’s Sun and 2011’s Away. 2013’s full-length debut Sun was a reimagining of the material off the EP of the same name that featured “Quesso,” a collaboration with Ponytail‘s Dustin Wong on lead guitar. Around the time of the album’s release, the British government enacted new visa laws which forced Rasool to return to Bahrain after he finished school. Rasool then moved to Dubai, where he worked for an independent magazine and coffee shop. And although at that point, the members of the band were residing on different continents and unable to play together, they continued to work on new material that eventually wound up becoming their critically applauded Hyperborea, an album that established a globe-spanning take on psychedelia that the band has dubbed “Exotic Psychedelia.”

During the release of Hyperborea, Prest relocated to Dubai to work closely with Rasool. And shortly after that, the members of Flamingods began working on their third full-length album, 2016’s Majesty, an album that was largely inspired by the likes of Les BaxterTito PuenteArthur Lyman and others. Although the album received mixed reviews, it was championed by BBC Radio 6‘s Gilles Peterson and Lauren Laverne, who both invited the band to record live sessions. With Rasool and Prest able to return to the UK, the band was finally able to extensively across the UK and the European Union to support the album, including sets at Green Man Festival, End of the Road Festival, and Fusion Festival.

In February 2017, the band signed with Moshi Moshi Records,who released that year’s Kewali EP and the band toured to support the album, including their SXSW debut. The band also released a remix album of Majesty that featured remixes of album material by Ibibio Sound MachineMeridian Brothers and Oasis‘ Andy Bell. And the band released a Dan Carey-produced live version of “Hyperborea.

Flamingods’ fourth, full-length album Levitation is slated for a May 3, 2019 release through Moshi Moshi Records, and the album is largely inspired by the disco, funk and psychedelic sounds out of the Middle East and South Asia in the ’70s but while channeled through mysticism, positivity and sun-drenched imagery. But perhaps much more important, the Levitation recording sessions found the band living and working on the same continent for the first time in about four years, and as a result, the album’s material may arguably be the most unified effort they’ve written and released in years. The album’s first single “Marigold” was a trippy bit of psych rock centered around a motorik groove, shimmering and arpeggiated synths delivered with a Brit Pop-like swagger. Interestingly, the album’s second single, album opening track “Paradise Drive” continues in a fairly similar vein as its predecessor, complete with a motorik groove, shimmering and arpeggiated synths — but the song may arguably bear the most uncanny resemblance to Evil Heat-era Primal Scream of the entire album with the song sounding like a disco-like “Autobahn 66” meets LCD Soundsystem, thanks to the copious use of cowbell.

Animated by Mien’s John Mark, the recently released video uses the incredibly trippy album artwork created by Indonesian artist Ardneks. “I wanted something that looked like a modern day psychedelic cartoon, but mixed with some vintage, experimental footage to try and create a hybrid that looks part 60’s and part now,” Marks says of the video.

Growing up in the Kingdom of Bahrain, Kamal Rasool, the founding member of acclaimed multi-continental-based psych rock act Flamingods has traveled widely to collect rate and unique instruments from Tanzania, the Amazon and elsewhere. When Rasool relocated to London to study music, he recruited a few friends from Bahrain and London to start a band, including the members of the band’s current lineup — Karthik Poduval, Sam Rowe and Charles Prest.  Interestingly, their first live show together was an attention-grabbing show at the 2010 ATP Festival, which quickly led to a national profile.

Building upon a growing profile, the members of Flamingods quickly released two EPs, 2010’s Sun and 2011’s Away. 2013’s full-length debut Sun was a reimagining of the material off the EP of the same name that featured “Quesso,” a collaboration with Ponytail‘s Dustin Wong on lead guitar. Around the time of the album’s release, the British government enacted new visa laws which forced Rasool to return to Bahrain after he finished school. Rasool then moved to Dubai, where he worked for an independent magazine and coffee shop. And although at that point, the members of the band were residing on different continents and unable to play together, they continued to work on new material that eventually wound up becoming their critically applauded Hyperborea, an album that established a globe-spanning take on psychedelia that the band has dubbed “Exotic Psychedelia.”

During the release of Hyperborea, Prest relocated to Dubai to work closely with Rasool. And shortly after that, the members of Flamingods began working on their third full-length album, 2016’s Majesty, an album that was largely inspired by the likes of Les Baxter, Tito Puente, Arthur Lyman and others. Although the album received mixed reviews, it was championed by BBC Radio 6‘s Gilles Peterson and Lauren Laverne, who both invited the band to record live sessions. With Rasool and Prest able to return to the UK, the band was finally able to extensively across the UK and the European Union to support the album, including sets at Green Man Festival, End of the Road Festival, and Fusion Festival.

In February 2017, the band signed with Moshi Moshi Records, who released that year’s Kewali EP and the band toured to support the album, including their SXSW debut. The band also released a remix album of Majesty that featured remixes of album material by Ibibio Sound Machine, Meridian Brothers and OasisAndy Bell. And the band released a Dan Carey-produced live version of “Hyperborea.

Flamingods’ fourth, full-length album Levitation is slated for a May 3, 2019 release through Moshi Moshi Records, and the album is largely inspired by the disco, funk and psychedelic sounds out of the Middle East and South Asia in the ’70s but while channeled through mysticism, positivity and sun-drenched imagery. But perhaps much more important, the Levitation recording sessions found the band living and working on the same continent for the first time in about four years — and as a result, the album’s material may arguably be the most unified effort they’ve written and released in years. Now, as yo may recall, the album’s first single “Marigold” was a trippy bit of psych rock centered around a motorik groove, shimmering and arpeggiated synths delivered with a Brit Pop-like swagger. Interestingly, the album’s second single, album opening track “Paradise Drive” continues in a fairly similar vein as its predecessor, complete with a motorik groove, shimmering and arpeggiated synths — but the song may arguably bear the most uncanny resemblance to Evil Heat-era Primal Scream; in fact, “Paradise Drive” reminds me quite a bit of one of my favorite Primal Scream songs, “Autobahn 66” but with a subtle disco element to it,  complete with cowbell.

 

New Video: Flamingods Release Trippy Visuals for Their Motorik Groove-Driven New Single “Marigold”

Growing up in the Kingdom of Bahrain, Kamal Rasool, the founding member of acclaimed multi-continental-based psych rock act Flamingods traveled widely and collected rate and unique instruments from Tanzania, the Amazon and elsewhere. When Rasool relocated to London to study music, he recruited a few friends from Bahrain and London to start a band, including the members of the band’s current lineup — Karthik Poduval, Sam Rowe and Charles Prest.  Interestingly, their first live show together was an attention-grabbing show at the 2010 ATP Festival, which quickly led to a national profile. 

Building upon a growing profile, the members of Flamingods quickly released two EPs, 2010’s Sun and 2011’s Away and 2013’s full-length debut Sun, a reimagining of the material off the EP of the same name that featured “Quesso,” a collaboration with Ponytail’s Dustin Wong on lead guitar. Around the time of the album’s release, the British government enacted new visa laws which forced Rasool to return to Bahrain after he finished school.  

Rasool moved to Dubai, where he worked for an independent magazine and coffee shop. Although the members of the band were on different continents and unable to play together, they continued to work on new material that eventually wound up becoming their critically applauded Hyperborea, an album that established a globe-spanning take on psychedelia that the band has dubbed “Exotic Psychedelia.” 

During the release of Hyperborea, Prest relocated to Dubai to work closely to Rasool. The band quickly began working on their third full-length album, 2016’s Majesty, an album that was largely inspired by the likes of Les Baxter, Tito Puente, Arthur Lyman and others. Although the album was received mixed reviews, it was championed by BBC Radio 6’s Gilles Peterson and Lauren Laverne, who both invited the band to record live sessions. With Rasool and Prest able to return to the UK, the band was able to extensively across the UK and the European Union to support the album, including sets at Green Man Festival, End of the Road Festival, and Fusion Festival. 

In February 2017, the band signed with Moshi Moshi Records, who released that year’s Kewali EP and the band toured to support the album, making their SXSW debut. The band also released a remix album of Majesty that featured remixes of album material by Ibibio Sound Machine, Meridian Brothers and Oasis’ Andy Bell. Additionally. the band released a Dan Carey-produced live version of “Hyperborea.” 

The acclaimed act’s fourth, full-length album Levitation is slated for a May 3, 2019 release through Moshi Moshi Records, and interestingly, the album is largely inspired by the disco, funk and psychedelic sounds out of the Middle East and South Asia in the ’70s but channeled through mysticism, positivity and sun-drenched imagery. Interestingly, the album’s recording sessions found the band living and working in the same continent for the first time in about four years — and as a result, the album’s material has a unified feel. Levitation’s first single “Marigold” is a trippy and sunny bit of psych rock centered around a motorik groove, shimmering and arpeggiated synths and while delivered with a self-assured swagger, the song sonically reminds me of Evil Heat-era Primal Scream. 

Directed by Barbu.TV, the recently released video was shot during a trip the band made to Oman — in particular, the remote city of Nizwa, known for a gang of vintage motorbike riding youths — and the trip involved hazardous border crossing, self-made ornate, denim jackets. Additionally the video features some innovative camerawork and some appropriately hypnotic animation. As the band’s Kamal Rasool says of the video, “We had heard about this gang of motorbike riding youths through our friend [photographer] Ali Al Sharji and knew immediately that we wanted to make a music video with them. They live in a remote city in Oman called Nizwa and have had these vintage bikes passed down from generation to generation. The police aren’t so fond of them but they are some of the nicest guys we’ve ever met.  We joined them riding through the city and had a proper road trip along the way with the Barbu. TV guys, exploring through deserts, mountains, skate parks, palm groves and old monuments. I think the motion of them riding the bikes melded with the motorik groove of the song perfectly and the sun-soaked environment was just what we needed to capture the song’s themes”

New Audio: Introducing the Synth-Led Funk of Sydney’s Winston Surfshirt

With the release of their full-length debut Sponge Cake, which featured their recently gold-certified debut single “Be About You,” the Sydney, Australia-based sextet Winston Surfshirt was championed by Beats 1 Radio host Zane Lowe, KRCW’s Jason Bentley, BBC Radio 1’s Huw Stephens and Phil Taggart, BBC Radio 6’s Lauren Laverne and Elton John, thanks in part to a Australian sextet’s unique and slickly produced blend of synth funk, soul and hip-hop. Adding to a growing profile, Sponge Cake was named a Triple J feature album. 

Building upon a growing national and international profile, the up-and-coming Sydney-based act end 2018 with a new track, the chilled out yet swaggering funky synth-led “For The Record,” which pairs a sleek hip hop-tinged production of thumping beats, arpeggiated synths, crooning horns and neo-soul like vocals. Sonically, the song brings a number of different artists — Thundercat, Timbaland and Dam-Funk immediately come to mind. “‘For The Record’ is a song written for anyone from the perspective of their loved ones, family or friends,” the members of the band explain in press notes. “When you’re feeling down there’s always people who love you and would do anything to make you feel better and be there when you’re in a bad headspace.”