JOVM’s William Ruben Helms celebrates the life and music of Gary “Mani” Mounfield.
Tag: live concert footage
Throwback: Happy 84th Birthday, Dr. John!
JOVM’s William Ruben Helms celebrates the 84th anniversary of the birth of Dr. John.
Throwback: Happy 97th Birthday, Sheila Jordan!
JOVM’s William Ruben Helms celebrates the 97th anniversary of the birth of Sheila Jordan.
Throwback: Happy Belated 58th Birthday, Ronnie DeVoe!
JOVM’s William Ruben Helms belatedly celebrates Ronnie Devoe’s 58th birthday.
Throwback: Happy Belated 59th Birthday, Jeff Buckley!
JOVM’s William Ruben Helms belatedly celebrates the 59th anniversary of Jeff Buckley’s birth.
Throwback: Happy 81st Birthday, Booker T!
JOVM’s William Ruben Helms celebrates Booker T’s 81st birthday.
Throwback: Happy 80th Birthday, Neil Young!
JOVM’s William Ruben Helms celebrates Neil Young’s 80th birthday.
Throwback: Happy Belated 76th Birthday, Bonnie Raitt!
JOVM’s William Ruben Helms belatedly celebrates Bonnie Raitt’s 76th birthday.
Throwback: Happy 62nd Birthday, Johnny Marr!
JOVM’s William Ruben Helms celebrates Johnny Marr’s 62nd birthday.
Throwback: Happy 86th Birthday, Grace Slick!
JOVM’s William Ruben Helms celebrates Jefferson Airplane, Jefferson Starship and Starship frontperson Grace Slick’s 86th birthday.
Live Footage: The Charlatans UK Perform “We Are Love” on “Later . . . with Jools Holland”
The Charlatans UK — Tim Burgess (vocals), Martin Blunt (bass), Mark Collins (guitar), Tony Rogers (keys) and The Verve co-founder Pete Salisbury (drums) — are arguably one of the best-loved and commercially British bands of the past 40 years or so. Over the course of their lengthy run, the band has released 13 albums, 3 of which earned #1 on the UK Albums Charts with 22 Top 40 UK singles, including “The Only One I Know,” “North Country Boy” and “One to Another.”
The acclaimed British outfit’s long awaited, highly anticipated 14th album, the Dev Hynes, Fred Macpherson and Stephen Street co-produced We Are Love is slated for a Friday release through BMG. The first album from the acclaimed outfit in eight years, the longest gap in their history, was a result of the COVID-19 pandemic, the individual members’ solo projects and side projects, life’s twists, turns and complexities and the fact that each of the band’s individual members live scattered across Europe. With all of that going on, it took longer than usual to figure out schedules; for the stars to align; and for the right vibe and right time.
Recoded at two places that are seemingly apocryphal in the band’s history — Wales-based Rockfield Studios and the band’s Middlewich, Chesire-based Big Mushroom, We Are Love reportedly sees the band launching into a bold new era, one that finds them at peace with their past while looking forward to the future. The band’s Tim Burgess cites hauntology and psychogeography as two major concepts that swirled in his head as the band worked on the album.
The band returned to Rockfield Studs for the first time since the recording sessions for the fifth album, 1997’s Tellin’ Stories. As a band, they hadn’t been there since keyboardist Rob Collins’ death, in the middle of that album’s sessions, in a car accident at the bottom of the track leading to the farm surrounding the studio. Reportedly throughout the album, you can hear the band’s awareness of the things that made them — the highs and lows the desire to honor their own legacy, while not being deeply defined by it; and a career-long drive to be innovative and progressive. “The whole idea of hauntology and psychogeography is represented by us going back to Rockfield, where so much history has happened for The Charlatans,” the band’s Tim Burgess says. “That was important as a way of honoring every member who’s played in the band. So we’re honouring ourselves, our past, feeling that energy and reincarnating it, doing something fresh, brand new.”
The album’s introspective creative process, brought home the fact that love has been the glue that has held the band together for so long, and ultimately that’s reflected on the album’s 11, forward-thinking, future-facing songs.
We Are Love‘s first single, album title track “We Are Love” is a defiantly upbeat, road trip-meets-big venue/festival anthem, anchored by a propulsive, motorik groove and rousingly anthemic hooks and choruses. Tim Burgess describes it as “like an open-top car ride in the credits of your favorite movie, driving along the coast to somewhere amazing.”
One of the first tracks to emerge as they were writing material, “We Are Love” became a pathfinder for the record as the band’s Mark Collins explains: “Early on, we thought it felt right. And it turned out that way: first single, title track, second song on the album. And things started forming around ‘We Are Love.’ There was a certain energy to it that drove us forward.”
The acclaimed and beloved Brit pop act recently was on Later . . . with Jools Holland, where they performed album title track “We Are Love.”
Throwback: R.I.P. Jack DeJohnette!
JOVM’s William Ruben Helms celebrates the life and work of the legendary Jack DeJohnette.
Throwback: Happy 58th Birthday, Scott Weiland!
JOVM’s William Ruben Helms celebrates the 58th anniversary of Scott Weiland’s birth.
Live Footage: Blue Moon Marquee and Northern Cree Performing “Rollin’ and Tumblin'” at JunoFest ’25
Over the course of four albums, 2016’s Gypsy Blues, 2019’s Bare Knuckles & Brawn, 2022’s Scream, Holler & Howl and last year’s New Orleans Sessions, the acclaimed Duncan, BC-based duo Blue Moon Marquee — A.W. Cardinal and Jasmine Colette — have firmly established a unique sound that meshes elements of the blues, jazz, jump jive, folk, country, swing and Indigenous soul — without anything sounding out of step. Thematically their work often touches on the underbelly of society, woven with elements of Indigenous storytelling and poetic cadence.
For a lot of folks the traditional powwow music of Turtle Island may not immediately come to mind as sonically syncing up with the aching wail of Mississippi Delta blues. That is until you remember their shared rhythmic structure — a steady, simple, heavy and propulsive pulse that seems older than time itself.
Blue Moon Marquee’s AW Cardinal and Jasmine Colette were reminded of this connection while watching the documentary Rumble: The Indians Who Rocked the World, which featured a segment with Tuscarora/Taino activist and singer/songwriter Pura Fé singing along to a recording by legendary bluesman Charley Patton. The clip helped the band’s Cardinal connect the dots between his Woodland Cree heritage and his love of the blues.
At last year’s Juno Awards ceremonies in Halifax, NS, the duo and Northern Cree‘s Joel Wood celebrated wins for Scream, Holler & Howl and Sing. Pray. Love., respectively and agreed to collaborate. The result is the recently released Get Your Feathers Ready, a unique collaboration between Blue Moon Marquee and the 9-time Grammy Award-nominated powwow and Round Dance group.
After the two acclaimed groups got together to run through songs during an afternoon near Maskwacis, AB, the album’s material was recorded in a breakneck eight-hour recording session the following day, live off the floor.
For Blue Moon Marquee’s Cardinal, the recording sessions were both a dream and a homecoming: He’s from the same region of Canada as Northern Cree — Treaty Six Territory, which comprises large portions of Alberta and Saskatchewan — and he’s a longtime fan. Cardinal, who grew up in Rocky Mountain House, AB carefully guarded his Indigenous identity to avoid trouble, but the new album is the result of a steady transformation and proud acknowledgment of his identity. “Over the years, through music and meeting Northern Cree, it’s given me strength and pride in who I am and that side of my culture,” Cardinal says.
“As a child I attended powwows but lived in town—I wasn’t immersed in the culture,” Cardinal says. “So to be able to be part of something like this is an incredibly soul-nourishing opportunity. It was one of the most fulfilling musical and spiritual experiences I’ve ever had. I’ve devoted my life to music, and the best way for me to get in touch with my roots is through song—Get Your Feathers Ready is the sound of that full circle moment.”
For both groups making music together and bridging the slim gap between two long-running and profoundly spiritual traditions as providing fertile ground for transformation — to help one see themself, not just as an individual, but part of a human lineage that extends millennia and held together by the timeless and ancient alchemy of the drum.
Album single “Rollin’ & Tumblin'” perfectly encapsulates the album’s timeless groove and deeply spiritual sound and approach in a way that not just makes inherent sense but is profoundly moving.
The live footage was shot at Vancouver’s Hollywood Theatre during their JunoFest ’25 set earlier this year.
Throwback: Happy 74th Birthday, Bootsy Collins!
JOVM’s William Ruben Helms celebrates Bootsy Collins’ 74th birthday.
