Tag: Majid Jordan Something About You

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Joseph W. Salusbury is a rising Toronto-based singer/songwriter and producer, who started off his professional career with a number of songwriting and production credits include cowrites on Majid Jordan‘s “Something About You” and Illangelo‘s “Your Future’s Not Mine, and vocal production on Nelly Furtado and Blood Orange‘s “Hadron Collider.” Back in 2017, Salusbury stepped out from behind the production booth and the relative anonymity of being a go-to songwriter with his solo recording project Joseph of Mercury. That year, he released three singles “Without Words,” “Young Thing” and “Find You Inside,” which quickly established the Canadian singer/songwriter and producer’s sound — slow-burning synth pop that drew from the likes of  David BowieElvis PresleyFuture Islands and Lower Dens among others, paired with his baritone crooning.

Since the release of his debut EP Find You Inside, the Toronto-based Salusbury has been prolific, releasing a number of singles, including his latest single “Pretty Blonde Boy.” Centered around shimmering synth arpeggios, strummed reverb-drenched guitar, a languid backbeat and Salusbury’s achingly plaintive baritone, “Pretty Blonde Boy” is a slow-burning Tears for Fears meets The Smiths-like track inspired by it’s creator’s deeply personal and devastating experience of loss. “Two of my oldest, closest and dearest fiends, both taken too young and barely years apart. If there’s a word beyond ‘brother’ than that’s what they were,” Salusbury explains. “Love wasn’t just enough to balance out all that they carried on their shoulders. Their losses were devastating, breaking me in a way that I’m not sure will ever heal. It was in such eerie succession. They were mirrors of one another, both drawn into this senseless and tragic spiral of prescription pain meds and heroin, combined with fentanyl. Often the brightest lights go out the fastest . . .

“Overwhelmed with grief, I recorded the vocal performance in between tears and clenched fists. As time passed and I gained a resigned joy and acceptance among the sadness, ‘Pretty Blonde Boy,’ began to like an open road, rolling hills… the sun rising, or maybe setting, with that warm magic hour glow and a cool breeze, driving with nowhere to be. In tribute and memorial, for those burdened with pain or crisis, this is a testament to trying to be okay again. To find beauty, appreciation and gratitude in what feels hurtful, hollowing and unfair. ” 

New Video: Check out the “Grease” Inspired Visuals for Joseph of Mercury’s “Angel”

Earlier this summer, you may have come across a couple of posts featuring Joseph W. Salusbury, an up-and-coming Toronto, ON-based singer/songwriter and producer, who has a number of songwriting and production credits including cowrites on Majid Jordan‘s “Something About You” and Illangelo‘s “Your Future’s Not Mine, and vocal production on Nelly Furtado and Blood Orange‘s “Hadron Collider” — and earlier this year, Salusbury stepped out from behind the production booth and the relatively anonymity of being a go-to songwriter with his solo recording project Joseph of Mercury, and three singles “Without Words,” “Young Thing” and “Find You Inside,” which quickly established the Canadian singer/songwriter and producer’s reputation for crafting melancholic, slow-burning synth pop that draws from a diverse range of influences, including David Bowie, Elvis Presley, Future Islands and Lower Dens among others, paired with his aching baritone crooning.

Salusbury’s Joseph of Mercury debut, Find You Inside was released last week, and as you may recall, to celebrate the announcement of the EP, he released a live and hauntingly spectral rendition of EP single “Without Words” featuring the up-and-coming Canadian pop artist accompanying himself with guitar. And personally, what made that rendition so compelling is that the live version pulls out the raw, aching emotion at the core of the song in a way that nods at both Roy Orbison and Nick Hakim.

“Angel,” the fourth and latest single off the Canadian pop crooner’s recently released EP finds Salusbury meshing 60s pop and classic R&B, anthemic 80s arena rock and contemporary electro pop in a way that reminiscent of both the aforementioned Nick Hakim and Roy Orbison, and of Daughn Gibson — and much like the sources that influenced the song, “Angel” is a sweet, almost old-timey love song written in a way that may of his contemporaries frankly just seem incapable of doing. As a result, the song is a swooning yet slow-burning  and contemporary torch song in which the song’s narrator confesses his love and devotion with an visceral ache.

Directed by Cannes Short Film Festival-nominated director Gemma Warren, the recently released music video for “Angel” pays homage to a famous scene from Grease in which Joseph play the part of the Teen Angel, originally played by Frankie Avalon, and as a result the video possesses a hazy, dream-like nature. 

Earlier this month, I wrote about Joseph W. Salusbury, an up-and-coming Toronto, ON-based singer/songwriter and producer, who has a number of songwriting and production credits including cowrites on Majid Jordan‘s “Something About You” and Illangelo‘s “Your Future’s Not Mine, and vocal production on Nelly Furtado and Blood Orange‘s “Hadron Collider;” however, earlier this year, Salusbury stepped out from behind the production desk with his solo recording project Joseph of Mercury and three singles “Without Words,” “Young Thing” and “Find You Inside.” And with this three early singles, Salusbury quickly established a reputation for crafting melancholic, slow-burning synth pop that draws from a diverse range of influences, including David Bowie, Elvis Presley, Future Islands and Lower Dens among others, paired with his aching baritone crooning.

Find You Inside, Salusbury’s Joseph of Mercury debut is slated for a September 1, 2017 release, and Salusbury celebrated the release announcement with a live, spectral rendition of EP single “Without Words” featuring the up-and-coming Canadian pop artist accompanying himself with guitar, and what makes this rendition so compelling to me is that it pulls out the raw, aching emotion at the core of the song in a way that nods at both Roy Orbison and Nick Hakim.

“Angel,” the fourth and latest single off the Canadian pop crooner’s soon-to-be released EP finds Salusbury meshing 60s pop and classic R&B, anthemic 80s arena rock and contemporary electro pop in a way that reminiscent of both the aforementioned Nick Hakim and Roy Orbison, and of Daughn Gibson — and much like the sources that influenced the song, “Angel” is a sweet, almost old-timey love song written in a way that his contemporaries frankly just seem incapable of doing. As a result, the song is a swooning yet slow-burning  and contemporary torch song in which the song’s narrator confesses his love and devotion with an visceral ache.

 

 

Live Footage: Joseph of Mercury Performs a Stripped Down Rendition of Without Words at Toronto’s Union Sound Company Studios

Joseph W. Salusbury is an up-and-coming Toronto, ON-based singer/songwriter and producer, who has earned a number of songwriting and production credits including cowrites on Majid Jordan’s “Something About You” and Illangelo’s “Your Future’s Not Mine,” as well as producing the vocals on Nelly Furtado and Blood Orange’s “Hadron Collider;” however, earlier this year, Salusbury stepped out from behind the production desk with his solo recording project Joseph of Mercury and three singles “Without Words,” “Young Thing” and “Find You Inside.” And with this three early singles, Salusbury quickly established a reputation for crafting melancholic, slow-burning synth pop that draws from a diverse range of influences, including David Bowie, Elvis Presley, Future Islands and Lower Dens among others, paired with his aching baritone crooning. 

Salusbury recently announced the release of his highly-anticipated debut EP Find You Inside with a spectral rendition of “Without Words” featuring the up-and-coming Canadian pop artist accompanying himself with guitar, and what makes this rendition so compelling to me is that it pulls out the raw, aching emotion at the core of the song in a way that nods at both Roy Orbison and Nick Hakim. 

The footage was shot in a gorgeous and cinematic black and white at Toronto’s Union Sound Company Studios and captures the up-and-coming Canadian pop artist in a rare and intimate setting, capturing something simple yet profound — songwriter performing song with a heartbreaking earnestness.