Tag: Mercury Lounge

Live Footage: JOVM Mainstays Black Pumas on Tiny Desk (at Home)

Over the past year or so, I’ve spilled a ton of virtual ink covering the Grammy Award-nominated Austin, TX-based soul act and JOVM mainstays, Black Pumas over the past year. Led by Grammy Award-winning producer, songwriter, guitarist and producer Adrian Quesada and San Fernando Valley-born singer/songwriter and guitarist Eric Burton, the acclaimed act can trace their origins back to 2017.

Burton, who grew up singing in church and in musical theater, started busking at the Santa Monica pier, where he brought in a few hundred dollars a day while developing the stage presence, that would later win attention both nationally and internationally. He then traveled across the Western US, eventually relocating to Austin, where he set up a busking spot on 6th Street and Congress, a prime location in the city’s busy downtown neighborhood for maximum exposure.

Meanwhile Quesada was looking to collaborate with someone new. He had been reaching out to friends in Los Angeles and London but nothing seemed to fit. Serendipitously, a mutual friend recommended Burton to Quesada, with that friend telling Quesada that Bruton was the best vocalist he had ever heard. As the story goes, Quesada had reached out to Burton, but it took the San Fernando Valley-born, Austin-based singer/songwriter a while to respond. “My friends were like ‘Dude, you’re a mad man, you need to hit that guy back!’” Burton recalls. When Burton did call Quesada, he sang to him over the phone. “I loved his energy, his vibe, and I knew it would be incredible on record,” Quesada says. “From the moment I heard him on the phone, I was all about it.”

Last year, the duo along with a talented cast of collaborators released their breakthrough full-length debut. And since the self-titled debut’s release, the album has sold 155,000+ album equivalents worldwide, with smash hit “Colors” hitting #1 on Adult Album Alternative (AAA) radio and has been streamed over 60 million times. They also maintained a relentless tour schedule across North America that brought their uplifting and powerful live show to New York three times: The Knitting Factory, last May; Mercury Lounge, last July; and Brooklyn Bowl last September. Additionally, the band began to make stops across the nationally televised, talk show circuit, playing Jimmy Kimmel Live, The Ellen Show and others.

And adding to a breakthrough year, Black Pumas earned a Grammy Award nomination for Best New Artist along with fellow JOVM mainstay Yola — with both acts anti-climatically losing out to Billie Eilish.

This year has seen the release of a deluxe version of their breakthrough self-titled album — and it features new artwork, previously unpublished in-studio and live performance photographs and a bonus 7 inch featuring three previously unreleased originals, live in-studio versions of popular album singles “Colors,” “October 33,” and “Confines;” a live version of “Know You Better,” recorded at C-Boys Heart & Soul, the Austin club, where the band first made a name for themselves, as well as attention-grabbing covers of The Beatles‘ “Eleanor Rigby,” (a staple of their live shows), Death’s “Politicians in My Eyes,” Bobby “Blue” Bland‘s “Ain’t No Love in the Heart of the City,” and Tracy Chapman‘s “Fast Car,” which they premiered on The Late Show with Stephen Colbert.

Continuing upon an enviable run of success, Black Pumas recently received three nominations for the 2021 Grammys — Album of the Year, Record of the Year and Best American Roots Performance for “Colors.” And they’ve capped off the year with an NPR Tiny Desk (At Home) session that featured album singles “Fire,” “Oct 33,” and “Colors,” as well as set opener “Red Rover.” And although they’re performing in an empty studio — it’s a pandemic after all — the NPR set is fueled by the same passionate and soulful spirit of their live sets.

Live Footage: Black Pumas Performs “Fire” on “The Tonight Show Starring Jimmy Fallon”

I’ve spilled quit a bit of virtual ink covering the Grammy Award-nominated Austin, TX-based soul act and JOVM mainstays, Black Pumas over the past year. Led by Grammy Award-winning producer, songwriter, guitarist and producer Adrian Quesada and San Fernando Valley-born singer/songwriter and guitarist Eric Burton, the acclaimed act can trace their origins back to 2017. Burton, who grew up singing in church and in musical theater, started busking at the Santa Monica pier, where he brought in a few hundred dollars and day and honing his performance skills. He then traveled through the Western states before deciding to settle down in Austin, setting up a busking spot on 6th Street and Congress, a prime location in the city’s downtown neighborhood for maximum exposure.  

Meanwhile, Quesada was looking to collaborate with someone new. He reached out to friends in Los Angeles and London — but nothing seemed to fit. Serendipitously, a mutual friend recommended Burton to Quesada, telling the Grammy Award-winning songwriter, guitarist and producer that Burton was the best singer he had ever heard. The two musicians connected but Burton took a while to respond. “My friends were like ‘Dude, you’re a mad man, you need to hit that guy back!’” Burton recalls. When Burton did call Quesada, he sang to him over the phone. “I loved his energy, his vibe, and I knew it would be incredible on record,” Quesada says. “From the moment I heard him on the phone, I was all about it.”

Last year, the duo along with a talented cast of collaborators released their breakthrough full-length debut. Along with that, the band had gone on a relentless tour schedule that brought their uplifting live show across North America and the European Union, including three separate stops in the New York area: The Knitting Factory, last May; Mercury Lounge, last July; and Brooklyn Bowl last September. Additionally, during that same period of time the band has made begun to make the rounds across the nationally televised talk show circuit, playing  Jimmy Kimmel Live, The Ellen Show and others.

Since the self-titled debut’s release, the album has sold 155,000+ album equivalents worldwide, with smash hit “Colors” hitting #1 on Adult Album Alternative (AAA) radio and has been streamed over 60 million times. And as I mentioned earlier, the band was nominated for a Best New Artist Grammy along with fellow JOVM mainstay Yola — losing out to Billie Eilish.

Black Pumas will be releasing a deluxe version of their breakthrough self-titled album, which will feature new artwork, previously unpublished in-studio and live performance photographs, as well as a bonus 7 inch featuring three previously unreleased originals, live-in studio versions of “Colors,” “October 33,” and “Confines;” a live version of “Know You Better,” recorded at C-Boys Heart & Soul, the Austin club, where the band first made a name for themselves; the band’s attention-grabbing covers of The Beatles‘ “Eleanor Rigby,” Death’s “Politicians in My Eyes,” Bobby “Blue” Bland‘s “Ain’t No Love in the Heart of the City,” and Tracy Chapman‘s “Fast Car,” which they premiered on The Late Show with Stephen Colbert last month.

Building upon their rapidly growing profile, the act was recently on The Tonight Show Starring Jimmy Fallon, where they performed one of my favorite songs off their self-titled album, the Muscle Shoals-like shuffle “Fire.”

Live Footage: Black Pumas Perform “Confines” with a String Quartet

I’ve spilled quit a bit of virtual ink covering the Grammy Award-nominated Austin, TX-based soul act and JOVM mainstays, Black Pumas over the past couple of years. Led by Grammy Award-winning producer, songwriter, guitarist and producer Adrian Quesada and San Fernando Valley-born singer/songwriter and guitarist Eric Burton, the acclaimed act can trace their origins back to 2017. Burton, who grew up singing in church and in musical theater 

Burton, who grew up singing in church and in musical theater, started busking at the Santa Monica pier, where he brought in a few hundred dollars and day and honing his performance skills. He then traveled through the Western states before deciding to settle down in Austin, setting up a busking spot on 6th Street and Congress, a prime location in the city’s downtown neighborhood for maximum exposure.  Meanwhile, Quesada was looking to collaborate with someone knew. He reached out to friends in Los Angeles and London — but nothing seemed to fit. Serendipitously, a mutual friend recommended Burton to Quesada, telling the Grammy Award-winning songwriter, guitarist and producer that Burton was the best singer he had ever heard. 

The two musicians connected but Burton took a while to respond. “My friends were like ‘Dude, you’re a mad man, you need to hit that guy back!’” Burton recalls. When Burton did call Quesada, he sang to him over the phone. “I loved his energy, his vibe, and I knew it would be incredible on record,” Quesada says. “From the moment I heard him on the phone, I was all about it.”

Last year, the duo along with a talented cast of collaborators released their breakthrough full-length debut. Along with that, the band had gone on a relentless tour schedule that brought their uplifting live show across North America and the European Union, including three separate stops in the New York area: The Knitting Factory, last May; Mercury Lounge, last July; and Brooklyn Bowl last September. Additionally, during that same period of time the band has made begun to make the rounds across the nationally televised talk show circuit, playing  Jimmy Kimmel Live, The Ellen Show and others.

Since the self-titled debut’s release, the album has sold 155,000+ album equivalents worldwide, with smash hit “Colors” hitting #1 on Adult Album Alternative (AAA) radio and has been streamed over 60 million times. And as I mentioned earlier, the band was nominated for a Best New Artist Grammy along with fellow JOVM mainstay Yola — losing out to Billie Eilish. 

Black Pumas will be releasing a deluxe version of their breakthrough self-titled album, which will feature new artwork, previously unpublished in-studio and live performance photographs, as well as a bonus 7 inch featuring three previously unreleased originals, live-in studio versions of “Colors,” “October 33,” and “Confines;” a live version of “Know You Better,” recorded at C-Boys Heart & Soul, the Austin club, where the band first made a name for themselves; the band’s attention-grabbing covers of The Beatles’ “Eleanor Rigby,” Death’s “Politicians in My Eyes,” Bobby “Blue” Bland’s “Ain’t No Love in the Heart of the City,” and Tracy Chapman’s “Fast Car,” which they premiered on The Late Show with Stephen Colbert last month. To celebrate the forthcoming release of the deluxe edition, the band released live footage of their in-studio performance of “Confines” with a string quartet. While continuing to show viewers that Burton is a stand-out star, the in studio rendition is a stunningly gorgeous version of the album single. 

Live Footage: JOVM Mainstays Black Pumas Perform Their Gorgeous Cover of Tracy Chapman’s “Fast Car” on “The Late Show with Stephen Colbert”

Over the past 18 months or so, I’ve spilled quite a bit of virtual ink covering the Grammy Award-nominated Austin, TX-based soul act and JOVM mainstays, Black Pumas. Led by Grammy Award-winning producer, songwriter and guitarist Adrian Quesada and 27 year old singer/songwriter Eric Burton, the act can trace its origins back to when Burton, a popular street performer in his native  Los Angeles busked his way across country to Austin, where he eventually met Quesada.

Now, as you may recall, the acclaimed Austin-based soul act their critically applauded and commercially successful self-titled, full-length debut, an effort that featured the smash hit “Colors,” which amassed over four million YouTubeviews —and being one o the most added songs to Adult Album Alternative (AAAA) radio. Along with that, the band had gone on a relentless tour schedule that brought their uplifting live show across North America and the European Union, including three separate stops in the New York area: The Knitting Factory, last May; Mercury Lounge, last July; and Brooklyn Bowl last September. Additionally, during that same period of time the band has made begun to make the rounds across the nationally televised talk show circuit, playing  Jimmy Kimmel Live, The Ellen Show and others.

Before the COVID-19 pandemic, the members of the acclaimed, Austin-based JOVM mainstay act had been covering Tracy Chapman‘s  smash hit “Fast Car” during their live sets — and their rendition has quickly become a fan favorite. Unsurprisingly, the song and its lyrics resonate deeply with Burton — and although the Black Pumas cover is fairly straightforward and loving rendition, it comes from a deeply personal place, as though Burton could have written it himself. “To me, ‘Fast Car’ is a song of hope, dreams and a relentless heart to go somewhere and be someone,” says Burton. “I learned the song when I first began to busk and of the covers that I knew, it garnered the most attention from the random passerby. As a musician and artist, I’m attracted to songs that make us reflect on our daily struggles for making life worth living for.”

Recently, Black Pumas performed their gorgeous and heartfelt cover of “Fast Car” on Late Show with Stephen Colbert. Interestingly, with each repeated listen of the Black Pumas cover, I’m reminded of what a great song “Fast Car” is — and how much I loved it.  Sometimes a great song is an artist reaching down within themselves to tell the truth as they see it, paired with their voice and a guitar — or whatever instrument they feel fit. 

 

Black Pumas · Fast Car

Over the past 18 months or so, I’ve spilled quite a bit of virtual ink covering the Grammy Award-nominated Austin, TX-based soul act and JOVM mainstays, Black Pumas. Led by Grammy Award-winning producer, songwriter and guitarist Adrian Quesada and 27 year old singer/songwriter Eric Burton, the act can trace its origins back to when Burton, a popular street performer in his native  Los Angeles busked his way across country to Austin, where he eventually met Quesada.

Now, as you may recall, the acclaimed Austin-based soul act their critically applauded and commercially successful self-titled, full-length debut, an effort that featured the smash hit “Colors,” which amassed over four million YouTube views —and being one o the most added songs to Adult Album Alternative (AAAA) radio. Along with that, the band had gone on a relentless tour schedule that brought their uplifting live show across North America and the European Union, including three separate stops in the New York area: The Knitting Factory, last May; Mercury Lounge, last July; and Brooklyn Bowl last September. Additionally, during that same period of time the band has made begun to make the rounds across the nationally televised talk show circuit, playing  Jimmy Kimmel Live, The Ellen Show and others.

Before the COVID-19 pandemic, the members of the acclaimed, Austin-based JOVM mainstay act had been covering Tracy Chapman‘s “Fast Car” during their live sets — and their rendition has quickly become a fan favorite. Unsurprisingly, the song and its lyrics resonate deeply with Burton — and although the Black Pumas cover is fairly straightforward and loving rendition, it comes from a deeply personal place, as though Burton could have written it himself. “To me, ‘Fast Car’ is a song of hope, dreams and a relentless heart to go somewhere and be someone,” says Burton. “I learned the song when I first began to busk and of the covers that I knew, it garnered the most attention from the random passerby. As a musician and artist, I’m attracted to songs that make us reflect on our daily struggles for making life worth living for.”

 

 

 

Rochester, NY-based metal/prog rock trio King Buffalo — Sean McVay (guitar, lead vocals), Dan Reynolds (bass) and Scott Donaldson (drums, vocals) — formed back in 2013, and with the release of demo, several split releases, a handful of one-off singles and an energetic live show, the members of King Buffalo quickly earned an international profile in the metal and prog rock scenes. And with their self-recorded and self-produced full-length debt Orion, King Buffalo firmly established a sound that meshed elements of heavy psych, stoner rock and the blues in a way that many critics compared to Tool and Pink Floyd among others.

2018’s Ben McLeod-produced sophomore album Longing To Be The Mountain found the band expanding upon the hard rock and stoner rock sound that own them attention — but while increasingly incorporating elements of expansive prog rock. Longing To Be The Mountain‘s highly-anticipated follow-up, the self-recorded and self-produced Dead Star EP reportedly finds the band pushing the psychedelia aspects of their sound into the cosmic ether with elements of ambient drone, space rock, prog rock, synths paired with the bluesy hard rock and early metal riffage of their earliest efforts.

“In the early stages of Dead Star, we made the decision to make a strong commitment to experimentation,” explains guitarist/vocalist Sean McVay. “From exploring different time signatures, tunings and textures, to tweaking the song writing processes themselves. We’re extremely proud of these recordings, and feel it’s some of our most ambitious work yet.” Adds the band’s Scott Donaldson, “These six songs deviate and expand on horizons that we as King Buffalo haven’t reached. It’s extremely exciting to make something familiar, but unlike anything we’ve previously done. I can’t wait for everyone to hear it.”

“Eta Carinae” Dead Star EP‘s latest single is an expansive and hypnotic, prog rock-inspired take on their sound. Clocking in at a little over eight minutes, the track is centered around a chugging and forceful Black Sabbath and Rush-like riffage, thunderous syncopation, rapid fire tempo changes and some ambient and shimmering synth bursts and paired with dystopian sci-fi lyrics and imagery that feel much like our own fucked up world.
The members of King Buffalo will be embarking on a tour to support Dead Star EP and it includes a March 21, 2020 stop at Mercury Lounge. Check out the tour dates below.

Tour Dates 

Mar 19 – Burlington, VT @ Higher Ground
Mar 20 – Boston, MA @ Great Scott
Mar 21 – New York, NY @ Mercury Lounge
Mar 26 – Lansing, MI @ Mac’s Bar
Mar 27 – Milwaukee, WI @ Colectivo
Mar 28 – Minneapolis, MN @ 7th St. Entry
Mar 29 – Winnipeg, MB @ Park Theatre
Mar 31 – Calgary, AB @ Palomino
Apr 2 – Vancouver, BC @ Fox Cabaret
Apr 3 – Seattle, WA @ Barboza
Apr 5 – Portland, OR @ Lola’s Room
Apr 7 – San Francisco, CA @ Bottom of the Hill
Apr 8 – Los Angeles, CA @ The Echo
Apr 10 – Denver, CO @ Larimer Lounge
Apr 11 – Denver, CO @ Larimer Lounge
Apr 13 – Kansas City, MO @ Riot Room
Apr 14 – St Louis, MO @ Duck Room
Apr 15 – Louisville, KY @ Zanzabar
Apr 16 – Cleveland, OH @ Beachland Ballroom
Apr 17 – Pittsburgh, PA @ Club Café
Apr 18 – Syracuse, NY @ Funk N Waffles

New Video: Rising British Singer Songwriter Jordan Mackampa Releases an Ebullient Visual for “Magic”

Jordan Mackampa is a rising London-born and-based Congolese-British singer/songwriter. With the release of “Under,” 2016’s Physics EP, and 2017’s Tales From The Broken EP and Live from the Grand Cru EP, Mackampa has received critical praise from NME, The 405, The Line of Best Fit, Clash, Indie Shuffle, Wonderland and others while his work amassed over 50 million Spotify streams.

Mackampa’s work is inspired by his Congolese roots and his mother’s love of legendary soul singers like Marvin Gaye, Bill Withers and Curtis Mayfield. And as a result, the Congolese-British singer/songwriter has developed a reputation for pairing old-school singer/songwriter soul, earnest songwriting and catchy melodies with a modern songwriting approach. Now, if you’ve been frequenting this site over the past few months, you may recall that Mackampa’s highly anticipated, full-length debut Foreigner is slated for a March 13, 2020 release through AWAL.  

Reportedly, the album’s material draws from the sounds and stories of the cities he’s spent time in and inhabited over the years, and while documenting his life as an outsider, the material’s sound is a melting pot of cultures that draws from his birthplace in the Republic of the Congo, his mom’s classic soul record collection, hip-hop obsessed childhood in North London, and his Coventry, UK-based teen years, immersed in indie rock — and all of that meshes together to create a hybrid of alternative pop, soul and indie rock. 

Late last year, I wrote about “Parachutes,” a breezy and deliberately crafted track centered around a radio friendly yet loose arrangement of twinkling keys, shimmering guitars, a sinuous bass line and propulsive drumming pared with Mackampa’s easygoing vocals, evoking the soaring highs of being in love and the embittering low of heartache within the turn of a phrase.  The album’s latest single “Magic” is a breezy and swinging pop song that reveals Mackampa’s genre-defying sound: the song draws from old school soul, Bossa nova and samba simultaneously. “This is a bossa nova and samba-infused feel good kinda track about when you can’t get someone off your mind,” Mackampa says in press notes. “”You’ve had one taste and you want more!”

Directed by longtime collaborator Tom Ewbank and featuring choreography from Taali Kwaten, the recently released video for “Magic” was filmed in a South London underpass is centered around the Congolese-British singer/songwriter and his backing band performing the song in front of a collection of diverse partiers, who dance the night around.  The video manages to further emphasize the song’s ebullient joy of being infatuated by new love.