Tag: Metz

New Video: Animated Visuals for METZ’s “Mr. Plague” Captures the Horrors of Our Contemporary World

Over the past four years or so, I’ve written quite a bit about he Toronto-based JOVM mainstays METZ, and as you may recall the trio’s third, full-length album 2017’s Strange Peace found the band pushing their songwriting in new directions with their most personal and politically charged material (without being explicitly being so) they’ve written to date, while retaining the furious and blistering energy of their live sets — and while capturing the anxiousness, uncertainty, fear and outrage that many young people currently feel, the material seems to suggest that when things are at their bleakest and most hopeless, that you aren’t alone; that there are others out there, who feel like you. As the band’s Alex Eadkins explained in press notes, “The songs on Strange Peace are about uncertainty. They’re about recognizing that we’re not always in control of our own fate, and about admitting our mistakes and fears. They’re about finding some semblance of peace within the chaos.”

Now, as you may recall, the members of METZ have developed a reputation for being relentless road warriors, who melt faces and pummel eardrums at clubs and festivals across the globe, and just before they were about to embark on an extensive world tour that included stops in Amsterdam, Rotterdam, they appeared on truTV‘s The Chris Gethard Show, where they played a set featuring singles “Mr. Plague,” “Cellophane” and “Mess of Wires.” And just as they announced some additional dates including a NYC are show at the Rocks Off Cruise with Holy Fuck, the JOVM mainstays released an animated video for the blistering and anxious bruiser “Mr. Plague,” a single that finds the band injecting a small bit of melody into the maelstrom. (Check out the tour dates below.) 

Interestingly, as the video’s director Shayne Ehman explains, “the video examines ” . . . the crumbling remnants of civilization . . . a broken justice system . . . a consumer wasteland. . . Was it part of the plan?”  Drawn in a way to emphasize the horrors of a completely broken, fucked up and hopeless world, the video evokes Edvard Munch’s “The Scream,” complete with an existential dread. 

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Live Footage: JOVM Mainstays METZ on “The Chris Gethard Show”

Over the past three or four years, I’ve written quite a bit about the Toronto, ON-based JOVM mainstays METZ, and as you may recall the trio’s third, full-length album Strange Peace was released last year, and album found the band retaining the furious and blistering energy of their live sets, while pushing their songwriting in new directions, with the most personal and politically charged material they’ve written yet, as it captures the anxiousness, uncertainty and fear of our time; but interestingly, the album’s material manages to suggest that when things are their bleakest, that you aren’t alone, because they are others just like you.  As the band’s Alex Eadkins explained in press notes, “The songs on Strange Peace are about uncertainty. They’re about recognizing that we’re not always in control of our own fate, and about admitting our mistakes and fears. They’re about finding some semblance of peace within the chaos.”

The members of METZ have been relentless road warriors, melting faces and pummeling eardrums on stages large and small all across the world, and before  embarking on an extensive world tour that will include stops in lovely Amsterdam and Rotterdam and elsewhere, METZ appeared on truTV’s The Chris Gethard Show, where they played a face melting set featuring singles “Mr. Plague,” “Cellophane” and “Mess of Wires.” Oh and check out the exuberant dude in the banana suit, because if you had even half his exuberance, life would be way more fun. 

New Audio/Lyric Video: Dusted Releases a Jangling and Anthemic New Single

Brian Borcherdt is best known as a founding member of the renowned, Toronto, Ontario, Canada-based electronic act Holy Fuck, as well as Toronto-based indie, All-Star supergroup LIDS, which features Constantines’ Doug MacGregor and METZ’s Alex Edkins, and while he’s spent the bulk of his career writing and recording unhinged dance music, behind the scenes, he had spent his time writing material that went in a decidedly different direction from his primary band — lo-fi, garage pop, which eventually became his solo recording project Dusted. And with Dusted’s critically applauded 2012 full-length debut, Total Dust, Borchedt opened for the likes of Great Lake Swimmers, Perfume Genius and JOVM mainstays A Place to Bury Strangers, as well as a cameo in Jean Marc Vallee’s 2014 film Wild.

Dusted’s sophomore effort, Blackout Summer is slated for an April 6, 2018 release through Polyvinyl Records and while the album’s latest single “Backwoods Ritual” will further cement the project’s growing reputation for jangling and anthemic, lo-fi, garage pop with fuzzy melodies, the deceptively upbeat track actually possesses a bittersweet wistfulness over things that have passed and are just out of grasp.

Live Footage: Arte Concert Snapshots Presents: Metz at Le Trabendo Paris

Now, if you’ve been frequenting this site over the past three years or so you, you’d recall that with their 2014 self-titled debut and their 2015 sophomore effort II, the Toronto, ON-based trio and JOVM mainstays METZ, comprised of Alex Eadkins (vocals, guitar), Chris Slorach (bass) and Hayden Menzies (drums), received attention across North America and elsewhere for a sludgy, face-melting, power chord-based, noise punk/thrash punk sound reminiscent of Bleach and In Utereo-era Nirvana, A Place to Bury Strangers, Japandroids and others. 

The band’s third full-length album Strange Peace was released earlier this year through Sub Pop Records, and the album finds the band actively pushing their sound and songwriting in new directions while retaining the furious and blistering energy of their live shows; but perhaps much more importantly, Strange Peace may arguably be among the most politically charged material they’re written and recorded to date, capturing the uncertainty, fear, divisiveness, bitterness and growing socioeconomic inequality of the age of Trump, Putin, Kim Jong Un, rampant capitalism and so on. As the band’s Alex Eadkins explained in press notes, “The songs on Strange Peace are about uncertainty. They’re about recognizing that we’re not always in control of our own fate, and about admitting our mistakes and fears. They’re about finding some semblance of peace within the chaos.”

The Canadian punk trio have been relentlessly touring to support their latest album and throughout most of November, they were touring throughout the European Union, and the tour included a stop at Paris-based music venue Le Trabendo, which was filmed by ARTE Concert and La Blogotheuqe as part of their continuing concert series, Snapshots. Unsurprisingly, the footage of Strange Peace’s “Mr. Plague” and “Eraser” manages to capture the band within their sweaty, strobe light flashing, intensity, forcefully snatching the title of “World’s Loudest Band,” and “World’s Noisiest Band” from all challengers. While in the past, they would play extremely straightforward versions of their material, this Paris set finds the trio gently teasing new musical ideas from bits of inspired improvisation. Along with the band’s passionate and frenzied performance, check out the French audience, who are absolutely losing their shit to these guys

New Video: METZ Releases Incredibly Vivid Part Live Action, Part Animated Visuals for Album Single “Drained Lake”

With 2014’s self-titled debut and 2015’s sophomore effort II,  the Toronto, ON-based trio METZ received attention across their native Canada and elsewhere for a sludgy, face-melting, power-chord based sound reminiscent of Bleach and In Utereo-era Nirvana, A Place to Bury Strangers, Japandroids and others, and unsurprisingly, the Toronto-based punk trio quickly became mainstays on this site. And as you may know, the trio’s third, full-length album Strange Peace was released last month through renowned label Sub Pop Records, and the new album finds the band pushing their sound and songwriting into a new direction while retaining the furious and intense energy of their live shows; but importantly, the material on the album may be among the most politically-charged material they’ve written to date, seemingly capturing the thoughts and emotions of young people in the increasingly unstable age of Trump, Putin, Kim Jong Un, etc. “The songs on Strange Peace are about uncertainty. They’re about recognizing that we’re not always in control of our own fate, and about admitting our mistakes and fears,” the band’s Alex Eakins explained in press notes. “They’re about finding some semblance of peace within the chaos.”

“Cellophane,” Strange Peace‘s first single found the Canadian punk trio retaining the sledgehammer forcefulness, sludgy power chords and rousing hooks that first caught the attention of the blogosphere and this site, but there’s an underlying, hard-fought maturity — the sort that come as a result of living in an increasingly fearful, uncertain, fucked up world, that feels as though it’s spinning faster and faster towards disaster. And interestingly enough, “Cellophane” seems to say to the listener, “hey man we’re scared out of our fucking minds, too; but we have each other and somehow we’ve gotta stick together and figure it out.” “Drained Lake,” Strange Peace‘s second single, is a jagged and propulsive post-post-punk track with layers of blistering and scuzzy guitars, punchily delivered lyrics and thunderous drumming with the use of a lurching synth line for what I think may be the first time in the band’s history; but while being a revealing look into a band that’s begun to restlessly experiment and expand upon their sound, it also finds the band at their most strident and searching, while being a sneering anthemic “fuck off” to those who don’t — and perhaps can never — see you for who you are. As the band’s Eadkins explained in press notes, the song reflects, “the constant struggle to know yourself and make sense of your life and surroundings. What is my purpose? Holding on to who you are while finding off pressure to bend to what other people want and expect from you.”
Directed by Shayne Ehman, featuring video production from Cricket Cave, the part live action and animated video for “Drained Lake stars Michelle Chug and Woodchip, the cat and will continue the band’s reputation for pairing their music with incredibly vivid visuals — in this case, animated anthropomorphic fork figures playing instruments, a woman that turns into a cat and more. 

New Video: The Surreal and Feverish Visuals for METZ’s “Cellophane”

As it’s turned out, over the past week or two, I’ve focused on a number of JOVM mainstays, who are set to release new material throughout the next few weeks — including the  Toronto, ON-based punk rock trio METZ. And as you may recall, the Canadian punk trio exploded into the blogosphere with 2014’s self titled debut and 2015’s sophomore effort II, thanks in part to a sludgy,  face-melting, power-chord based sound reminiscent of Bleach and In Utereo-era Nirvana, A Place to Bury Strangers, Japandroids and others.

The trio’s highly-anticipated, full-length album is slated for release tomorrow through Sub Pop Records, and the the album, which the trio recorded with the legendary Steve Albini at Chicago’s Electrical Audio Studio live to tape and features home recordings and additional instrumentation added by their longtime collaborator, engineer and mixer Graham Walsh back in Toronto.  Reportedly, the new album finds the band pushing their sound and songwriting in a new direction while retaining the furious and intense energy of their live shows — while thematically, the material may arguably be the most politically-charged yet personally written material to date, presumably at least partially influenced by life in the age of Donald Trump, and an urgent sociopolitical climate in which everything seems to be constantly spiraling out of control. “The songs on Strange Peace are about uncertainty. They’re about recognizing that we’re not always in control of our own fate, and about admitting our mistakes and fears,” the band’s Alex Eakins explained in press notes. “They’re about finding some semblance of peace within the chaos.”

“Cellophane,” Strange Peace‘s first single finds  the Canadian punk trio retaining the sledgehammer forcefulness, sludgy power chords and rousing hooks that first caught the attention of the blogosphere and this site, but there’s an underlying, hard-fought maturity and vulnerability within the song — the sort that recognizes that the world can frequently be an unforgivably brutal, unfair and frightening place, and that although there no easy answers, we can (and should) take comfort from others, and fight for them as much as we’d fight for ourselves. 

The recently released video for “Cellophane” was directed by Shayne Ehman and as he explains in press notes, the visuals “depict a sphere where consciousness is split, and a world of contrast unfolds. The resulting disembodiment disperses one’s spatial awareness and new kinds of empathy develop. Two become three, and it’s only half the story . . . ” Oh, and there’s an adorably goofy, rock throwing octopus, too. 

New Audio: METZ Returns with an Urgent and Forceful Call to Stand Up for What You Believe In

Now, if you’ve been frequenting this site over the past couple of years, you’d recall that the  Toronto, ON-based JOVM mainstay act METZ exploded into the blogosphere with 2014’s self titled debut and 2015’s sophomore effort II, thanks in part to a sludgy,  face-melting, power-chord based sound reminiscent of Bleach and In Utereo-era Nirvana, A Place to Bury Strangers, Japandroids and others. The trio’s highly-anticipated third, full-length album is slated for a September 22, 2017 release through Sub Pop Records, and the the album, which the trio recorded with the legendary Steve Albini at Chicago’s Electrical Audio Studio live to tape and features home recordings and additional instrumentation added by their longtime collaborator, engineer and mixer Graham Walsh back in Toronto. 

Reportedly, the new album finds the band pushing their sound and songwriting in a new direction while retaining the furious and intense energy of their live shows — in fact, thematically, the material may arguably be the most politically-charged yet personal material written to date, presumably inspired by life in the age of Donald Trump and a sociopolitical climate in which everything seems to be spiraling out of control. “The songs on Strange Peace are about uncertainty. They’re about recognizing that we’re not always in control of our own fate, and about admitting our mistakes and fears,” the band’s Alex Eakins explained in press notes. “They’re about finding some semblance of peace within the chaos.”

“Cellophane,” Strange Peace‘s first single found the Canadian punk trio retaining the sledgehammer forcefulness, sludgy power chords and rousing hooks that first caught the attention of the blogosphere and this site, but there’s an underlying, hard-fought maturity — the sort that come as a result of living in an increasingly fearful, uncertain, fucked up world, that feels as though it’s spinning faster and faster towards disaster. And interestingly enough, “Cellophane” seems to say to the listener, “hey man we’re scared out of our fucking minds, too; but we have each other and somehow we’ve gotta stick together and figure it out.”

“Drained Lake,” Strange Peace‘s second single, was a jagged and propulsive post-post-punk track with layers of blistering and scuzzy guitars, punchily delivered lyrics and thunderous drumming with the use of a lurching synth line for what I think may be the first time in the band’s history; but while being a revealing look into a band that’s begun to restlessly experiment and expand upon their sound, it also finds the band at their most strident and searching, while being a sneering anthemic “fuck off” to those who don’t — and perhaps can never — see you for who you are. As the band’s Eadkins explained in press notes, the song reflects, “the constant struggle to know yourself and make sense of your life and surroundings. What is my purpose? Holding on to who you are while finding off pressure to bend to what other people want and expect from you.”

“Mess of Wires,” Strange Peace’s third and latest single finds the trio at their most furious  and most punishing, as the song features pummeling drums, scorching guitar lines and punchily delivered, shout worthy lyrics and hooks. And while being a face melting, mosh pit worthy track, the song is underpinned by a visceral honesty and self-examination while being an earnest, urgent and forceful shout to the listener that now is the time to stand up for the things you believe in before they’re smashed to bits — or worse, before they’re taken away from you. As the band’s Edkins explains in press notes “‘Mess of Wires’ is a reminder to myself to speak out and say what I believe. To be honest with myself. It is common to feel that your thoughts are inconsequential, a drop in the echo-chamber, but silence can be worse. Speak out about what you believe in, loud and often.” 

Inadvertently over the past week, week and a half or so, I’ve focused on a handful of JOVM mainstay acts, who have released new material including Summer Heart, Tame Impala, Surf Rock Is Dead, METZ, The Afghan Whigs and others, and that streak will continue a bit longer with new material from another mainstays act, Widowspeak. And as you may recall, the act, which is currently composed of its  Tacoma, WA-born, Brooklyn-based founding members Molly Hamilton (vocals, guitars) and Robert Earl Thomas (guitar) can trace its origins back to 2010 when the band formed as a trio featuring Hamilton, Thomas and Hamilton’s longtime friend Michael Stasiak. As a trio they released their critically applauded 2011 self-titled debut, an effort that had album single “Harsh Realm” featured in an episode of American Horror StoryWith greater attention on the group, the then-trio recruited Pamela Garavano-Coolbaugh for their subsequent tours; however, by following year, Stasiak and Gravano-Coolbaugh left the band.

While in the middle of a massive lineup change, Hamilton and Thomas began working on their Kevin McMahon-produced sophomore effort Almanac, an album that was released to critical applause and growing national attention; in fact, the band was named one of Fuse TV‘s 30 Must-See Artists at 2013’s SXSW. And if you were frequenting this site back then, you would have come across a couple of posts featuring the acclaimed, Brooklyn-based duo. Up until earlier this summer, some time had passed since I had personally written about them but as it turned out the members of Widowspeak had been working on a new album, Expect The Best, which is slated for an August 25, 2017 through renowned indie label Captured Tracks Records. Album single “Dog,” as Widowspeak’s Hamilton told NPR is “about the compulsion to move on from things and places, even people when you’re not necessarily ready to. Sometimes I get caught up in ‘the grass is always greener’ mentalities or cling to an idea that ‘I’d be happy if . . .’ and make a drastic change. Then inevitably, I feel restless a few months later and it stars again.” While sonically, the song will further cement the duo’s reputation for crafting moody and hazy guitar pop that channels Mazzy Star, the song possesses a restless and ambivalent vibe as it captures an easily bored and frustrated narrator, who desperately yearns for more and more and more. Expect The Best‘s latest single “When I Tried” is a slow, churning blues with layers jangling, guitar pedal effect guitars paired with a propulsive yet simple drum pattern  which Hamilton’s aching yet ethereal vocals float over, and much like its preceding single, captures a bored and frustrated narrator, who yearns for more and more — and yet feels hopelessly stuck and confused.

Interestingly though, as Hamilton explains to the folks at Stereogum “I didn’t go into this record trying to make every song about feeling stuck, or about self-doubt or anxiety. Those feelings aren’t really what you want to proclaim to the world or make a whole record about, even if it’s the truth. But, in the end, it ended up making more sense to be honest. ‘When I Tried’ is about when I was having a hard time starting things, or finishing them, maybe due to my own expectations of what it would turn into or maybe due to me doubting that I’d even be able to make it happen at all . . . I wasn’t sure what the motivation was anymore. Not specifically related to music, or creative work, but to everything. I wanted to get out and be social to take my mind off it, but I had a hard time keeping that up, too. It’s hard to keep up the effort of trying.”

 

 

 

 

 

 

 

New Audio: JOVM Mainstays METZ Return with a Jagged and Anthemic Post-Post Punk Ode to Being Yourself at All Costs

With 2014’s self-titled debut and 2015’s sophomore effort II,  the Toronto, ON-based trio METZ received attention across their native Canada and elsewhere for a sludgy, face-melting, power-chord based sound reminiscent of Bleach and In Utereo-era Nirvana, A Place to Bury Strangers, Japandroids and others, and unsurprisingly, the Toronto-based punk trio quickly became mainstays on this site. Now, as you may know their third, full-length album Strange Peace is slated for a September 22, 2017 release through Sub Pop Records, and the album, which the trio recorded with Steve Albini at Chicago’s Electrical Audio Studio live to tape, with home recordings and instrumentation added by their longtime collaborator, engineer and mixer Graham Walsh back in Toronto. And the new album reportedly finds the band pushing their sound and songwriting into a new direction while retaining the furious and intense energy of their live shows; in fact, the material thematically speaking may be among the most political yet personal material they’ve written to date, capturing the thoughts and emotions of young people in the age of Trump. “The songs on Strange Peace are about uncertainty. They’re about recognizing that we’re not always in control of our own fate, and about admitting our mistakes and fears,” the band’s Alex Eakins explained in press notes. “They’re about finding some semblance of peace within the chaos.” 

“Cellophane,” Strange Peace’s first single found the Canadian punk trio retaining the sledgehammer forcefulness, sludgy power chords and rousing hooks that first caught the attention of the blogosphere and this site, but there’s an underlying, hard-fought maturity — the sort that come as a result of living in an increasingly fearful, uncertain, fucked up world, that feels as though it’s spinning faster and faster towards disaster. And interestingly enough, “Cellophane” seems to say to the listener, “hey man we’re scared out of our fucking minds, too; but we have each other and somehow we’ve gotta stick together and figure it out.” 

“Drained Lake,” Strange Peace’s second and latest single, is a jagged and propulsive post-post-punk track with layers of blistering and scuzzy guitars, punchily delivered lyrics and thunderous drumming with the use of a lurching synth line for what I think may be the first time in the band’s history; but while being a revealing look into a band that’s begun to restlessly experiment and expand upon their sound, it also finds the band at their most strident and searching, while being a sneering anthemic “fuck off” to those who don’t — and perhaps can never — see you for who you are. As the band’s Eadkins explained in press notes, the song reflects, “the constant struggle to know yourself and make sense of your life and surroundings. What is my purpose? Holding on to who you are while finding off pressure to bend to what other people want and expect from you,” 

The members of the Toronto-based punk rock act will be embarking on a North American tour to build up buzz and then support their new effort and it includes two NYC area dates — October 4, 2017 at Music Hall of WIlliamsburg and October 5, 2017 at the Bowery Ballroom.