Tag: Morrissey

 

Forming back in 2003, Stockholm, Sweden-based electro pop act Baron Bane have developed an international for a sound that explores the contrasts between cold and warmth; digital and analog; acoustic sounds and electronic sounds; and for a live show that employs the use of visual displays based around their sound. The Swedish act’s sophomore effort LPTO was released to critical praise from several major media outlets, including Uncut Magazine, who had compared the act to ABBA and Morrissey and adding to a growing international profile, LPTO album singles “Orchids,” and “Love.Cure.All” received airplay  on British radio and interestingly enough, “Love.Cure.All” was also named as a Single of the Week iTunes Japan. Additionally, “My Show World” appeared on an episode of MTV’s Awkward.

The Swedish electro pop’s act’s forthcoming third album III is slated for release in early 2016, and the album’s first two singles “By The Waves” and “Fire Play” have received international attention — “By The Waves” was praised by the Berlin, Germany-based Scandinavian music blog, Nordic by NaturePopMatters and A Heart Is A Spade. And if you’ve been frequenting this site over the past year, I wrote about “Fire Play,” a chilly and tense song comprised of layers of cascading synths and propulsive, forceful beat paired with a gorgeous pop-orientated melody that belies the dark, subtly seductive nature of the song.

III’s latest single “Hail To The Night” is a slow-burning single comprised of atmospheric synths and precise metronomic drum programming paired with Ida Long’s dreamy, unhurried vocals that evokes a chilly winter breeze blowing on your face and snow falling into your hair. And interestingly enough, the song manages to celebrate the winter solstice — the longest night of the year while cementing their reputation for crafting chilly electro pop that manages to be both brooding and yet ethereal.

 

 

 

 

Comprised of long-time friends and collaborators, the Sydney, Australia-born, Los Angeles-based multi-instrumentalist production duo Intergalactix have a long-held reputation behind the scenes producing material for a number of renowned artists including Jason Mraz, Heart, Earth, Wind, and Fire, Kelis, Allen Stone, Ariana Grande, The Fugees‘ Pras MichelCool & Dre, fellow countrymen Jimmy Barnes and PNAU, as well as  Cash Money Records.

Last year, the production duo began to establish themselves as artists  with the release of their debut EP I.W.S.O.M, which featured the single “Tuesday.” Building upon an already growing national profile, the duo toured extensively to support the EP — and it included a set at Firefly Music Festival. (Interestingly, the festival may have had one of the biggest and most star-studded lineups of this past year’s festival season as Intergalactix played a bill that included Paul McCartney, Kings of Leon, Snoop Dogg, The Killers, Morrissey, and several others.)

Thursday marks the release of the Australian-born, Los Angeles-based duo’s sophomore EP S.T.S. – R.N.D.  and the EP’s latest single “Right Next Door” featuring Capital Cities‘ Spencer Ludwig will further cement Intergalactix’s reputation for sleek, retro-futuristic synth pop that channels The Gap Band‘s “You Dropped A Bomb On Me” and “Outstanding,Rick James and The TemptationsStanding On The TopThe WhispersAnd The Beat Goes On” and “Rock Steady,” and Cameo‘s “Word Up,”as well as more contemporary fare including Dam-Funk, Rene Lopez‘s most recent return to all things funk, Boulevards, ISHI, and a growing list of others.

Growing up listening to a ton of synth funk back in the 80s, it isn’t surprising that a number of contemporary artists have revived that sound — both eras specialize in slick production based around sinuous bass lines, shimmering arpeggio synths, four-on-the-floor drumming (or drum programming), anthemic hooks paired with an incredible sense of memorable melody and sensual vocals. You can’t help but recognize how sexy the song is — but it’s also a certified club banger, that should make you get up out of your seat and to the dance floor.

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New Video: The Swooning Romanticism and 80s Post-Punk Revivalism of Communions’ “Forget It’s A Dream”

Comprised of brothers Martin and Mads Rehof, along with Jacob van Deurs Formann and Frederik Lind Köppen, the Danish quartet Communions have received both national and international attention across the blogosphere for shimmering and plaintive pop songs that sound […]

Although they manage to operate with a purposefully mysterious cloak around them, the Stockholm, Sweden-based electro pop act Baron Bane formed in 2003, and since the act’s formation they’ve developed a reputation for a sound […]

The Manchester, UK-based quartet of GIRL FRIEND has seen quite a bit of attention as they’ve received praise form The Guardian, The Line of Best Fit, DIY Magazine, Clash and others, received airplay from XFM […]

Comprised of Joel Cohen (vocals, guitar), Allen Esser (drums), and Leah Callahan (vocals and keyboards), the Boston, MA-based trio of The Glass Set specialize in a dreamy shoegazer rock that is naturally inspired by 80s […]