Tag: mp3s

 

Sophie Colette is an up-and-coming Brooklyn-based indie pop artist. Initially relocating to New York to pursue fashion design, Colette pivoted her ambitions to music after being scouted at a high school reunion by The Party Faithful‘s bassist. About month later, Colette wound up contributing vocals, keys and synth for the band, playing with the band at venues across the New York metropolitan area. Interestingly, during that time she met Degraw Sound producer Ben Rice, who she later presented with a stack of sketchbooks filled with lyrics and visual palettes, which eventually became the genesis of her solo work.

“Tonite,” off her debut EP Strangers and Lovers was featured at Jasmine Chong’s runway presentation to the editors of VogueWWD, Elle and others during 2017’s New York Fashion Week. Selected footage from her Stephen Dirkes-directed music video for “Get Close’ was nominated for Best Creative Concept, Art Direction and Visual Effects at the La Jolla International Fashion Film Festival. And building upon a growing profile, Colette supported Strangers and Lovers with a European tour with Berlin-based indie-folk project The Crystal Elephant.

Since then the New York-based indie pop artist has released a handful of shimmering pop singles that have caught the attention of the blogosphere, including my dear friends at Glamglare and elsewhere, as well as airplay on French radio station Déclic Radio 101.1FM. Her latest single “Would You Like It?” continues an ongoing run of dreamy synth pop centered around Colette’s plaintive and vulnerable vocals, a sinuous bass line and a soaring hook. But underneath the slick disco-tinged production, the song’s narrator is plagued by a familiar self-doubt — the self-doubt that comes about when you’ve fallen for someone and you can’t quite figure out if you should tell that person how you feel. Putting your heart on the line is nerve racking in itself; but the possibility of rejection seems like the end of your world. 

“I fell in love – again. It took me a while to admit that to myself, and even longer to figure out how to handle it,” Colette explains in press notes. “It’s such a vulnerable, intense, confusing, and heart-shaking experience, compounded by the risk of rejection. What if it’s just a fabricated mind game and completely unrequited? When should I say something, if at all? I was overwhelmed and having conversations with myself on what to do and how to say it, and writing this song was a way to get out of my head and connect with reality. No more hiding.” 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sophie Colette’s single “Would You Like It?” – slated for July 19, 2019 release – explores the emotional dilemma of deciding whether or not to tell someone how you feel – namely, that you’ve fallen in love. Produced by Ben Rice (The Candles, Elliot & The Ghost, Queue) at Degraw Sound in Brooklyn, New York, the track builds from a simple chord progression to a dreamy holographic soundscape, supporting Colette’s lyrical love letter with layers of vocal effects, electronic keys, guitars, and a driving pulse. 

“I fell in love – again. It took me a while to admit that to myself, and even longer to figure out how to handle it. It’s such a vulnerable, intense, confusing, and heart-shaking experience, compounded by the risk of rejection. What if it’s just a fabricated mind game and completely unrequited? When should I say something, if at all? I was overwhelmed and having conversations with myself on what to do and how to say it, and writing this song was a way to get out of my head and connect with reality. No more hiding.” 

Sophie will support “Would You Like It?” with a music video directed by Karina Vidal, and performances at festival showcases this summer – Independent Venue Week in July in New York City, and Degraw Fest Unplugged at Brooklyn Bridge Park in Brooklyn, New York on August 2 at 6:00pm. 

“Would You Like It?” is the latest in a series of singles from Colette. Her most recent release “Version,” an intimate cinematic track inspired by a toxic relationship, premiered on Asymmetric Magazine for its “dreamy, lush sound [and] captivating vocals,” and has been compared to Tangerine Dream by Sound Thread Music Blog for its “gently pulsing, down-tempo atmosphere.” “Version” was added to TuneCore’s Spotify playlist, “TuneCore Presents: Music Made Me,” and aired on indie French radio station Déclic Radio 101.1FM alongside Dido, upon release. Her live debut at New York City’s Rockwood Music Hall cemented “Version” as “Colette’s most stunning work to date.” (glamglare

Colette’s former releases have premiered on influential blogs such as Popdust, glamglare and CelebMix. Her single “Run Around,” released in late 2018 about challenging lip service in relationships, was selected as glamglare’s “song pick of the day,” and lauded by Emerging Indie Bands as an emotionally intense track with a “wistful melancholic…romantic demeanour…a testament to both composition and vocal ability.” 

Her single “That Kind Of Love,” which Colette released to coincide with her summer performance at Degraw Fest 2018, has been featured by media platform ULTRA as the exclusive soundtrack for their videos. 

Previous tracks have aired on indie French radio station Déclic Radio 101.1FM and playlisted at New York Fashion Week, and her accompanying short films have received nominations and acclaim from fashion film festivals including the La Jolla International Fashion Film Festival.

 

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Madison, WI-based punk act The Hussy formed back in 2008 as a duo fronted by Bobby Hussy (guitar, vocals) and Heather Hussy (drums, vocals). The duo quickly developed a reputation for a trashy and scuzzy take on punk and for a chaotic live show that wound up with the duo playing shows alongside a who’s who list of indie rock and punk — including Mudhoney, Ty Segall, Thee Oh Sees, Twin Peaks, Reigning Sound, Spectrum, Black Bananas, Black Lips, King Khan & BBQ, White Fence, The Faint, Tenement and countless others. All of that helped the band gain a cult-like following across the Midwestern underground scene.

During the incredibly prolific period of 2009 and 2015, in which the band released material material through over 20 different labels and in countless different formats, the duo relentlessly toured across the US and Europe, even playing Gonerfest after the release of their beloved sophomore album 2012’s Weed Seizure. Interestingly, also during that period, the band pulled double duty as the opener and backing band for NOBUNNY through tours of the States, Australia and New Zealand. And since then, the band’s founding duo have split time between The Hussy and other creative pursuits. Bobby Hussy has continued to tour with NOBUNNY off and on as his touring bassist.  He plays in Fire Heads with Tyler Fassnacht, who recently joined The Hussy to help further flesh out their live sound.  And lastly, Bobby Hussy is also a member of synth wave post-punk act Cave Curse, who released a full-length in 2017. Heather Hussy’s side project Proud Parents released their full-length album through Dirtnap Records last year.

At the end of last year, the members of the newly constituted trio began tracking their forthcoming full-length album Looming, the follow-up to 2015’s Galore. Galore saw the and moving into a much more focused direction with their songwriting that included much more complex arrangements paired with mid-fi production — and while this was  decided evolution in their sound, they managed to retain their knack for crafting infectious pop-leaning hooks. Looming however, finds the band thematically going in a defiantly darker direction as it touches upon death and sudden loss, divorce, addition and our depressing and horrifying political moment.

The album’s latest single “Coast” begins with a deceptive and upbeat intro featuring plinking and chiming chords before quickly turning into a scuzzy, power-chord based ripper — with an infectious, shout along worthy hooks and a playful melody underneath it all. Interestingly, the song is a perfect example of the album’s darker thematic concerns as it’s a pissed off tell off toward someone you want to just leave you alone.

The new album is slated for a September 27, 2019 release through Dirtnap Records and the band will be embarking on US and European tours to support it. Check out the current tour dates and be on the lookout for more.

Tour Dates

August 17th Madison, WI @ Crystal Corner (w/ Sweet Jap, Choke Chains, Dumb Vision)
September 13th Minneapolis, MN at 7th Street Entry
September 14th Madison, WI @ Mickeys (w/ Werewolf Jones)
September 21st Fayetteville, AR @ Backspace
September 23rd Austin, TX @ Hotel Vegas
September 24th New Orleans, LA @ Circle Bar
September 25th Hattiesburg, LA @ House Show
September 26th – Memphis, TN at Hi Tone – Gonerfest 16
More Dates TBA!

 

 

 

 

New Audio: JOVM Mainstays Warish Release a Menacing Mosh Pit Friendly Ripper off Their Forthcoming Full-Length Debut

I’ve written quite a bit about the Southern California-based punk trio Warish over the past 18 months or so and the act, which features founding members Riley Hawk (guitar, vocals) and Bruce McDonnell (drums) formed last year when its founding duo wanted to try their hand at something a bit more distinct than what they had previous done.“We wanted to do simpler riffs and a fun live show,” Hawk explains in press notes. “A little more punk, a little bit of grunge… a little evil-ish.” Their sound reportedly draws from a variety of things — early Butthole Surfers, Scratch Acid, Incesticide-era Nirvana, Static Age-era Misfits and others, and with the release of their first two EPs, the band quickly established themselves for crafting scuzzy, mosh pit friendly rippers with an aggressively sleazy Troma Films-inspired vibe.

Building upon a rapidly growing profile, the members of Warish will be releasing their highly-anticipated full-length debut, Down In Flames through RidingEasy Records on September 13, 2019. Down In Flames’ first single “Healter Skelter” isn’t a Beatles cover. but rather the title refers to the Manson Family’s misspelled blood scrawl at the site of the group’s second murder in 1969. Centered around thunderous drumming, scuzzy power chords and howled vocals — and while clearly recalling Bleach and Incesticde-era Nirvana, the song may arguably be among the most menacing of their growing catalog of mosh pit friendly rippers. 

Julien Chang (pronounced Chong) is an up-and-coming Baltimore-born 19-year-old, multi-instrumentalist, singer/songwriter, producer and current university student, who surprised his peers when he began quietly releasing music during his senior year in high school. Interestingly, only thought of as a trombone player, Chang’s early material found him playing multiple instruments and meshing pop-leaning melodies, psych rock and jazz fusion experimentation and improvisation — with a sophistication that belies his relative youth.  Those early releases caught the attention of Transgressive Records, the label home of SOPHIE, Let’s Eat Grandma and JOVM mainstay Neon Indian, who will be releasing his forthcoming full-length debut.
Self-recorded and self-produced in his bedroom, “Of The Past,” Chang’s debut single is a sleek bit of early 80s-like synth-led funk that’s centered around carefully crafted pop melodicism, a sinuous bass line and plaintive vocals — but interestingly, the track reveals a dexterous songwriter and musician, who can effortlessly bounce and dart between funk, jazz and pop in a mesmerizing fashion.
Chang will be embarking on his first ever tour in October — and the tour begins with an October 15, 2019 stop at Baby’s All Right. Check out the rest of the tour dates below.
Tour Dates
10/15 – Brooklyn, NY @ Baby’s All Right
10/28 – London, UK @ Bermondsey Social Club
10/29 – London, UK @ Servant Jazz Quarters
10/31 – Brussels, BE @ Botanique Witloof Bar
11/01 – Berlin, DE @ Musik & Frieden

Last year, I wrote quite a bit about the Brooklyn-based shoegaze duo Parrot Dream. And as you may recall, the act which is comprised of Santiago, Chile-born, Brooklyn-based Christina Hansen Appel (vocals, keys) and Gonzalo Guererro (guitar) was formed back in 2013 — and after relocating to Brooklyn, the duo developed a reputation for crafting sprawling and shimmering and hazy soundscapes that have amassed more than 500,000 Spotify streams. 

Good Eye Records released the Chilean-born, Brooklyn-based duo’s full-length debut, Light Goes last year. Written and recorded over a two year period, the material on the duo’s full-length debut touched upon themes of connection, love, memory and clarity.  “Woven,” the first bit of new material from the band since the release of their full-length debut was originally written and recorded during the Light Goes sessions but was cut from the album. However, it’ll be included on the album’s follow-up effort, Light Goes: B-Sides EP. Centered around shimmering synths, towering layers of reverb-drenched guitar, propulsive drumming, Hansen Appel’s plaintive and longing vocals and an enormous hook, the towering, classic shoegaze-inspired track finds the band writing some of their most ambitious material of their growing catalog. Thematically, the song is a love song full of aching longing that simultaneously finds the band asking some of life’s larger questions.

 

 

 

 

 

 

New Audio: Up-and-Coming British Post-Punk Act Squid Releases an Explosive and Expansive New Single

With the release of a series of critically applauded singles, an incendiary live show, and three packed Glastonbury Festival sets, the up-and-coming disco post-punk, disco funk act Squid — Ollie Judge (vocals, drums), Lous Borlase (guitar, vocals), Arthur Leadbetter (keys, strings), Laurie Nankivell (bass, drums) and Anton Pearson (guitar, vocals) — have quickly developed a growing national profile. 

Building upon that momentum, the act which splits its time between Brighton, where it initially formed and London will be releasing the Dan Carey-produced EP Town Centre through Carey’s Speedy Wunderground Records digitally on September 6, 2019 — with a physical release on November 15, 2019. Clocking in at seven and a half minutes, the EP’s  new single “The Cleaner” will likely remind listeners of Q: Are We Not Men? A: We Are Devo-era Devo, Talking Heads, Entertainment!-era Gang of Four and LCD Soundystem  as the track is centered around a slinky, disco funk bass line, explosive blasts of squiggly synths, cowbell led drumming, angular guitar lines, explosive feedback and shouted lyrics within an expansive song structure that’s one part post-punk, one part art punk, one part No Wave freak out. And as a result, the song manages to evoke the uncontrolled, neurotic frustration of someone who’s at the end of their rope. 

“‘The Cleaner’ is a lost acquaintance, one that we’ve spent the past year trying to get to know . . . tirelessly working and turning up whenever needed,” the band says about their latest single. “We work for the money to spend out time doing other things. ‘The Cleaner’ imagines the divided work and play structure and thinks about breaking from it.” 

was·sail

/ˈwäsəl,ˈwäˌsāl/

ARCHAIC
verb
gerund or present participle: wassailing
  1. 1.
    drink plentiful amounts of alcohol and enjoy oneself with others in a noisy, lively way.
  2. 2.
    go from house to house at Christmas singing carols.
    “here we go a-wassailing”

 

  1. drink plentiful amounts of alcohol and enjoy oneself with others in a noisy, lively way.
  2. to go from house to house at Christmas singing carols.

 

Featuring a former member We Were Evergreen, an act that toured across the UK and opened for the likes of Michael Kiwanuka, Slow Club, Metronomy, Nick Mulvey, Villagers and others, the up-and-coming London-based indie electro pop project Wassailer derives its name from the word “wassailing” — and was discovered by the artist while looking for an anagram on a Scrabble website. With the help of a Tyneside-born girlfriend, Wassailer’s mastermind fell in love with a variety of different things that wound up influencing him — including Irish folk songs, grime, Auden’s poetry, Indian cuisine, UK garage and the peacefulness of the lake district.

Wassailer’s somewhat mysterious mastermind has since relocated to Lewisham, where he’s joined a contemporary crop of singer/songwriters, who are influenced by folk, jazz and soul as much as they are by electronic and urban productions. His latest single, “Ghosts” is a soulful trip hop production featuring looping, twinkling piano, brooding and mournful flugelhorn and trumpet from Johnny Woodham, thumping beats, soulful vocals from Wassailer and Demi Ma and a sinuous hook. And while seemingly drawing from Portishead and The Brand New Heavies, the track as Wassailer said via email was written while reading an article about the British Royals, who were refurbished their private properties with taxpayers’ funds — ” . . .and humbly aims at blending folk with modern urban beats and neo jazz in a pop song.”

 

 

Sis is a Berkeley, CA-based indie pop project that features singer/songwriter, multi-instrumentalist and Native Cat Recordings founder Jenny Gillespie Mason and Meernaa‘s husband and wife duo Carly Bond and Rob Shelton. The trio’s sophomore album Gas Station Roses will be officially dropping and its latest single “Night From Scratch” is an atmospheric and dreamy track centered around shimmering synths, thumping kick drum, a fluttering flute melody and ethereal vocals. And while evoking rippling and bubbling waters, the track — to my ears, at least —  manages to be deceptively anachronistic: the song manages to nod at breezy 70s AM rock and Sade.

 

 

 

Initially began as the solo recording project of Seattle-based singer/songwriter and multi-instrumentalist Natasha El-Sergany that focused on spectral balladry and late-night exploration, the Seattle-based shoegazer project Somesurprises has gradually expanded into a full-fledged band featuring Josh Medina (guitar, synth), Laura Seniow (bass) and Nico Sophiea (drums) since the release of the project’s 2016 debut effort Voice Memos

2017 found El-Sergany collaborating with Josh Medina for the ambient album Serious Dreams, an effort that was released to critical applause from the likes of The Quietus, Bandcamp, The StrangerSeattle Weekly and Tiny Mixtapes. The following year, the project expanded to a full band with the addition of MX-80 Sound’s Nico Sophiea aend Red Ribbon‘s Emma Danner (bass) for that year’s Alt, an effort that Aquarium Drunkard compared to “an imaginary collaboration between Grouper and Spiritualized.” Interestingly, the band started off this year with a collaborative split tape with fellow Seattle-based act Supercandy, some candy that featured contributions from Brenan Chambers, Lori Goldston, Monika Khott and Ambrosia Bardos, who added layers of guitar effects, cello, vocals and trumpet.

The band has built up a strong profile in their hometown, opening for the likes of Circuit Des Yeux, Carla dal Forno, A Place to Bury Strangers and The Cave Singers — and they’ve toured the West Coast. Building upon a growing profile, the band will be releasing their self-titled full-length debut through Drawing Room Records. Slated for a September 20, 2019 release, the Seattle-based sheogazers self-title full-length finds the band exploring a wide range of styles from intensifying meditative drones to songs, where the same moment never quite happens twice. And unlike their previously released material, the vocals and lyrics are much more focused — with the material thematically longing for and seeking knowledge of the self, to guide the way out of one’s own mind.
Clocking in a little over five minutes, “High Rise,” the latest single off the Seattle-based shoegazers forthcoming full-length, self-titled  album is an expansive and shapeshifting song that begins with a pensive and slow-burning, shimmering intro that slowly builds up into an explosive power chord and motorik groove driven middle section. The song then closes out with a pensive and slow-burning, shimmering coda to close off a mind-bending and expansive song that sounds like the perfect accompaniment to experimenting with hallucinogens.