Tag: MUNYA Delmano EP

Over the past couple of years, I’ve written a bit about the Southern California-born, Madison,WI--based producer, multi-instrumentalist and singer/songwriter, Trent Prall, best known for his solo recording project Kainalu, which derives its name for the Hawaiian word for ocean wave. Prall’s work draws from psych pop, psych rock, dream pop, Tropicalia, synth pop and funk, as well as his childhood trips to Oahu, HI visiting his mother’s family, coalescing in a breezy and nostalgia-including sound that Prall has dubbed “Hawaii-fi.” He further developed and expanded upon his sound with the release of his full-length debut Lotus Gate.

Interestingly, over that same period of time, I wound up writing a bit about the Quebec-born and-based classically trained pianist, opera vocalist, electronic pop producer, electronic music producer, multi-instrumentalist and singer/songwriter, best known for her solo recording project MUNYA. Now, as you may recall, as the story goes, Boivin had only written one song when she was asked to perform at 2017’s Pop Montreal Festival. Ironically, at the time, she never intended to pursue music full-time but after playing the festival, she realized that she was meant to be a musician.

Boivin quit her day job, moved in with her sister and turned their kitchen into a home recording studio, where she wrote every day. Those recordings would eventually become part of an EP trilogy that she named after significant places in her life. The Quebec-based JOVM mainstay’s self-released debut EP North Hatley derived its name from one of her favorite villages in her home province. Her second EP, 2018’s Delmano, which was released through Fat Possum Records derives its name from Williamsburg Brooklyn’s Hotel Delmano.

Blue Pine EP, the third and most recent EP of Boivin’s trilogy derives its name for the Blue Pine Mountains in David Lynch’s Twin Peaks — and continues the trilogy’s overall theme of EP’s being named for a significant place in Boivin’s life. The EP trilogy was then combined for the self-titled physical release.

The pair of JOVM mainstays have collaborated on the breezy and infectious “You Never Let Go.” Centered around shimmering synth arpeggios, a sinuous bass line, stuttering beats, Boivin’s plaintive and ethereal vocals and an enormous hook — and while revealing some easy-going yet, ambitious, hook-driven songwriting, the song is a swooning and seamless synthesis of the their individual sounds and aesthetics.

“Josie (Munya) and I met through the Spotify algorithm,” Prall explained in an email to me.”We both admire each other’s music and so we started messaging online and sending ideas back and forth until the song happened. Both of us are self-producing multi-instrumentalists, and so building a track together was very fluid and came easy. After about a week we had the song completed.”  

 

Over the past few months, I’ve written quite a bit about JOVM mainstay, Josie Boivin, Quebec-based classically trained pianist and opera vocalist and electronic pop producer, electronic music artist, multi-instrumentalist and singer/songwriter, best known as MUNYA. As the story goes Boivin had only written one song when she was asked to perform at 2017’s Pop Montreal Festival. Now, as you may recall, ironically at the time, Boivin had never intended to pursue music full-time; but after playing at the festival, she realized what she was meant to do — be a musician.

So Boivin quit her day job, moved in with her sister and turned their kitchen into a home recording studio where she wrote every day. These recordings would eventually become part of an EP trilogy named after a significant place in Boivin’s life. Her self-released debut North Hatley derives its name from one of Boivin’s favorite little villages in Quebec and her second EP Delmano, which was released last year through Fat Possum Records derives its name from Williamsburg Brooklyn’s Hotel Delmano.

Blue Pine EP, the third EP of Boivin’s trilogy derives its name for the Blue Pine Mountains in David Lynch’s Twin Peaks — and continues the trilogy’s overall theme of EP’s being named for a significant place in Boivin’s life.  “It’s All About You”  Blue Pine‘s first single was a beguiling pop song centered around shimmering and arpeggiated synths, a soaring hook, and Boivin’s ethereal falsetto — but interestingly, the song focuses on the joy and agony of an all-consuming infatuation that borders on obsession. “Benjamin,” Blue Pines‘ second and latest single is centered around a breezy and infectious hook, shimmering synths and guitars, a sinuous bass line, four-on-the-floor beats and Boivin’s ethereal vocals singing lyrics both in English and French. (Interestingly, the song marks the first time Boivin sings in both languages.) And much like its immediate predecessor, the song finds Boivin balancing an infectious pop sensibility with an aching, sepia-tinged wistfulness. Oh how, things were easier/simpler/less cynical back then, the songs seem to say –and yet within “Benjamin,” there’s a bit of hope. As Boivin says of the song in press notes,  “Many times in my life when I thought I had found love it turned into heartbreak. Like most people, it has made it harder for me to be vulnerable with new experiences and people. In this song I take a step back and realize it’s how we all feel. I make fun of my own vulnerabilities, try to just push them to the side and enjoy my new love.”

Blue Pine is slated for a March 8, 2019 release through House Arrest/Fat Possum Records imprint Luminelle Recordings, and along with that the three EPs will be combined for the physical release MUNYA, which will also be released on March 8.

Over the last few months of 2018, I wrote quite a bit about Josie Boivin, a Quebec-based classically trained pianist and opera vocalist, and electronic pop producer, electronic music artist, multi-instrumentalist and singer/songwriter, best known in the indie world as MUNYA. Now, as you may recall Boivin had only written one song when’s he was asked to perform at 2017’s Pop Montreal. Ironically, at the time, Bolvin had never intended to pursue music full-time but after playing at the festival, she quickly realized that what she was meant to do — be a musician. So Boivin quit her day job, moved in with her sister and turned their kitchen into a home recording studio where she wrote every day. These recordings would eventually become part of an EP trilogy — with each EP comprised of three songs — named after a significant place in Boivin’s life. Her self-released debut North Hatley derives its name from one of Boivin’s favorite little villages in Quebec and her second EP Delmano, which was released last year through Fat Possum Records derives its name from Williamsburg Brooklyn’s Hotel Delmano.

Blue Pine EP, the third EP of Boivin’s trilogy derives its name for the Blue Pine Mountains in David Lynch’s Twin Peaks — and continues the trilogy’s overall theme of EP’s being named for a significant place in Boivin’s life. The EP’s first single “It’s All About You”  is a beguiling pop song centered around shimmering and arpeggiated synths, a soaring hook, and Boivin’s ethereal falsetto — but interestingly, the song is at best, superficially playful as it focuses on the joy and agony of an all-consuming infatuation that borders on obsession. “It’s about obsession, that feeling when everything you do is about trying to reach a singular goal, an object, or, in my case, love,” Boivin explains. “This song is about my dream – this fantasy and obsession of wanting someone so bad that it hurts and everything I do is for the dream of being together.”

Blue Pine is slated for a March 8, 2019 release through House Arrest/Fat Possum Records imprint Luminelle Recordings, and along with that the three EPs will be combined for the physical release MUNYA, which will also be released on March 8.

 

 

 

 

 

 

New Video: MUNYA Release Dreamy Visuals for “Hotel Delmano”

Josie Bolvin is a Quebec-based, classically trained pianist and opera vocalist, as well as an electronic pop producer, singer/songwriter and artist, best known as MUNYA — and as the story goes Bolvin had only written one song when she was asked to perform at last year’s Pop Montreal. Ironically, at the time, Bolvin had never intended to pursue music full-time but after playing at the festival, she quickly realized that what she was meant to do — be a musician. So Bolvin quit her day job, moved in with her sister and turned their kitchen into a home recording studio where she wrote every day. These recordings would eventually become part of an EP trilogy — with each EP comprised of three songs — named after a significant place in Bolvin’s life. Her self-released debut North Hatley derives its name from one of Bolvin’s favorite little villages in Quebec and her second EP Delmano, which was released earlier this month through Fat Possum Records derives its name from Williamsburg Brooklyn’s Hotel Delmano.

Delmano‘s first single ”Hotel Delmano” is a breezy and mischievous, synth-based tale of melancholy surrealism, centered by Bolvin’s ethereal vocals singing completely in her native French. Interestingly, the song is largely inspired by a dream Bolvin had that was inspired by the video for Vendredi sur Mer‘s “La Femme à la Peau Bleue.” As Bolvin says in press notes, “I watched it so many times that she entered my dreams once we were having a drink at Hotel Delmano. The song is about that dream.”  Sonically, the song sounds as though it should be a part of the soundtrack of a Michel Gondry film in which its sad protagonist gets thrown into a whimsical and colorful world while recalling La Femme, Polo & Pan, and others.

The recently released video premiered over at Highsnobiety, and as Bolvin told the folks there, “The song ‘Hotel Delmano’ came to me in a dream. So when it was time to make the video, I wanted it to have the same feeling—an ambiguous collection of images, whose meaning is derived by the connection of the time and place. We shot this in my hometown, visiting the most ‘trivial’ and ‘unremarkable’ places that I’ve known my whole life but now feel like a dream.”

Josie Bolvin is a Quebec-based, classically trained pianist and opera vocalist, as well as an electronic pop producer, singer/songwriter and artist, best known as MUNYA — and as the story goes Bolvin had only written one song when she was asked to perform at last year’s Pop Montreal. Ironically, at the time, Bolvin had never intended to pursue music full-time but after playing at the festival, she quickly realized that what she was meant to do — be a musician. So Bolvin quit her day job, moved in with her sister and turned their kitchen into a home recording studio where she wrote every day. These recordings would eventually become part of an EP trilogy — with each EP comprised of three songs — named after a significant place in Bolvin’s life. Her self-released debut North Hatley derives its name from one of Bolvin’s favorite little villages in Quebec. Her forthcoming second EP, Delmano is slated for an October 5, 2018 release through Fat Possum Records and derives its name from Williamsburg Brooklyn’s Hotel Delmano.

Delmano‘s first single ”Hotel Delmano” is a breezy and mischevious, shimmering synth-based tale of melancholy surrealism, centered by Bolvin’s ethereal vocals singing completely in her native French. And as Bolvin explains in press notes, the song is largely inspired by a dream Bolvin had that was inspired by the video for Vendredi sur Mer‘s “La Femme à la Peau Bleue.” As Bolvin says in press notes, “I watched it so many times that she entered my dreams once we were having a drink at Hotel Delmano. The song is about that dream.”  Sonically, the song sounds as though it should be a part of the soundtrack of a Michel Gondry film in which its sad protagonist gets thrown into a whimsical and colorful world while recalling La Femme, Polo & Pan, and others.

 

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