Tag: Nirvana

New Audio: Australia’s Hockey Dad Releases an Anthemic 90s Alt Rock Inspired Song

Comprised of Zach Stephenson (guitar, vocals) and Billy Fleming (drums), the Windang, New South Wales, Australia indie rock duo Hockey Dad are lifelong friends, who grew up two doors apart — and as a result, they’re best friends first, bandmates second. With the release of their full-length debut 2017’s Boronia, the duo of Stephenson and Fleming quickly achieved a national and international profile for crafting infectious power pop: the duo wound up embarking on a sold out tour of their native Australia that included a number of shows with Dune Rats and the critically applauded indie act Wavves, some extensive touring across North America with stops at SXSW and elsewhere, before touring across the UK and Europe. 

Hockey Dad’s latest effort, 2018’s sophomore effort, the John Goodmanson-produced Blend Inn was recorded at Seattle’s renowned Robert Lang Studios, where Foo Fighters, Soundgarden, Death Cab For Cutie, Alice in Chains and NirvanaNirvana (who most notably recorded their last song ever there) all recorded seminal material. Interestingly, the Australian duo’s sophomore effort is a much more introspective effort. Blend Inn is the part of your head that you want to go to when you’re overseas and wishing you were back home, it’s within,” Hockey Dad’s Billy Fleming says. “We’re always just trying to be comfortable and semi blending in, so it’s the name we gave to that place you zone out to.”

Thematically, the album is centered around the trials, tribulations and uncertainties of young adulthood — but from the perspective of two young people, who have had an expanded mindset and much more experience in the world, while still retaining the playfulness and enormous hooks that won them international attention. Building upon a growing profile, the duo will continue a busy slate of national and international touring, including a West Coast Stateside tour through February. You can check out the tour dates below. 

In the meantime, anthemic album single “I Wanna Be Everybody” is centered around infectious, crowd pleasing hooks, thunderous drumming and even bigger power chords within an alternating soft, loud, soft song structure. Sonically, the song brings to mind 90s alt rock — in particular, I’m reminded of Local H and others.  

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Late last year, I wrote about the Boston-based alt rock quintet Aneurysm, and as you may recall, the band formed back in 2014 and since then, they’ve developed a reputation for relentless touring and realizing a handful of 7 inch vinyl releases. Their long-awaited full-length debut Awareness is slated for a February 1, 2019 release through Tor Johnson Records, and the album, as the band’s Dan Bahto explains in an interview with No Echo, the material on the album is sort off a collection of things they had been working on since they started.

Awareness‘ first single was the pummeling, mosh pit friendly “St. E.” Centered round enormous power chords, thunderous drumming and howled vocals, the track brought Nirvana, METZ and others to mind. The album’s second and latest single “Newport” continues on a similar vein as its predecessor while rooted in a melodicism that brings Social Distortion to mind; in fact, the song is centered around world-weary and hard-fought reflections on sex, drugs, cops, death and rock ‘n’ roll.  The song kicks ass but as I turn 40 in a couple of months, it has a sobering air: it’s full of the recognition of that you’re getting older; that the scene is slowly phasing you out; that with each passing day you’re looking at your mortality in the mirror.

 

Late last year, I wrote about the Southern California-based trio Warish, and as you may recall the trio which features founding members Riley Hawk (guitar, vocals) and Bruce McDonnell (drums) formed earlier this year, when its founding duo wanted to try their hand at something a bit more distinct than they’d previously done. “We wanted to do simpler riffs and a fun live show,” Hawk explains in press notes. “A little more punk, a little bit of grunge… a little evil-ish.” Their sound reportedly draws from a variety of things — early Butthole Surfers, Scratch AcidIncesticide-era NirvanaStatic Age-era Misfits — and with “Fight,” the first single off their self-titled debut EP, the trio quickly make their presence known as the song is centered around Hawk’s effects-laden vocals, enormous grunge rock meet thrash punk power chords, pummeling drumming, mosh pit friendly hooks and an aggressively sleazy, Troma Films-like vibe.

Warish’s self-titled debut EP is slated for a February 19, 2019 release through RidingEasy Records, and the EP’s latest single “Human Being” is a mosh pit friendly ripper centered around explosive power chords, thundering drums and howled vocals. Sonically speaking, the track recalls The Colour and the Shape and One by One-era Foo Fighters — but with a raw, gritty feel.

 

Perhaps best known for stints drumming for Shilpa Ray, WALTZ and Lola Pistola, Robert Preston Collum relocated to Los Angeles for a change of scenery, and began his solo recording project Pink Mexico. Shortly after relocating to Los Angeles, Collum self-released his Pink Mexico debut pnik mxeico back in June 2013. The album attached the attention of Austin, TX-based Fleeting Youth Records, who re-released pnik mxeico the following December.

Preston then relocated back to Brooklyn during the fall of 2014, where released a split 7 inch with Los Angeles-based indie band SunLikeDrugs and a 12 inch vinyl pressing of pnik mexico by the Bordeaux, France-based label Big Tomato Records. And with a growing national and international profile, Collum caught the attention of Burger Records, who signed him and released his sophomore Pink Mexico fool, an effort that Collum said was written in window-less 10×10 rooms between Los Angeles and Brooklyn, reportedly fueled by nasty hangovers, cheap coffee and cigarettes. Interestingly, over the past year or so, Pink Mexico expanded to into a fully fledged band with the addition of Grady Walker (bass) and Ian Everall (drums), who toured with Collum during the tour to support fool and contributed to Pink Mexico’s forthcoming, third full-length album Dump, which is slated for a March 1, 2019 release on cassette and digitally through Burger Records and Little Dickman Records.

Written and recorded during 2017 and 2018 at Civil Defense Studios with Jeremy Scott, who has worked with Vivian Girls and These Are PowersDump is the first Pink Mexico album as a fully fledged band and the album’s latest single “High Dive” is a grungy take on surf rock, featuring fuzzy and distorted power chords and a mosh pit friendly hook. Sonically, the song manages to hint at The Jesus and Mary ChainIncesticide-era Nirvana, Melvins and Foo Fighters while clocking in at a little over 2 minutes — or in other words, a fast and furious ripper that’s absolutely necessary.

 

 

Black Pistol Fire is an Austin, TX-based rock act featuring Toronto, ON-born duo Kevin McKeown (guitar, vocals) and Eric Owen (drums). And since their formation, the duo whose sound and approach has been largely inspired by Led Zeppelin, Chuck Berry, Nirvana, Buddy Holly and Muddy Waters, has received a national profile for an untamed and blistering live set. Dubbed the “next big thing” by Huffington Post after their 2013 SXSW appearance, the act has built upon that reputation by playing some of the largest festivals including Lollapalooza, Austin City Limits, Bonnaroo, Sasquatch Music Festival, Shaky Knees and Governor’s Ball, as well as Mad Cool and Colours of Ostrava.

The Austin-based duo’s latest single is the swaggering and bluesy “Level,” a track centered around enormous power chords, thunderous drumming, arena rock friendly hooks and McKeown’s self-assured, rock god-like crooning. And while adding themselves to a growing list of power chord-based blues rock duos, they do so with an ass-kicking, name-taking self-assuredness of old pros.

The duo have lined up some tour dates during the first part of the year. Check out the tour dates below.

Tour Dates:

1/11 – Gothic Theater – Denver, CO
1/12 – Belly Up Aspen – Aspen, CO
3/2-3/3 – Innings Festival – Phoenix, AZ
5/3-5/5 – Welcome to Rockville – Jacksonville, FL
5/10-12 – Rockingham – Charlotte, NC
5/17-5/19 – Sonic Temple – Columbus, OH (fka Rock on the Range)

Aneurysm is a Boston-based alt rock quintet that formed back in 2014 and since their formation they’ve developed a reputation for relentless touring and releasing a handful of 7 inch vinyl releases along the way. Their long-awaited full-length debut Awareness is slated for a February 1, 2019 release through Tor Johnson Records, and the album, as the band’s Dan Bahto explains in an interview with No Echo, the material on the album is sort off a collection of things they had been working on since they started. Interestingly, the album’s first single is the pummeling, mosh pit worthy “St. E’s,” Centered around enormous power chords, thunderous drumming and howled vocals, the track will bring Nirvana, METZ and others to mind; but as the band’s lead singer Mike tells No Echo, “”I was writing from another viewpoint than my own, basically from a hateful, impatient, self-centered adult-child being forced to wait in line behind people whom they feel superior,” Mike says about his lyrics. “I kinda love watching adults lose their cool over minor inconveniences in public.”

 

New Audio: Tony Hawk’s Son Fronts a Sludge Punk Band Warish, Check Out Their Awesome First Single

Featuring founding members Riley Hawk (guitar, vocals) and Bruce McDonnell (drums), the Southern California-Based trio Warish formed earlier this year, when its founding members wanted to try their hand at something a bit more distinct than they’d previous done. “We wanted to do simpler riffs and a fun live show,” Hawk explains in press notes. “A little more punk, a little bit of grunge… a little evil-ish.” Sonically, their sound reportedly draws from a variety of things — early Butthole Surfers, Scratch Acid, Incesticide-era Nirvana, Static Age-era Misfits. With “Fight,” the first single off their self-titled debut EP, slated for a February 19, 2019 release through RidingEasy Records, the trio quickly make their presence known as the song is centered around Hawk’s effects-laden vocals, enormous grunge rock meet thrash punk power chords, pummeling drumming, mosh pit friendly hooks and an aggressively sleazy, Troma Films-like vibe — and it’s fucking awesome.