Tag: Paul McCartney

Like countless other musicians, multi-instrumentalist and singer/songwriter Knox White relocated to Los Angeles to pursue a music career — and to support himself, White began working as a bartender. In a serendipitous turn of fate, Lionel Ritchie was one of his regulars, and after some time, Ritchie became a kind of mentor to the aspiring musician, giving advice and sharing stories about being on the road. The one thing that struck a deep chord with White was when Ritchie told him “Don’t sell your soul to the devil to get success in the music business. Stay humble and treat everyone like they are your friend.” On another night, Paul McCartney stopped by, and McCartney told him stories about The Beatles and Jimi Hendrix. Towards the end of the night, McCartney told him that a musician with an incredible live show is a musician with super powers, and the legendary Beatle told him, “Get amazing first, and everything else will fall into place.”

Eventually, White relocated to New Orleans, arguably one of the country’s richest musical environments — and unsurprisingly, he immersed himself in the city’s music scene, playing everything from gospel to jazz; in fact, as the story goes, White was immediately hired to play guitar at the Household of Faith Church, playing alongside some incredibly accomplished musicians, who took him under his wing, introduced him to other musicians, which lead to ton of gigs.  He found himself playing at clubs across the city playing and mastering gospel, blues, calypso, jazz and contemporary fare until the early morning. And naturally, while exhausting, White felt reinvigorated, returned to Los Angeles, where he began collaborating with producer Josh Legg, best known as Goldroom, and began writing fusing the skills and knowledge he gained while in the Crescent City and his influences — Prince, Michael Jackson, Jimi Hendrix and Tame Impala.

White’s self-titled, debut EP is slated for release in July, and the EP’s first single “You’ve Been My Girl” is a sleek and slickly produced track that owes a tremendous debt to 80s synth funk  (i.e., Oran “Juice” Jones‘ “The Rain,” Cherelle’s “Saturday Love” and others) and Prince, thanks to some impressive guitar pyrotechnics throughout; but interestingly the song finds the narrator calling out a love interest for being indecisive and playing with his emotions. Certainly, we’ve all been there before.

 

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New Video: The Psychedelic Visuals for Hebdo’s 70s Rock Channeling “Go Back Home”

Joseph Hebdo is a Columbus OH-born and based singer/songwriter and producer, known by mononym Hebdo, who with the release of four EPs and two full-length albums has developed a reputation for an adventurous defiance of easy categorization although sonically, he has generally specialized in a rather anachronistic sound, influenced by Paul McCartney, Dr. Dog, Beck, Andrew Bird and others, complete with layered vocals, incredibly catchy choruses and a deliberate attention to craft. Unsurprisingly, his songwriting process initially begins in solitude, building songs in the studio and experimenting endlessly before brining in backing musicians to flesh out the material and add finishing touches — i.e., overdubs, additional tracking and the like. However, his latest single “Go Back Home” was recorded with a full-band in a single session at 3 Elliot Studio and the single finds the Columbus, OH-based singer/songwriter and his backing band sounding as though they were taking cues from Creedence Clearwater Revival, Bob Dylan, The Band and Neil Young with the material walking a tightrope between folk, AM rock, southern rock, complete with a loose, jam-band like vibe and an impressive guitar solo.

Adding to the anachronistic vibes, the recently released video pairs 70s-inspired animation with slickly, shot live footage evoking travel in a variety of forms that’s adds a trippy sensibility to the proceedings. 
 
 

Perhaps best known as the co-founder of Department of Eagles, multi-instrumentalist Fred Nicolaus’ solo, side project Golden Suits quickly won attention with the release of a self-titled full-length album that thematically focused around a breakup and an obsession with a collection of short stories by John Cheever. And as a result, Nicolaus developed a reputation for crafting contemplative, folk-leaning indie rock; however, with the release of “Is It Wrong” the multi-instrumentalist reveals a subtle change of sonic and songwriting approach as the song manages to sound like a breezy and mischievous version of The National covering the likes of Tom Petty and Paul McCartney.

 

 

 

 

Comprised of long-time friends and collaborators, the Sydney, Australia-born, Los Angeles-based multi-instrumentalist production duo Intergalactix have a long-held reputation behind the scenes producing material for a number of renowned artists including Jason Mraz, Heart, Earth, Wind, and Fire, Kelis, Allen Stone, Ariana Grande, The Fugees‘ Pras MichelCool & Dre, fellow countrymen Jimmy Barnes and PNAU, as well as  Cash Money Records.

Last year, the production duo began to establish themselves as artists  with the release of their debut EP I.W.S.O.M, which featured the single “Tuesday.” Building upon an already growing national profile, the duo toured extensively to support the EP — and it included a set at Firefly Music Festival. (Interestingly, the festival may have had one of the biggest and most star-studded lineups of this past year’s festival season as Intergalactix played a bill that included Paul McCartney, Kings of Leon, Snoop Dogg, The Killers, Morrissey, and several others.)

Thursday marks the release of the Australian-born, Los Angeles-based duo’s sophomore EP S.T.S. – R.N.D.  and the EP’s latest single “Right Next Door” featuring Capital Cities‘ Spencer Ludwig will further cement Intergalactix’s reputation for sleek, retro-futuristic synth pop that channels The Gap Band‘s “You Dropped A Bomb On Me” and “Outstanding,Rick James and The TemptationsStanding On The TopThe WhispersAnd The Beat Goes On” and “Rock Steady,” and Cameo‘s “Word Up,”as well as more contemporary fare including Dam-Funk, Rene Lopez‘s most recent return to all things funk, Boulevards, ISHI, and a growing list of others.

Growing up listening to a ton of synth funk back in the 80s, it isn’t surprising that a number of contemporary artists have revived that sound — both eras specialize in slick production based around sinuous bass lines, shimmering arpeggio synths, four-on-the-floor drumming (or drum programming), anthemic hooks paired with an incredible sense of memorable melody and sensual vocals. You can’t help but recognize how sexy the song is — but it’s also a certified club banger, that should make you get up out of your seat and to the dance floor.

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