I’ve written a bit about the acclaimed Los Angeles-based psych rock act and JOVM mainstays Allah-Las throughout the course of this site’s nine-plus-year history, and as you may recall, the Southern Californian band — Matthew Correia (drums), Spencer Dunham (bass), Miles Michaud (vocals, guitar) and Pedrum Siadatian (guitar) — formed back in 2008, and can trace their origins tow hen three of the band’s four members worked at famed, Los Angeles-based record store Amoeba Music. Since then, the band has released three full-length albums that have firmly established their sound, a sound that draws heavily from 60s psych rock, surfer rock and garage work — while thematically, their work is largely inspired by their hometown.
The acclaimed psych rock band’s fourth album LAHS is slated for an October 11, 2019 release through Mexican Summer Records, and the album, which derives its name from a common misspelling of the band’s name reportedly finds the band crafting material that reveals their growth as songwriters, performers, arrangers and producers. Much of the album’s material focuses on Krautrock-like grooves — with album single “In The Air,” a shimmering and hook-driven track evoking a hazy and lingering lysergic fugue. “Polar Onion,” the album’s second track was centered around shimmering, acoustic guitar, gently padded drumming — and while evoking an aching longing, the song sounded as though it could have been released between 1966-1969. Interestingly, LAHS third and latest single “Prazer Em Te Conhecer” is the first single in the band’s growing catalog that’s written and sung exclusively in Portuguese. Much like its immediate predecessor, the track is centered around shimmering guitars — both acoustic and electric — plaintive vocals and harmonizing and a soaring hook. And while bearing an uncanny resemblance to Wish You Were Here-era Pink Floyd, the song manages to evoke an aching nostalgia that feels appropriate with yet another summer coming to a close.
The recently released video by Matt Correia features Super 8 mm footage at California’s shore — young people hamming it up at the beach, as well as the members of the band flying around the coast in a small airplane. All if it is shot in declining sunlight, which helps emphasizes the wistful nostalgia at the heart of the song.