Moscow-based instrumental funk outfit The Diasonics — Anton Moskvin (drums), Maxim Brusov (bass guitar), Anton Katyrin (percussions), Daniil Lutsenko (guitar) and Kamil Gzizov (keys) — formed back in 2019 and in a relatively short period of time, the Russian quintet quickly amassed a cult following while honing what they’ve dubbed “hussar funk,” a blend of hip-hop rhythms, 60s and 70s psychedelia, Eastern European flavor within cinematic arrangements
Since their formation, The Diasonics have released ten highly celebrated singles and various in-demand 45 vinyl records through funk labels like Funk Night Records and Mocambo Records. Their highly-anticipated full-length debut, Origins of Forms is slated for a January 28, 2022 release through Italian funk and soul purveyors Record Kicks.
Recorded on an Otari MX-5050 MK III at Moscow’s Magnetone Studio and mixed by The Cactus Channel‘s and Karate Boogaloo‘s Henry Jenkins in Melbourne, the album’s overall aesthetic is firmly rooted in the early 60s and 70s. Last month, I wrote about “Gurami,” Origins of Forms‘ first single, slow-burning and soulful strut, centered around shimmering, wah wah pedaled guitar that’s a mash up of Turkish psych, boom bap breakbeats, organ jazz and trippy grooves. The end result, a song that sounded as though it could have been part of the soundtrack of a Sergio Leone Spaghetti Western or an deep instrumental soul obscurity sampled by the RZA and then later played by El Michels Affair.
“Andromeda,” Origin of Forms‘ second and latest single features boom bap breakbeats, looping guitar lines, cosmic grooves, congo drum and shimmering organ in an expansive composition that mashes prog rock, jazz fusion, Turkish psych and komische musik. Sonically, “Andromeda” reminds me of Mildlife and L’Eclair — with a subtle Western tinge.