Tag: Record Kicks

Single Review by William Ruben Helms

Moscow-based instrumental funk outfit The Diasonics — Anton Moskvin (drums), Maxim Brusov (bass guitar), Anton Katyrin (percussions), Daniil Lutsenko (guitar) and Kamil Gzizov (keys) — formed back in 2019 and quickly developed a sound that they’ve dubbed “hussar funk,” a blend of elements of hip-hop rhythms, 60s and 70s psychedelia and Eastern European flavor paired with cinematic-leaning arrangements. And with their unique sound and approach, the Russian funk quartet have managed amass a cult following within the international funk and soul scenes.

Since 2019, The Diasonics have been remarkably prolific: They’ve released ten highly-celebrated singles and various in-demand 45s through indie funk labels like Funk Night Records and Mocambo Records. Their full-length debut, 2022’s Origins of Forms was released through acclaimed Italian funk and soul purveyors, Record Kicks. 

Recorded on an Otari MX-5050 MK III at Moscow’s Magnetone Studio and mixed by The Cactus Channel‘s and Karate Boogaloo‘s Henry Jenkins in Melbourne, Origins of Forms‘ saw the Russian outfit firmly cementing their overall sound and aesthetic.

 The Diasonics’ latest single, the Henry Jenkins produced and mixed “Beggin'” is an instrumental rendition of a Bob Gaudio and Peggy Farina penned tune that was recorded by Frankie Valli and The Four Seasons in 1967. “Beggin'” became a British, Northern Soul scene classic in the late 1970s — and since then has been covered numerous times over the years, including most recently by Italian rock group Måneskin. The Diasonics rendition retains the dance floor friendliness of the original but with a bit more of an emphasis on wah-wah guitar-driven, soaring and glistening keys and a ridiculously supple and funky bass line, making it a must-have for those looking for deep grooves.

“Beggin'” is available on all digital stream platforms, but it also will be releasing on a limited edition 45 vinyl on March 8. Pre-order here.

Single Review by William Ruben Helms

Reno-based soul outfit The Sextones — siblings Mark Sexton (vocals, guitar) and Christopher Sexton (piano), with Alexander Korostinsky (bass), and Daniel Weiss — are all childhood friends, and as a result their musical chemistry is effortless and forms the foundation of the band’s longevity and creative process. 

Over the years, the band’s members have also been able to channel their creativity into other acclaimed projects — Mark Sexton and Korostinsky collaborate together in the cinematic soul project Whatitdo Archive Group, which released their critically applauded full-length debut The Black Stone Affair through Italian purveyors of funk Record Kicks back in 2021. Weiss has played with soul jazz outfit Delvon Lamarr Organ Trio. These forays into other projects has not only allowed the members to flex their creative muscle individually but it has also strengthened their collective songwriting chops. 

The Reno-based soul quartet signed to Record Kicks, who will release their Kelly Finnigan-produced sophomore album Love Can’t Be Borrowed on September 29, 2023. The album reportedly is a new chapter in the band’s story and sees the band attempting to scale new heights and plumb deeper emotional depths. Drawing from their upbringing steeped in the classic soul sound, the band’s Mark Sexton and Alexander Korostinsky knew they wanted the album to highlight their old-school bonafides while leaving room for innovations. The pair and their bandmates found that balance during marathon recording sessions at Finnigan’s San Rafael, CA-based Transistor Sound Studio. 

So far I’ve managed to write about two of Love Can’t Be Borrowed‘s singles:

  • “Without You,” an uptempo, two-step inducing jam built around playful call-and-response vocals, twinkling keys, reverb-soaked funk guitar and a locked-in propulsive rhythm section paired with an incredibly catchy hook. While “Without You” sees the Reno-based soul outfit deftly balancing an old-school attention to craft, it’s a sweet, declaration of love, devotion and profound gratitude that’s simultaneously a contented sigh and an acknowledgement that love — much like anything else in our lives — takes hard work. 
  • “Beck & Call,” a slow-burning, classic Quiet Storm-inspired ballad built around a lush, glistening arrangement, Mark Sexton’s achingly tender falsetto paired with the band’s unerring, deliberate attention to old-school craftsmanship and musicianship. Much like its immediate predecessor, the song is a sweet and earnest declaration of love, devotion and vulnerability that you rarely hear these days. 

Love Can’t Be Borrowed‘s fourth and latest single, album title track, the mid-tempo “Love Can’t Be Borrowed,” is built around a Motown-era/Holland-Dozier-Holland attention to craftsmanship and musicianship paired with seemingly fueled by lived-in, personal experience. The song thematically speaks of the personal and moral expectations of a rocky, uncertain relationship, with the narrator being uncertain if he should say or if he should go.

Video by William Ruben Helms

Live Footage: Reno’s The Sextones Perform Slow-burning Quiet Storm-like “Beck & Call” at Washoe County Downtown Library

Reno-based soul outfit The Sextones — siblings Mark Sexton (vocals, guitar) and Christopher Sexton (piano), with Alexander Korostinsky (bass), and Daniel Weiss are all childhood friends, and as a result their musical chemistry is effortless and forms the foundation of the band’s longevity and creative process. 

Over the years, the band’s members have also been able to channel their creativity into other acclaimed projects — Mark Sexton and Korostinsky collaborate together in the cinematic soul project Whatitdo Archive Group, which released their critically applauded full-length debut The Black Stone Affair through Italian purveyors of funk Record Kicks back in 2021. Weiss has played with soul jazz outfit Delvon Lamarr Organ Trio. These forays into other projects has not only allowed the members to flex their creative muscle individually but it has also strengthened their collective songwriting chops. 

The Reno-based soul quartet signed to Record Kicks, who will release their Kelly Finnigan-produced sophomore album Love Can’t Be Borrowed on September 29, 2023. The album reportedly is a new chapter in the band’s story and sees the band attempting to scale new heights and plumb deeper emotional depths. Drawing from their upbringing steeped in the classic soul sound, the band’s Mark Sexton and Alexander Korostinsky knew they wanted the album to highlight their old-school bonafides while leaving room for innovations. The pair and their bandmates found that balance during marathon recording sessions at Finnigan’s San Rafael, CA-based Transistor Sound Studio. 

Late last month, I wrote about Love Can’t Be Borrowed‘s second single, “Without You,” an uptempo, two-step inducing jam built around playful call-and-response vocals, twinkling keys, reverb-soaked funk guitar and a locked-in propulsive rhythm section paired with an incredibly catchy hook. While “Without You” sees the Reno-based soul outfit deftly balancing an old-school attention to craft, it’s a sweet, declaration of love, devotion and profound gratitude that’s simultaneously a contented sigh and an acknowledgement that love — much like anything else in our lives — takes hard work.

Love Can’t Be Borrowed‘s third and latest single “Beck & Call” is a slow-burning, classic Quiet Storm-inspired ballad built around a lush, glistening arrangement, Mark Sexton’s achingly tender falsetto paired with the band’s unerring, deliberate attention to old-school craftsmanship and musicianship. Much like its immediate predecessor, the song is a sweet and earnest declaration of love, devotion and vulnerability that you rarely hear these days.

The live footage was recorded at the historic Washoe County Downtown Library in the band’s hometown in Reno, and it captures the band’s seemingly effortless craft and musicianship.

Single Review by William Ruben Helms

New Audio: The Sextones Share Strutting and Soulful “Without You”

Reno-based soul outfit The Sextones — Mark Sexton (vocals, guitar), Christopher Sexton (piano), Alexander Korostinsky (bass), and Daniel Weiss are childhood friends, and as a result their musical chemistry is effortless and forms the foundation of the band’s longevity and creative process.

Over the years, the band’s members have also been able to channel their creativity into other acclaimed projects — Sexton and Korostinsky collaborate together in the cinematic soul project Whatitdo Archive Group, which released their critically applauded full-length debut The Black Stone Affair through Italian purveyors of funk Record Kicks back in 2021. Weiss has played with soul jazz outfit Delvon Lamarr Organ Trio. These forays into other projects has not only allowed the members to flex their creative muscle individually but it has also strengthened their collective songwriting chops.

The Reno-based soul quartet signed to Record Kicks, who will release their forthcoming Kelly Finnigan-produced sophomore album Love Can’t Be Borrowed on September 29, 2023. The album reportedly is a new chapter in the band’s story and sees the band attempting to scale new heights and plumb deeper emotional depths. Drawing from their upbringing steeped in the classic soul sound, the band’s Mark Sexton and Alexander Korostinsky knew they wanted the album to highlight their old-school bonafides while leaving room for innovations. The pair and their bandmates found that balance during marathon recording sessions at Finnigan’s San Rafael, CA-based Transistor Sound Studio.

“Without You,” the second single off Love Can’t Be Borrowed is an uptempo, two-step inducing jam built around playful call-and-response vocals, twinkling keys, glistening xylophone, reverb-soaked funk guitar, and a locked-in, propulsive rhythm section paired with an incredibly catchy hook. The song sees the band deftly balancing old school attention to craft with earnest, lived in lyricism. But, at it’s core, “Without You” is a sweet, old-timey declaration of love, devotion and profound gratitude that’s a both contented sigh and an acknowledgment that love — much like anything in life — takes hard work.

Single Review by William Ruben Helms

Moscow-based instrumental funk outfit The Diasonics — Anton Moskvin (drums), Maxim Brusov (bass guitar), Anton Katyrin (percussions), Daniil Lutsenko (guitar) and Kamil Gzizov (keys) — formed back in 2019 and in a relatively short period of time, the Russian quintet quickly amassed a cult following while honing what they’ve dubbed “hussar funk,” a blend of hip-hop rhythms, 60s and 70s psychedelia, Eastern European flavor within cinematic arrangements

Since their formation, The Diasonics have released ten highly celebrated singles and various in-demand 45 vinyl records through funk labels like Funk Night Records and Mocambo Records. Their highly-anticipated full-length debut, Origins of Forms is slated for a January 28, 2022 release through Italian funk and soul purveyors Record Kicks.

Recorded on an Otari MX-5050 MK III at Moscow’s Magnetone Studio and mixed by The Cactus Channel‘s and Karate Boogaloo‘s Henry Jenkins in Melbourne, the album’s overall aesthetic is firmly rooted in the early 60s and 70s. Last month, I wrote about “Gurami,” Origins of Forms‘ first single, slow-burning and soulful strut, centered around shimmering, wah wah pedaled guitar that’s a mash up of Turkish psych, boom bap breakbeats, organ jazz and trippy grooves. The end result, a song that sounded as though it could have been part of the soundtrack of a Sergio Leone Spaghetti Western or an deep instrumental soul obscurity sampled by the RZA and then later played by El Michels Affair. 

“Andromeda,” Origin of Forms‘ second and latest single features boom bap breakbeats, looping guitar lines, cosmic grooves, congo drum and shimmering organ in an expansive composition that mashes prog rock, jazz fusion, Turkish psych and komische musik. Sonically, “Andromeda” reminds me of Mildlife and L’Eclair — with a subtle Western tinge.