John Carpenter is a director, screenwriter, producer, editor and composer most commonly known for working in some of the most beloved and influential, horror and science fiction films of the 70s and 80s, including Dark Star (1974), Assault on Precinct 13 (1976), Halloween (1978),The Fog (1980), Escape from New York (1981)The Thing (1982), Christine (1983), Starman (1984), Big Trouble in Little China (1986), Prince of Darkness (1987), and They Live (1988) — with the Halloween theme being one of the most recognizable themes in movie history.

Last year, Carpenter released his first album of non-soundtrack based music, Lost Themes to critical praise from an impressive array of major media outlets including The Guardian, The New York Times, The Times, Uncut, The Wire, The Los Angeles Times, NPR, Pitchfork, Vanity Fair, Newsweek, Billboard, Entertainment Weekly, Artforum, The Wall Street Journal, Rolling Stone and others. Additionally, the album was one of the most commercially successful albums released in Sacred Bones Records history, as the album debuted on the Top 100 Charts in both the UK and US.

Unsurprisingly, the album, which was recorded with his son Cody Carpenter and the fameddirector, producer and composer’s godson Daniel Davies, the album confirms the fact that John Carpenter’s sound and aesthetic was not only ahead of its time but manages to be timeless and powerfully influential — with the work of artists like Red Traces, Umberto and others being deeply indebted to John Carpenter and his film scores. Now interestingly enough Carpenter closed out the last half of 2015 with the release of Lost Themes Remixed, an album that featured remixes from the likes of Zola Jesus, Silent Servant, Foetus‘ JG Thirwell, Skinny Puppy‘s ohGr, PAN Records‘ Bill Kouligas, and Uniform.

The incredibly prolific Carpenter will be releasing a sequel to Lost Themes,  Lost Themes II which is slated for an April 15 release through Sacred Bones Records. The material on Lost Themes II is inspired by a change in the creative process with Cody Carpenter, Daniel Davies and the acclaimed producer writing, working revising and recording in the same studio — and with all three collaborators working together, the result was a more focused effort, completed on a compressed schedule, in a similar fashion to Carpenter’s early films. Additionally, the material is much more nuanced and lush, as the trio of collaborators added acoustic and electric guitar to flesh out the material, as well as add texture.

Lost Themes II‘s first single “Distant Dream” pairs John Carpenter’s unmistakable minimalist synths with live drums, bursts of angular guitar and bass chords, and swirling electronics in a moody and tense composition that sounds as though it could be part of a taut, psychological thriller set in a dystopian future.